@golgathae said: “in TV, flawed characters are constantly showing people they care with these surprising grand gestures. and i think that part of me still believes that's what love is.”
parts of him ache with memory. a still-sparking heart glowing green in the sunlight. the feeling of being torn apart but pushed together and suffocated underneath something that doesn’t belong to him. dirk closes his eyes so that the way he winces is less pronounced. knowing a volcano is erupting nearby but feeling none of the heat, hearing none of the explosion. pure hollywood.
“Yeah.” his lip curls. he can’t exactly dispute this as well as he’d like. dirk’s no stranger to grand gestures -- or, rather, taking a backseat as other aspects of himself plan them. or is it more his fault for believing they’d speak for him? the one thing he’s sure of is that when he was younger, he’d seen the graduate and spent three hours discussing the ending with the auto responder. they’d disagreed viciously, as they so often did: the ar had assured him that confessing everything in the face of rejection was brave, where dirk had found it reckless and idiotic. he thinks of that scene now, the woman in her wedding gown, the back of the bus, the pervasive sense of what have i done. a knot of anxiety twists tight in his stomach, and he breathes out hard against it, quiet in the cold. “I mean, I don’t blame you for it. I thought that too, for a while. It was the only type of love you and I got to see.”
movies didn’t go into the afterwards, the mundane. dirk understands why; it isn’t fun to watch a couple still drowsy with sleep disagree over breakfast options, or plan date nights every thursday because otherwise they’d be too busy looking for and losing themselves miles apart. an audience is shown the grandiose and it is meant to bring them comfort. the audience is shown the prince in the tower and is reassured that one day, he will be saved.
“I guess the grand gesture trope isn’t necessarily always bad in person.” it’s when it’s all they can do that it becomes a crutch. one showstopping romance number isn’t enough to offset the mess they’d made before. he knows that now, better than he did when he was thirteen, better than he did when he was sixteen, better than he did three weeks ago. dirk is always learning, always doing his best to add to what he knows instead of demolishing it and starting again whenever he doubts.
“I like the smaller moments better, though.” when they wake up within twenty minutes of each other. when he blinks his eyes open and jake turns back to his phone just a few seconds too slow. the one time he’d flipped a pancake fucking perfectly and they’d saved that one for last. when jake tracks mud into his workshop and dirk catches the flash of camera in the corner of his eye and pretends not to notice. when roxy asks him how things are and dirk thinks of jake before he answers fine. “I think it’s all love, but the big declarations of it aren’t permanent enough. It isn’t something you have to prove by going out of your way to do so. You prove it by making an effort where it counts, and where it counts can be arbitrary.” he doesn’t want to ramble, but something feels important and it’s just out of his reach. maybe he’s trying to say i love you. maybe he’s always trying to say that.
“Regardless, this isn’t TV.” he says it like it’s just a statement. “Flawed folk can do as many big surprises and plot convoluted dates all they want, but they’re still flawed.” he’s trying not to talk about himself, but he falls into the trap often when he’s talking about how people fall short. “It takes more than that. But I guess that’s not as fun to sit through for an hour a week.” it sure is shitty to live through, after all.