As I’ve written into Insurrezione Gotica (Gothic Insurrection), the peculiar outsidness of the {abstract} barbarian towards major languages, written codes and politics (I know! This is the exactly opposite of Haraway’s cyborg, but I don’t think they should totally reject each other) makes him, in the eyes of sedentaries, more akin to animals, plants or even commodities! But it’s exactly this kind of inhuman kinship that makes the nomadic barbarian the sworn enemy of civilization but, also, the true protagonist of the revolt against the “modern world” aka neoliberalism, statalism, nationalism, socialism, capitalism, marketism and fascism. Furthermore, barbaric affects are as much hybrid as barbarian ontology: they’re ambiguous, unclear and obscure, both in regard of their contents and their objects (we got spirits, anthropomorphic animals and plants, animism, demiurgism and also demonism). At the same time, this fragmentary (ap)perception is deeply aware of the immanence of chaos and death, of the possibility of a world-without-us (that was or that will be) and of a world-in-itself that is not only for-us humans but also for non-human entities. So, this kind of “empirical patchwork” stretches indefinitely towards differences and multiplicities – maybe even toward a glimpse of the “Vision-in-One”. As Nietzsche wrote in Beyond Good and Evil: “[Barbarians] were more COMPLETE men (which at every point also implies the same as “more complete beasts)”. Humanity has been organized and “organicisized”, striated by laws, boundaries and identities, becoming INCOMPLETE – obviously this is a myth, a very dangerous myth, but has become necessary to live dangerously.
- Claudio Kulesko, "Under the Sign of The Black Mark: Interview with Members of Gruppo Di Nun", Dustin Breitling on Diffractions Collective