Dawn of the Planet of the Apes: Firestorm by Greg Keyes
A surprisingly strong media tie-in novel, especially compared to the same author’s more aimless later work, War for the Planet of the Apes: Revelations. Like that volume, this one is aimed at bridging the gap between the events of two films in the modern Planet of the Apes franchise: in this case, Rise of the Planet of the Apes (2011) and Dawn of the Planet of the Apes (2014). Released a few months ahead of the latter, in functions in part as an extended (re)introduction to two characters who would play an important role in that movie — Dreyfus, leader of the remnant of humanity eking out an existence in post-apocalyptic San Francisco, and Koba, bonobo lieutenant to Caesar in the liberated ape troupe nearby.
One interesting element here is that both those figures wind up functioning as eventual villains in the film, yet are still rather sympathetic heroes when we meet them on the page. That shouldn’t be too surprising for audiences like me coming to the book after having previously seen the movie, since one of the strengths of that script lies in how its antagonists are generally presented not as evil or overtly cruel, but simply as reasonable yet scared people whose priorities are in conflict with Caesar’s. And in this prologue / prequel, of course, such tensions have not yet arisen, though certain latent trajectories are already being set. So the human is a former police chief turned mayoral candidate, the ape is a newly-freed laboratory subject still processing a lifetime of abuse, and both are easy to root for (along with Caesar and a handful of other viewpoint protagonists not featured in the movie series) as the story unfolds.
Another aspect of this text that I love is how, despite its full title and the presence of Dreyfus, it is written less as the setup for Dawn and more as a direct sequel to Rise. Ten years pass off-screen between those installments, so there is plenty of potential plot that could be spun to link them more tightly. Yet audiences don’t particularly need to know the exact circumstances that lead into the later piece, while the immediate aftermath of Rise is inherently pretty compelling. (Amusingly, the main human characters in the two respective movies, Will and Malcolm, are nowhere to be found in this novel.)
So the present tale traces the downfall of human civilization in the wake of the deadly virus that also amplified ape intelligence, and for a 2014 title, it’s fairly electrifying to read after living through the outbreak of the COVID-19 pandemic. Our plague’s fictional predecessor is far more fatal, but the commonalities like the politicization of facemasks, the swift overwhelming of hospital capacities, the general social unrest, and the conspiracies about quarantine orders are certainly striking. Meanwhile a dogged reporter is trying to learn the truth behind the recent ape attack on the bridge and why the local government is covering it up, a primatologist and a reformed poacher get tasked by a shady paramilitary group to help track down the animals, and the apes themselves are attempting to get their bearings and establish what their new life will look like, free from human captivity. An air of tragedy hangs over the entire contingent from our species, who like the cast of Star Wars: Rogue One are doomed by the narrative to lose everything as their inevitable fate plays out.
It’s not quite an essential read, even for fans, and obviously most moviegoers will have gone into Dawn without ever being aware of this publication, let alone having read it (whereupon they and readers alike will wonder what’s up with Malcolm’s remarkably thin backstory). But it’s a worthwhile entry in the overall Apes saga, slowing down to explore a key moment in time that the movies quickly glossed past.
[Content warning for gun violence including against children, suicide, torture, and implied rape.]
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