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Self Defeating Endings With Grom Factor by MoringMark

A link to the comic's, Grom Factor by Moringmark, beginning.

(If you want to skip the preamble about endings and tragedies, I've bolded the start of the paragraph when I actually start talking about Grom Factor) So I don't like making this. I don't really want to comment too much on fanworks. I have no reason to shit on people who are just celebrating The Owl House. My goal is not to make people despise it, it's to analyze, process my own thoughts, and hopefully teach through sharing those thoughts.

But... I can't talk about tragedies with TOH. The VAST majority of media I consume wouldn't give me the chance and, well... Endings are important. Happy Endings actually happen the most often because they're the most safe. The most gratifying. Everything the characters worked for had the simple point of success and a better future. And, you know, I like that. Their ubiquity though makes them a common point of lazy criticism as people will try to nitpick all the things not fixed or it being so happy because, well, the story had to end eventually. It's why I've never really been like "HoW dO wE aCtUaLlY kNoW tHe IsLeS wIlL bE oKaY!?" I don't care. The show says they're happy because they got rid of the evil guy then fine. It needed to end and at least this means our characters can know peace. The only things I really interrogate about the ending is what it says about those characters and the story that was told because that is part of your ending.

But if you want to claim a more complex story, especially if your story is already ripping off so many elements from a previous one (I'm sorry but Grom Factor is just Grom+Eda's Curse but missing the emotional cores of either because we don't know these characters and there's been no real build up. Not to talk about how ripping off your own series' biggest stories is already going to tank investment), a 'tragic' ending can be a way to do that. A bittersweet ending can be a way to do that. A way to undercut the happy ending everyone expected by instead ripping out their heart.

But you run the risk of making the whole story pointless.

Most people will argue that most tragedies are pointless. Romeo and Juliet is so confident in how pointless the love story is that it tells you the two people die at the end at the BEGINNING. But... It's not. The tragedy of Romeo and Juliet sticks with people and is something people want to retell because the tragedy of it all has a point. It talks of the brashness of youth, the collateral damage of endless fury, of how dangerous emotions can be, even the best of them like love. How things can be torn apart and destroyed, futures ended futilely because people will not let go of their emotions or even try to be calm when they have only ever been told to hate. Romeo's passion is both his most attractive quality but also the dooming element that makes sure he kills himself at the end, a trait that Juliet shares and both have from their families who never let people rest. Never allow there to be more than just extreme emotions and so anytime they're emotional, it's big and dangerous.

And so the ending has a point to it. It is the only one that fits the thematics and condemns properly all the damage that was done. That sweet words cannot fix an endless cycle of hate. It is an ending forced by the entire point of the story. Something is only self defeating when there isn't really a theme, core or narrative goal that requires that sort of tragedy. Or, worse yet, when the ending actively undermines all of those elements.

So let's finally talk about Grom Factor. For those who haven't read it, my description earlier is not far off. Luz and Amity's child, Ayzee, causes herself to be named as the next person who will fight Grom. She does this for the most bog standard next gen reason: Wanting to prove herself in contrast to her successful parents. To be her own person and prove that she can be great too. Meanwhile, her girlfriend Milan doesn't want this, partially due to being a healer and following the hypocratic oath, but then commits to helping her girlfriend no matter what. In this process, she gets a part of Philip's journal that shows that Grom is actually a small, scared child. So while Ayzee is preparing to fight Grom, her girlfriend prepares to try to cure Grom.

Big fight ensues, the elixir they bring (yes, just Eda's eliixir, nothing specialized or more complicated) doesn't work and Grom EXPLODES into something more dangerous than ever before. Ayzee and Milan are given a petrification glyph by Amity and Luz after showing Ayzee doesn't have magic of her own, they do a dance to get to the core of Grom to use the glyph... And Milan instead uses Lilith's spell from the end of S1 in order to split the pain of Grom and take the curse onto herself. It works but now anyone who touches Milan gets their fears shouted at them because her hair is now at least partially Grometheus. Then the two leads talk, kiss but we see in Ayzee's head that she is being tortured during the kiss with her fears of inadequacy and the idea that she will always end up hurting other people.

So there you go. A story about one person selfishly throwing themselves in danger without a care about others or the harm she may cause due to her potentially ready for this while the other lead preaches a stop to all harm and even pushes to save a monster because they're in pain too. All the while, the arc tries to sell us on the relationship and how much they theoretically care about each other, especially since this is their first arc together as a couple.

So the actual way to go for a tragic ending, that has similar results to what the comic does, is actually not that hard to see. Ayzee's fears and inadequacies, and her need to prove herself, has HER save Grom while thinking that this will fix her mistake and make her girlfriend happy because she's now taking part of her girlfriends beliefs: To let no one suffer. She could see about someone else taking the pain or not take charge in this situation her flaw, the thing that set all this up for failure which is a component of tragedies. is being unwilling to allow others to do that. To put the burden on herself. So, knowing that killing Grom would hurt someone she cares about by forcing her to take a life, but also needing to do something to set things right, especially as she sees this as her mistake through her original sin of wanting to fight Grom for glory, she sacrifices her happiness to do a selfless act and save the creature. It's bittersweet because of all the curse will do to her but it does actually resolve an arc to the episode and has something to say about how looking for danger for glory is always going to lead to more trouble than you want to have found. It has a POINT.

Instead... Milan's just such a dang good healer! It was so foolish of her to be a good doctor and not want harm upon others. If she had just been like Ayzee and focused more on herself, she might have been willing to let Grom rot and get to have anything resembling a happy life afterwards. Instead, this genuinely just good trait of this good person who did nothing wrong the entire story, means that she will NEVER have relationships again. Not just with Ayzee but ANYONE because she inherently harms people around her by mentally torturing them. By her own character motivations, this means she isn't going to be okay EVER unless this is cured.

But that doesn't track with the reveal of Grom's backstory. Because, you know, that did happen. The story ends so fast after Grom is saved and barely lets her have any time that it's almost easy to forget. But... Grom was made into what she was by cursing herself for the sake of power... To protect others. She was selfless. With it being Milan who saved her, this is meaningless. At best, it's cycles repeating. If Ayzee had, it would have been part of the point the story theoretically sets up for how one needs to do things for others, not for themselves. Instead, I guess the lesson is no good deed goes unpunished? It's not even that personal glory hurts those around you as collateral damage because that's NOT what Grom did.

And finally, there's just the last comic in general that REALLY highlights how little Milan or Grom matters here. She shrugs off the curse. She shrugs off the consequences. Her pain doesn't matter. The only pain that matters is AYZEE'S because this is still her story and NEVER was Milan's. All of this trivializes the tragedy and sacrifice Milan made, as well as the saving of Grom, because those things had nothing to do with the actual focus of the story which doesn't even payoff because the ending shot is making sure we know just how miserable Milan will make Ayzee's life.

THAT is a self defeating ending. The relationship that this arc ostensibly solidifies and sells to the audience? Dead. Ayzee's fears and worries? Made WORSE. Any themes about the need to do what is best for all instead of best for yourself? Falling on the character who already knew that OR saying that doing so always sucks for the person who actually gives a fuck. Any payoff for this? Dismissed so it can only focus on the person SPARED any consequences from her actions except tangentially. And yes, tangentially since Ayzee just needs to get over a teenage crush while Milan will never be a healthy partner to anyone.

The closest you might want to say is that because Ayzee's life did get worse, it sticks to a theme of her brash actions having consequences but then why is the ONLY person to explicitly be harmed by all of this Manila who didn't share that same flaw? At least in Romeo and Juliet, they BOTH die because they BOTH suffer from dangerous levels of brashness and passion. Not many main characters in tragedies get out unscathed for a reason. Usually even if others do get killed during their story, they still suffer just as badly, if not worse.

You can't even go with "Well, at least this version allows Ayzee to be her own person," something that would have been undercut by fusing with a creature" " which is ostensibly part of the point of this sort of next gen arc. To prove they stand alone from what came before... Except no. Ayzee's angst at the end, blaming herself for this, thinking everything she does will always end up hurting others, is literally just Luz's angst arc post Hollow Mind and just about as unreasonable for self hate as her justification. So even that theme, the most basic, number one next gen theme is pointless here, especially since it doesn't even get resolved in any way. The ending, and even the comments recognize this, reinforces that Ayzee is right: People will only ever see her like a little Luz instead of a strong witch herself.

So is there ANY point to this ending? Well... because it's a next gen retelling. Because TOH already did Grom. Already had Luz wanting to prove herself through being Grom Queen. Literally Ayzee's entire arc here is a more blatantly selfish, less interesting version of what her mom did one generation ago. The twist of Grom actually being a good person... *gestures to every character arc in TOH* so that adds literally nothing new, especially since it ends the same way as Eda's curse with the same spell. As such, if it ends happily, and with the couple okay and stronger than before... It literally is just Grom. So you have to give it a tragic ending or else there's no point to this story existing. There's nothing to say except that it's a worse version of the original and why didn't you try to shake things up at all?

It highlights the fact that yeah, this arc is just flawed from a conceptual standpoint which isn't surprising to me. This arc is much of why I made a post a couple days ago about the Isles being an objectively terrible setting for a follow up story. This story is the epitome of everything people dislike about next gen stories, even up to every change they make in a retelling being just worse than the original.

And here's the final nail in the coffin: I will never care about these characters because of this arc but especially because of this ending. We knew almost nothing about Milan before this besides her being Ayzee's girlfriend. Hell, we barely knew anything about AYZEE because we haven't gotten that many comics with her so the only trait that's really been established is that she's a gamer. And yet, in their first outing, a chance to really show who they are and to make them more distinct than Luz and Amity... Well, doing literally anything for your girlfriend and being a damn near saint is just what Amity turned into eventually and I've talked about how much the arc hammered in that Ayzee is literally just Luz all over again. It's a miracle she's not named Buz. Then the ending says screw you to any payoffs or themes for the sake of having ANYTHING to distinguish this from the original and little else. Even the idea that these characters could lead to a fun, silly extension of the show by how absolutely miserable the ending is.

So at this point... Why should I ever bother with these characters again? That seems like a self defeating goal for myself as a viewer.

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As a note, this isn't because someone brought it to my attention. I still follow Mark and have since even before his started his final Star Versus comic story. I want to support him, I don't think he's a terrible writer and I like plenty of his comics, but it's rough when he took like two years to finally do a large arc like this again and it's just... not good. And no, I don't like A Hint of Blue either unfortunately but unless I just want to talk about how a boring romance happens, I probably won't ever do a blog like this on that.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

#the owl house criticism #toh critical #toh #the owl house #Grom Factor #moringmark

Moringmarks new series

it's been great seeing Moringmark writing longer stories and while I'm not the biggest fan of a little hint of blue and grom factor is a little rough around the edges it's a solid first attempt and I'm excited to see more like it

also the last few chapters of grom factor where great

#the owl house #moringmark #toh #a little hint of blue #grom factor #owl house