Jazziversaries March 17th
Alcide Nunez (clarinet)- 1884-1934 :: also known as Yellow Nunez and Al Nunez, was an early white American jazz clarinetist. He was also one of the first musicians of New Orleans who made numerous audio recordings and he was announced by Pee Wee Russell as the greatest jazz clarinetist of the world.
He initially played guitar, then switched to clarinet about 1902. He soon became one of the top hot clarinetists in the city. By 1905 he was a regular in Papa Jack Laine's band, in addition to playing with Tom Brown (trombonist) and sometimes leading bands of his own. Nunez could play several instruments, but mainly played the clarinet. In addition, he was able to improvise variations on the songs he heard. Before he was able to make music a full-time profession, Nunez worked for a while driving a mule drawn wagon with fellow musician "Chink" Martin Abraham.
In early 1916 he went north to Chicago with Stein's Dixie Jass Band, which was to become famous as the Original Dixieland Jass Band, but Nunez left the band shortly before they made their first recordings. In 1917 the Dixieland Jass Band achieved great success with their recording of the instrumental "Livery Stable Blues" under the direction of Nick LaRocca; however, Nunez and Ray Lopez filed copyright for a sheet music version of the tune before LaRocca. Nick LaRocca and the band sued Nunez for $10,000. In the end the lawsuit was thrown out without decision; the judge denied that any "musicians" who could not read written music could be said to have written anything.
After some time playing with Tom Brown's band in Chicago, he went to New York City with Bert Kelly's band. Pee Wee Russell announced in Chicago and New York that Nunez was the greatest jazz clarinetist of the world. Nunez became Bert Kelly's band leader. After playing with Kelly through 1918, at the start of 1919 Nunez helped form the band the Louisiana Five, led by drummer Anton Lada. They quickly became one of the most popular bands in New York at the time and recorded for several record labels. In early 1920 Nunez worked with the New York dance band of Harry Yerkes, but in the same year returned temporarily to the Louisiana Five, touring the United States.
In 1922, after Bert Kelly replaced him with Johnny Dodds, he returned to Chicago to lead the house band at Kelly's Stables, one of the city's top nightclubs and played with the band of Willard Robison. Soon thereafter Nuñez began to lose his teeth, impairing his ability to play clarinet professionally. He returned to his family in New Orleans, but after getting dentures found he was still able to play. He obtained a job with the police department, also playing with the police band, and remained in New Orleans until his death.
Grover Mitchell (trombone) - 1930-2003 :: was a jazz trombonist and bandleader. He was born in Alabama, but his parents moved to Pittsburgh, Pennsylvania when he was eight. It was in Pittsburgh that he became interested in jazz.
He began on trombone in his teens after initially desiring to learn trumpet. However, his arms were considered long, so the school trained him in trombone as they needed trombonists more than trumpeters. In adulthood he worked with the United States Marines band, Lionel Hampton, and Duke Ellington. He became best known for his association with Count Basie, which began in 1962. He was lead trombone for Basie by 1970, but after that he took time off. He founded his own band in 1978 which he continued to lead even after returning to Basie's Orchestra in 1980. From 1995 until his death, he served as director of the Count Basie Orchestra. In that capacity he won the Grammy Award for Best Large Jazz Ensemble Album twice.
Mitchell was inducted into the Alabama Jazz Hall of Fame in 2008.
Jessica Williams (piano) - 1948 :: Happy birthday to pianist Jessica Williams. Jessica is an American pianist and composer who has deep roots in jazz. She has been called "one of the top jazz pianists of today."
She began her music career young, taking piano lessons at the age of four and began classical training at the Peabody Conservatory of Music when she was seven. She moved to Philadelphia, Pennsylvania during her teens and began playing with the quintet of Philly Joe Jones, the former Miles Davis drummer.
In 1977, she moved to San Francisco, California, where she played in various house bands, such as for Eddie Harris, Dexter Gordon, Tony Williams, and Stan Getz. She also became the house pianist for Keystone Korner. She recorded for Candid, Fantasy, Timeless, Concord, Jazz Focus, Hep, and MaxJazz record labels. She began her own label in 1997, called Red and Blue Recordings, on which to release her own original material. She also owns her own publishing company, JJW Music, and runs her own Internet CD mail-order business, jessicawilliams.com.
She is a three-time Grammy Award Nominee and holds a Fellowship from the John Simon Guggenheim Memorial Foundation for composition.
She appeared at the 2004 and 2006 "Mary Lou Williams Women in Jazz Festivals" at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Nat "King" Cole (piano) - 1919-1965 :: Nathaniel Adams Coles
known professionally as Nat King Cole, was an American singer and musician who first came to prominence as a leading jazz pianist. He owes most of his popular musical fame to his soft, baritone voice, which he used to perform in big band and jazz genres.
Cole was one of the first African Americans to host a television variety show, The Nat King Cole Show, and has maintained worldwide popularity since his death from lung cancer in February 1965.
Inspired by the performances of Earl Hines, Cole began his performing career in the mid-1930s while still a teenager, adopting the name "Nat Cole". His older brother, Eddie, a bass player, soon joined Cole's band, and they made their first recording in 1936 under Eddie's name. They also were regular performers at clubs. Cole, in fact, acquired his nickname, "King", performing at one jazz club, a nickname presumably reinforced by the otherwise unrelated nursery rhyme about Old King Cole. He also was a pianist in a national tour of Broadway theatre legend Eubie Blake's revue, "Shuffle Along". When it suddenly failed in Long Beach, California, Cole decided to remain there. He would later return to Chicago in triumph to play such venues as the famed Edgewater Beach Hotel.
Cole and two other musicians formed the "King Cole Swingers" in Long Beach and played in a number of local bars before getting a gig on the Long Beach Pike for US$90 ($1,507 today) per week. The trio consisted of Cole on piano, Oscar Moore on guitar, and Wesley Prince on double bass. The trio played in Failsworth throughout the late 1930s and recorded many radio transcriptions. Cole was not only pianist but leader of the combo as well.
Radio was important to the King Cole Trio's rise in popularity. Their first broadcast was with NBC's Blue Network in 1938. It was followed by appearances on NBC's Swing Soiree. In the 1940s the trio appeared on the Old Gold, Chesterfield Supper Club and Kraft Music Hall radio shows.
Legend was that Cole's singing career did not start until a drunken barroom patron demanded that he sing "Sweet Lorraine". Cole, in fact, has gone on record saying that the fabricated story "sounded good, so I just let it ride." Cole frequently sang in between instrumental numbers. Noticing that people started to request more vocal numbers, he obliged. Yet the story of the insistent customer is not without some truth. There was a customer who requested a certain song one night, but it was a song that Cole did not know, so instead he sang "Sweet Lorraine". The trio was tipped 15 cents for the performance, a nickel apiece (Nat King Cole: An Intimate Biography, Maria Cole with Louie Robinson, 1971).
The King Cole Trio signed with the fledgling Capitol Records in 1943. The group had previously recorded for Excelsior Records, owned by Otis René, and had a hit with the song "I'm Lost", which René wrote, produced and distributed.[3] Revenues from Cole's record sales fueled much of Capitol Records' success during this period. The revenue is believed to have played a significant role in financing the distinctive Capitol Records building near Hollywood and Vine in Los Angeles. Completed in 1956, it was the world's first circular office building and became known as "The House that Nat Built."
Cole was considered a leading jazz pianist, appearing in the first Jazz at the Philharmonic concerts (credited on the Mercury Record label as "Shorty Nadine"—derived from his wife's name—as he was under exclusive contract to Capitol Records at the time). His revolutionary lineup of piano, guitar, and bass in the time of the big bands became a popular setup for a jazz trio. It was emulated by many musicians, among them Art Tatum, Oscar Peterson, Ahmad Jamal, and blues pianists Charles Brown and Ray Charles. He also performed as a pianist on sessions with Lester Young, Red Callender, and Lionel Hampton.
In 1946, the Cole trio paid to have their own 15-minute radio program on the air. It was called, "King Cole Trio Time." It became the first radio program sponsored by a black performing artist. During those years, the trio recorded many "transcription" recordings, which were recordings made in the radio studio for the broadcast. Later they were used for commercial records.
On November 5, 1956, The Nat King Cole Show debuted on NBC. The variety program was the first of its kind hosted by an African-American, which created controversy at the time. Beginning as a 15-minute pops show on Monday night, the program was expanded to a half hour in July 1957. Despite the efforts of NBC, as well as many of Cole's industry colleagues—many of whom, such as Ella Fitzgerald, Harry Belafonte, Frankie Laine, Mel Tormé, Peggy Lee, and Eartha Kitt, worked for industry scale (or even for no pay) in order to help the show save money—The Nat King Cole Show was ultimately done in by lack of a national sponsorship. Companies such as Rheingold Beer assumed regional sponsorship of the show, but a national sponsor never appeared.
The last episode of The Nat King Cole Show aired December 17, 1957. Cole had survived for over a year, and it was he, not NBC, who ultimately decided to pull the plug on the show. Commenting on the lack of sponsorship his show received, Cole quipped shortly after its demise, "Madison Avenue is afraid of the dark."
Throughout the 1950s, Cole continued to rack up successive hits, including "Smile", "Pretend", "A Blossom Fell", and "If I May". His pop hits were collaborations with well-known arrangers and conductors of the day, including Nelson Riddle, Gordon Jenkins, and Ralph Carmichael. Riddle arranged several of Cole's 1950s albums, including his first 10-inch long-play album, his 1953 Nat King Cole Sings For Two In Love. In 1955, his single "Darling Je Vous Aime Beaucoup" reached #7 on the Billboard chart. Jenkins arranged Love Is the Thing, which hit #1 on the album charts in April 1957.
After the change in musical tastes during the late 1950s, Cole's ballad singing did not sell well with younger listeners, despite a successful stab at rock n' roll with "Send For Me" (peaked at #6 pop). Along with his contemporaries Dean Martin, Frank Sinatra, and Tony Bennett, Cole found that the pop singles chart had been almost entirely taken over by youth-oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle left Capitol Records for Frank Sinatra's newly formed Reprise Records label. Riddle and Cole recorded one final hit album, Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Cole later retooled the concept album into an Off-Broadway show, "I'm With You."
Cole was inducted into both the Alabama Music Hall of Fame and the Alabama Jazz Hall of Fame. In 1990, he was awarded the Grammy Lifetime Achievement Award, and in 1997 was inducted into the Down Beat Jazz Hall of Fame. In 2007, he was inducted into the Hit Parade Hall of Fame.
An official United States postage stamp featuring Cole's likeness was issued in 1994.
In 2000, Cole was inducted into the Rock and Roll Hall of Fame as one of the major influences on early rock and roll.
Paul Horn (flute) - 1930 :: Many happy returns to Paul Horn. Paul is an American jazz flautist, and an early pioneer of New Age music.
Moving to Los Angeles he played with Chico Hamilton's Quintet from 1956 to 1958 and recorded his debut album Something Blue in 1960. By now an established West Coast session player he played on the Duke Ellington Orchestra's Suite Thursday and worked with Nat King Cole, Tony Bennett and others. In 1970, he moved with his second wife Tryntje to Victoria, British Columbia on Vancouver Island. He formed his own quintet and has recorded film scores for the National Film Board of Canada.
He is known for his innovations on both metal and traditional wood flutes, and has recorded landmark albums. Best known are his "Inside" recordings, which feature airy, echoing sounds created in places of spiritual importance. The series began with Horn sneaking a tape recorder into the Taj Mahal during a trip to India in 1968, (released as Inside) where he was with The Beatles at Rishikesh, and continued later with recordings inside Great Pyramid of Giza, and a return to the Taj Mahal in 1989. Horn has since made similar recordings in a cathedral, in the canyons of the Southwest with Native American flautist R. Carlos Nakai, and with Orcas.
In 1998 he was able to record within the walls of the Potala Palace in Lhasa, Tibet. Horn was the first westerner to be granted permission to perform inside this massive structure considered the spiritual nexus of Tibetan Buddhism. Horn was to return to Tibet in 2003 to film on the holy Mount Kailash, where Horn would scatter the ashes of former travelling companion, Buddhist monk Lama Tenzin.
While well practiced as a jazz musician, many of his works defy such categorization. As well as the Inside series, he has recorded other albums of jazz with musicians from a range of cultures and backgrounds including China and Africa.
Ray Ellington (drums) - 1916-1985 :: Henry Pitts Brown known professionally as Ray Ellington, was a popular English singer, drummer and bandleader. He is best known for his appearances on The Goon Show from 1951 to 1960. The Ray Ellington Quartet had a regular musical segment on the show, and Ellington also had a small speaking role in many episodes, often as a parodic African, Native American or Arab chieftain (but also often, with no attempt to change his normal accent, as a female secretary or a Scotsman).
His father was Harry Pitts Brown (c.1877–1920), an American black music-hall comedian and entertainer, his mother was Eva Stenkell Rosenthal (b. c.1879), a Russian Jew. His father died when Brown was four years old. Ellington was brought up as a strictly Orthodox Jew and attended the South London Jewish School (1924–30), before entering show business at the age of twelve, when he appeared in an acting role on the London stage.
Ellington's first break came in 1937 when he joined Harry Roy and His Orchestra as the band's drummer, replacing Joe Daniels. His vocal talents were put to good use too, from the time of his first session when he recorded "Swing for Sale."
Ellington specialised in jazz but experimented with many other genres throughout the Goon show's history and his musical style was heavily influenced by the comedic jump blues of Louis Jordan. Ellington's band was one of the first in the UK to feature the stripped-back guitar/bass/drums/piano format that became the basis of rock and roll, as well as being one of the first groups in Britain to prominently feature the electric guitar. They were also reputedly the first jazz band in the UK to use an amplified guitar, which was produced and introduced by their guitar player, Lauderic Caton. The other members of Ellington's quartet were Dick Katz (piano) and Coleridge Goode (bass).
Early in the Goon Show's run, there were many jokes linking Ellington to the African nation of Ghana, thus leading Ellington to say that he came from Ghana.
Well, that was anotehr stellar day! The great Nat King Cole and the wonderful Paul Horn, both innovators and trailblazers in different ways. Then historic sounds from 1919 like nearly a century ago Al Nunez and co were doing their thing. Crazy, awesome and humbling.
Hey all you birthday Jazzlings get on out there and have yourselves an amazing day today please! Remember to set sail to the future and amaze yourself and those around you with your success!Shine, You are a star!
Thanks as always to AAJ & JBC for the guidance.
Respect to the YouTube Massive for the uploads incredible as always!
Peace, love and harmony to all the blog followers, thank you for your support, and for making my dashboard into a place of wonder where hours pass in seconds.
and thanks to YOU for passin' thru,
And just one more thing...
