Alfonso Azpiri “Gulnare” Demon Wind (Heavy Metal Magazine 2005) Source

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Alfonso Azpiri “Gulnare” Demon Wind (Heavy Metal Magazine 2005) Source
Elena Svinko is getting some substantial debuts this October!! She's debuting Gulnare on the 14th and the Sylph on the 27th, fingers crossed we get some good footage! Very happy to see her being given lots of opportunities while many other Mariinsky soloists are touring in China!
Is it true that Myrtha in Giselle is the most difficult soloist role?
I would argue either Myrtha or Gamzatti from La Bayadere? Both have a lot of stage time and the choreography for their multiple variations is demanding. You could say Gamzatti is more difficult because she has a full pas de deux to prepare as well? Myrtha only dances by herself. But Myrtha's entrance with all the promenades and penches is also taxing, just in a different way. Personally, I'd rather do the supported adagio but that's just me.
Ultimately, I think these two roles are the most difficult soloists roles in the classical repertoire because their characters are the most emotionally involved in the ballet's plot. Perhaps it's because they're both villains? Both ballets need strong secondary characters to be successful. There's no fear or sense of desperation in Giselle Act II without an ice-cold Myrtha. Bayadere needs a strong conflict between the two female leads to drive the story forward.
Compared to, let's say, Gulnare from Le Corsaire, that role has much fewer artistic demands in terms of contributing to the narrative arc, even though there are significant technical challenges in her variations. Lilac Fairy from Sleeping Beauty is basically the opposite case? Once you get through the prologue, you're basically home free. Yes, the Lilac Fairy is important for narrative purposes, but after the prologue, she's really only responsible for a bunch of pantomimes, with some dancier moments here and there.
Gulnare, 14 June 1892 Detroit Publishing Company Photograph Collection Library of Congress Prints and Photographs Division LC-D4-5229
Title: Feliberto Gonzáles with his horse
Contributor: Duran, Denise Lavato,
Date: [ca. 1915]
Summary: Feliberto Gonzales stands beside a wooden building and holds his horse by a rope in Gulnare (Las Animas County), Colorado. He wears coveralls, a vest and a brimmed hat.
Item Owned By: Auraria Library
Notes: Content derived from inventory prepared by Dana EchoHawk.; Scanned image from loaned collection.; Title derived from inventory.; From inventory: "Feliberto Gonzáles, born July 31, 1885 in San Jose, Colorado (near Gulnare), died October 17, 1960 in Denver, Colorado. He was the son of José Ramon Gonzáles and Leonides Parsons. Feliberto married Aurelia Paiz on October 19, 1914 in Gulnare, Colorado.; Mode of access: World Wide Web.; Digitization sponsored by the Library Services and Technology Act and the Center for Colorado & the West at Auraria Library.
Denver Public Library Digital Collections
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Misty Copeland as Gulnare in Le Corsaire
American Ballet Theatre by Marty Sohl
The Poetical Works of Lord Byron. With Explanatory Notes and a Life of the Author, By Thomas Moore. Illustrated with numerous fine steel engravings embracing the principle female characters, landscape and historical subjects. Complete in one volume with a copious general index. New York: Johnson, Fry and Company, 1867.
1. Title page
2. "Thou art not false, but thou art fickle"
3. "Leila"
4. "Gulnare"
5. "Medora"
6. "Angiolina"
7. "Olympia"
8. "Haidee"