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SINNERS alternative movie poster

Art by Rafael Caban | Instagram

Neither Sinners or The Bear (in particular Ayo Edebiri, who was phenomenal in S4) being appropriately awarded at the Golden Globes is indicative of the quality of these works. It’s reflective of an industry that refuses to cede ground to film and TV that:

exposes how insidiously white supremacist capitalist patriarchy shows up in the creative arts (which includes the culinary arts), in workplaces (like the juke joint), in families and in communities;

frankly interrogates whiteness and assimilation; and

turns the mirror on white folks to show how those forces possess, distort and destroy them too (whiteness as vampirism in Sinners, Carmy’s descent in S3 of The Bear).

I said what I said.