🩷💙Blind Date or Die Episode 2, Starring Harper, Holiday, Noah, Tie, Cass, Byway, Kennedy, and Haven!💙🩷

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🩷💙Blind Date or Die Episode 2, Starring Harper, Holiday, Noah, Tie, Cass, Byway, Kennedy, and Haven!💙🩷
DROS CH4 Parts 3 to 7 + Bonus Scenes First Impressions
We're so incredibly back. I’ve decided to condense my reactions per chapter so as to not fill my blog with DROS, because I’m very happy to be back! It’s ending soon as of me writing this {and actually has ended as of me posting it}, so I’ve got some catching up to do! Let’s go!
CWs: Daily Life, Deadly Life, Bonus Scenes.
Btw this first part was actually written before I fell behind, so DROS was a bit fresher on my mind.
"...I decide to head to the Nightclub to clear my head. Yeah, yeah. It may not make sense on paper, but I don’t want to risk going all emo mode by meditating or whatever instead." The image of emo Ellis is pretty funny lol.
[Aidan FTE 3 Start] Yay!!!
"Ellis: Lightning never strikes the same place twice, but thankfully, I do.
Aidan: Oh. You’re here.
Ellis: Just like in your dreams~" Good to see Ellis is flirting again, probably a good indication his mood has improved a fair bit since CH4 Part 1!
"Aidan: It’s not like I really do much of anything outside of the Resort, either." I kinda figured, but I'm still interested in what the guy actually does.
"Aidan: Uh… wake up, eat breakfast. Go walk, or look around, or drive to nowhere or something. Go see some city or town where nothing ever happens, because nothing actually happens anywhere. At some point there’s lunch and dinner, and… I don’t know. This is what I’m saying. It’s not like I had hobbies, or talked to people or anything." Does he have, like, a job? How does he do all this? What?
"Ellis: But, if you didn’t enjoy it at least a little, and you weren’t forced to do it, why would you do it?
Aidan: I don’t know. It wasn’t nothing, I guess. If you’re going to do nothing by yourself, it’s nice if there’s at least something to look at." What is up with this dude? I mean, we've always kinda known he didn't care about anything, but seeing the full extent of how empty his life seems to be is still kinda depressing.
"Ellis: Y’know, the party life! Or, you could be all artsy and visit landmarks and museums and stuff. You could get a job, if that’s more your speed? Actually, wait, were you not in school or employed before you were thrown into this killing game?
He shrugs.
Aidan: “Taking a gap year” was a good enough excuse for my parents. I didn’t intend on actually going to study anywhere, though." Well, that explains a few things at least. LORE!!!
"Ellis: If you didn’t know what you were gonna do, couldn’t you have spent your time figuring it out? You could search the world for whatever your passion turned out to be.
Aidan: It’s not like I didn’t try. I just… came up empty, I guess." Yeah. Extremely depressing.
"Ellis: That’s… unfortunate. But, hey, you’re the Ultimate Contrarian, right? Couldn’t you do something with that? Like, you could be a lawyer, or a critic, or a director, or something!
Aidan: Maybe, I guess. I’ll… put some thought into it or something." Well, that's something at least! Maybe.
"Why was he thanking me, though? Sure, I gave him a bunch of options, but I don’t think he liked any of them. If a super attractive, cool, and dazzling person came up to you and gave you a pile of trash, you wouldn’t have to thank them for giving you that garbage.
…Does that mean that Aidan is just thanking me for being a super attractive, cool, and dazzling person? That seems unlikely." [FTE End] Yeah, he's probably thanking Ellis for trying, if I had to guess. Given Aidan is starting to see the value in giving a shit about things, seeing Ellis actually give a shit probably helps? Maybe? Yeah Aidan continues to be a little confusing xp
"Harper: Aidan, am I correct in assuming that you and Davis have made up?
Aidan: Uh, yeah, I guess? Why?
Harper: Oh, well, I was just…
Harper rubs ver wrist.
Harper: I was wondering what all you did to mend your relationship. That’s all." Poor Harper has no idea what to do about Noah, as usual. Let's hope ve gets some ideas soon!
"Aidan: I mean, you saw it. I apologized, he apologized for some reason, and that was that.
Ellis: Truly, you have a destiny as a self-help author.
Aidan: Definitely. Thanks for the tip." Pfft. Sarcastic Aidan's fun.
"Harper: I told him that I don’t mind anything that happened with Kennedy and Paris, but he still feels… distant. I’m not sure he’s forgiven himself for it." Yeah... Especially considering prior baggage between Harper and Noah, this is a pretty complicated situation.
"Aidan: My advice, though? Just talk to him. Say whatever it is you want to say directly without worrying about how he’ll interpret it or what he’ll think afterwards or whatever. If you tell him directly, it’s hard for him to misinterpret." Hey, Ellis might have had something with the self help idea, this is actually surprisingly good advice from Aidan of all people! Then again, for as little experience as he seems to have with actually talking to people, he is a smart and straightforward person, so it probably shouldn't be too surprising.
"I could always use some more bling. And, it’s free! Not that I couldn’t pay for it myself. (Unlike Paris, haha–)" Bro??? I get she's public enemy number one rn, but why is aris catching strays even in internal monologue??? xD
"Nothing murder-y could be happening in the Bar, right? It’s a safe zone!" All due respects, given the alcohol involved, I would actually classify the bar as one of less safe zones, but you do you Ellis :p
"Donning my luckiest look, I peek inside to see what’s going on: Noah, sipping a drink! Nothing murder-y, indeed. Wait, when did he get out of the Cellar?!" Yeah what? Noah's not about to catch any mm or traitor allegations, right?
"He turns to me with a smile. Now that I’m closer, though, I notice his hands are shaking pretty badly.
Ellis: Uh… how long have you been here?
Noah: Not long. I just got out, like, a few minutes ago…" So probably nothing sinister, but my guy is still looking remarkably awful. Uh, hope this doesn't go too badly?
"And he headed straight to the Bar? On one hand, ayyyyyyyy [...]" Bruh xD
"Ellis: Were you… able to tell who was next in line?
Noah: No. You’re the first person I’ve seen since getting out. Though, they put me in the Cellar early morning rather than, like, now. More… morning announcement-ish." Well, good to get some kind of time frame on when the motive victim switches, and info on whether or not they're made aware of who goes in after them.
"Through further conversation, I get the sense that he isn’t that shaken up about the experience of confinement itself, unless he’s a better liar than I thought." Wait, then what is up with him? Curious...
"Oh. Ohhhhhh.
Man, I guess there would be some drawbacks to doing keggers since you were 10." Is it embarrassing if I had to look up what "doing keggers" meant? I imagine it's well established in this account that I'm a massive nerd, so probably not that bad. However, this is still an interesting and very worrying conclusion Ellis reached, let's see if she's right about it!
"It’d be super hypocritical of me to suddenly be the drink police, but I also don’t want to feed into Noah’s alcoholism. Then again, is a killing game really the best time to go stone cold sober? Even if Noah tried to quit now, there’s a decent possibility that he wouldn’t live long enough to reap the benefits. Then again, that’s the same kind of logic addicts can use to convince themselves not to seek help. My grandfather said the exact same with his blackened lungs when he was on his deathbed." YIKES. Yeah, addictions are rough in general, and killing games have a thing for making rough issues even worse.
"Was the winner of the fourth game placed into the fifth? Could it have been Mark’s friend, the Lucky Student, who eventually gave up her life for his? Did she regret not saving her closest ally in the fourth game?
If Mark and I were the last two left, and they gave up their life for mine, and I was then put into a seventh killing game, and made it to the end… would I do the same?
The other Lucky Student didn’t die without her own interference. Could I really be okay, watching my competitors get steamrolled over, and over, and over again?
Some luck, huh." Wow we're just going down a hell of a spiral, huh? That's a very depressing hypothetical, damn.
"Noah’s rejoined us, but Paris is gone. It could be because she’s decided not to eat with us anymore, but given that everyone else shows up, it seems she’s in the Cellar." Alright, new victim! Man, we're running through these days, huh?
"Harper: If it’s alright, I was hoping we could talk sometime later.
Noah: Talk? About what?
Harper: I just… wanted to check in with you, about the last week or so. It’s been a while." Go Harper! Sanest person in the cast strikes again, actually taking advice and talking through ver issues!
"It almost sounds like a teacher telling a student to stay behind after class… not that that ever happened to me. Eheh." I can't actually tell if Ellis is being sarcastic and this has happened, or if they were actually a somewhat responsible student, given they used to be a very different person than what they are now.
[People Discuss Options] I always love it when people talk about their options in stories :D
"Once again, my genius goes unappreciated. That, or I’m just being wildly unhelpful. How am I meant to figure out which is the truth, again?" The everlasting Ellis question, isn't it?
"Just as I’m starting to run the water and take off my jacket, I hear a knock at the door. I turn the faucet off (no need to waste water) and see who’s outside. It’s Aidan! It’s Aidan?" A fair reaction, especially seeing this is the start of an FTE. Usually the protagonist is the one visiting the person they want to spend the FTE with, no? Is this Aidan!RealProtagonist evidence???
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Putting a divider here because this is where I left off when I dropped off the face of the earth, as I’ve been known to do lol. If my memory of smaller details becomes suddenly horrendous, uh, this is why!
That said, and Aidan FTE is just the kinda thing you love to see when you’re getting back into reading a fangan!
“Aidan enters my room and sits on the couch upside down with his feet in the air, dangling over the back.”
Guy’s such a contrarian he sits the wrong way round, you love to see it x) Also wow new format for my reactions :O
“Ellis: I’d offer you a glass of water, but I can’t imagine it’d be easy to take a sip in that position.”
Pfft-
“Ellis: …“Hey, Ho” sounds wrong. He lets out a short laugh.”
It is a very funny surname lol. Good to see Aidan hasn’t gotten tired of jokes about it by now :p
“Ellis: I don’t do job interviews. I’m too pretty.”
Yeah I’ve missed this.
“…I looked down the road I lived on. That day, it seemed to go on, straight and empty, for ever and ever and ever. I didn’t know where it led, but I knew I was headed there. Until… a certain “stroke of luck” came my way.”
…Poetic. I guess Ellis wanted to leave her old life, which isn’t really news, but this is still pretty flowery imagery. Wonder what’s up with that.
“Ellis: Concrete. Chipping paint. A free cup of coffee from your office job that isn’t totally full ‘cause you got the last cold part of the pot. Mail with a little rust on it from the inside of the mailbox. That’s what I was gonna be doing.”
We are very poetic today, I like it! Yeah this tracks.
“Ellis: …The people I wanted in it were the people who told me that there were achievable things out there. Even though I knew there weren’t.”
Holy lore Batman! Who are we talking about, Ellis?
“Ellis: …I think it’s so nice, it makes me mean. Aidan: Really? I look down at the floor. Ellis: You saw it in this very conversation. Aidan: In what way? Ellis: As soon as I started talking about it, you got upset with me. Makes sense, ‘cause I was upset with myself, too.”
Ouchie. It’s an interesting perspective about it, at least.
“Ellis: Who wouldn’t? You get it. You didn’t want to be concrete, either. Aidan: No, I didn’t. And I didn’t have anyone I wanted in my future, or anything I wanted to do, or any plans either. I guess what I mean is… He glances away. Aidan: You don’t have to cover it up with me. I get it.”
Aw, Aidan’s nice :) And kinda awkward about being nice but it’s cool :))
“Man, why do I keep spilling my soul to every spiky-haired, 5’8” nonbinary he/him user who comes my way? Is that my type now?”
Wait let me check something… Alright yeah this is funny.
[FTE End] Funnily enough this felt more like an Ellis FTE than anything, but it was still very cool!
“Davis: Are you [Noah] avoiding Harper? Ve was asking if we’d seen you around a bit ago.”
Yeah, yeah… It’s not going great with those two.
“Noah: Sorry, I just, whatever thing’s going on with you is distracting me… Davis: “Thing”? Noah: Y’know, the whole… He huffs. Noah: I’m straight, so it’s, like, a weird feeling, y’know? Davis: What do you mean…? Ellis: Wait, are you saying that you’re attracted to Davis?Ohoho, things are getting interesting. Noah: Isn’t everyone? That’s, like, your whole thing, right? Ellis: Robert wasn’t. Noah: …Oh. Haha. Hahaha.”
Okay, blatant topic change aside, meeting the Ultimate Mr-Steal-Your-Girl is possibly the funniest way to figure something like this out lol.
“Noah: Yeah… yeah, it’s… that’s… that’s totally cool. I’m fine. Everything’s fine.”
Though, to be fair to the guy, there’s probably better places to figure it out than in the middle of a killing game :p
“Noah: …Dad’s gonna kill me…”
Yeah that was the other thing I was worried about. Uh… well on the bright side this will only be a problem if Noah’s a survivor and his father lived through the Tragedy! … Which is not a very bright bright side, but it’s there.
“Davis reached out to reassure Noah, but he flinches away from him, throwing himself backwards– And over the railing.”
The way my eyebrows escaped the atmosphere. Are we good?!?!
“Upon closer inspection, Noah seems to be out cold on top of a crushed bed of flowers. Unconscious, but, definitely, thankfully, still alive.”
He better fucking be!
“We need to take him to the Infirmary. If only Vivi were still here… she’d know what to do.”
Don’t… fucking remind me about her, I’m still sad :,(
“Harper: What happened? I only heard the yelling, and… Davis: … Is it really my place to be the one describing this? Still though, I don’t want to leave Harper totally hanging. If nobody says anything, people might start misinterpreting the situation as a murder attempt by Davis, which would not be good. I’m kinda glad Paris isn’t around to see this…”
It’s very awkward, this situation is.
“Ellis: I’m sure you’re, um… aware of some… stereotypes, surrounding frat boys. Noah ran into an… internalized bias due to Davis’ talent that made him act… erratically…?”
That is actually a pretty diplomatic way of putting that, good job Ellis!
“Ellis: Right, like Mr. Near-Resurrection via Stitches is gonna make things worse. Davis: …If they’re both my fault in the first place…”
That's a funny title, and don’t say that Davis you’re making me Sad.
“Ellis: That you’re an absolute benefit to have around, especially given that neither instance was your fault? This killing game is making people loopy. Thus, unless you’re the one who started the killing game, then it’s not your fault that the people around you are doing wack-ass things.”
It is a turbulent day when Ellis Fucking Ortiz is forced to be the voice of reason…
“Davis and I walk out of the Infirmary, and from the looks of it, he wants some space away from everyone, not just Noah. He heads back upstairs, while I, without any other ideas of what to do, continue on my path outside.”
It’s really funny to imagine this whole fiasco as basically a minor pit stop in the oh so grand plan of “going outside” lol.
“It really sucks for him that so many of his deep-seated issues are coming to life in this killing game, of all places. It’s a terrible way to go through any kind of self-improvement journey. And yet, it seems to kinda be forcing that narrative at the same time. What’s up with that?”
Wow wow wow Ellis, calm down with the meta comments or I’m gonna have to call the fourth wall police on you. That said, it seems the habit of Ellis and I saying the same things has stuck, what with the killing game environment comment and all!
“Taylor: Honestly, it’s been… pretty good. It’s kinda nice not having Paris here.”
Damn. Beef’s kinda legendary. Wonder which of the two is dying this chapter (?).
“Jeff: Yeah, it’s pretty nice. I guess it’s new to you, but cutting off people who are weighing you down is a great feeling.”
Yeah, you would say that, wouldn’t you?
“Taylor: It’d be kinda nice, though. To just… leave everything behind and start over. Vanessa: Like, here? Or at home? Taylor: I dunno. It’s just an idea, I haven’t actually thought about it. It just sounds… freeing, I guess.”
Jeff you’re corrupting them.
“Free, other than that you’re always shackled to yourself.”
Ah, there’s the poetics again! Was wondering where they’d gone.
“Taylor: I dunno. I would probably want to finish school first, so that I could have a job and everything, but just having a nice little house somewhere and making tea and reading books would be… nice.”
Nice dream Taylor :D
“Jeff: …If you’re actually, genuinely considering it… you should think about it first. Be sure you don’t want whatever you’re leaving behind. It’s harder to go back than it is to leave. Oof, definitely sounds like there’s some history there.”
Yeah what? Is that lore I smell?
“Taylor: …For now, I guess I’ll just focus on the here and now. And breaking off from… whatever was going on with me and Paris. But… maybe someday.”
Yeah you know when you say that the death flags you’re waving are a little harder to ignore.
“Noah: Thanks for helping, though, and… making sure I was okay and all that. Ellis: Hey, no problem. We gotta help each other out when we’re struggling, y’know?”
Nice Ellis :)
“Ellis: …It’s a nice quilt. I point at the blanket. A small smile returns to his face. Noah: Yeah. Harper’s… really amazing like that. Ellis: I’m glad it wound up coming in handy. That seems like something that’d make ver happy. Noah: Yeah, probably.”
Nice Harper :)
“Noah: I’m surprised ve hasn’t given up on me yet. Well, not surprised, because I know ver. But… ve probably should’ve. I start to laugh, then I catch myself. Ellis: Sorry. Not funny. It’s just… I’ve heard that kinda sentiment, like, a zillion times this past week.”
It is an oddly recurring sentiment. It’s almost like the narrative is designed to make the main character stop giving up on themselves!
“Ellis: You think you’re weak?Noah: … He won’t meet my eyes.”
Man we are Exploring Noah’s character today! That’s an almost bigger death flags than the ones Taylor was waving!
“Ellis: Although, if you need me to play damsel in distress for you, I wouldn’t be opposed to that arrangement. Wait. Shit. Maybe now is not the best time to joke about Noah theoretically being attracted to me. Ellis: I could, like, fail to do something on purpose, and you could come by and be super strong and save the day! I could, like… use a hose incorrectly? Or, uh… start a grease fire…?”
They’re calling Ellis the Monarch of Backtracking…
“That turned out better than I expected, to be honest! Like, not that I thought Noah was gonna hate crime me or anything, but… I dunno, maybe I’m just afraid of situations where I have to be the bigger person. Emotionally, anyways. Everyone knows I have a huge– Room. When I enter my room, I take a moment to appreciate how big it is.”
AYO?! You can’t just hit me with genuine self-reflection, then go to innuendo a line later! … Who am I kidding this is Ellis we’re talking about, of course he can.
—
What a nice little part we got here! Lots of Noah, lots of Aidan, lots of Ellis of course, what else could you ask for? The Mad Duo being alive again? Haha! Don’t remind me :(
Onto the next one!
Part 4
“Instead, it seems like Paris’ former bestie is the one who’s missing.”
Well, poor Taylor.
“Paris: What did you all say about me?! Ellis: Uh… what do you mean? And when? Paris: I know you were all talking about me while I was gone! Don’t pretend like you didn’t.”
Yo are we good??? I guess this is what being deprived of gossip for a day does to a woman.
“Aidan: If it makes you feel better, none of us really cared that you were gone.”
Bruh.
“Jeff: If you want the answer so much, the only one who even mentioned you was Taylor. Paris: …Tay?”
Ooh… I’m turning into a Paris kinnie I wanna see this drama.
“Jeff: Fine. They said it was nice without you around.”
Yikes. Just out and say it, huh?
“Paris: …Mhm. Thanks for telling me~”
Oh I do NOT like that squiggly line. I doubt she’s planning murder, because she’d be the prime suspect like immediately, but there’s still other ways Paris could hurt Taylor and I’m Worried.
“Thankfully, I easily find Aidan in the Upper Common Room of all places. Why the hell is he here? Shouldn’t he be on the lower floor, ‘cause he lives– Man. Have I really learned nothing about the Ultimate Contrarian?” [Aidan FTE Start]
Yay final Aidan FTE! Also it’s immensely funny to me that the guy walks up the stairs just to live up to his talent, you gotta love the commitment to the bit.
“Aidan: …The fact that you’re one of the people who’s sometimes up here isn’t so bad either, I guess.”
YOOO! Friendship!!!!
“Aidan: It’s… probably for the best if I learn to be a little less contrary, anyways.”
Ooh, interesting!
“Aidan: I could have a future. The kind most people want. But I just… don’t. Ellis: You don’t want it, you mean? Aidan: I don’t. I don’t want the kind of life a normal, upstanding citizen does. I don’t want what my parents wanted for me. I just… don’t want anything, a lot of the time.”
This explains a couple things. It’s also nice to see how this parallels characters like Davis, who also has something you’d think most people would love with his whole “everyone wants me” schtick yet isn’t too happy about it; and of course Ellis to an extent, which is being explored here. Fun!
“Aidan: My family and the community I grew up in were always… traditional. And they didn’t like anyone or anything that didn’t fall in line with that tradition. So, from very early on, it was always, “make sure you go to church”; “you have to wear your school uniform”; “don’t question what we tell you.” It was awful.”
Ah, classic. Always fun to see one of these “rebels born from stifling environments” characters.
“Ellis: Sounds like it. Even if… No, maybe I should say this part out loud.”
You know for a character who’s always been pretty verbose in her inner monologues, Ellis has been pretty damn cryptic as of late. What did you want to say?!?! Please tell me!!!
“Aidan: I could’ve been “happy,” in whatever traditional sense there is. But I’m not. Ellis: Yeah, that sucks. I’d say, “at least you’re here now,” but, uh… our current situation isn’t exactly the place in which most people want to be. Aidan: …Is it bad if it’s almost better, in some ways?”
I’d say it’s troubling, yeah. How fucking horrible does your home life have to be to even consider a killing game an improvement in some areas? Poor Aidan :(
“Aidan: It’s… weird. I don’t know why this is happening now, but, being here… For the first time, I sort of… Aidan looks away from me. Aidan: …There are finally some people that I could actually… maybe, want in my future. Assuming I have one, which I shouldn’t. …Everyone keeps saying that to me.”
They do yeah. Not only do I hope that it’s good for Ellis’ self respect that people actually like them, I’m also very glad Aidan’s saying this in an FTE because otherwise it would be the biggest death flag yet. That aside, yay for character development! Because I assume Aidan is not just talking about Ellis, but also Davis! I… honestly forgot where their relationship was last I left off, maybe I should backtrack and check exactly what they had going on.
“Ellis: You… don’t want me around. People don’t seem to realize it, but… they shouldn’t. I…”
Ellis no… Maybe we can get some character development out of this, hold on.
“Ellis: You deserve a future, Aidan, whichever one you decide to make for yourself. The one where you travel places because you want to see how they live in those parts of the world, and wake up just to see how the sun rises over the horizon on that particular day, and order all the weird, mismatched fashion you could ever want online. I wanted to take that away from you. Just for me. Just ‘cause I wanted all those stupid, materialistic things that you see no meaning in. How could you not hate me…?!”
Aside from Aidan’s fashion choices catching the wildest stray in history, it really seems like the guilt about how Ellis was thinking about the killing game earlier on is finally catching up to him, huh? Crazy.
“A few teardrops roll down his cheeks.”
Holy shit, Aidan’s even more emotionally invested than I thought!
“Ellis: I already made up my mind that I don’t want to win anymore. Still, whenever I do anything related to that realization, people laud me as some hero. I… My entire life was already built on people thinking I’m great because of something I didn’t even do. You saw what that did to me. So, I won’t let that happen again. I’m just trying to be honest, for once.”
Fascinating character detail. Ellis’ past factors into her current sort of imposter syndrome, to the point where she thinks literally everything about her that people genuinely appreciate must be their mistake. I fucking love that so much!
“Aidan: Ellis, I’m not an idiot. It’s not like I thought you were looking out for anyone’s wellbeing before. You’re not some master manipulator.”
This is the funniest counterargument possible. “I was being dishonest - Well you weren’t good at it anyways!” lol
“Aidan: I’m telling you right now, I don’t care. The more you try to convince me otherwise the more sure I’m going to be.”
You really should have seen that one coming, Ellis.
“Ellis: …Fuck you. There’s an argument to be had against that statement, but you know I’m not smart enough to figure out what it is fast enough to respond to you in a timely fashion.”
This is also just great. Ellis you are a fangan protag debating is supposed to be, like, your thing.
“Aidan: You can be a good person or not. I don’t really care. What I do is up to me. And, right now, I’m choosing to spend time with you. So… deal with it, or something.”
Aidan’s just so damn goated it’s unbelievable.
“Then, we both remember that we were having this very loud and very personal conversation (in which Aidan actually cried, holy shit) in a completely public area.”
Oh yeah all that just happened in the common room xD
“Maybe I still don’t understand exactly who other people think I am. Maybe that’s ‘cause I never really figured it out for myself, beyond an aimless shell or a dazzling whirlwind. If you put them together, you get… I don’t know, a beautiful tropical storm? Hurricane Ellis, landing in a killing game near you. I’ll work on it. I have to, it seems.” [FTE End]
Woohoo! What a fantastic FTE! I loved it very very deeply. It’s probably my favorite from the ones I can remember. And that’s quite the note to leave off on, too! I wonder who the next FTEs are gonna be about…
“When I show up [to the pool], though, Davis and Jeff are already there at the Poolside Bar. Unlike last time, though, they’re both all smiles.”
Oh yeah, these two! I also kinda forgot where their conflict ended up last time, but I seem to recall them making up a bit during the third trial investigation.
“What did I miss? Last time I checked, these two hated each other. I mean, I guess Jeff kinda stood up for Davis in the Class Trial, and Davis told Jeff and I about the nature of his bachelorhood, but… that doesn’t automatically put you at bro status! What gives?!”
Or the trial. Again, fuzzy on the details because I fell into the void.
“Jeff: You want a drink? I look down at my hands.”
Damn, Ellis took Noah’s alcoholism hard. If I recall correctly, I think I ended up giving Ellis addiction governance in the playlist post and Noah Poison, right? Too late to swap those around? lmao.
“I keep to my word of having only one drink as Davis, Jeff, and I continue our conversation. I can't exactly say that they have a lot in common, but in some ways, it seems like their differences balance each other out. That’s nice.”
It is! This was a surprisingly drama freee check-in with these guys!
“In the Buffet, I wind up with an odd crew: Paris, Vanessa, and Aidan.”
That is odd. I don’t think I remember Vanessa talking to Aidan outside of investigations and trials, though I’m probably forgetting something. {Hindsight: How the hell did I forget the entire Gun situation. Point kinda stands, though}
“Vanessa: Hey, is everything okay…? Aidan: What’re you sulking about? Paris: And why do you care all of a sudden?!”
Okay, so… Paris is doing horrible, as expected.
“Aidan: I’m not doing anything.”
Lmao.
“Paris: I thought Tay and I were friends. For real.”
Interesting perspective there. I seem to remember getting bad vibes from Paris and Taylor’s relationship from the very start, but I always kinda did it under the assumption that Paris didn’t quite see Taylor as an equal, if that makes sense. Like, they were always doing what Paris wanted, I don’t think that’s an entirely unreasonable assumption. But I guess Paris was just sort of entirely oblivious to the issues Taylor was having, and genuinely wanted to be friends and just didn’t know how to do that properly, which does fit what I remember well enough
“Ellis: If you want to win, that’s probably what you have to get used to. Paris: …When I said it, I didn’t mean it. Do you remember? I said Tay and I could find a way to win together. But… I guess somewhere along the way, I started believing it.”
I… really should brush up on what was happening when I left. But, yeah. It’s actually pretty fun that Paris is just now falling for the trap of focusing too much on winning, just as Ellis escapes that same trap. It’s one of those parallels that work so well you almost forget that Ellis and the rest of the cast have different creators lol.
“Aidan: Look, if there’s someone out there that makes you happy or whatever… don’t just give up on them out of nowhere. If you actually care about someone for once, that should matter. If you give up, maybe you didn’t actually care in the first place.”
Wonder who Aidan’s thinking about! (Hint: It starts with D and ends in avis. Probably).
“Paris: But… what do I do? Tay doesn’t like me anymore. Aidan: I don’t know, talk to them? Apologize? Explain how you’re feeling? Why does everyone keep trying to ask me for advice?!”
Poor Aidan ended up with the reputation of the guy with common sense, and now people actually expect him to be socially competent, a true greek tragedy.
“Paris: …Then… tomorrow, I guess. I’ll… I’ll find a way to make Tay like me again. Somehow…”
Woohoo! You know, I think they could actually be good friends if Paris gets her shit together. I just hope we can all ignore that this feels like yet another death flag for Taylor and possibly Paris. I do think we’ve got enough time until the next murder for them to talk regardless, so I doubt it is. Hopefully.
“Still, Paris’ plans to do something “tomorrow” ring a little hollow. It’s not that I don’t think she’d actually do it– beats me as to whether Paris really wants to make a change or is just trying to lull us into a false sense of security– it’s that I’m really unsure about what tomorrow will bring.”
See it’s funny you say that because I very explicitly said I didn’t want to read that comment as a death flag, and now you’re making me worried.
“Taylor got imprisoned twice in a row, huh? That’s rough.”
…Motherfucker.
“Paris: …They haven’t been responding to my messages for a little while. I thought they just didn’t want to talk to me, but… Oh damn. I kinda forgot that you even could message the people trapped in the Cellar.”
That pretty massive oversight aside, I think we all know why Taylor’s not responding. The death flags… they were real.
“We all get to the bottom before any of us spot it: a body, charred beyond recognition. Is that… Taylor…? Ding, Dong, Bing, Bong!”
God fucking damn it. You know, I joke about death flags so often I didn’t actually think those ones would come into play, but alas, I was foolish. Taylor no!!!! Also, charred? Yikes! Never something you love to see. I mean, actually I do tend to enjoy fire related mysteries, but I feel like Taylor would get mad at me for saying that lmao.
Anyways, this is sad. I liked Taylor a lot, and now they’re gone :( Lets try to quell the sadness with some mystery solving!
““The victim is Paris Hall. She died of poison in the Cellar last night at 2 AM.””
Never mind, first I panic. My heart fucking leapt out of my chest when I saw the wrong victim, then I remembered the file always has a lie, then I saw the poison and I’m going insane. I guess the first assumption is that the poison and time of death are true and the victim is false (given the location is trivially true), but the missing person does happen to be the Ultimate Impressionist, so I have to wonder…
“Paris?: What the hell is this?!”
I do like the question mark after her (their?) name, it’s fun.
[Investigation Start] Woohoo! I’m back in the building again!!!
-
You know, this is usually where I do the prediction game think, but, uh… I don’t think I can. Because I don’t actually know who the victim is. Again, my first assumption is that the victim name has to be the lie, because while Taylor disguising themselves as Paris sounds possible, in practice the switcheroo would get resolved, like, immediately at the start of the next part. Still, while the possibility of a disguise is on the table, I’m not gonna get ahead of myself. Let’s go straight into investigation!
Part 5
Weee! Investigation time! Let’s see what’s up with the victim thing!
“With Taylor’s talent, it’s totally plausible that they could be putting on the performance of their life as Paris right now. I have no idea how I’m supposed to prove who’s who.”
I mean, I feel like even with Taylor’s talent this can’t be that hard. Hair dye is probably an option, but there’s surely other differences in their bodies that would get noticed, right? There’s no way they look identical from the face down, right? And I have to check the handbook to see if the height matches. There are a lot of ways to prove this, is my point. Still, I guess we’ll keep that mystery going for a while.
Checked. Taylor’s height matches Paris’, but no one else’s.
“The body is burned. That’s all I can tell.”
Yep. Worries me that an immediate reason to do this would be hiding the identity of the corpse. Maybe Paris is the killer and is hoping people think she’s Taylor disguised as Paris? Or, I guess any killer could try to make people think Taylor is disguised as someone else. Because Taylor being the killer disguised as Paris would feel too obvious.
“Vanessa picks up the e-Handbook from the body and turns it on. Vanessa: It’s Taylor’s.”
See, I don’t like that this is how we’re doing it, because this is the one identity verification method which can most easily be faked. At least we can make sure “Paris” sent the messages they said they sent (I still don’t know what to do with the pronouns lol). Though, speaking of good fortune, it does feel a little odd that the entire body burnt but the handbook is functional. I don’t fully remember the handbook specifics, though, maybe they’re fireproof or something.
While we’re here, if Taylor is currently disguised as Paris, they may have been disguised like that for an entire day, which would mean that the whole Paris conversation about seeing Taylor as a friend wasn’t actually Paris. Part of what makes me think Taylor really is dead, and that the evidence they may be alive was planted by the killer specifically to make people doubt that fact.
“Ellis: Well, you’re not allowed to steal e-Handbooks, right? So that must mean that Paris is actually alive, and that first statement is a lie.”
I… forgot about that rule. Still, I figure taking a dead student’s handbook wouldn’t be a problem, maybe? So Taylor could be disguised and just put their own handbook next to the corpse, carrying the corpse’s handbook out of the cellar. Or Taylor really is the corpse and I should stop worrying about this.
“Vanessa: Well, Paris has been messaging Taylor a ton. They responded two days ago, when Paris was in the Cellar, but not yesterday, when Taylor was in the Cellar. If anything, I’d have guessed it’d be the opposite.”
At least the messages are real. I still wonder about the rules regarding dead students’ handbooks, though.
“Ellis: Well then… maybe the time of death is wrong, and Taylor died way earlier?”
Yeah, the lack of messages on Taylor’s side is strange. This is a clusterfuck lol.
“Vanessa: There’s… another weird thing. Um, I don’t know if you remember this setting exists, but in preferences, you can let other people have access to your room with their e-Handbook. Ellis: …I did not. Vanessa: Well, it looks like Paris has access to Taylor’s room.”
Surprisingly, that’s one of the things I did remember, because it always felt like it could come up. This is peculiar, though. I need more evidence before I start going crazier than I already am.
“Harper: …I should mention… I did ask Monoquin. Contestants were… theoretically allowed to volunteer, if they wished.”
…Huh. Superficially, this doesn’t seem useful, because you can just walk down here in the night and that’s it. Maybe for setup time? But I have to wonder if it would have been possible for Taylor to impersonate someone and “volunteer” them to go down here. Would Monoquin see through that? Questions, questions…
“The wall suddenly falls backwards, knocking Jeff into a space I can’t see. There’s some noises behind the wall that I can’t tell the origin of; it sounds like movement. Then, a few moments later– Mark: Ow! Mark hits the floor of the Cellar. Ellis: Woah, wife swap. I mean, what?”
I- What? The fuck?
“Mark: I was in the Closet up in the Gym. How’d I get here…? Ellis: Jeff… stepped on something, I guess? He was pulled into some darkness back there, and then an angel fell from heaven right before my eyes.”
I… Okay. This is a thing now. ???
“Mark: It’s not that I thought there was [a secret door], it’s that if there was one, I thought it’d be in here. Jeff: And that’s because…? Mark: If you look at the map and think about how the Cellar is laid out and how big it is, the corner basically overlaps with the Closet. Plus, I never understood why this Closet even existed instead of being a rack or something, so I thought it could be relevant.”
Huh. Good reasoning from Mark! They’re so goated.
“The three of us work through figuring out exactly how the secret passage works. Our experiments conclude that the door only works if two roughly human-weighted things swap places. When something is on each location’s pressure plate, the mechanism activates and swaps the two, albeit a bit roughly.”
I- Okay, this is a little insane, but it works. I… don’t know what it means yet. Then again, if there really was nothing else in the cellar, it almost feels like the fire has to have happened somewhere else, so maybe this is a way to transport the body? I have no idea what’s happening here.
“Jeff: Why’s there a swap door in a Resort in the first place? I guess if this was for some kind of underground business, it’s an escape route…? Mark: …Right, yeah, the Resort. I don’t know either.”
I mean, I kinda doubt this was an actual resort ever, but I guess it’s never been confirmed whether this was specifically built for the game or not.
“Ellis: Anything of note? Aidan: Yes, but only because the answer is no. Davis: Meaning, there isn’t anything, even though it feels like there should be. Isn’t there supposed to be poison in this case…?”
That is most curious. People still get told if someone orders something anonymously, from what I remember. But Antonia had already used poison, right? Could someone have gotten hold of that?
“Ellis: Uh… well, poison can come from a lot of places! Maybe somebody repurposed something like cleaning supplies or pool chlorine that you might already be able to find around here.”
This also works, yeah. I imagine we’ll find some evidence indicating that if that’s the case.
“Aidan: Wouldn’t need it anymore. With the Salon and Makeup Store, you could change your appearance without having to order it, right?”
Oh yeah, speaking of disguises, forgot those are open now. Also, completely unrelated, “In Too Deep” is probably a pun on the cellar being underground I take it, but I am slightly worried about it being some kind of reference to “deep cover” (Kotoko reference?!?!- no), given the disguise thing.
“Paris?: Oh, hey Ellis. Welcome to Tay’s room. Ellis: …Thanks. I take it you’ve been here before? Paris?: Yeah, a bit. Tay and I usually hung out in my room, though, so I honestly haven’t seen it all that much. Ellis: Did Taylor also have permission to enter your room, then? Paris?: Yeah, of course~ It made it easier to hang out. See?”
Interesting…
“But, no matter how hard I look, it looks like Paris. Am I overthinking this? Does that just mean it really is Paris?”
Yeah I definitely got ahead of myself thinking it’d be easy to tell if this is Taylor or not. I’m leaning on “no”, though.
“However, when I check inside [Paris’ room], nothing seems out of the ordinary. There are only two empty hangers in her closet– one for the jacket and one for the dress, it seems, based on how her other clothes are hung up– but that’s just the copy that “Paris” is wearing. The body was so burnt that it tattered the clothes, so the body was probably wearing Taylor’s clothes at the time it was burnt. That, or something really weird is going on.”
It’s odd…
“Dun, Dun, Dun, Dun!”
Wait already?!?! We don’t even know how the fire was made! Or what the poison was! I can’t even tell who the victim is!
“Really, I was able to retain more from this investigation than I was from any of the past three, because this time, I was paying the most attention. I’m not going to turn a blind eye to these Trials anymore– at the very least, if my luck makes it so I have to win, I want it to be somewhat earned.”
Hell yeah.
“Why commit the crime at 2AM if it is in the Cellar, and nobody is trapped in there?”
I hadn’t even thought about that, but it’s so true. Is it possible it wasn’t in the cellar? I’m losing it.
““Paris” stands behind Paris’ podium– is that something we can use as evidence? Would Monoquin stop Taylor from standing there?”
I mean I’d assume Monoquin would let them, it’d kinda be pointless otherwise.
[Part End] Alright, time to check over the handbook and see if I can get literally any semblance of an idea of what happened, because right now I have absolutely no guesses!
… There’s fucking nothing there. I don’t know how the fire was made. I don’t know where the poison came from, or if there was even poison involved. I can’t tell what part of the file is a lie. I don’t know why Taylor didn’t respond to messages the day they were in the cellar, even though they’d replied to messages the day before.
Still, I guess I have to do a
Murder Theory
So, let’s start with a simple statement. If Taylor is not the victim, they are the killer. That tracks, right? Because if they’re not the victim, they’ve disguised themselves as the actual victim and are hiding within the group right now, which is silly unless they’re the killer. Thus, to know who the victim is, we may need to first ask if it’s possible for Taylor to be the blackened.
And I’m leaning on “no.” Because, to put it bluntly, it would be insane for the Monoquin file to say the victim is Paris if the killer is really Taylor. Their entire plan would revolve around the hope the class believes they’re dead when they’re really alive, so to cast doubt on that would be pointless. There’s some kind of reverse psychology 15D chess argument that Taylor could use this exact reasoning to defend themselves during the trial, but we don’t have Kennedy here, and they’re really the only one who might believe that. For now, we leave it there.
So, Taylor seems like the most likely victim here. Since the victim of the Monoquin file would have to be the lie, then everything else about it is true. Thus, “Taylor was killed by poison last night at 2 AM in the cellar.”
Now, at the risk of sounding like a certain Tetro Pink character, the poison’s gotta be right. Mostly because everything else about this is so absurdly nonsensical that I can’t see how that, of all things, would be the lie. Of course, I have no idea what the poison actually was, but we can go with it for now.
Then there’s the time frame, and this is what actually presents the biggest problem. Already, why Taylor would be in the cellar at 2 AM is a little beyond me, but perhaps the killer knocked them out somehow, dragged them down there, then the poison did the work. But the bigger issue is that Taylor just… wasn’t responding to messages the day before. Could the killer have stolen the handbook? There’s a rule against that, so you’d think it impossible.
So, heres the situation. If it were possible for the killer to stop Taylor from accessing their handbook for the entire time they were locked in the cellar, then I think that’s what happened. The killer somehow knew Paris was sending messages, so they hoped that Taylor’s lack of response would make people doubt the time of death. If the Monoquin file lied about the time of the death, the victim would have to be Paris, so the killer must be Taylor in disguise, killer gets away.
But that’s the thing; it’s an if. I have no idea if the killer would actually be able to do that, since stealing handbooks is against the rule. Maybe you can steal a handbook from a corpse under the argument they’re no longer a “player”, but for that to work, both the victim and the time of death have to be lies, and we’re cooked.
So we need to account for the possibility that the killer can’t directly interfere there. And that’s a gigantic issue, because I have no idea why Taylor wouldn’t answer. Maybe the nature of the messages changed? Paris learnt Taylor badmouthed her that day, so maybe her messages got aggressive and Taylor decided not to answer those. But if that were the case, surely we’d get some details about the messages themselves, right? So that’s a dead end too.
Was Taylor outside the room, disguised as who knows who, and just busy? Insane, though. Surely they’d be able to sneak in some messages in there somewhere.
And now we’ve gone in a circle. Because if there’s no way for the killer to stop the messages, and I can’t think of any reason Taylor wouldn’t answer them, something must have happened the day Taylor was supposedly in the cellar. Was Taylor passed out the entire day???
Of course, there’s the other option. That the murder did happen then, which would mean the victim actually is Paris. So the Paris in the trial is Taylor. Is that possible?
Let me say right now that the clothes aren’t an issue. Taylor could have grabbed the clothes from Paris’ corpse and replaced them with their own before burning everything. That works. Any other problems?
The messages are the damn problem, again. It makes no sense for Taylor to send messages and not answer them. Maybe they needed to leave their own handbook with the corpse in case someone found it before this point, but they could just not send messages from Paris’ under the argument that “she” was mad about what Taylor said the day before.
So Taylor!Victim fails due to the lack of messages on Taylor’s side, and Taylor Killed Paris fails due to the existence of messages on Paris’ side. I could see some insane plays where Taylor is somehow disguised as someone else, but height difference makes me hesitant that that’s the answer. I’m losing it.
Thus, we seem to arrive an impossibility. Taylor’s not the victim, and they don’t seem to be the killer. The only option is that someone else is the killer, Taylor is disguised as Paris for some other reason, and just doesn’t want to admit that because it would make them look really bad.
…But why??? And how does the killer factor into it??? How the fuck would the cast even find the killer??? What the fuck are we doing???
You know what? I accept defeat. I can’t. Venus, you beat me. I have nothing. We have no alibis. I don’t know where the poison came from. I have no idea how the gym thing comes into play. I don’t know why it’d be important for Paris and Taylor to get into each other’s rooms. I don’t even know how the fire started. I can’t even tell who the v i c t i m is. I feel like I could make better guesses seeing what way the trial starts, to see what options get ruled out first, but I can’t right now. So, congrats! I have nothing. Sorry about that!
Let’s just… Let’s just get to the next part, shall we?
Part 6
Trial time!
“Davis: You did lie last Trial. It’s not out of the question for you to lie again. Paris?: Hey babe, if you’re saying I’m lying about being me, then I would be dead! Make up your mind!”
It’s very confusing to talk Paris right now lol. Glad to see the characters are also having issues with that.
“Vanessa: We usually start with the MQ File, right?” [Evidence Select]
… Am I just supposed to pick the file?
[Right Answer: MQ File #4] Yeah lol. I guess it’s immersive that you have to do it even when it’s not really a puzzle lmao.
“Noah: Wait, but if you’re alive, why would it benefit the killer to say you’re dead? Doesn’t it just make the lie, like, super obvious? Jeff: It’d probably imply that she’s the killer. We’d be less likely to want to vote for the “victim.””
This is part of why this one’s so hard to think about. There’s a million ways the cast could take the file, so it’s not abundantly clear why the file would lie about the damn victim.
“Paris?: It could also mean that, shocker, someone is trying to frame both of us! Like, if the only logic you all can come up with for the lie is that either Tay or I is the killer, that’s probably what the actual killer wanted!”
Yeah, this is kinda what I’m leaning on in the end, but it’s still hard to wrap my head around the time of death in that case.
“Davis: I think the takeaway here is that we do need to address who the victim is. That’s one of the most basic case facts, right? Harper: Yes, that’s… a fair approach. I suppose we’ll be debating this now after all.” [Nonstop Debate]
Save me, Nonstops, save me.
“Paris?: Tay could’ve picked anyone to impersonate!/Aidan: Taylor is the Ultimate Impressionist. Personality wise, they’d be able to pull off being any of us.”
I’m guessing we’re meant to shoot “Taylor’s Profile + Paris’ Profile” for the height thing, but both of these statements are literally the same so it could be either or. Leaning on Paris’ statement from a vibe check more than anything.
[Answer: Taylor’s Profile + Paris’ Profile -> could’ve picked anyone] Hell yeah! Off to a good start! I’m glad I remembered composites lol.
“Paris?: Isn’t it? Genuinely, do you think Tay could fully replicate my face? My charm? Do you really think that they could just become me, just like that? Mark: …We have to account for the possibility. Paris?: …”
She is NOT happy they think that lmao.
“Aidan: It’s a fair point, though. If you assume that Paris or Taylor is the killer, arguing too much one way or the other could be suspicious. It’s probably better for her if we don’t actually know who’s who. Mark: Or, if she is innocent, she might not want to admit that she doesn’t have a way to prove her own identity.Davis: There must be some way to figure it out.” [Nonstop Debate]
It’s not a great situation. Wonder if the clothes are gonna be brought up.
”Harper: It seems that the body showed no indication that the victim was Taylor.”
After reading the whole thing, it seems like it’s actually Taylor’s e-handbook getting shot at this, maybe?
[Answer: Taylor’s e-Handbook -> no indication] Well at least I’m doing better in the trial than in the investigation lol.
“Aidan: Anyways, I don’t think it’s definitive at all. Harper: Because of the possibility of it being planted? Aidan: Right. All it proves is that Taylor, alive or dead, is fine having their e-Handbook on the body we found. That still leaves the option of Taylor being the true victim or impersonating someone else.”
Very true, but I’d like to talk about “Paris” having Paris’ handbook and the rule about stealing handbooks, because that’s the biggest thing on my mind right now. Does it count as stealing if it’s from a corpse?
“Mark: There must be something we can figure out with this, right?” [Question Completion]
I take it we’re gonna bring up the handbook rule?
Yeah this is pretty clearly “where is Paris’ e-Handbook now?”
[Answer: That] Yippie!
“Harper: Is that enough evidence, then?” [Evidence Select]
I take it we’re gonna choose the rule about handbooks, Regulation #13, yeah?
[Answer: Regulation #13] I never miss. Ignore all the times I’ve missed please.
“Mark: It’s true that when I asked Monoquin before, he said that while a dead student’s e-Handbook could be “borrowed,” it had to be returned before the Trial.”
I… forgot that was a thing that had been asked before! Yep, Paris is Paris, that’s nice.
“Paris?: Exactly what I’ve been saying the entire time!” [Select the Person]
Sorry, what am I selecting? The victim? Then, I guess we’re doing Taylor.
[Answer: Paris] …This one doesn’t count I didn’t know what the question was alright?! Good.
“Paris: Thank you, Ellis. I can’t believe you all doubted me like that for so long.”
Yay, the question mark’s gone!
“Mark: Speaking of Paris’ identity, though, that means that we really should know who the victim is.”
[Select the Person] NOW it’s Taylor, got it. [Answer: Taylor]
“Aidan: …Taylor would have trouble visually and/or vocally impersonating anyone else, and I’m not really sure what the incentive would be to put Paris’ name in the File if you’re trying to pretend someone else is dead. If Taylor’s impersonating anyone, they’d have to be the killer, so it’d make more sense to have the File back up your central lie with a truth.”
Yeah, this makes the most sense. Let’s see what’s up with the messages then.
[Nonstop Debate]
“Vanessa: That means Taylor must’ve been poisoned before being selected for the motive, right?”
It’s maybe a bit bold so early in the trial, but I’d shoot this with Cellar-Closet Swap Door. Because it was possible to go in and out of the cellar during the day, it wouldn’t be impossible for them to have been poisoned afterwards.
[Answer: The Fourth Motive -> must’ve been poisoned before] Okay, so I was right on what to contradict, except the argument was actually that there’s a two hour time frame between Taylor getting released and dying lol.
“Mark: It’s true that Taylor died in the Cellar either way. That means that, if they were poisoned after being released, they must’ve returned to the Cellar after being poisoned. Paris: But, like, why? It’s not like anyone liked being in the Cellar. Mark: No, definitely not… Vanessa: Then how’d they end up dying there?” [Puzzling Pieces]
This sure is puzzling! It’s one of the weirdest parts of this case. Let’s see if the pieces help!
“Noah: If it was something that’d incapacitate them, the killer could’ve just, like, carried them back into the Cellar, right? Vanessa: But, did the killer even have access to the Cellar?”
Yeah, that’s kinda what I’m thinking. The swap door is probably the play here.
“Aidan: Monoquin wakes you up. Aidan: If you’re too tired to actually get up, though, I don’t know what happens.”
Interesting bit of trivia there, thanks Aidan.
Maybe we could go with Aidan’s idea? “Taylor was too weak from poison to leave the Cellar.” It’s a little janky, and I’m not confident on it, but it could work.
[Answer: Taylor was too weak from poison to leave the Cellar] Why do I doubt myself? I should lean more into my God complex, that feels like a good step for my character arc.
“Paris: But what about the rest of the day? Tay literally could’ve messaged me at any time. There has to have been a time where they realized they were dying before they couldn’t do anything, right?”
Thank you! The messages are driving me insane, we gotta talk about them.
[Nonstop Debate] Woohoo!
“Jeff: It’s also possible that, if they were gonna die either way, they didn’t really care what happened to us. Jeff: If we fail the Trial, it doesn’t matter much for them.”
That’s… a little harsh, Jeff!
“Paris: Besides, given the Customer Service Desk, the poison could be anything!”
I’m not sure if this is the direction we’re supposed to be taking, but you could shoot Customer Service Order List here, since we know the poison didn’t come from there.
[Answer: Customer Service Order List -> the poison could be anything] Man I am on a roll today!
“Aidan: Even if it’s, like, a household cleaner or something, where would they get it? The staff does everything around here.”
We brought up hair dye during the investigation, I’m sure the salon and makeup stores probably have some amount of things that are deadly to ingest.
“Mark: …Unless it’s not something common.”
I wonder. I did bring up someone potentially having gotten hold of Antonia’s poison, but that feels a little out there. Also that one might have been too deadly. I wonder if Taylor had any allergies… is that what Mark is getting at with that question?
“Mark: That’s true, but it doesn’t really matter, as long as the order description doesn’t give away any details on how the poison works. The File tells us it’s poison anyways, right? The killer must’ve had something in mind already for what they’d use to poison Taylor. Something they could get themself, or just by asking the staff. Jeff: And that mystery poison is?” [Hangman’s Gambit]
I actually have no clue.
I accidentally saw the answer, though, and I was right, surprisingly! It was Antonia’s poison! Hell yeah girl, go haunt the narrative!
“Jeff: Antonia’s poison was fast acting, right? Vivi told us, and Cass died from the poison before the stab wound.”
Yeah, that kinda throws a wrench into things. There is, of course, the argument that ingesting it would be less immediately lethal than getting it injected into your bloodstream, but it’s hard to be sure of that without knowing what the poison actually is.
“Jeff: Taylor would’ve had to be poisoned only a short time before they died. Fifteen minutes, maybe? Ten?”
But… it doesn’t seem like that’s the argument we’re going with! So… idk.
“Mark: Between midnight and 8 AM, when no one is in the Cellar for the motive, is the door open? Monoquin: No. It remained locked for the duration of the motive. Should the spotless win, it will remain unlocked for the remainder of the game.”
So I guess we know how the swap door comes into play here.
[Nonstop Debate] Door time! By the way, kind of completely unrelated, but I’m a little worried that Aidan hasn’t been as active in this trial as in others. Surely he’s not the killer, right? It’s been worrying me for a while now.
“Noah: But, until Taylor died, there was no way to get in or out of the Cellar, right?”
Swap door! That’s the bullet I’m shooting, obvs.
“Paris: Though that still doesn’t explain why Tay didn’t respond to my messages…”
Yeah this is still a problem btw.
[Answer: Cellar-Closet Swap Door -> no way to get in or out] Woohoo!
“Noah: Even if there is the swap door, though, does that really help? I mean, I guess it’d give a way for Taylor to get back in, but there should’ve been no one on the Cellar side to trigger it, right?”
Is this implying the killer must be someone who’d been in the cellar? Since it’s locked at night, the only way for them to put something on the cellar side is for them to have been there as a result of the motive. That might be getting us somewhere.
[Progressive Deduction]
1- What is our best lead on how Taylor died in the Cellar? a) They never left the Cellar b) They walked back in after they were poisoned c) They were swapped in through the secret door d) They didn’t
Going with c) here, though it’s interesting the question isn’t framed definitively. “Our best lead” and “the truth” don’t necessarily have to coincide. I think they do here, but still.
2- What would the killer have swapped into the Cellar? a) Themself b) Taylor’s body c) Me d) Nothing
“Me” is very funny, but I assume we’re going with b), Taylor’s body. Admittedly, it’s a weird way to phrase that, because Taylor must have still been alive when they got swapped into the cellar.
…Wait, how? Taylor died in the cellar, but how did their body get burnt? The killer would need to swap themselves in after Taylor to do that, or at least swap in something that could start the fire (even though that would probably leave behind evidence which isn’t there). So… the killer must have actually swapped themselves in. Final answer will be a), though I’m not 100% sure on that one. Maybe if the victim could be Paris, and the location was wrong, but we ruled that out because Paris has her handbook. I’m losing it.
3- What could the killer have swapped out of the Cellar? a) Themself b) Taylor’s body c) The next person selected for the motive d) An object
It’s gotta be d), an object. The next person wasn’t there yet, and both Taylor and the killer have to be in the cellar at the same time for the fire to make any amount of sense, so.
Here’s what I’m thinking. The killer gets put into the cellar as part of the motive, and somehow knows about the swap door. They leave a wine barrel or something on top of the pressure plate before they leave. When Taylor gets sent in, the killer uses the gym plate to get swapped into the cellar, with the understanding that the barrels will land on the pressure plate on the gym. The killer ties up Taylor or something (explaining the lack of messages), then leaves via pressure plate, swapping with the barrels again. Night comes, and Monoquin comes to collect Taylor, but they can’t leave, because they’re tied up, so they get locked in. Killer comes through the swap door again, poisons Taylor, burns the body, leaves. This all presumably to confuse the time of death and location, which would raise doubts about what the lie in the MQ file is, allowing for the possibility that the victim listed is wrong, which would incriminate Taylor.
I did tell you I’d have a better idea when the trial started, right? Still, I could see a lot of this being very wrong. Let’s see.
[Answer: c, b, d] For example, I could get what got swapped wrong. Oops. I still think my theory makes some amount of sense though. Assuming you can reliably get the barrels to stay on the pressure plate after swapping.
“Mark: I don’t think it’s likely that anyone would’ve figured out that that swap door existed unless they were in the Cellar. There’s no indication in the Closet that it’d swap you, and it’d be a pretty big assumption to make.”
I mean, you could know, given your previous killing game involved this cellar, but still.
“Aidan: …The barrels.”
I was right about that, apparently. And Aidan’s being helpful again, yay!
“Harper: I see. You could return the barrel to the Cellar when retrieving the body to burn it.”
I mean, you still have the issue that Taylor died in the cellar. So when we say “Taylor’s body”, we mean “Taylor’s still alive body, but probably very poisoned and thus kind of immobile”. But that still means Taylor was alive in the cellar, and could have crawled away from the pressure plate, making burning the body impossible. I’m losing my mind again, I don’t know what’s happening.
“Paris: By having Monoquin open the door for “investigation?” I guess it’d probably work…”
I… forgot that was an option oops. Yeah, that makes a lot more sense then.
“Davis: If that’s true, then we’re working with a smaller group of possible culprits than before, right?” [Evidence Select]
Fourth Motive, I take it? For the list of people who were in the cellar.
[Answer: The Fourth Motive] Yep. So that’s Aidan, Mark, Noah, Paris and Taylor. Plus Ellis was in the cellar when it first opened, but Aidan can probably confirm she didn’t do anything weird then.
… It kinda feels like it’s down to Paris and Noah, right? Taylor’s the victim; Mark helped discover the swap door, which would’ve been insane to do if he was the killer; and Aidan brought up the barrels and had little motive to leave (outside of FTEs anyways), arguments which by themselves mean little but together they’re strong enough. Interesting.
[Mixed Matches]
Murder Weapon: Poison, specifically the same fast-acting kind Antonia used. (B)
Location of Murder: The Cellar, as accessed through the swap door. (E)
Time of murder: 2 AM, the night between Taylor’s disappearances. (D)
Victim: Taylor, though the Monoquin File claimed it was Paris. (A)
Other Injuries: Burns, from an unknown source. (C)
[Answer: B - E - D - A - C] This might be the easiest trial minigame I’ve ever seen lol. It’s funny.
“Jeff: Sort of like Antonia, right? Even if someone’s around, the Resort’s big enough you can probably avoid them at nighttime. So, it’s really just about where you could manage to burn a body.”
I guess if there’s no fire damage in the cellar, it makes sense for the body to have been burnt in some other place. Hadn’t thought about that.
“Vanessa: Where, then? If everywhere would leave too much of a trace that we didn’t find, where’d it actually happen?” [Hangman’s Gambit]
There’s… no place on the map that matches four letter word + nine letter word, what. Maybe “pool…” something? Sure, let’s go there.
[Answer: Cafe Fireplace] I forgot that existed lol. But yeah, good call. Accirax clearly didn’t forget, that’s a pretty clean Hangman’s!
[Lie Detector]
I… kinda forgot how this one works. Was it always composites?…
“The victim is Paris Hall” -> MQ File Lie + Regulation #13/Taylor’s e-Handbook
“She died of poison” -> MQ File #4 + Customer Service Order List (??? I don’t know what the hell you want from me here)
“in the Cellar” -> State of the Body + The Cellar
“last night at 2 AM” -> MQ File #4 + Absolutely no idea.
Yeah I forgot what this minigame actually wants from me. This is probably very, very wrong.
[Answer: 1 -> MQ File Lie 2 -> State of the Body + Customer Service Order List 3 -> The Cellar + Cellar-Closet Swap Door 4 -> The Fourth Motive + Taylor’s e-Handbook]
You know what we’ll call it close enough!
[Intermission] Woohoo! It’s been a nice trial so far, hasn’t it? Everyone’s been pretty agreeable (probably because Kennedy’s gone :(), there’s been relatively little drama beyond the murder… it’s been chill. Let’s see how little that lasts now that accusations are gonna start going around, shall we?
Part 7
“Paris: I mean, Mark’s totally the most suspicious, right? Mark: I am? Paris: Uh, yeah? Like, think about it.” [Puzzling Pieces]
Wow, that was fast! Let’s see if it holds up.
“Harper: I suppose it’s possible there could be a hidden room on the same floor as the Cellar. Harper: Perhaps that would have a passage that leads outside, or to another place in the Hotel?”
What, like the Grotto? Ha ha, ha ha ha… Yeah no. I don’t remember where exactly it is, but I doubt it’s that.
I’m gonna go with “The killer wouldn’t want us to find the swap door”, because that’s what makes the most sense to me.
[Answer: The killer wouldn’t want us to find the swap door] Woop!
“Aidan: There is… something to the Mark argument, I guess. We haven’t seen them around much lately. Kinda makes you wonder what he’s been up to.”
Aidan, don’t… do this. You’re being silly, and that’s worrying me. Don’t be the killer please.
“Ellis: Mark wouldn’t sacrifice us just to leave. […] Paris: They could have memories that they’ve gotten back. We don’t know. Ellis: And you got mad at us for throwing you under the bus…”
Man, Ellis is getting defensive, it’s fun to see!
[Nonstop Debate]
I have no idea what to do here. Everything everyone’s saying is true, there’s not really a lot separating the people who went to the cellar. I’m leaning towards someone having an alibi I’m forgetting, but I don’t even know what truth bullet to shoot there. Or maybe it’s wrong that “any of them could’ve had their whole plan figured out before leaving the cellar”, maybe Aidan was missing details due to being first, but I also don’t know how to argue that. Is it possible one of them wouldn’t be able to get the poison? Why though? I might have to take a wild shot here. Uh…
“Aidan: Any of us could’ve gotten Antonia’s poison, too.”
Shoot “state of Paris’ room” here, maybe? The poison wasn’t there, it’s the only thing I can come up with.
[Answer: “known that people are released at midnight” -> “Any of them”] I did forget about these bullets! It’s what I said before, that Aidan would be lacking info because he was first, right?
“Ellis: Actually, it would’ve been a lot harder for one of them to plan the entire crime in advance. Since Aidan was abducted first, he couldn’t’ve known that his imprisonment would end at midnight, or that the Cellar would stay empty until 8 AM the next day. Aidan: That’s… true, I guess.”
Yippie. Also I love how Aidan seems hesitant even about an argument to his own innocence lmao.
“Ellis: [Aidan and Davis] got back to good terms right after, so [Aidan] wouldn’t have wanted to spring the trap now even if that was his original plan. Not to mention how he feels about the rest of us…”
I love how everyone is defending Aidan all of the sudden, and how Ellis’ own defense seems at least partially influenced by the FTEs!
“Vanessa: It’s just Paris and Noah left as potential culprits then, right?”
As I said, yeah.
[Third Party Analysis] Woohoo!
Concession: Paris: “Besides, even if I’ll admit I want to win the killing game, I wasn’t, like, planning to kill about it!” [Closest thing she has] Noah: “I get that I’ve been taking this killing game pretty hard, and that might seem like a reason I’d want to kill.”
Defense: Paris: “So, if anything, they’d probably be more on their guard around me than anyone else.” Noah: “I’ll… start by saying that I don’t think I would’ve been in the headspace to come up with this kind of a murder when I was in the Cellar.”
Attack: Paris: “Noah’s been all prone to freaking out. If someone’s gonna snap and kill out of nowhere, it’s him.” [These are short sentences I’m allowing myself to put two of them here] Noah: “Even if it wasn’t her directly killing someone, she was willing to manipulate someone else into killing last Trial.”
Proposal: Paris: “Going to the Cellar probably totally freaked him out, so he’d be all ready to do something stupid right after he came out.” Noah: “Even if they weren’t as close as before, it’s possible that lingering relationship could’ve helped her get away with the crime somehow.”
Inquire! Paris’ Defense/Noah’s Proposal -> Taylor’s e-Handbook + Paris’ e-Handbook [Putting two options because they’re the same. Either I disagree with Paris saying Taylor would have been on guard, or I agree with Noah saying the relationship could have helped Paris, because they were still talking on their handbooks. Of course, there is the day of radio silence from Taylor which still worries me, but y’know].
[Answer: Basically the same thing for Distill. Inquire! Taylor’s e-Handbook -> Paris’ Defense] Yeah that works!
“Ellis: I don’t think you can say that Taylor was that afraid of you. After all, they never even revoked your ability to enter their room.”
That was the other argument, yeah. Probably a bit more important lol.
“Paris: Fine! Clear his name too! You think I care?! Jeff: …Yes, based on that reaction.”
Pfft-
“Aidan: What we’ve already said is pretty incriminating towards you. It’s not like we’re going to forget about all of it. Speaking of which, going back to the beginning of the Trial, you’re the one who’d benefit the most from us thinking you’re dead through the File’s lie. Paris: Okay, yeah, but if I really was the blackened, I would’ve just, like, pretended you were right!”
I was going to bring that up too, yeah. It’s a bit odd for her not to go with that strategy, though I guess if she got found out, she’d be immediately cooked, so.
“Paris: Oh, and now you’re using that as logic. Not when I say it, but when it’s against me. How thoughtful of you.”
Chat I think Paris’ persecution complex is going stronger by the second. The type of shit that losing your only friend does to you ig.
[Nonstop Debate] Gonna be real, I also have no clue what to do on this one. Maybe I’m missing something obvious, but I’ll go with my first thought. Earlier in the trial, Paris confirmed that she knew Ellis had been in the cellar when it first opened. Paris didn’t name any source. It’s possible, then, that she overheard them talking when they were investigating. And I’ll say that she was in the gym at the time, overheard them through the passage in the closet, and that’s how she figured out the connection. Final answer:
“Jeff: The killer is the one who figured out the switch door.”
Take this statement…
“Paris: Nothing actually links me to the way the crime was carried out, right?”
And shoot this one. I’m not too confident on it, but let’s see.
[Answer: Customer Service Desk + “they could have ordered from the CSD” -> “Nothing actually links me”] Ah, this actually makes more sense, yeah. The killer could’ve ordered poison, unless they needed it delivered in less than 48 hs. Paris would’ve either needed to order before going into the cellar, or risk not getting the poison in time. She’s the only one who would’ve had this problem, so she’s linked. Nice!
“Paris: No! You don’t get to do that! You don’t get to suddenly start feeling sorry for me now, after everything! You don’t get to pretend like you had no way to see what all of this was doing to me! All: … Paris: The Taylor who was my best friend? They’re gone. They don’t exist anymore. And every other suspect in this Trial has someone tripping over themself to defend them. Mark and Ellis, Aidan and Davis, Noah and Harper– all of you have someone! Just because my best friend never actually cared about me, suddenly I’m the bad person? Even though I cared about them…? Aidan: …Are you… actually crying? Paris: I’m a real person too!“
Holy crashout! I always expected Paris to do something evil at some point, but I hadn’t expected to feel so bad about it. Of all reasons for her to snap, huh? And again, it’s kinda fascinating that Paris genuinely viewed Taylor as a friend, even though she was a horrible friend to them. Very fun stuff!
“Paris: I’m a person. And I have wants, and needs, and dreams, and just because none of you see that, that doesn’t mean that I’m the villain you want me to be.”
…. *quietly pushes the Paris!mm theory under the rug.*
Who even is the mm at this point? Harper? I got no fucking idea which of these people could possibly be behind this mess, I’m losing it.
“Aidan: Can you come up with one thing that actually disqualifies her from being the culprit? One piece of evidence that actually points to somebody else? For all we know, this is just another manipulation tactic.”
Bit harsh, but fair.
[Scrum Debate]
Oh yeah, we gotta do one of these!
[Paris is innocent: Paris, Vanessa
Paris is the killer: Ellis, Aidan, Jeff, Davis, Mark, Noah, Harper]
Okay wow, I thought these things were supposed to be somewhat equal? That’s really funny.
“Paris: You’re totally saying that I’m the killer for, like, no _____!” -> Mark/reason.
“Vanessa: Just because Paris isn’t as _____ to the group doesn’t mean she’s the killer!” -> Harper/close.
“Vanessa: Paris and Taylor were _____! It’d be hardest for Paris to kill Taylor out of all of us.” -> Jeff/friends.
“Paris: So what if I _____ last Trial? That was for all of your sakes!” -> Noah/lied.
“Paris: You all only want to vote for me ‘cause you _____ me! It’s not fair!” -> Davis/hate.
[Answer: I got it right :)].
“Ellis: …Look, I don’t want to claim that you’re not a person, ‘cause you are.”
Lmao.
“Paris: Oh, so now you want to listen to me. Aidan: You have ten seconds to start talking or we vote.”
The group is. So done.
[Freestyle Feud] Let’s do it!
“You just want me to be the killer so I won’t mess up your little friend group.”
I’d prefer no one be a killer, but the evidence condemns you.
“What the hell is the reason that I would kill my friend?”
You had a falling out, and the loneliness you couldn’t bear. (?)
“You’re acting like I’m cruel, even though it wasn’t my fault!”
If you’re the blackened, boo, then I’d say that is wrong.
“It’s not my fault if she betrayed me first!”
What the fuck.
Uh… alright I’m freaking out but I have to finish the rhyme:
And it’s a twist, Mx. Long, but now I feel, the only things betraying you are your loose lips! (?)
You’re supposed to shoot a truth bullet at the end, right? Maybe Taylor’s Profile, which states their pronouns as “they/them”?
[BREAK!] Okay apparently you didn’t need a truth bullet, kinda forgot that. Also:
“Ellis: Woah, wait a minute– who’s the “she” in your outburst?”
I love that this doesn’t even rhyme, Ellis is so flabbergasted it threw off their whole flow xD
“Mark: Wait, but… that was impossible. We figured out that she had to be Paris.”
One thing that comes to mind is that Paris could have lent Taylor her handbook, so even if she died afterwards, it wouldn’t be stealing if Taylor still had it on them?
“Paris?: …Oh, yeah, I’m like, totally Tay! Can’t believe it took you all so long to figure out~”
Let’s go Paris Question Mark!!!
“Vanessa: Wait, but if Paris is the victim, then we don’t have a lie in the File, right? Like… that’s kind of part of the reason we believed it too, right? Mark: Let’s… talk it over. We can figure this out.” [Puzzling Pieces]
You know, the lack of messages for a full day before the supposed murder still worries me…
While there’s interesting points being brought up about what the lie in the file could be doing to help Taylor, I’m going with the solution “Paris could’ve given Taylor her e-Handbook willingly”, to address the main question.
[Answer: Paris could’ve given Taylor her e-Handbook willingly] Have I mentioned how much I love Puzzling Pieces, btw? Because I love it a lot.
“Paris?: What, so you could finally vote for me like you want to? Jeff: Guilt tripping’s not going to get you anywhere, considering that whoever you are, you’re definitely the killer.” That’s so funny. “I don’t even know who you want me to feel bad for but I don’t feel bad for you anyway.”
Lmao.
“Ellis: …Is there anything else we can look at? Like, what about the rule where you can volunteer to enter the Cellar? Could that have anything to do with it…?”
I’m wondering if we’re thinking the same thing about Taylor volunteering someone else via impersonation. Don’t fully know what the point would be, though.
“Mark: It’s 50/50 odds no matter who guesses, right…? It might as well be you. Ellis: But… but, my luck doesn’t work like that. It only helps with picking the right stocks to invest in, and getting lucky poker hands, and… Vanessa: I, uh… I bet you five dollars you pick the wrong answer? Ellis: …Five dollars?”
Holy shit we’ve cracked the code. It’s easy! Why didn’t Celeste think of this in DR1?
“Mark: Take a deep breath. It doesn’t have to be right. We can talk about it afterwards, if you want. But, if you had to pick… who would it be?” [Select the Person]
That’s crazy. There’s literally no way to tell what you’re supposed to pick here. I wonder if accirax would have been able to pick either or if there was only one answer. Leaning on on only one answer, but who knows. {After reading the rest, yeah there was definitely a right and a wrong answer lol}. I am gonna go with Taylor, because while I still have many questions, interrogating the Paris idea is sort of a dead end since we’ve already talked about it. At least Taylor as a suspect might give us new ideas, and possibly explain the message issue.
[Answer: Taylor Long] Yep. Also: “Ellis: It’s… you?” The question mark stocks are Rising this trial!
“Taylor?: …” [Closing Argument]
Wow… Taylor Question Mark, long lost sibling of Paris Question Mark! Also, doing a Closing Argument without actually being sure of anything is so funny. Anyways, let’s see if what I’ve gathered makes any sense.
1- The Fourth Motive. Paris got locked in the Cellar two days before the trial.
2- Customer Service Order List. Here’s where it gets iffy. I’m gonna claim Taylor picked up Antonia’s poison by asking the staff for it only after Paris got locked in the cellar. I can’t be sure if that’s right or not.
3- Cellar-Closet Swap Door. After Paris escapes the cellar, Taylor poisons her, and uses the swap door so Paris dies in the cellar.
4- Paris’ Room. There’s a clothes swap here. Taylor puts their own clothes on Paris’ body, and grabs one of Paris’ outfits to disguise as her.
5- State of the Body. The body is burnt.
6- Paris’ e-Handbook. Somehow, Taylor had gotten permission from Paris to use her handbook, and so Taylor uses it to send messages to their own handbook. They had to leave their handbook next to Paris in case someone stumbled onto the corpse (that’s why they couldn’t respond), but also needed to send messages to replicate Paris’ recent behavior. It’d be suspicious if Paris had only sent messages one day, and not the other.
7- MQ File #4. The body is found, the MQ File is distributed.
I feel like there’s several ways to arrange this depending on what info you take of each truth bullet, but oh well.
[Answer: Motive -> Room -> Handbook -> Order List -> Swap Door -> State of Body -> MQ File] Other than the room and the handbook, I got it right. We call close enough!
“Ellis: The case began with the motive, as it usually does. “Usually”... ugh."
Yeah, sorry buddy :(
“Ellis: When the killer was trapped underground– one of five people to find themselves in that scenario– they planned a murder to enact upon their escape.”
You know, I completely forgot the killer had to go to the cellar before learning of the swap door. Uh, oops?
“Davis: Is it… really okay to vote, if we don’t know for sure? Aidan: Are we ever going to know for sure? Mark: …It’s okay. I trust that this is the right answer. So, if everyone’s ready, then… let’s vote.” [Vote]
This is crazy. You know, I’ve seen a cast almost get a vote wrong before- hell, I know a fangan where the cast does in fact get a vote wrong. But I don’t think I’ve ever seen a fangan cast vote before anyone’s actually sure about the killer. Crazy stuff.
“Monoquin: That is correct. I inhale sharply, and tears prick my eyes. I hide my crying eyes behind my arm. Ellis: Thank god… I didn’t… I didn’t kill you all…”
Welp! There’s one for the trauma books! Holy stress! And now Vanessa owes Ellis five dollars, lol.
“Vanessa: But, why? I mean, things were going pretty well… Taylor: Why would I kill Paris? You’re seriously asking me why I would kill Paris?”
I mean. You were also going to kill everyone else in the process. It’s kind of a lot.
“Taylor: I hate her. I hate her perfect fucking face and her stupid flawless pictures and I hate the way “I” was the only one she ever cared about in her entire life, but the “I” she cared about never even existed in the first place! Davis: “You” didn’t exist…? Taylor: “Oh, sorry! That wasn’t really me just there. I’m here to support you, so don’t worry about it!” Taylor’s “usual” smile fades back to deadpan. Taylor: Not all of it was fake. But it wasn’t “me,” either. It was the person Paris wanted me to be. The person Paris would actually consider a friend, and the person who Paris would learn to care about.”
Holy! There’s some crazy reveals going on here. I guess I should’ve at least wondered if maybe the Ultimate Impressionist was putting on an act for a while :v
“Taylor: I don’t want any of this anymore. The me here, the me with my family, the me at college, the “me” anywhere, isn’t actually who I am. I wanted to get away from everything. To start over. To take the time to figure out who “I” am… I look at Aidan. He looks back at me, but he doesn’t say anything, either.”
…They’re calling it the greatest timing for an FTE of all time! What are the damn chances it worked out this perfectly with the themes of the chapter? Crazy stuff.
“Taylor: Could I? Paris certainly wouldn’t have allowed it. She’d be all, “Tay, why are you being like that? We were totes besties~!” and you’d probably be weirded out, too. Besides, what kind of a place is a killing game to figure out who you are? Mark: …”
To be fair, Ellis’ inner monologue has kind of agreed with Taylor in the past, but goddamn Ellis’ friends are catching strays in Taylor’s final speech!
“Taylor: But, y’know, if you’re all living in happy friendship land, I won’t be stopping you, apparently. Continue living here forever, if that’s what you’d like. Keep hanging with your besties– those of you who have them, anyways.”
Well. Someone was speaking their true feelings while masquerading as someone else, it seems :p
“Vanessa: …Did you ever care about her? Taylor: Did I? They think. Taylor: …Yeah, I did. But not enough to try.”
Damn. Kind of a crazy thing to admit, but I respect the ability for self-reflection here.
“Ellis: …I guess this is what happens to people who want to win the game. Who give up. Who decide that their escape is more important than everyone else. I’m… not like that. I wasn’t. And I won’t be. I promise.”
Character development!!! *fire emoji* *fire emoji* *fire emoji*.
“Taylor: …I hate the part of me that hates her, too.”
Welp! That’s horribly sad!
“Taylor looks out at the crowd and bows. Taylor: Farewell from me… and her. “Besties stick together ‘til the end~””
Fantastically theater kid of them, it’s peak. And I love the one last weird impersonation of the dead for the road!
“What would your execution include?”
Damn. Taylor boutta get the 9-in-1 special, their own execution and everyone else’s! Though, now that I’m considering this, isn’t it kinda crazy the mastermind is able to arrange an execution based on the players’ vote? Like, there’s no way to account for every single possibility, right? Unless this is a simulation, which I doubt, or the mastermind is supernatural, which I doubt only slightly less. The mm might just be an Analyst like Junko, very certain of what people are gonna pick, but otherwise I don’t know how you pull this off. Or maybe I’m just thinking too hard about it xD
“Would they take away any input from me, then? Chain me down, prevent me from speaking, block my vision? Would they take away everything I had, everything my luck has given me? Let everyone see the truth behind the heart shaped sunglasses? The truth… isn’t as harsh as I feared. Everyone else told me that. But, if I were the killer… everyone would have shown me that truth, instead.
What would your execution include? YOUR ANSWER: Who everyone else thinks I am.”
That’s some pretty interesting philosophizing, especially regarding the truth and all. Still, writing down “who everyone else thinks I am” knowing it’s related to Taylor’s execution specifically is crazy lmao.
“Idk.”
Aidan is just fantastic for this xD
“The floor bucks Taylor backwards, slamming them into a wall. Then, just as fast, another piston fires, and another wall slams into that one with a deafening slam. When it pulls away again, there’s only the bloodstained impression of Taylor’s body left in the wall.”
YIKES. That’s a pretty horrible one, goddamn.
“The room is quiet. Without Paris, our usual chatterbox, it’ll probably never be loud in the same way again.”
Damn. Already missing her, huh?
The usual post-trial conversation with Mark and subsequent monologue are as fantastic as always. Really hitting us in the feels with reminiscing over everyone who was, and no longer is. And also:
“You never know when there might be another miracle around the corner.”
We end on a hopeful note! That’s how you know we’re closer to the end, the protag is getting ready for those hope speeches!
Anyways, thoughts on the trial. Holy damn, it was a rollercoaster. There were enough twists and turns in there that I really could’ve believed anything part way through. And making the seemingly obvious answer, “Taylor in disguise”, the correct one is a very bold move for a chapter 4, but I think it works! There’s so many other seemingly good possibilities that, even though the first possibility discussed turned out to be the right one, it never really felt like we were going in circles. Not in a bad way, anyways. Plus, Taylor's emotional state, revealed through their speeches as Paris and of course at the end, is a great source of drama and makes them a very fascinating character. Peak!
And while Ellis is busy doing that, we have a game to check up on. Finally knowing both the victim and the killer, it’s time to see where we stand!
Anyways, thoughts on the trial. Holy damn, it was a rollercoaster. There were enough twists and turns in there that I really could’ve believed anything part way through. And making the seemingly obvious answer, “Taylor in disguise”, the correct one is a very bold move for a chapter 4, but I think it works! There’s so many other seemingly good possibilities that, even though the first possibility discussed turned out to be the right one, it never really felt like we were going in circles. Not in a bad way, anyways. Peak!
And before we go to the Bonus Scenes, we have a game to check up on! When I left off at the end of CH3, bronze had 14 points, accirax had 16, Jonas had 17, and I had 20. Finally knowing both the victim and the killer, it’s time to see where we stand now!
Starting with Paris, we have what I believe may be a first! Three people guessed the exact same thing: CH3 victim! With the right role, accirax, bronze-ocs and I all get 1 chapter point! Jonas had predicted her as the mastermind (which would have been my guess at literally any point other than the prologue lmao), so that’s 2 chapter points and 2 role points! Welcome to the 21 point club, Jonas :,)
Bronze and I also agreed on Taylor, putting them as a survivor; that’s 2 role points and 2 chapter points. Jonas got the chapter right, but the wrong role, while accirax got the role right, but she predicted a CH2 kill for them, so they both get two points.
Ultimately, the standings are: I’m still in last place with 25 points, though I closed the gap by one point, as Jonas now has 23. Bronze-ocs and accirax keep themselves just under the 20 benchmark with 19 points each, tying for first place! Man, remember when accirax had the most points in CH1? The comeback is generational!
Will I manage to get back in the race? Will Jonas pull away from me? And how will the accirax-bronze tie resolve? See all of that, in the next post!
Anyways, Bonus Scene reactions!
1: Aidan & Davis
Oh hell yeah.
“To state the obvious, it’s dark in here. My eyes have more or less adjusted, but the majority of the light comes from the crack in the trap door.”
Oh, in the Cellar, cool setting!
“It’s not like I’m new to the sensation of sitting around and waiting for the day to be over. It’s like a reminder of what I’ve left behind, right when I realized I didn’t know what the Hell I was doing in the killing game, either.”
Well, I guess at least Aidan isn’t taking it too badly. Still :(
“Davis, then. I guess it’s not that surprising. I did kinda think he would still be mad about earlier, though…”
You’ll have to forgive me for kinda forgetting what that’s referring to, but from what I recall, something about Aidan not caring about certain things enough, or not communicating that he did, anyways.
“Davis: Is there, um… anything else that’s been going on? Aidan: Can we just talk about whatever you came here to talk about already…?”
Lmao. “There’s not any bushes in this cellar you can beat around” huh?
“Davis: I’m just… worried about you, is all. I missed talking to you. But, if you want, I can leave. Aidan: No, you don’t have to. Ugh, what am I even doing…? How do I talk to someone that I actually… want to…?”
Bruh.
“Davis: …You’re not the first person I’ve had to worry about like this. I guess I’m sort of used to it. But, it feels sort of different now. I actually get to talk to you afterwards.”
… What? Ominous.
“Davis: It’s been seven relationships now, each ending more unfortunately than the last. From moving away to cheating to death, or anything else. I’m used to losing people. I… was scared I’d lose you too.”
Bro??? I guess we kinda knew relationships never work out well for the guy, but I never really thought death was a part of that equation. Poor Davis.
“But, even then, he’s comparing me to previous people he’s dated…?”
Yeah I wonder what that means Aidan, do you have any idea? xD
“Davis: But I was never the one breaking up with them. It was always them, breaking up with me. Even when it was their fault…”
… Even for the death ones? That’s kinda yikes if so.
“Davis: I don’t really blame them for it. This sort of thing happens to me all the time. So, I don’t really think of it as their fault… Aidan: Well, maybe you should!”
Davis no! Aidan get your guy some better self-esteem please!
“I did the same thing, after all. He’s right. It is the same thing. I… took away everyone else’s choice in the matter, to go ahead with whatever I wanted…”
Ooh… self-reflection! Aidan is so mature and smart and that’s very cool of him :)
“Aidan: Yeah. Just… I get how frustrating it is when people don’t let you decide how you want to do things. You deserve better than that.”
Oh, yeah, FTE backstory. You know a ship’s good when the narrative foils go crazy.
“Aidan: Well, I don’t mind talking, if that’s what you want. I wonder if that’d make him smile.”
Aww…
“I guess… maybe I like talking to him, too.”
AWWW!
That was a very cute and fluffy bonus scene, hell yeah! We love ourselves some wholesomeness in our killing games. Here’s to (hopefully) two more chapters of Aidan and Davis being cute with each other! :D
2: Vanessa & Mark
Ooh, a very interesting pairing here! Wonder what they could have to talk about!
“I know that this whole Cellar randomizer thing happens every day, and that it’s probably designed to be a miserable experience for whoever’s inside, but wouldn’t it be a whole lot nicer if it wasn’t…? I already feel kind of bad that I didn’t try to talk to Aidan or anything, especially after he’s been keeping my secret about the gun this long. So, if Ellis already talked to Mark today, maybe I should pay him a visit too!”
Yay Vanessa PoV! And she’s so nice…
“Mark: That… makes enough sense. I definitely don’t mind the company, so… Yay!”
Vanessa’s inner dialogue sounds like me lmao.
“Vanessa: Well, how’s it been going? Mark: … Uh… did I ask something wrong…?”
Off to a stunning start!
“Vanessa: …Hey, Mark, what do you think is happening in the outside world? Like, beyond the Resort and all that? Mark: Wouldn’t you know better than me…?”
Yeah you kinda asked the absolute worst person Vanessa lol.
“Mark: I still don’t really remember much about what it was like before, or what happened to it. If your memories are more intact, you’d probably have a better prediction. Vanessa: I guess, but you’re smarter than me. Mark: …Thanks…?”
Bruh. Ness come on have a little more faith in yourself!
“Vanessa: Do you ever wonder… if it’s safer in here? In the killing game? Mark: No.”
Wow, immediate. I guess fair, especially if he doesn’t remember much about the Tragedy, but still.
“Mark: You might be right. I have no idea what the world would be like, out there. All that I know is that the killing game shouldn’t be allowed to exist, because it’s too awful. Even if the outside world is worse, the fact that there are more options makes it easier to change for the better. The way you’d move forward outside… it’d have to be to change it, right? To find safety, to reinvent civilization.”
Wow. Alright? I see you Ultimate Hope. Lmao.
“Vanessa: …You still don’t remember anyone, right? From before all of this. Mark: No. Not in the slightest…”
Alright so we’re lying now. I guess unless Mark takes their previous killing game as part of “all of this,” but I don’t think Vanessa is privy to that information yet lol.
“Vanessa: …I sometimes wonder if my parents are okay, wherever they are.”
:(
“Vanessa: I just know that they’re not really… resourceful? They don’t really problem solve, or take things into their own hands. So, I’m sort of worried about them on their own…”
Alright? that’s… a pretty interesting opinion to have lmao. At least she’s honest about it?
“Mark: …What about your sister? Vanessa: She’s really capable, so, it’s a lot easier to trust that she’s doing fine, wherever she is…”
That’s nice at least! Vanessa’s sister sounds cool.
“Being apart from her now has to be okay. I can handle myself. This is how I can prove that. I can make it through this killing game on my own…!”
Well, that’s… an interesting motivating factor lol. Works, I guess.
“Vanessa: Do you remember anyone well enough to miss them? Mark: …”
Ooh… they’re thinking about the previous Lucky Student :o
“Vanessa: I’m sorry if it hurts that you forgot… Mark: …I’ll be okay.”
Aww :(
That was pretty nice! Fun stuff about the Tragedy and Vanessa’s family, though talking to Mark about anything that isn’t strictly killing game related is always gonna be a little awkward. Still, very nice scene!
3: Harper & Noah
Well, you can’t go wrong with this duo!
“How long does it take someone to wake up from a concussion?”
Ooh, and it’s after Noah fell from the railing, fun!
“Noah: I was… freaking out, because of Davis’ whole thing, and I ended up falling from the Promenade. That’s all. I frown. It seems like Davis’ attractiveness forced Noah into some form of self-acknowledgement.”
Just wanted to repeat that this is an immaculate plot point, fantastic way to figure out one’s sexuality lol.
“I’m sorry this is all happening to him, and I know he doesn’t want to acknowledge it, but… I feel as though I can help him. Or, at least, I can try to…”
Go Harper! Good luck!
“Harper: …Is your hesitancy towards self-acceptance related to your father’s beliefs? I’ve always… My phrasing has really gotten away from me… Harper: …heard less-than-ideal remarks, when I’ve conversed with him.”
Yikes! You know shit’s bad when Harper can’t keep ver wording in check.
“Noah: What has he said to you…? Harper: Nothing I’m not used to.”
Yikes x2
“Harper: It’s not your fault who your parents are. Noah flinches slightly. Right. His mother…”
God, we are just piling on the family problems for the poor guy, huh?
“Harper: I, um… haven’t ever met your mother before, and I hadn’t heard you mention her, either. Is there… a reason why…? Noah pauses as he processes my words. Then, his eyes begin to tear up, and he tries to stifle a sob.”
Alright, so this one’s gonna get extremely angsty then, awesome.
“I embrace him as he wipes at his eyes. Noah: S-sorry… I… Harper: No need to apologize. I’m here for you.”
At least Harper’s really nice :)
“Noah: My dad… isn’t a very good dad. Our relationship isn’t great, but I have to spend a lot of time with him, ‘cause of frat stuff. He rubs the back of his neck. Noah: And, um… my mom… didn’t want to deal with it anymore. So, one day, she left. Harper: I see. That makes sense. Noah: …She took my sisters with her. Not me, though.”
Well, that’s… sad. The backstory’s very interesting, but geez. Kinda rough for his mom to take the sisters and not him, what the hell?
“…I’m sure Noah asks himself these questions often, too. And, I can only imagine… seeing his mother again, but in the context of the roulette…”
Yeah, yeah… :(
“Harper: I, um… understand the feeling, with my own parents.”
I… well, that’s surprising! We haven’t really heard much about Harper’s backstory, have we?
“Harper: No one becomes as rich as my parents without exploiting others. Even if I’m not directly responsible for it, I’ve always felt guilty for reaping the benefits of their wealth.”
Yeah, that’s what I figured. Do you think Harper’s parents run a vineyard? I still wonder why that’s listed as ver dislike in ver profile.
“Noah: And, you give a lot of money away, anyways… Harper: I do. As much as I can. But, is that because I truly want to help people? Or, is it just because I don’t want to feel that guilt…?”
Ooh, interesting questions… Harper’s one of the characters which has been explored the least, I feel, so it’s nice to get this much insight on ver thoughts!
“Harper: Yeah. I’m really glad I’ve gotten to know you better, Noah. He smiles back. Noah: I’m glad I got to know you better, too.”
Woohoo! Nice talk! Really lovely to get more on these two, since again, I feel like we haven’t gotten much about them in the main series. Onto the final one!
4: Taylor & Paris
And of course, I guess we couldn’t end it off without the Trial’s main characters! The besties turned worsties… I wonder how this one’s gonna play out.
“It feels a little strange as I’m stretching my legs and walking through the Resort again after leaving the Cellar. After all, I’m not going to be here much longer, one way or another.”
Oh damn, are we gonna get a murder PoV as a Bonus Scene? That’d be incredible.
“I guess I don’t know how long it’ll take them to find “my” body, but the whole thing feels like a farewell tour of sorts. Like, look, it’s the Courtyard. Not sure if I’ll ever go back there again.”
Melancholic!
“Paris: OMG, Tay! Are you okay? She takes a half-step forward like she’s about to hug me, but reconsiders.”
Aww, she’s trying :(
“All I have to do is get back on her good side for one night. That means telling her what she wants to hear– grovelling at her feet, admitting how wrong I was to doubt her. I can manage something like that, at least.”
Damn, killer PoV goes kinda crazy.
“Taylor: I just thought you were upset, since you stopped messaging me since yesterday…”
Oh my god are we finally gonna address what the deal was with this???
“In the moment, I just didn’t want to respond to her. Now, it’s part of my plan. I pick up my e-Handbook, pretending to look at my own chatroom. Taylor: Weird, it’s still not there. Can I have that?”
Holy genius plan! That works so well! Everything makes sense now!!!
“Taylor: Aww, you left my room permissions? I thought you might’ve gotten rid of them… Paris: Of course not. Besties always stick together~ Sure.”
Oof. They’re mad mad. I mean, given they killed the woman, I figure that should be obvious, but still.
“I run out of the room, quickly ducking into my own. I grab some snacks and two drinks from the mini bar, opening Paris’ drink and pouring the poison inside.”
And that’s how the poison was administered. I’m loving this frankly.
“Paris: …I’m really happy to have you back, Tay. Taylor: Really…? It’s surprising. Her tone is earnest, genuine. She doesn’t usually sound like that.”
Oh oh.
“Paris: I’ve never really had an actual friend before. So, you’re really special to me, Tay. What…? Paris: In high school, all of my “friends” were people I hung out with because we were of similar status. We had fun and all that, but we didn’t, like, care about each other. It was all politicking and rumors to stay at the top of the social ladder. Taylor: But, what about before that? Paris: I wasn’t really popular before that. I just sort of… watched everyone else. If people did go out of their way to talk to me, it usually wasn’t good.”
Oh no… we’re getting the entire tragic backstory only now that she’s drank the poison… At least the backstory on Paris is great, but I’m starting to feel sad.
“Why is she saying all of this now? What purpose does it serve her?”
Though I am living for Taylor not buying it even though it’s clearly the truth.
“People don’t really change. She seriously expects me to believe she was a totally different person just a few years ago? Even if her reputation was different, I’m sure she was still the same person deep down.”
Case in point. It’s so weird to hear “real Taylor’s” inner monologue, I don’t think I’d expect the person Taylor pretended to be to say something like this. Cool!
“Paris: Because I think I went too far in the other direction. I got used to being in power, and thinking like I was the only one that mattered. But that isn’t true. I can’t care about no one because I care about you. Taylor: … No, you don’t. Don’t say stuff like that if you don’t mean it. Paris isn’t the kind of person who’s capable of actually caring about anyone, let alone “me.” Besides, she only thinks she knows who I am. She doesn’t actually know anything.”
Holy angst Batman! Taylor is now in deep denial to avoid feeling awful for what they’ve done, always a fun thing to see.
“Taylor: What is it that you like about me so much, anyways? […] Paris: You’re quiet, but that’s okay. I like that you’re different from me, and different from the people I’m used to. You’re… honestly kind of mean sometimes, but I like that too. I mean, how couldn’t I? It’s the same kind of thing I do. It makes me feel like we really are friends who can just be our authentic selves around each other. Her voice is getting softer, quieter, as she continues talking. My heartbeat picks up. Why is she getting closer and closer to… what I’m actually like…? The kind of person I want to be, but can’t, because it’s not what anyone else wants?”
Holy shit this is getting devastating. Taylor is so desperate to keep hating Paris and it’s getting harder and harder the more likable Paris gets. Redemption and angst causing arc all in one conversation, Paris on that speedrun mindset.
“Taylor: You’re not telling me you like me because you actually like me. You’re just saying it because it’s what you want to hear about yourself. So, I’m not giving up on anything real. I’m just giving up on you.”
Yeah keep telling yourself that Taylor.
“…A plan well-started. But I don’t have time to dwell on that. I need to move on to the next step. And, once I’m out of here, I never have to think of her again. I look at her again. She really never saw this coming, did she? …Never again.”
Oof.
This was probably my favorite Bonus Scene of all time. I mean, the angst? The explanation of loose threads? The Paris redemption arc? The Taylor denial arc? It’s peak! What else can I say? Delightful writing, delightful pain and suffering, it’s great.
-
And that’s all for CH4! Wew, what a ride! To recap: Noah stumbled out of the closet so hard he fell off a railing, also he may be struggling with alcoholism and both daddy and mommy issues, Aidan started looking forward to the future through his FTEs, Davis improved his relationships and explained why Ultimate Bachelor is not Ultimate Boyfriend, Ellis’ self-esteem hit rock bottom and now she’s confused as to why people actually like her, Jeff accidentally corrupted Taylor with their “fuck this shit I’m out” mindset, Paris and Taylor’s friendship crashed and burned in spectacular fashion, the trial had as many twists and turns as Paris had followers, disguises were made that would put the Ultimate Imposter to shame, Antonia did a bit of recreational narrative haunting with her poison, etc, etc. Eventful!
Lovely chapter this was! I’m looking forward to starting CH5, though by the time I post this I’ll probably have started it already. {I’m actually about to finish it lol, the formatting takes a while xp}. See you later!
Now Announcing...
Our new fangan, Danganronpa: One Shot!
Prologue releasing Friday, November 8th at 2 PM PST!
As we've vaguely mentioned before, we (Accirax and Venus) have written a lot of fangans for fun. We're now posting one of those fangans online for the first time! Venus wrote the characters and the mysteries, while Accirax wrote the protagonist and solved them. For a more detailed explanation, please check our About Page and FAQ!
The prologue will be posted on Tumblr as a Google Docs link, as that's the format the fangans will exist in. There will also be a Google Slides e-Handbook to accompany every installation. We will announce further posting schedules as we figure out the pace at which we want to post the chapters.
Our ask box is currently open, so please send in any questions you have about the format, any non-spoiler questions about the fangan itself, or just general thoughts/excitement! We're super excited to share this all with you, so if you're unsure about whether or not to send something in, send it. We want to see it!
Following the prologue, we'll be hosting a character Q&A, as well as allowing for voting on bonus content between the characters. We also may post polls to determine what our future posting schedule will look like, so please keep an eye out for those!
And finally, here's a version of the poster with the characters' pronouns if you want to discuss them!
As well as an easier-to-see picture of our header :)
Have fun, and we look forward to letting you meet the characters on November 8th!
Thus concludes this shot at disaster. Thanks for watching! 💕
Character Quiz: Which DR: One Shot Character Are You?
Hello everyone! I made this character quiz a while ago and wanted to share it with you. Answer 25 questions to figure out which DROS character I think you're most like!
Take a fun personality quiz to figure out which Danganronpa: One Shot character you're most like! (If you haven't yet, check out the fangan
As with all personality quizzes, the answers might not fit you perfectly. That's true for the characters too! I made these questions to span, like, four fangans' worth of people, so they aren't perfectly optimized for the One Shot people either. Just give your best shot in answering, and hopefully the answers will take you to the right answer!
If anyone is willing to share their results, I'd love to know what you all get :D
And, if you're still here reading, I want to say: thank you for reading One Shot! This is our last planned piece of post-game bonus content (although it's possible more will release later, especially in combination with future fangans' content), but don't go anywhere, because there might be something cool coming up soon! Hm, this is being posted on a Sunday... I wonder what might happen a couple Sundays from now...
DROS CH5 First Impressions
And we’re here! Presumably the last regular chapter of DROS, before whatever CH6 will bring! Let’s see what exactly we have going on here, and what could possibly happen to get us into an endgame. We move!
CWs: Daily Life, Deadly Life. Warning: Absurdly long.
“Unbreakable Bonds”, huh? I don’t have too many guesses as to what could happen here, but it sounds fun.
“Five games before ours… fifteen victims in each… plus the current eight casualties from our game… That’s 83 deaths. 83 people, likely young stars with bright futures ahead of them, that this Resort has killed.”
I hadn’t thought to do the math, but yeah, that number is absurd damn.
“I’m getting pretty sick of meals where not everyone is in attendance, so I cross my fingers and check to see if everyone makes it here. Thankfully, they all show up.”
Yay! No more Cellar motive, obvs.
“Vanessa: It’s… about what Taylor said, towards the end of the Trial. How everyone here is super close to someone. I… don’t feel like I have anyone like that, y’know?”
Type of shit that happens when your day 1 is the first killer ig. {Also hey last change of format before the finale!}
“Jeff: Is that a bad thing?”
Also Jeff lol. I guess he also doesn’t have anyone that close, but he’s used to it :p
“Jeff: If you’re not super attached to anyone else, you don’t ever have to worry about them leaving you behind.”
Of course xp
“Jeff: …If thinking about the situation’s not helping, think about how to get out of it. We all want this game to end, right? So, focus your efforts on figuring out how to end it. That’s my plan. Ellis: That’s what I’m gonna be doing, too. We can’t let this game churn through us all… Vanessa: Right. Finding an end to the killing game, without there only being one winner left. Maybe, if we try hard enough… Maybe it is possible.”
Back on the “end the game” grind! We don’t have a lot of time until the end of the story, so we gotta do it!
“If we can actually all come together, who knows what new innovations that might bring? …Man, I really hate how tacky this all sounds. I was never cut out to be an inspirational speaker.”
But… But the hope speeches D:
“So, we’re just going to pretend that getting out of here before anyone else dies is a totally viable scenario. I’m really crushing this optimism thing.”
Don’t worry Ellis sweetie you’re doing great.
“Mark: There’s just… only half of us left. I guess everyone was studying up on their arithmetic last night.”
Ellis and their inner monologue continue being the funniest things alive lmao.
“The Show Room’s walls have returned to stonework, though it’s nothing decorative, just bricks. The room is empty, except for the shackles hanging from the walls. …Hang on. Isn’t this the same as it looked the first time I saw it?”
That’s… interesting. Is it looping? Or is there some connection to the first chapter here? Given the “bonds” name, I have to imagine the shackles are related. Maybe this chapter’s motive was supposed to be CH1’s, but Antonia killed so fast that a different motive was chosen. Wonder if it’ll be anything like Tetro Blue’s first motive. Kinda doubt it, but we’ll see.
“Why would it go back to default? Does that mean there won’t be a motive this time? Why…?”
I guess “default” is also an interesting way of seeing it. Wonder what it could mean.
“Ellis: It’s no wonder you came here. This is… really abnormal. Aidan: …Thanks…?”
Bruh xD
“Ellis: Yeah. You’d think they’d want to ramp up how effective the motives are to counteract everyone growing closer. Unless they’re trying and failing to prove some point about how we’ve only become more desperate over time, there’s no reason for them to ramp down.”
I like the “trying and failing” language- for as much as Ellis makes fun of himself for it, he actually is pretty good at the optimism thing apparently. Also, interesting ideas from Ellis!
“Ellis: Maybe we’ll get handcuffed together. That’d be fun, right, Aidan?”
Oh hey, another case of me and Ellis thinking alike, except I don’t think Ellis knows about Tetro Blue lol. Also I hope the first motive isn’t considered that big of a spoiler? Idk.
“Aidan: If that does happen, I feel bad for whoever gets paired with you. Ellis: Ouch! But, hey, didn’t we say you should stop feeling so negatively about yourself? Aidan: What do you mean? Ellis: Well, because we would be paired together, obviously. So stop feeling sorry for yourself. It’s a blessing. Aidan: ...Right.”
A very particular conversation lmao.
“I walk past the card tables in the Casino in pursuit of finally unlocking whatever’s behind that weird door.”
Yooo!!! Weird door in the casino reveal!!! Hopefully, I’ve actually been really interested in it for a long time.
“Mark’s standing outside said door, but based on their demeanor, it doesn’t seem to be open.”
Or I can wait until next chapter that’s fine too xD
“Ellis: Ugh, still? This thing has been bugging me since we got here.”
Dude. I swear I’m not reading Ellis’ lines ahead of time, we just genuinely have the same thought process a weirdly significant amount of the time xD
“Mark: It doesn’t open. Ellis: Like… ever? Mark: Not in my game. Probably not in this one, either.”
Hmm… Well, I guess we have an idea for what may be the trigger for the end of the killing game in CH6!
“Ellis: …Have you ever tried knocking? Mark: … They knock on the door. Unsurprisingly, nothing happens.”
S-Tier bit. Why didn’t we think of this before???
“Looks like I won’t be able to get them to smile with any of my usual antics at the moment.”
Awww… Well you tried, and it was a good attempt :( Made me smile, at least :D
“Mark: After the Fifth Trial, the dynamic of the killing game shifts. There are few enough people left that everyone starts having to consider what they’re actually going to do to get out of it alive. So, instead of getting new areas and super pressing motives, it’s more about the group dynamic. Oh, and the BDA rule will change after the next Trial, too. Three spotless is too hard to achieve when there are only six or fewer people left…”
That’s… interesting. I guess that explains the Show Room a little.
“Mark: They aren’t. There’ll be a new motive… probably tomorrow morning. Maybe the day after that. Ellis: Wait, then why would they reset it to look like when we first got here if they’re just going to change it anyways? Mark: Probably for confusion or a false sense of security. The motives seem to be following roughly the same pattern as before, so…”
Never mind! So that’s kinda weird. I wonder if maybe something’s going wrong on the killing game organizers’ end, that they can’t get a new Show Room? Probably wishful thinking, that.
“Mark: I remember the fourth and fifth [motives], and the fact that there weren’t any afterwards.”
Very, very interesting!
“Mark: It’s true, though. Like I said, once everyone is confronted with the end of the killing game, it’s harder to pretend there won’t only be one winner. People start trying harder to make sure the one winner is them.”
Big oof there. Makes sense, but still.
“Mark: …I don’t want it to get to that point again. I can’t let it. Ellis: We won’t. At least if I’m going to lie to people now, I’m doing it for their benefit.”
Even bigger oof. I guess Ellis still isn’t quite an Ultimate Hope candidate, eh?
“The double doors open into a dazzling Banquet Hall, a large table set for 16 with china and silver serving as the focal point of the room. Another set of double doors stand at the other side of the room, and smaller doors are worked into the gilded decor on the left and right. Sparkling glass fixtures illuminate the room in bright light along the walls and ceiling.”
What’s the point of opening this now? You’ve got half the people you would need to fill that table!
“Ellis: Yeah… That, or we all did something here before, and we don’t remember it.”
That’s… a noteworthy thought. Jot that down for later ig.
“Jeff: I was more thinking… this is supposed to be a hotel, right? If you were going to host a banquet for a bunch of guests or whatever, why would you make them walk through other guests’ living spaces to get there? Ellis: To make them uncomfortable, I guess. I kinda doubt this Resort was built for a purpose other than this killing game.”
Fair points. We’re getting some more context on stuff, at least.
“Through the door lies another room with a long table, though it’s much less splendid than the Banquet Hall. A TV display sits on one end of the room, and Vanessa spins around in one of the swivel chairs that make up the seating of what looks like a Conference Room.”
Vanessa go spinny! Kind of a boring sounding room for CH5, no? I wonder if there’s more to it than meets the eye. Or if the order things get unlocked in is kinda random.
“Vanessa: Weird that there are 16 if this place doesn’t open until there are only 8 left, right? Aw, come on! Her, too?”
Bruh. Empty space might as well be the main antagonist of this chapter lol.
“Vanessa: It’s gotta be at least kinda soundproof in here then, right? ‘Cause, you were right there.”
Oh, so someone’s dying here, there. Cool!
“Vanessa: Yeah, I guess. Though, I bet I could yell loudly enough to break through it, right? How soundproof can soundproof get? Ellis: Should I plug my ears? Vanessa: Nah, I won’t do it. Still though! I believe I can!”
Interesting theory, If be interested in having her test it :p
“I spin around a few times in the chair for good measure before I head out.”
Good, good, whimsy is important. We’re learning. (?)
“I guess it makes sense to have another Kitchen next to the Banquet Hall. Similar to the Buffet’s, it’s state of the art equipment, though there aren’t currently any staff in here. Harper looks around the otherwise empty space.”
Harper, we have to cook.
“Harper: Perhaps at some point it would be nice to try cooking here. It would allow a brief pause from everything being Resort-provided. Ellis: As long as you don’t try to cook anything for the staff. Harper frowns. Harper: The staff are hard at work for our benefit. Ellis: They’re complicit in your death!”
Don’t cook like that Harper! I love ver so much, this is genuine so funny.
“The doors open into a grand space with marble arches and polished golden floors. A sparkling chandelier hangs from the ceiling, the diamonds scattering the light into ornate patterns across the floor. On the far left and right, passages to further hallways trail onwards. Davis stands in the center of the Ballroom, twinkling in the light of the chandelier.”
Ooh, fancy!
“Davis: It’s beautiful, isn’t it? Ellis: Yeah… After I take a moment to collect myself, I flip my ponytail. Ellis: Just like the two of us. Separately. Davis gives a familiar smile.”
Well at least he’s doing fine!
“Davis: I’m sure the Resort could provide you with [a suit or a ball gown], if you wanted one. My eyes start to sparkle before I can stop myself. Ellis: Really?! Agh, I shouldn’t be so excited! I cross my arms. Ellis: I mean… It’d be a good strategic move to take that suit-slash-ball-gown-slash-multiple-of-those before we leave this place to make them lose some of their resources.”
Bruh. It’s kinda funny seeing Ellis bashful over wanting to dress up nice, I guess it doesn’t really fit her wild and crazy aesthetic.
“Or, I could host one myself, for the rest of us. I’d only put eight chairs around my table. Then, nobody would have to ask.”
Yes, fight against empty space! This villain will be defeated yet!
“It leads out onto a small Balcony. Vines with colorful flowers line the white chiseled railing. Noah leans over the railing, looking out beyond it. When I join him, I instantly understand the reason for his troubled expression: there are other buildings, ones outside of the Resort, a little far away. It’s hard to make it out, but there are people out there, too– not staff members, not contestants, but other people, driving cars and exiting buildings, just beyond our grasp.”
That’s insane. There’s just regular ass people directly outside the damn building, and no one’s even heard anything inside about trying to break them out? I don’t even know if Junko could’ve pulled that off at the peak of her influence, damn.
“Noah: We could get a flare or something from the Customer Service Desk. Set it off here. I doubt it would do anything, though…”
Well, it’s a plan, I guess!
“Ellis: Not even the loved ones…? Noah: … He hesitates. Noah: …Maybe they just… didn’t know it was us. They probably had no idea we’re here, at least, if they’re still living normally. Or, who knows, maybe it’s only normal right there! Maybe people somewhere else are still out there looking for everyone. Ellis: I just… I didn’t think it was possible for not caring about anyone to be the norm.”
It’s kinda crazy, yeah. I mean, Tragedy’s probably the answer as to how this happened, but it’s still kind of insane.
“Ellis: Plus, it’s the Nevada desert…”
Is this still based on Antonia’s guess from the Prologue, or did we ever get actual confirmation on it? Because I can see the world where we’re, like, on a random island somewhere.
“Note Obtained: Balcony View”
Ooh… Now that’s an interesting place to get a Note! Wonder how it’s gonna come into play.
[Jeff FTE Start] Wow, Jeff? Very interesting pick! I guess there’s probably a lot to learn here, especially considering the whole “coming back is harder than going away” thing he said at some point last chapter.
“Jeff: Beaches have better vibes than indoor places, or, like… forest cabins. Ellis: Huh? What, are you afraid of crazy chainsaw murderers or something? Jeff: It’s not that I’m afraid of anything in particular. I just like it better when it’s an open area. Hmm. Is Jeff claustrophobic?”
Well, that sure would be something!
“Jeff: Well, I still like the outside better. I just mean… it’s harder to do whatever you want here. I’m used to doing whatever– no responsibilities, no worries. Here, though, I have to actually think about it. I frown. Ellis: Yeah… it’s not fun. Jeff: Been happening to you too? Ellis: Yeah… turns out your first instinct isn’t always your best instinct. Who knew?”
I always felt like Ellis and Jeff were pretty similar in this regard. Not that it’s a particularly revolutionary observation, but yeah.
“Jeff: Could be a catchphrase for this place. “Welcome to the killing game, where your actions actually have consequences!” Ellis: "Not to mention, you also have to suffer the secondhand consequences of everybody else’s actions at the same time you watch others experience yours!”"
They’re bonding :O
“Jeff: Ugh, tell me about it. This is the reason why I always skip out…”
You know, I guess they’d always have been a pretty obvious pick for killer with their talent and everything, but I’m still a little surprised they haven’t even considered killing so far. As far as we know, anyways. Maybe he’s just so adverse to responsibility that he doesn’t want too much guilt he can’t run away from, though that’s only one option.
“Jeff: …You ever wonder about what it’d be like after? When someone does win, where do they go? What do they do?”
I guess they have wondered about it a little bit lol.
“Ellis: …I can’t imagine the Resort would totally let them off the hook. Jeff: What would the audience think, though? Like, oh, this person won. Hope you didn’t get too attached to them, though. Ellis: Maybe the people watching this game just want everyone to die. That’d explain how they could even be into this kind of thing in the first place… Jeff: Fair enough. Not like I understand whatever would have to go through someone’s head to like watching a killing game. Even aside from, y’know, the horror of death or whatever, wouldn’t it just be… I don’t know, a downer? Ellis: Maybe it’s for the catharsis, I don’t know.”
Interesting philosophizing here. Always kinda funny to see these characters talk about the sickos reading- ehr, watching their killing game lol.
“Ellis: Then again, catharsis sucks. That’s what I’ve been learning these past few days. Jeff: Amen.”
That’s a nice note to end on!
“Given that he’s clearly wanted to get out of here the whole time, I wonder if he ever planned on winning himself.”
Ellis please let me have an original thought for once in my life.
“Ellis: If I pretend that Balcony doesn’t exist, it’s going great. Ah, rats…”
That hit her harder than I thought it would. I guess knowing for certain that people are all around you and not doing anything about the killing game would be pretty awful, huh?
“Jeff: How’re you and Davis doing? Aidan: … Aidan’s face gets slightly red. Aidan: What do you mean by “me and Davis?” I’m fine. He’s fine. Ask him yourself, if you care.”
Seeing Aidan flustered is kinda hilarious. Local idgafer found actually giving a fuck, he will never recover from this.
“Aidan: What is this, an interrogation? Why does it matter who I spend the day with…? Ellis: I dunno. Some people care~ Aidan: Are you one of the people who care? Because if not, you shouldn’t be asking. Ellis: Sigh, I guess that’s true. No matter how much time we spent together, I always knew I could never replace your first. Aidan: First…? Jeff: To be fair, you were also going up against Davis of all people.”
And now they’re teasing him. You have no idea how hard I’m smiling. Please no one die :D
“Aidan: Why are we talking about this…? Ellis: What, how attractive and charming I am? Because it’s always the best topic of conversation! Aidan: You’re the only one who talks about that.”
Thank you Aidan for continuing to be the funniest person alive xD
“Jeff: Would you rather talk about how Davis is attractive and charming? Aidan: Shut up.”
Get his ass Jeff!
“If those people don’t care… it doesn’t make sense. Maybe they’re some kind of crazy cult that wants to sacrifice non-virgins to some dark robotic god. Maybe they’ve been kidnapped against their will! Yeah, a whole city can definitely be kidnapped. Via… mind control, maybe? I don’t know.”
Wow we are… struggling, huh? Yeah, kinda fucked.
“And… there’s nothing that could have changed the global perspective on life and death that much in… what, a few days? Months? A year, at most…!”
I guess if their bodies haven’t changed from what they remember too much, it really can’t have been that long. Then again, the Tragedy didn’t exactly last that long as a whole, anyways. I do wonder exactly where in the timeline we are, though. I… probably must have talked about this at some point, but the killing games would have to be based off Junko’s, right? So… idk.
Anyways, next part!
Part 2
“I don’t notice any new motive-related happenings as I wake up and make my way to the First Floor.”
Huh. Curious…
“Mark: …There he is. I follow Mark’s gaze to the door, through which Monoquin walks into the Buffet.”
Indeed! There he is! Wonder what he’s gonna say.
“Ellis: Is there even a point to you greeting us? Nobody is happy to see you. Honestly, why am I even talking to him…? Monoquin: I was informing you of my presence. Noah: Can your presence go away…?”
Disrespecting mascots is always hilarious lol.
“Monoquin: I am here to inform you that the motive will begin tomorrow. Please meet in the Ballroom by 9 AM tomorrow, and wear appropriate attire for the venue.”
Oh god, I do not have good memories regarding meeting in a specific room in formal clothes. Please don’t lock them in the Ballroom?
“Ellis: …I swear, I was not rooting for this development.”
Pfft-
“Ellis: …What does this have to do with the shackles?”
They’re getting locked in the Ballroom. Motherfucker. I forgot about those things…
“Ellis: There’s a chance that we might all get trapped in there together. We should make sure that we already have whatever we might need on us.”
For once I’m very happy Ellis shares my thought process lmao.
“Mark: It’s a reasonable idea, though I wouldn’t… expect it to be anything that severe. They’ll probably want to do something that makes it harder to live here, but not impossible.”
Mark saying that is admittedly very reassuring. Ultimately, they only have five more motives worth of sample size at most, though, so. Hopefully he’s not wrong!
“Ellis: Good point! We should all spend the day in the Casino, then. Whoever does best gets a kiss… or maybe more.”
Ellis.
“Does Mark remember what the motive is? Have they figured it out? Or is it just a sign of his resistance dwindling that he wasn’t particularly excited at the prospect of spending a day together?”
Oof. Hopefully they’ll be alright.
“I seek out the Spa to relax at the hands of our demented kidnappers (trust me when I say it’s the best course of action I could come up with), finding Jeff there as well.”
I don’t think I’ve ever commented much on it, but the Staff are so funny, conceptually. Like, there’s this weird robot thing that’s actually controlling the killing game, all the scared participants with a cackling evil mastermind in their midst, and also just these Guys walking around. They intrigue me. What is their deal?
[Jeff FTE] Not that it matters right now! FTE woo!
“While I might have agreed with Jeff before, I’m now unsure if not having any major attachments is something to brag about. Like, yeah, you don’t wanna be saddled with a ton of debt, but having at least one friend isn’t bad, is it? I’m sure Paris would’ve liked to have one…”
Yay for character development!
“Jeff: …Depends on what you consider caring, too. I’m sure there are plenty of people out there who remember me who I don’t remember. Just another face in the crowd.”
Interesting. I could see Jeff leaving someone specifically because they were starting to care about him, but maybe he’d remember them then. But if they’re always traveling around, it makes sense they’d forget people faster than average.
“Jeff: I wouldn’t say that. It’s more… I go plenty of places, right? See a lot of different people. I’m always on the move. But, for people who stay in the same place most of their lives, one day, I show up. I stay for a while, have a good time… then I leave. To me, I mostly forget about whoever I met there, because I do this all the time. But that’s not normal to them, is it? They’d be more likely to remember me.”
Exactly, yeah.
“Jeff: I try not to think about it too much, ‘cause for the most part, I don’t really care. But, in reality, there are probably a lot of people who hate me out there. Ellis: For doing something bad, or for leaving? Jeff: Leaving. Wouldn’t you be upset, if someone you liked disappeared one day without a trace, no goodbyes?”
It must be a weird thing to think about. I’m glad we’re talking about it, it’s interesting.
“I’ve always been the one doing the leaving. And yet, who knows if I was ever a person who was liked?”
Yikes. For as much as I call out Ellis’ development as generally a good thing, we still gotta work on that self esteem my protag.
“Ellis: The good news is, if you disappeared from this place without a trace, I’d probably be happy for you. Not ‘cause I didn’t enjoy your company, but because it’d mean you actually got out of here. I tilt my head back in thought. Ellis: Actually, scratch that. I’d only be happy if I could confirm you were still alive. Otherwise, I’d never know if the staff just, like, shot you out back and left you dead in a ditch or something.”
Lol. Ellis still has their awkward moments, you love to see it.
“Ellis: But, hey, you’re the Ultimate Absentee! Maybe you have a talent for evading death. Jeff: Made it this far, right? I could say the same to you.”
I did also wonder if Ultimate Absentee would inherently give them a free pass to escape, it’d be funny. Maybe I should’ve put him down as a survivor in the prediction game.
“Ellis: You think that more than just the two of us wouldn’t die here? Please. If someone else says it, maybe it’ll come true. Jeff: Aidan’s already dodged death once. Who the hell knows what’s going on with Mark? That’s already four people that feel like they shouldn’t die. Three of them would have to, if we were to get down to one.”
Jeff is playing their own prediction game, I see! Funny.
“Then again, maybe the disconnect is my problem! Is getting stuck in the cycle preventing me from coming up with better ways to break it? If you believe that the sky is the limit, you’ll always be limited by the sky. Everybody else could be planting their flags on the moon right now.”
Poetic. It’s a nice thought, hopefully Ellis can hold onto it for a while.
[FTE End] What a nice FTE!
“Harper: You wanted to ask me, in particular? Davis: I feel like everyone’s been struggling lately, but no one’s really checked in with you. I wanted to make sure you’re doing okay.”
Nice guy Davis. And it’s kinda true. Harper’s always just kinda been Vibing, so I don’t usually find myself wondering how ve’s doing, but still.
“Harper: To be honest, I’ve actually been questioning my place less than usual. I am, admittedly, typically one to doubt myself, but… I feel more resolute than normal. Ellis: Oh? What have you resolved, then? Harper: This entire time, I’ve been unsure of what I could offer to everyone who was suffering. I tried, but I didn’t have anything I could give. But… Ve smiles softly. Harper: Maybe just being here is enough.”
Well that’s nice. Unless ve means, like, “the mm (me) is finally in a killing game and that helps the people suffering outside?” But I only say that because with Paris gone, I really have no idea who the mm is, and I’m just latching onto the person with what feels like the least screen time lol. Then again, Paris went down without doing anything beyond the third chapter motive thing, so my sus radar is clearly not exactly very strong, I can’t be out here accusing Harper fucking Young of all people lol.
“Harper: I suppose that’s true. If there is one thing, though… I do wish I’d managed to talk to Noah, before he… Ellis: Before he fell a couple of days ago?”
Yeah that tracks.
“Harper: …That’s the reason I never volunteered for the Cellar, in the end. I… thought it might do more good to be by his side.”
I did wonder about that. Harper not volunteering for at least a day at the Cellar had given me some pause, but I guess this makes sense.
“Ellis: Harper, Taylor had so much resentment towards Paris that they slipped up and used her pronouns in a moment of anger when they basically had their survival in the bag. And we’re not going to dwell on that!”
Lmao. Yeah, I guess that’s kind of a lot when you put it like that, yeesh.
“Ellis: Harper, are you the mastermind? Harper: Of course not. Ellis: Did you ever actively want anyone dead? Harper: No, I didn’t. I never would. Ellis: Then, I think you’re good. Harper: …I suppose… maybe I am.”
Lmao at the mm question, considering. And it’s nice to see Harper making some amount of progress on the guilt ve’s been feeling, that’s kinda been a problem for a while.
[Jeff FTE] Yay!
“Why does nobody want to dance with me? I’m a great dancer!”
Lmao. Maybe he’ll get to show that off in the motive ball or whatever the hell is happening.
“Jeff: I wish. But, at the same time, maybe [being forced to stay here is] good for me as a person or something. I don’t know. I’ve been thinking way too much lately. I hate how it keeps turning out that way.”
I wonder what Ellis is referring to specifically. The killing game forcing people to improve even despite the despair and likelihood of death? Or just, like, forcing people to think lol.
“Jeff: Am I a terrible person? Like, objectively. I laugh. Ellis: Oh man, it just gets funnier every time. The illusion of free choice: be me, be Mark, be Aidan, be Harper, be Jeff– all paths lead to “am I a terrible person?””
Self-loathing seems to be a weirdly recurring theme here lol. I think the only people here I don’t remember having any issues with their sense of self (though of course memory’s fuzzy with my time in the void) were Cass, Antonia, maybe Kennedy and Vivi. So the spy, the possible mass murderer, and the Mad Duo. Not great options all in all lmao.
“Ellis: Man, does it make me a terrible person if you ask me a serious question and I laugh…?”
Speaking of self doubt lol.
“Ellis: Well… that is true, people usually say that being selfish is a bad thing. If you’re actively screwing other people over, that’s an act that most would call evil. But it’s also kinda hard to hate a guy who’s just, like, following his passions? And causing collateral damage presumably on accident. Jeff: At some point, you become aware of the collateral damage. If you don’t do anything to change it, does that make it your fault?”
Interesting philosophical questions here. There’s probably an argument that Jeff should try to minimize collateral while still doing what makes him happiest, though there’s only so much they can actually do about that.
“Jeff: You didn’t answer the question. Ellis: Uhhh… Seriously, why do people keep coming to me for advice?!”
Face your protag responsibilities Ellis!
“Jeff: I probably have at least one kid out there. Statistically, I mean. I wouldn’t know, though. I think about that a lot. DILF???”
OKAY, hold the fuck up!!! You can’t just drop that in the middle of the conversation, and Ellis’ first thought certainly can’t be “DILF???” Are we out of our goddamn minds???
“Ellis: Damn. Congrats? Jeff: It’s not like I want a kid. Ellis: Un-congrats. Yeah, having a kid would be hard. Before you know it, they’re twenty-something, and questioning whether or not they’re a terrible person.”
“Un-congrats” is crazy. Also, that’s the weirdest reason I’ve ever heard for why having a kid would be hard. Ellis and Jeff may just be the worst people who could be having this conversation lmao.
“Jeff: I wouldn’t be here at all, if I could’ve left. But… I guess you’re sort of right. Maybe I am making progress, or whatever it is people who care about growing as a person would say.”
Yay progress! I wonder if these FTEs would be like this if they had happened earlier in the killing game…
“Still, I can’t believe that Jeff is a dad. Other than that I totally can. There could be a mini-Breeze out there somewhere in the world right now. Would they be watching, from wherever they are? I’d hope they’d root for their dad. Or, really, I hope they’d root for all of us. If the town outside the Balcony is like that, though, I have no idea what a naive little kid’s opinion would be.” [FTE End]
Very strange place to leave this, but then, this entire thing was kinda strange, wasn’t it? lol.
“Noah: Nah, it’s fine. I just… thought I’d try the Cafe out, for a change of scenery. I really hope it has nothing to do with scoping out the fireplace.”
Yikes. What would he even be looking for?
“Ellis: I suppose you haven’t spent much time in here before, then? Noah: No, not really. I was always, um… taking advantage of other amenities. Ellis: …Right. I definitely get the sense that he’s talking about the Bar. But, if he’s tiptoeing around it, I won’t stomp on that strategy.”
Well, yeah. But it’s nice to see he’s avoiding alcoholism as much as he can!
“Noah: I wonder if people back home would even recognize me. Ellis: Hey, you’re the legacy party king! I don’t think that’s a face people would forget. Noah: I act pretty differently here, though. In a good way. I think. Ellis: Oh. Then, they’d probably say something like, “ah, Noah, he’s grown up so much…!””
More character development!!!
“Noah: I see [Harper] maybe, like, once a year? And, only for a handful of years. Ellis: Knowing any of the sixteen people here when we started seemed like a pretty big deal to me!”
Same lol. I guess it’s the idea that pre-killing game relationships are always established in the narrative for a reason, so you kinda expect them to be a bigger deal going in than they necessarily have to be. Though that’s a meta argument which Ellis can’t really consider :v
“Noah: …I guess I assumed ve was busy a lot. Plus, I was always stuck doing whatever, so… Ellis: You had that many frat obligations? Sorry, I’m assuming that whatever was holding you up wasn’t going to class. Noah: Definitely not. I, um… He trails off. Noah: Maybe that can be a story for another day?”
I have a couple guesses of why Noah never went out of his way to hang out with Harper, but I guess we’ll have to wait for a bit longer.
“Then again, the more I talk to people, the more I start to believe that nobody would kill. Noah seems to be doing much better after his freak out a few days ago, and Jeff is considering the implications of their actions on others. Like I told Jeff, being a good person is the new black, and good people (typically) don’t kill other good people. If we’re all focused on self-improvement, maybe it’ll stop anybody from freaking out.”
Chapter fives sometimes have this vibe, don’t they? The group feels too close, so whatever happens, it’s gonna feel crazy when it does.
“Monoquin said that we had to be dressed properly. If I wasn’t looking my absolute best, I could be executed!”
I found this amusing. I hope this doesn’t happen to Aidan or I’m not gonna find it very amusing anymore lol.
“A pink-tinted, heart-shaped monocle– presumably meant to replace my sunglasses– dangles from my left lapel.”
This is a very funny image. Perfect detail, zero notes.
“[Describing Aidan] A red rose boutonniere rests on his chest, matching Davis’. Black, glossy boot heels complete the look.”
Matching Davis, huh? The mastermind knows what you are… also I wonder if people are gonna be paired up in some way. We can have Aidan-Davis, Harper-Noah, Ellis-Mark, Vanessa-Jeff, right?
“The sleeves are rolled up, and they don’t have their usual gloves on.”
Okay, no Kyoko situation with those, good to know.
“Ellis: Thank you. I wasn’t able to take my eyes off of you, myself. I wink at everyone here in procession.”
She’s in her element :O
“Monoquin: Momentarily. However, first, I ask you to each choose a dance partner. Oh no. This can’t be good.”
…Yeah.
“This is just like their stupid execution questions. You know it’s going to go poorly no matter how you answer, and yet, you can’t help but try to answer the least poorly you can. Will people who pair up together have to compete in something together, or will they have to take each other out? Will we be stuck together until a murder occurs, or will we never be able to see each other again? Do people just want to see some fancy footwork???”
Exactly my thoughts, though that’s probably shouldn’t surprise anyone by now.
“Mark: Ellis? Ellis: …I don’t want this to be a bad idea for you. Mark: They wouldn’t do anything that forces our hands too much, and I’d much rather be partnered with you than anyone else. Please? Ellis: …Fine. At least then nobody else gets to be the first to hold your hand.”
Awww :)
“Noah and Harper, Aidan and Davis, and… Vanessa and Jeff?”
Called it!
“Monoquin: This motive will force you to stay in pairs via the use of handcuffs. Each pair, please put out one of your hands each.”
Yep, that’s one of the options of there being handcuffs in the Show Room alright!
“Ellis: Again, I did not know in advance that this was going to happen, nor did I want it to…!”
Lmao.
“Aidan: Isn’t that counterproductive? It’d be way harder to kill someone with another person attached to you at all times, and if anyone actually went through with killing their partner, that would be really obvious. Monoquin: What you make of the motive is up to all of you.”
Yeah, this is a little strange. It’s looking to be a very peculiar trial, that’s for sure.
“Ellis: It’s weird that it’s the opposite of the last motive. Like, first you aren’t allowed to talk to anybody, and now you’re chained to somebody forever. Mark: I’m sure it’s by design. If one kind of person would kill so they don’t have to be alone, a different one would kill so they could be alone. It makes it more likely that someone will be left to actually act on the motive.”
Very good deductions from these two! They’re so great :)
“We all turn to Vanessa. The other half of her handcuffs are open, and Jeff is nowhere to be seen.”
Holy! They really weren’t kidding with the Ultimate Absentee thing! The dip was fucking immediate! That’s crazy.
“Monoquin: In relation to recent developments, you won’t have to dance, Ms. Bravo. Simply wait in the area.”
Uh… what? I’m losing my mind. What actually is the motive then?
“In taking in Mark’s physical appearance again, I notice a scar on their right arm. It looks pretty deep.”
That’s… interesting. Very curious about that, wonder how it’s gonna come into play.
“Ellis: Do you remember how you got that scar? Mark: No, I don’t. It was there before last killing game, I think. I don’t know when or how I got it, though…”
Well, didn’t have to wonder long. Still, it’s very peculiar.
“Mark: It’s… something that’s been on my mind. Do I even want the rest of my memories back…?”
Oof. That’s a rough thing to think, buddy.
“If we could basically eliminate the motive in, like, ten minutes, that’d be pretty cool. Assuming it wasn’t instantly replaced with a new, worse one.”
Yeah maybe keep the handcuffs actually.
“Mark: Speaking of which… How did you do it? It’s not like the Resort usually gives out motives that are so easy to avoid. Jeff: Can’t say. Monoquin told me that, because I didn’t break any rules, he couldn’t really punish me. But I can’t do it again, and I can’t tell you guys how I did it.”
Huh. We don’t think this is Jeff!mm agenda, right? I mean, if I recall correctly, his name did come out of the hat when Ellis pulled a paper, so…
“Jeff: It’s still a good thing, right? Even if I can’t help you guys break out of yours, it means Vanessa and I are less hindered. I’ll just have to pull a little extra weight in the escaping department. Ellis: Ooh, are you going to bridal carry me? I wish I’d worn a dress. Jeff: Nothing like that. I might be able to pull something else off, though. I’ve clearly thought of at least one thing the Resort didn’t predict.”
Well, it’s… progress, at least! We know they aren’t all powerful, at least.
“Jeff: That stays between me and Monoquin. Ellis: Wow, okay mastermind-slash-traitor.”
Ellis more like echo because they keep saying the same shit I do xD
“Mark: It’ll probably be easier if I give you access to my room, right? Ellis: I dunno, when would I be trying to open your door when you aren’t there? Mark: Fair enough. Mark opens the door with their e-Handbook. Mark: There’s no real reason not to, though. Ellis: Eh, guess there isn’t.”
Hm… I can’t see this ending badly at all! Ha ha… ha.
“Mark: Did you have something in mind? Ellis: Have I ever?”
Pfft-
“Harper: I suppose it is rather convenient that we have opposite dominant hands, isn’t it? Noah: Yeah, it makes this whole thing easier.”
Well that’s nice!
“Mark: Vanessa, when did you get your handcuff off? Vanessa: Oh, I asked Monoquin if he could get rid of it ‘cause it kept getting caught on stuff. I wasn’t connected to anyone else anymore, which sort of defeated the point, and ‘cause it was Jeff’s fault, he let me take it off.”
Wait did she just have a half empty handcuff on her wrist? That’s really funny.
“Harper: I suppose this continues your trend of being unaffected by any of the motives, Vanessa.”
Has that been a thing? She’d presumably have been affected by the roulette, even if she never got rolled. But I guess it’s kinda true otherwise.
“Mark: Jeff hasn’t either, right? Harper: No, I suppose not. Noah: I guess his talent must help him out. Being absent from the motives must be nice…”
Ultimate Absentee is proving stronger than expected, I see…
“No one points it out, but it’s hard not to think about the fact that Noah, in contrast, has been affected by every randomized motive. The fact that he’s made it this far despite that says something about him, right…?”
True! He’s a trooper, Noah.
“Mark: Uh… I guess my room is fine…? Ellis: There you go. An excellent pick, milady. My face scrunches up. Ellis: Didn’t like that one. Mark: Yeah, not particularly… “
Pfft- Well, it’s Mark’s room, I guess. Wonder where the others will be rooming. Im guessing Noah’s room for Noah-Harper, and maybe Davis for Davis-Aidan, but idk.
“Even if this motive isn’t as troubling as some of the others, it’s probably the most annoying. Things as simple as brushing your teeth or taking a shower suddenly become much more time consuming when you’ve got another person attached at the wrist. I wouldn’t be surprised if most of us are extra sleepy tomorrow morning because of all the time lost due to these things.”
Yeah, that shit has to be obnoxious. But oh well, has to be dealt with.
“When it comes to sleeping, there’s really no way that Mark and I wouldn’t sleep in the same bed.”
And there was only one bed… they could realistically sleep in lol.
“So… things will be fine. Even if things go south, I get to keep an eye on Mark. I’m not going to kill them, and I really don’t think they’d want to kill me. And, no one would want to mess with the Lucky Student, or the person they’re attached to! I have no need to feel so nervous. I open one of my eyes and peek at Mark. He’s sleeping. No reason at all.”
Well, someone seems a little paranoid lol.
What a nice little part this was! Pretty manageable motive, nice little dance… so how can there possibly be a murder on part 4? We’ll see… right now!
Part 3
“Ellis: Heh, you know what else is “a little longer”? Wait, I should probably refrain from making dirty jokes when Mark and I are sharing a room. I wouldn’t want the implications to make them uncomfortable. Ellis: …The amount of time we’re going to be stuck in this killing game! But, like, only a little longer, is my point.”
I don’t think Ellis backing down from innuendo will ever not be funny xD
“Ellis: What if we seduced the staff? Maybe then they’d let us out for free. Davis: I’d really rather not…”
Pfft- Yeah, I guess Davis would be the best bet for that plan, huh?
“Aidan: I doubt any one staff member would be able to actually get us out, either. There are too many of them. Not to mention whoever the staff are working for… Ellis: That’s why we have to seduce all of them, Aidan. Try to keep up. Aidan: …Right.”
Of course! The plan is flawless! Let’s just hope none of them are aro/ace, that’d be kind of a problem.
“Jeff: I vote we let Ellis try it, solo. It’d be funny. Ellis: Sadly, I don’t think that would end well. The staff would be so jealous of one another that it would result in a giant bloodbath. Their lust for me would be so incredibly distracting that they’d neglect to let us out altogether. So many lives lost…”
xD
“If hotness and money won’t get me anywhere, then my ship is sunk. I’ll have to rely on others’ skills to get us out of here– like Davis’ hotness, or Harper’s money!”
This part’s starting off incredibly funny, which worries me that it’s gonna get a lot worse lol.
Random thought, how are FTEs gonna work? Is Mark just going to… be there, for Jeff’s final FTE? That’d be funny.
“When we enter, Davis and Aidan are already there. Ellis: Haha, nerds!”
Bruh xD
“Ellis: Look, I’m here ‘cause I like to win. And I’m great at winning all kinds of things. I pause. Ellis: …But only in non-life-threatening scenarios! Mark and Aidan look at me. I look back at them.”
Bruh x2. The confidence in games hasn’t faded, at least!
“Ellis: I’m not thinking about anything! I don’t even know what you’re talking about! Aidan: Game on, then? Ellis: Oh no, you look way too excited about this…”
As funny as it is to imagine Aidan as secretly being a god gamer, it just occurred to me that I’ve theorized in the past Mark might genuinely be the Ultimate Gamer or something like that. Are we about to find out their talent in the funniest way possible? Or is that theory about to die for good?
“Davis, Aidan, and Mark (who, despite having lost their memories, somehow still knows more about arcades than I do)…”
You don’t say.
“Aidan: It is fun to watch Ellis lose. Aidan holds up one of the potential prizes, a mousepad that says “GAME OVER. Try again?” on it next to my head. I swat it away.”
Now Aidan’s teasing, what has the world come to…
“Ellis: L-look, just because I’m using my non-dominant hand…! Mark: You’re not…? Ellis: W-well, when I held the steering wheel, I put my left hand on it, too!”
Bruh x3.
“Davis looks between Aidan and Mark who, unlike usual as of late, are both smiling.”
Aww :) I hope no one here dies :))
“Despite being on the team that performed worse, Mark wound up with the most tickets…”
You don’t say…
“…and selects a giant penguin plushie as their prize.”
Oh yeah, weren’t penguins his favorite animals outside of Bulbasaur? Or am I confusing that for someone else?
“Ellis: You got a name in mind for this penguin? Mark: I didn’t even have a name in mind for me… Ellis: Mark Jr. it is, then. They laugh.”
That is extremely funny. Fantastic bit, no notes.
“Mark: It’s… nice to forget where we are, even if it’s only for a little while. I don’t think I ever really went to the Arcade last game. Ellis: No Ultimate Gamers amongst your ranks? Mark: None that I remember, anyways. Definitely not by the time the Arcade was revealed.”
Ah, maybe not, then. Still, it’s interesting they seemed to be into a lot of this stuff.
“Mark: I guess it’s probably something I used to enjoy, before all of this. Ellis: Hmm. That makes it extra special. I got to see a piece of Mark’s past~”
Yeah, that.
“Mark: I don’t remember the concept [of a mastermind] coming up. I don’t know if there was a mastermind or not in my game, but I don’t remember the concept being mentioned. I guess it makes sense, given that we only became aware of them this time because Kennedy kept talking about it. Ellis: Huh. I mean, I guess that could make sense. The mastermind, at least, seems like it’d be a hard position to refill. And the mastermind of this killing game couldn’t have been in yours, because then, well… they would’ve had to die.”
That is a very interesting revelation.I wonder what it could mean…
“Ellis: What is the Resort gonna do if the mastermind dies this time? ‘Cause, like, there’s no way that they could guarantee that it wouldn’t happen, right? Does that mean that they’re willing to make this one the last one…? Mark: If the mastermind is confident in their ability to avoid getting murdered, they could probably rig an execution if needed. But, it’s also possible the mastermind is more like the staff or something, right? That the whole killing game isn’t actually their fault, and they’re just some random person being forced into it? They pause. Mark: I wouldn’t be surprised if that’s true for the traitor, at least. Ellis: It has to be someone’s idea though, right? What would that person be called if not the mastermind?”
It gets weirder the more you think about it, which is why I haven’t talked about mastermind guesses much at all.
“Mark: …It probably doesn’t matter. Kennedy was right when they said that getting rid of the mastermind alone probably wouldn’t be enough to end the killing game. There has to be something else we can try… Ellis: Like getting them to break the rules? How? Mark: If I knew, I’d have done it already. I don’t have any other big picture ideas, though, so figuring out how to get them to break a rule is the best thing we can try to come up with.”
Well, it’s at least nice to see Kennedy haunting the narrative a little. I miss them.
“Ellis: Ready to murder someone but make them not hold a Class Trial for it, for some reason? Mark: That’d be great, other than the fact that there’d have to be a murder in the first place.”
Yeah. It’s not looking great. Then again, it’s still not CH6, so.
“Note Obtained: The Mastermind”
Ooh, ominous! We’re really in the endgame now, getting this kind of notes.
“I wonder if that means that Mark will want to tell everyone else about what happened last game soon, so that they can have all the information and approach it from their own perspectives.”
It’s gotta happen eventually, right?
“It’s an interesting thought about the mastermind, though, that they could be relatively faultless in this situation.”
It opens up possibilities, at least, but I got no clue what it could mean in the end.
“Ellis: So, you two just can’t keep away from each other, huh~? Jeff: What? No. Vanessa: Since everyone else is sitting next to the person they’re linked to, the open chairs in the main area are kinda paired up at this point. I guess I could’ve sat on the edge again, but I didn’t really want to.”
Come on Jeff, you could be a little nicer my guy ToT
“Vanessa: Man. I guess it’s kinda fun to have a partner everywhere you go, huh?”
Uh, Vanessa… are you, like, good? You seem to be taking this whole thing kinda badly. I’m worried for you girl.
“Jeff: The staff aren’t gonna let us out of here on their own. At least, not intentionally.”
Not intentionally? What are they cooking???
“But pretending to have a plan could also be a manipulative tactic to make us think that they’re on our side, so that they can then betray us with a heartless murder to get out of here. Ugh, I can’t keep assuming the worst in people…”
Well, at least he’s catching himself!
“But, no matter how hard I try [to get the handcuffs off], I can’t figure out how to escape. Maybe Jeff just has thinner wrists than I do, or some surprise lockpicking skills.”
I get he can’t say how he did it, but the more impossible it looks to escape the handcuffs, the more I’m worried about it. What could it mean that they were able to dodge the motive so easily?
“I’m jolted awake by a strong tug on my wrist.” Nightmare? “Ellis: You sure? Usually when I leave people breathless in bed, it’s not… I yawn. Ellis: Not when I was fast asleep…”
Only 5% of Ellis’ neurons are firing, and they’re all in flirt mode. That’s very funny.
“Mark: I can’t remember.”
Well, that sure is something.
“Ellis: You want a hug or something? Might be kinda awkward with the handcuffs… Mark: Oh! Um… They’re blushing. Mark: Maybe? I guess…? I open up my one arm in a hug-like gesture. Mark hugs me with his free arm.”
We’re really “aww”-farming this chapter, huh? Well, it’s working. Awww :)
“Harper: It would be rather nice if we had found some sort of solution to our entrapment, though. Mark: There has to be something we can do. Jeff: I have an idea.”
Ooh, we’re locking in, hell yeah!
“Jeff leads us to the Casino. Specifically, in front of the locked door.”
:O
“Jeff: Monoquin!”
His hands open all doors! Is that the plan?
“Jeff: Stand here and extend your hand. Jeff gestures, and Monoquin follows suit. His hand slots directly into the lock of the door. Jeff: Turn your hand. Monoquin does so. Jeff: Thanks. Jeff grabs the handle of the door and opens it.”
Oh hell yeah! I wasn’t expecting it to be that easy, but I guess we ball???
“Monoquin: …Mx. Breeze, I believe I instructed you not to share with the rest of the contestants.”
Oh, that’s how they got out of the cuffs! Smart!
“Monoquin: If you continue to break the rules so blatantly, there will be consequences. Because it is not in relation to the motive, I suppose I cannot execute you, but there will be a punishment involved.”
Yeah, that… doesn’t sound great.
“Davis: I’m honestly a bit surprised that it’s… that easy? You’d think something in his programming or whatever would realize what’s going on, but I guess not… Ellis: He’s a robot, through and through. Vanessa: A dumb robot, if he’s that easy to order around. Good for us, though!”
Yep! Seems like we’re balling even harder than expected!
“Plush couch cushions line the room, interrupted only by a counter with barstools in the corner. A table sits in the middle of the room, holding a manila folder on it. On the wall, a neon sign reads “VIP.” I guess this is some sort of a VIP Area.”
Ooh, fascinating! I really thought this was a CH6 thing, but it’s cool to see it now!
“Aidan picks up the file and opens it, Davis peeking over his shoulder. Aidan: … Harper: What does it say…? Davis: …It’s the past winners.”
Oh shit. I’m already seeing the image below. This sounds really cool!
[Files] These are kinda crazy. Wonder if Makani was a double killer, given the Trial 3 win. Jack’s kinda crazy on the sticks, first trial win? Blacking out Mark’s name and talent is genuinely crazy stuff. And what do you mean there was a killing game between Mark’s win and this one? And what happened in killing game #2? So many questions! I’m loving it!
“…There aren’t any Lucky Students who’ve won, either. C-clearly, there must not have been a Lucky Student in every game, right…?”
Ooh, Ellis, I think your plan wasn’t as great as you thought!
“Ellis: But also, if they thought you’d [Mark] never see it, why would they scratch out your name?”
Yeah, that’s what I was wondering. Surely they at least considers the possibility, but that doesn’t exactly answer every question.
“Davis: …Mark? Mark: …Yes? Davis: Did you know? Mark: … Jeff: That’s a yes, then.”
Well, guess it had to come out sooner or later!
“Davis: That’s… good to hear, I guess. But… there’s really only ever been one survivor per game, hasn’t there…? We all stare at the Files for a moment. Noah: Well… guess it’s good that we’ll just be the first…!”
Thank you Noah :)
“Aidan: Where did the second one go…? Ellis: That one… I’m sure the same answer is on all of our minds. That the winner of the second killing game has something to do with either the mastermind or the traitor of this killing game… Is that really true? Was there more than one person in this killing game who’d done it all before?”
That would be the first guess, wouldn’t it? Wonder what it could mean.
“Ellis: Maybe they spilled something on it.”
This option’s a lot funnier, though xp
“Vanessa: Yeah! Anything the staff doesn’t expect has to be a point in our favor. So, we’re moving forwards! […] “Note Obtained: VIP Files”
Oh we’re really in the endgame now!
“Although I kind of want to stick around and play damage control on Mark’s reputation, there are more important things to do at the moment. Most importantly, checking on Mark himself.”
Yeah, probably a good plan.
“Mark: I… I feel like, somewhere, I knew that I was the only one who won without killing someone. It’s… worrying, to think of what that might make other people think. I don’t want any of them to start… considering things… Ellis: I hadn’t even thought of that…”
Yeah, that’s not… great. Then again, we always knew there’s still one trial left, I guess…
“Ellis: So… you really did think you were in the fifth killing game, right…? Mark: I didn’t know. It seemed like it made the most sense, but I guess it was the fourth. I don’t know what I was doing during the fifth game, though…”
Yeah, that’s really strange. I have no idea what it could possibly mean.
“Ellis: Yeah. So that means that we gained the information that the mastermind or traitor might have something to do with the second killing game. That’s something, right…? I pause for a moment. Ellis: Or… hey, what if the second game ended weirdly? There was more than one survivor, but on the off chance we found the documents, they didn’t want to give us any ideas.”
Yeah, that’s an interesting question. The second killing game seems to be the key to all this, but how?
“Ellis: That doesn’t really make sense, either. If you had VIPs coming to visit, why would you want to lock them up in a room where they can’t see anything? There was no screen there. Maybe if we were doing something in the Casino, they’d be able to overhear something… But, that doesn’t seem like the kind of treatment you’d want to advertise to your special guests.”
It would make sense that the VIPs refer to the winners, right? That the area is to commemorate the VIPs, instead of being for them to stay in. Though that raises the question of why winners are considered so important, and why Mark would be brought back in that case.
“Mark: I should know this. I should be able to help… Ellis: No, you shouldn’t! It’s not fair that you have to bear this burden by yourself. Mark: But that’s how it is, isn’t it? None of you have the ability to remember. None of you know this information. I know it, but I just… can’t… Ellis: If you can’t, then stop! Stop torturing yourself!”
Yeah, poor Mark. It’s not going great for him right now :/
“Ellis: There’s more than one way to sacrifice yourself, y’know? And I don’t want you to do any of them. I… can’t take that.”
Oof. Ouchie.
“If we start making excuses and having people hurt themselves to get out of here, the more things could spiral out of hand. Suddenly, it could seem justified to kill somebody else just to make the escaping party easier to ferry away. It could make sense to sacrifice someone for the sake of knowing just where the rules end. A survival isn’t a survival if the people who get out don’t even want to live. I’m a gambler by trade. I’m willing to risk staying here a little longer if it keeps everyone safe and sane.”
The conviction’s awesome! Let’s go Ellis!
“Harper: Mark, I wanted to let you know… I don’t want you to feel pressured to share your past with us if you aren’t comfortable, no matter how much of it you may or may not remember. I trust you either way.”
If no one else got me, I know Harper Young got me.
“Ellis: Jeff did some good work figuring out a way to bend the rules, and… if there’s one fault in the Resort’s plan, there’ve gotta be others!. I haven’t come up with any others yet, but… I’ve been trying! That’s not a lie, and yet, it feels like it is.”
Yikes. Yeah, it’s not looking amazing.
“The tears are flowing down [Noah’s] cheeks now. He wipes at them. Noah: Sorry, I don’t… know what’s wrong with me… Harper: There’s nothing wrong with you. This situation… It's hard, but we’ll get through it. Together. Noah: …Maybe. I hope so.”
Poor Noah :(
“After saying goodbye to Noah and Harper, Mark and I settle on tracing our familiar walking path around the Resort’s exterior. It’s not nighttime yet, but hopefully it’ll provide him with some familiarity.”
That’s nice. It really worked out great that Mark’s were the first FTEs accirax chose to complete, huh?
“Davis: I’ve been doing alright. When you think about it, nothing really changed, right? We already knew that there were five other killing games, and the Resort already told us that there was only ever one winner in each. It’s all stuff we knew already. Aidan: It just means we’ll have to go against what they expect. Find some way to be the first group to get out together.”
Hell yeah. Use those Contrarian powers!
“Jeff: Well, I wish all of you luck with whatever you’re getting up to tomorrow. I, unfortunately, have to do chores for Monoquin all day. Ellis: Oof, that sucks. Any chance you’ll be wearing a maid costume? Jeff: No. Ellis: Dang.”
Pfft. Well, the consequences for fucking with the motive could have been a lot worse, I guess.
“Davis: Do you know what you’re going to be working on? It seems like a lot of the staff aren’t active all day every day, so if they want extra hands, something might be happening. Jeff: Can’t say. Sorry. You’ll know some time tomorrow.”
Well, that’s… worrying. Let’s hope nothing horrible happens.
“Ellis: Wouldn’t it be nice if he just had an emergency stop switch…? Mark: Would that really do anything…? It’s not like Monoquin himself is that important to the actual killing game environment. Ellis: I meant, “emergency! Stop the killing game!””
A guy can dream, I guess.
“Ellis: Huh? Oh, well… I guess I’m feeling confused, mostly. There’s a lot to think about. I’m not going to say that I wish I could have done more. There’s too much of that going around already, and I don’t wanna be a hypocrite. Ellis: Just trying to focus on making sure nobody freaks out, mostly.”
Well, yeah. I guess she’s already gone through a lot of the revelations the others are having now, so she can be a little calmer facing the VIP Area.
“Who here, exactly, is a Very Important Person? Obviously, we are– we’re Ultimates, chosen for standing out in our particular fields (although, most of the people with actual jobs seem to have fallen out by this point, for some reason).”
That’s nice actually is very funny. Are Announcer and Philanthropist really the only, like, actual activities we got going on anymore? That’s kinda crazy.
Ellis’ final considerations are fun to read, but without more info, there’s not much we can really say here. I guess it’s time for the next part! Where there definitely won’t be a corpse discovered at the end! Ha ha… ha.
Part 4
“The sun rises, and as I gain consciousness, I stretch my arms high above my head. Another day of the killing game… Wait, how did my arms get up there? Shouldn’t they be attached to…? I look to my side, and see that Mark has disappeared.”
Well that’s not good. I can think of few more ominous ways this could have started.
“There’s also a note lying on Mark’s pillow. With shaking hands, I unfold it. “Hey Ellis, Sorry for disappearing so suddenly. I’m okay, but I need to do something today (can’t say what). I’ll probably be back around dinner. -Mark” My head whips around the room. Dammit, why don’t I have examples of Mark’s handwriting? How am I supposed to know if they were really the one who wrote the note…?”
Wow, we are going kinda crazy. I mean, fair, because how and why the hell would he get out of the cuffs, but still…
“What am I supposed to do? Why didn’t I keep my eye on them…?”
Yeah, Ellis is not taking this well. Poor Ellis :(
“Jeff: Where’s Mark? Ellis: Uh… C’mon, where’s a witty remark when I need one? After a few desperate, grasping moments, I come up with a shrug.”
You know it’s bad when Ellis can’t come up with anything.
“Aidan: …Everyone, hands empty and above the table. Though confused, the group follows suit. Aidan: Message them. None of us can respond in his place if we can see that none of us are holding an e-Handbook. Ellis: Good idea. Thanks.”
Aidan’s so smart :D
“Ellis: blink twice if you miss me <3 Mark: Uh? Mark: *blinks twice*? Ellis: :) ;) :) ;)”
That’s a funny way of doing that, at least. Also nice that they’re not dead.
“Monoquin: Greetings, contestants. Monoquin walks into the Buffet. Bitch.”
Well, shit. Ellis’ inner monologue is as eloquent as ever, at least.
“Monoquin: I am here to announce another festivity, similar to the dance we held earlier. Tonight, in the Banquet Hall, the Resort will be holding a dinner party. At least a momentary appearance is required from every surviving participant. It will begin at 7:30 PM.”
Alright… very worried here, but we’ll see.
“Monoquin: And, of course, Mx. Breeze, as we’ve established, you will be assisting the staff. Jeff: I know. Ellis: Ooh… butler Jeff.”
Bruh. Well, at least that doesn’t sound so bad.
“Monoquin: I ask you all to dress formally once more for the event. Please let Mx. Mark know.”
… Why can’t you tell Mark? Where the fuck did he go???
“Ellis: Maybe it’s just a re-cuffing ceremony? Their motive is currently only 50% as effective as they were probably hoping for.”
Hopefully!
“I wonder if the “VIPs” will be there…”
That’d certainly be interesting, but I don’t know if it’ll happen.
“Vanessa: It should be fun, hopefully! I mean, if it’s just all of us hanging out and the Resort doesn’t do anything, we could make a good time out of it. I bet there’ll be music in the Ballroom again.”
Yay, it’s all fun and games and nothing bad will happen ever!!!
“It’s just another gamble. I could fold now, and try to ensure Mark’s safety. But, if we never take a gamble in the other direction, the odds of getting all eight of us out of here alive dwindle to nearly zero. Jeff already put their life on the line multiple times for the sake of our survival. I just have to trust in my partner to make his bid so that we can all win the jackpot.”
We’re panicking so hard we’re looking for comfort in the talent, which is maybe not the greatest sign, but still.
Also, we ended up having no FTEs while bound to Mark, which I guess makes sense lol. Would’ve been kinda awkward otherwise.
“Vanessa: Ellis? Ellis: Hwuh?! Oh, hi Vanessa. Vanessa: Is everything okay?”
We are doing bad, huh?
“Vanessa: I was thinking about what Jeff said, about thinking of ways to use the Resort’s tools to get us information and all of that. So, I requested information on the Tragedy from the Customer Service Desk.”
When you put it like that, it feels a little silly that no one ever asked for a newspaper or something. I guess the complete isolation from the outside world kinda makes one think they wouldn’t give you one, huh?
“Terrorists in black and white bear masks, known as “Monokuma masks,” attacked the University of Nevada: Boulder City campus.”
Oh great, the US’ involvement in the Tragedy started in Nevada! Where Vegas is! I guess that explains the location.
“8 students thought to be on campus at the time of the attack are still missing. There is only one known individual who survived the- The page is torn, cutting off the rest of the article.”
Huh. 8 students missing, possibly the Ultimate Despair who started these killing games. And who survived? That sounds important. Wonder if the survivor is the mm. That would kinda point to Noah, maybe? Who else would go to university? Vivi, probably, but hard to see them as the mm. Robert, maybe, on the idea that being Despair is technically “normal” nowadays? Antonia is confirmed Nevadan, but I kinda doubt she went to uni. Unless it’s Antonia’s sister, I guess, but at that point we could point fingers at whoever. Maybe I should chill lol.
“If they attacked UNBC on June 3, 2012, then… it must be after that date now. So I’m missing all of my memories from that day until the start of the killing game, at least. What day is it now? What year…?”
I forget if we ever established when most people’s memories cut off, oops.
“Ellis: Have you told Noah about this yet…?”
Yeah, seems like we’re in the same headspace, as usual. I don’t think Ellis is calling mastermind, but you say “uni” and of course you’re gonna think of the Ultimate Frat Bro.
“Vanessa: I think Noah said he went somewhere farther from Vegas, though…? Ellis: Ah, alright. Then, the eight students must be other people.”
Alright, cross that one off the list. I guess it’d have been too easy lol.
“I try to think back about if anybody else could have gone to that school. I’m guessing Vanessa didn’t, given that she hasn’t admitted to it already. I know that Aidan didn’t attend college, and I would bet Jeff didn’t, either. Taylor went to college… and I think Robert said he had a job? There are definitely people it could have been, including some people who are still alive. Davis could have attended UNBC, and there’s really no way to prove that Mark didn’t.”
Forgot Robert said that oops. Still, nice to see the options laid out.
“Ellis: What the hell is a “Monokuma mask”?”
Oh so we’re uninformed uninformed, got it.
“Ellis: Y’know, I didn’t think of it at first, but… why would they attack UNBC? Like, if the Tragedy really was coming to the US, shouldn’t they attack, I dunno, the White House? Why did they choose some college on the brink of summer vacation as their ground zero? Vanessa: Well, from what I heard, the Tragedy started out as, like, a Hope’s Peak thing, but then people started agreeing with the sentiment. Things didn’t get really bad until a bunch of random civilians joined in. They probably couldn’t start with something as big as the White House, so they took down a pretty well known institution that was a little more accessible. As for why UNBC specifically… She scratches her head. Vanessa: …Maybe there were more supporters there or something? Or, it’s possible that it had less security than other well-known campuses…? Coastal places also could’ve been more on guard for Tragedy stuff too, I guess, so maybe they thought they’d do better a little more inland?”
Good ideas from Vanessa. It is a very strange place to attack, I didn’t even know it existed before just now lol.
“I wonder if they’d be willing to answer any questions about the operation of the Resort itself rather than the Tragedy as a whole. Is that the kind of thing that people would be writing news articles about…?”
I assume there’s articles on it, but I don’t think we’re getting those :v
“Note Obtained: Tragedy Article.”
We’re going crazy on the notes. I wonder what we’re gonna do in CH6 if we’re getting so much info right now.
““Information about the construction of Hope’s Oasis Resort and Casino” “Information about past killing games” “Information about the second killing game winner” “Information about the VIPs””
Well, it can’t hurt to ask x)
“I arrive early enough that pretty much nobody else is here, but that’s to be expected. […] However, Jeff is already buzzing around, setting up silverware, placing nametags and pouring water when I arrive. It’s weird to see them at work like this. [Jeff FTE]”
Yay, we get to finish these! This might very well be the final FTE in this story, let’s enjoy it while it lasts!
“Jeff: Honestly, I don’t hate it. I’m not used to getting to know people that well. I’ve talked to you a lot, so it’s more… familiar, I guess. Ellis: Yeah. Taking the time to really get to know a few people… It's kinda nice. Jeff: I’ve always sort of wanted to try it”
I wonder why he’s never stuck to one place for a while, then. I know their whole “bad vibe detector” thing would probably make it annoying, but still. Nice that he enjoys Ellis’ company, at least.
“Ellis: Why do you have such a thing about leaving, anyway? They shrug. Jeff: Instinct, I guess. There’s not really much more to it. I didn’t want to be stuck places that were making me unhappy, and I’m good at reading when that’s about to happen. There was never anything stopping me, so the best solution was always to pack up and go somewhere else.”
Yeah, that. Though the way he says he leaves when things are “about to” get bad makes me wonder if maybe he’s just paranoid, and actually he’d be just fine if he stayed. Who knows.
“Jeff: In some ways, this killing game hasn’t been all bad. It’s made me finally look at myself. Maybe it’s finally been enough for me to turn my life around and actually do something with it.”
The usual dilemma of these things. On one hand, character development. On the other, incomprehensible trauma and horror and death. Not the greatest deal, but you take what you can get.
“Jeff: Nah, not really. Hard to say what life’ll look like outside of here, right? So, I’m just focusing on the whole killing game thing for now. And, I guess, thinking a bit about the person I’d like to be. Ellis: Any plans for him, then? Jeff: I’ve always kinda thought… Someday, it’d be nice to care about someone else more than myself. Wasn’t really sure if it was possible, but it was something to think about. Not very specific, though.”
Jeff has proven to be a surprisingly sensible guy. Makes sense not to make any specific plans before leaving, but it’s nice that they’re still angling towards a nice goal.
“Ellis: Nah, I like it. Caring… is kinda scary. Bravery doesn’t have to be specific. Jeff: You think so? Ellis: Yeah. Honestly, the ability to be brave in any scenario is probably better. Means you won’t get blindsided. Jeff: Yeah… Jeff hands me the last plate he was washing. Jeff: I guess how it turns out is a question for the future. [FTE End]”
What a way to end it! Jeff’s arc ends up similar to Ellis’, which is a great parallel, and the looking forward to the future is a hell of a Hope thing. Let’s see where we go from here!
“Mark: Going to be late, but I’ll be there. Don’t worry. Ellis: um, why? :P Mark: This is taking me longer than I thought it would. I’m okay, though. Ellis: kk, see you soon”
Mark please don’t die. You’re raising more death flags than CH4 Taylor, which would be impressive if it wasn’t so horrifying.
“Jeff: Ellis, mind grabbing plates? And Davis, can you pour the rest of the drinks? Davis: Sure thing! Aidan: I’m right here too, you know… Jeff: Would you have actually said yes if I’d asked you…?”
Bruh. The Jeff-Aidan banter is actually insane, I’m loving how much of it we’re getting recently :D
“Noah: Also, if you’re worried about Mark not showing up on time, we should just make the party last longer, right? If we’re doing more stuff, Mark’ll have plenty of time to show up. Ellis: Yay! Let’s party! My mouth is dry. All: …”
… So we’re not doing great. Unfortunate!
“Ellis: hey!! dinner is almost over so you should get some food before it’s all gone :)))))) (Mark currently has notifications muted.)
“WHY???”
AAAAAAH- I’m okay. This is fine. This is perfectly normal. Mark will survive. Mark will be alive. They’re just gearing up to be this chapter’s red herring, not the victim. Mark will survive.
…We’re getting really close to the BDA and everyone else is accounted for, but that’s fine. Because Mark will survive.
“Noah: Care to dance? Harper: Oh! I’d love to.”
Well that’s nice at least.
“Ellis: Parties usually have singing, right? We could do some karaoke! Pass me the mic, and I’ll sing my classic: Die… Young… All: …”
Yeah not the greatest song maybe. One because that’s a very real possibility, two because there’s someone actually called Young around lol.
“Davis: Yeah. Things’ll turn out okay. Take a deep breath, okay, Ellis? The breath is noticeably large and loud. Davis: …Feel any better…? Ellis: I love oxygen.”
At least she’s still funny :,)
“And all I can do is wait. And wait. And– CRASH!”
Yeah, see? Someone else is about to die, and Mark will be the red herring. Mark will survive.
“In front of me, necks in ivy nooses attached to the fallen crystal chandelier, are the bodies of Noah Walker, the Ultimate Frat Boy… and Harper Young, the Ultimate Philanthropist.”
I… was joking??? But it works! Also double murder in CH5??? We’re going crazy. I guess someone needed to account for the fact there haven’t been other double murders yet. Also holy shit, brutal. Hanged by a chandelier that then dropped? Crazy work.
“Mark rushes into the Ballroom, handcuff still dangling from his right hand.”
Why did he keep the handcuff?! I’m losing it.
“Ellis: Mark! I look at Mark, tears in my eyes. Adrenaline comes crashing down. In the end, they really were okay. They’re here, and alive. I’d run over and give him a hug, but… I don’t want to leave the bodies behind. Why… Why on earth would somebody kill Harper and Noah…?!”
Well, at least we’re not doing that horrible. Mark is alive! And they’ll probably survive if they’re this big of a red herring!
“Monoquin: I suppose you are all curious about the File for this case, given that there are two victims. The simple answer is that there will be two Files. I have sent them to your devices.”
Cool, thanks Monoquin :)
[Investigation: Start] AAAAH-
Well, that’s a hell of a lot. Fantastic part, the tension built up with Mark’s disappearance and the newfound knowledge of the Tragedy culminating in a double murder is a hell of a way to kick off the final (regular) class trial! I can’t wait to read the rest of the chapter…
After updating the Prediction Game standings! Though, fun fact: it’s been so long since the start of this thing, that I’ve noticed the person who used to go by bronze-ocs now has “sewersleuth” as a Tumblr url! So, I don’t just have to update the points, but the board as well!
Last we left off, sewersleuth and accirax had tied for first with 19 points, while Jonas had landed on 23 points, and I had trailed with 25. How are we doing here?
First of all, none of us thought Noah would be a killer! How interesting. Me and accirax agreed on the CH4 victim guess for him, giving us one chapter point each. Jonas only got one extra chapter point by predicting Noah as a CH3 victim, and sleuth takes three: one chapter point, but also two role points by predicting Survivor!Noah.
Faith in Harper was a little shakier, as both accirax and sleuth figured ve would be the CH4 killer; that’s one chapter point and two role points. And the point I gained on Jonas with Noah, I lose to them on Harper; I predicted ver a CH2 victim, while Jonas predicted very a CH3 victim. That’s 3 chapter points for me, and two for Jonas. Props to accirax for guessing these two would die in the same chapter, and extra props to Jonas for specifically guessing they would both be victims the same chapter!
In the end, accirax, Jonas and I got four points each, while sleuth got six. So the standings don’t change much, beyond accirax finally gaining a lead after a generational comeback! I’m still last with 29 points (still sub-30 though!!!), Jonas is ahead of me with 27, sleuth drops to second with 25, and accirax leads with 23!
But watch out! The standings will change again at the end of this post, when we learn the CH5 killer! Though a heads up, I’m not going to be counting up survivor guesses until the end of my CH6 post. Gotta keep the suspense :) Ignore that you could just calculate them yourself :) I mean accirax and venus have always been able to calculate them from the start but still :)
Let’s not dilly-dally any longer: Investigation time!
Part 5
“The first [MQ File] says, “The victim is Noah Walker. He died of strangulation in the Ballroom at approximately 8:20 PM.” The second reads, “The victim is Harper Young. Ve died of strangulation in the Ballroom at approximately 8:20 PM.” Truth Bullet Obtained: Monoquin File 5.1 Truth Bullet Obtained: Monoquin File 5.2”
So either the time is slightly off, or the cause of death is wrong. Easy to check.
“Vanessa: I didn’t want to have to do this again. I thought this was all over with already… I didn’t, exactly. I guess, even at my peak, I couldn’t muster as much optimism as Vanessa could.”
Vanessa the optimist goat. I love you bbgirl please don’t die.
“Ellis: I doubt that the blood loss from these cuts would have killed either of them, though. Vanessa: Yeah. The nooses probably would’ve gotten to them first. There are marks on their necks.”
Can we check the time please. They could have died from landing wrong, if they got pulled up high enough and the chandelier broke.
“Noah and Harper’s necks are each in their own noose, which are attached to the main frame of the chandelier. The material– vines– appears to be the same kind strung along the railing of the balcony. Vanessa: They’re still handcuffed together, too…”
Interesting.
“Truth Bullet Obtained: State of the Bodies Truth Bullet Obtained: Nooses Truth Bullet Obtained: Broken Chandelier”
Ooh boy, that’s a lot of TBs already. The trial boutta be Difficult.
“I stand up, bidding Noah and Harper goodbye. This might be the last time I ever see either of them. To Noah, I wish you’d gotten to become the person you wanted to be. To Harper, I wish you’d had an easier time realizing that the person you already were was as worthwhile as any friend could be. I’ll miss you both. At least you’ll look pretty in your coffins.”
Oof, and we’re getting sentimental. The trial boutta be soul-crushing.
“Monoquin: The motive has officially resolved.”
Woo!
“Davis: I guess we were the last surviving pair… Aidan: …It’s an alibi, right? Though, Ellis and Vanessa were at the dinner party the whole time, so I’d say they’d have alibis, too. It was 7:30 when we started, but 8:30 when we found the body. We probably finished dinner at, what, 8:10? And the File says they died at 8:20…”
Alright, thanks for the time check. So it wasn’t strangulation. The straightforward idea is that they got pulled up and died on the fall, but I have to wonder how hiding that would help the killer. Maybe the File couldn’t lie helpfully, so it just picked something at random to lie about. And I’d be more careful about alibis, Aidan. Traps exist, and this kinda looks like it’s gotta be something of the sort.
…Unrelated, but I was thinking of either Noah or Harper killing the other then themselves to get Monoquin to break a rule (he needs to execute the blackened, but can’t if the blackened is dead). But there’s better ways to go about that than leaving the rest of the people to figure out the murder themselves, so I’m ruling it out.
“Ellis: Uh… I think I showed up to the Ballroom at about 6:00. And, I have an alibi with Vanessa before that, too. They weren’t directly back to back, ‘cause I took a break to change clothes in the middle, but I know where those two were at those points in the day. Aidan: I’ll ask around to make sure, but I get the impression that that’s about it for alibis today, outside of handcuffed pairs. You were with people, we were with each other, and everyone else was doing whatever unchecked.”
Well… it’s something!
“Truth Bullet Obtained: The Fifth Motive Truth Bullet Obtained: Alibis Truth Bullet Obtained: Dinner Party Truth Bullet Obtained: Body Discovery Announcement”
Jesus fucking christ. Also, the BDA didn’t really get brought up, but I understand four people saw the corpse at about the same time, right? Vanessa, the Aidan-Davis pair, and Ellis. So, not particularly useful.
“I follow the cord it’s attached to back to its starting point in the Hallway. Jeff is looking at it, too.”
Hm.
“Jeff picks up a pair of rope cutters off the floor. Jeff: Subtle.”
Yeah. It’s good that Mark is being this big of a red herring, at least!
“Ellis: Well, what else would you use to cut a rope? Jeff: Oh, I meant the part where they left it next to the rope. Guess it doesn’t mean much, though, given that it’s clear the rope was cut. Doesn’t really matter how it was done if everyone could do it equally easily. Ellis: Yeah. It’s not like you could do it from afar, either, so the location is kind of obvious.”
I’d… be careful with those assumptions. Evidence could’ve been removed and the cutter could have been planted afterwards.
“Jeff: Well, like I said before, I had to help out in the Kitchen. I knew that last night. ‘Cause of that, I didn’t do much else today. You showed up around 6, and from then on, I was working on the Banquet and all that. He pauses. Jeff: I guess that’s about it. Ellis: So after breakfast, you just headed straight here? Jeff: Not quite. I had the morning to myself. I headed up here after lunch, so… maybe 1 PM or so? I wasn’t with anyone before that either, though.”
Yeah that’s not the greatest alibi known to man.
“Truth Bullet Obtained: Cut Cord Truth Bullet Obtained: Jeff’s Account”
Dude we are physically incapable of getting one Truth Bullet at a time, huh? We’re cooked.
“On a hunch, I check the Customer Service Desk and see them there. They’re sitting on one of the chairs in the room, looking through the clipboard that holds the order information. Time to cash in that hug. He’s surprised, but hugs me back.”
Awww… Ellis was so worried :(
…How am I this far down the document? These damn investigations are so short ToT
“Mark: Mystery solving time. Um, I looked through the Order List. It looks like the only anonymous orders were heavy duty rope cutters and chloroform. So, those are all on the table. Ellis: Chloroform? When was there chloroform? Mark: I have no idea. I guess Noah and Harper were probably incapacitated somewhere along the way…?”
Fuck do you mean chloroform? I guess it could explain how their necks ended up in the nooses, but still.
“Ellis: That’s… another piece of evidence that makes it seem like the killer must have physically been in the Ballroom sometime between 8:10 and 8:30. Mark: Yeah… Mark looks at me. Mark: I still can’t tell you where I’ve been all day or what I’ve been doing. I know that I’m super suspicious, but I’m just going to have to ask you to trust me, okay?”
Not giving me a lot of confidence here, Mark. Though, to be fair, the fact we’re setting up something he’d have to reveal in CH6 makes me feel even more confident he didn’t do it by meta reasoning.
“Mark: Um, what can I tell you…? When the BDA played, I was in the Conference Room. That’s how I got to the Ballroom so fast. And, there wasn’t anything special with the handcuffs. I just managed to pick the lock. Ellis: Impressive. Mark: If I won a killing game and thought I might get put into another one, I figured it might be a skill I’d try to learn. Not that I remember…”
The hell were you doing in the Conference Room? But it’s nice to know the guy can just pick locks if needed, cool.
“Monoquin: The investigation period is over. Please proceed directly to the Monorail Station.”
Bro.
I mean, we have a fair amount of Truth Bullets, just not many substantial ones. I feel like the blackened kinda has to be Jeff; four of these people have alibis, there’s not much reason for a murder suicide, and I feel like Mark’s got too much going on to be the killer from a meta perspective. But we’ll see!
“Ellis: Well. Ready to go prove your innocence? Mark: Hope so. Let’s go.”
Well, at least Ellis’ faith is unshaken, despite everything. Good to know.
The kill graphic for Taylor just being a pink splash is killing me. That’s so disrespectful ToT
“It’s kind of funny. I never imagined I’d have anything even resembling this problem. Not wanting to catch a killer because I care about them too much? Don’t make me laugh. In the end, I have to place Ellis Ortiz’s life at the highest value… because, as a spotless, Ellis Ortiz’s survival means the survival of the majority, too. I don’t think that Mark is the killer, but… if they are, I have to remind myself to do what’s right. We have to get this right.”
Ellis Ortiz, Ultimate Monologue Aura Farmer. Let’s look at this e-Handbook, and lock the fuck in!!!
Murder Theory
So here’s the thing. Noah and Harper definitely died at “approximately 8:20” (I’m assuming the 8:10-8:30 range counts as approximately 8:20). I’m also gonna assume that the lie isn’t the victim (like, “oh, 5.1 was actually for Harper and 5.2 was actually for Noah, but the names got swapped!), because why. I can’t see them dying outside the Ballroom (carrying them would take a while and they probably wouldn’t just leave for no reason), which means the lie would be the strangulation. Obviously could be wrong on that, though.
So, how? Poison? They don’t really have other injuries. Nothing even says their necks are broken from the fall or anything. Is Antonia’s poison back at it again? The chloroform could be a misdirect, as there’s technically wasn’t any evidence it got used. Hell, maybe it got ordered by a different person, but that feels a little out there.
… Wait, the CSD. If the killer asked for the objects there, even though most people were handcuffed… either they asked for them before the motive, which feels like a lot; Harper and Noah made a suicide pact, which feels unlikely; or it’s Jeff/Vanessa, right? And Ness has an alibi, so…
Anyways, yes, my killer pick is Jeff, but the how still baffles me a little. How did the killer even get up to the chandelier to cut the rope? Or am I misunderstanding how it was positioned? Plus, the chloroform: why did they ask for it? Surely they couldn’t have used it, since I struggle to see how you’d apply chloroform to both Harper and Noah at the same time. Surely one of them would have at least screamed for the others to hear. That means the only reason they’d ask for it is to make it look like the killer was in the room when they weren’t, framing Mark. Not Jeff, as you need to pass the Banquet Hall to go from the Kitchen to the Ballroom, and while the same can be said of the Conference Room, there’s no guarantee Mark was actually there. But the killer must have been in the Ballroom if the rope was “cut, not snapped.”
…Unless, it wasn’t the killer who cut the rope.
You see, there’s this funny technicality in the rules, which states that the Headmaster and the Staff “may not be involved in murders.” It doesn’t technically say anything about covering up evidence, just that they can’t be involved in the murder itself. Of course, it’s a massive grey area, as the cleanup could technically be considered part of the murder, but we know Jeff has been thinking a lot about what they can get Monoquin and the Staff to do for them.
At that point, things start to maybe fit together a little. Poison Noah and Harper’s food (which would be easy for a guy working in the kitchen), and once they drop dead in the Ballroom, get Monoquin or Staff to hang them up for a bit, then cut the rope and flee through the Balcony or something.
Of course, that’s all on the hypothetical that you can get Monoquin or Staff to help you covering up evidence (and I’m like 90% sure the actual murder method would have to be different because how the hell would Jeff guarantee they go in the Ballroom in time for the poison to work correctly), but it’s honestly my best guess. Noah and Harper can’t have cut the rope, so the chances of a murder suicide or suicide pact are even lower than they first seemed, and that’s impressive considering how low those chances always felt. The person (or thing) who cut the rope must have been in the room to do it, but the only exits off the Ballroom are the Banquet Hall (which would have led them straight to the others) and the Balcony. Since Mark and Jeff presumably came in through the Banquet Hall (I hope; technically it’s never stated, but coming out of the Hallways would have been extremely suspicious so I can’t imagine it’s the blackeneds plan), they would have needed to go out the Balcony, back into the building and into the Banquet Hall again before returning to the Ballroom. Way too slow for Mark and Jeff.
So, I can only think a staff member/Monoquin did it and escaped through the Balcony on the blackened’s orders. Of course, at that point anyone could have done it; except Aidan and Davis couldn’t have placed the orders on the CSD, Ellis has protag privilege, and Mark is the one getting framed. So it’s between Jeff and Vanessa; and not only did Ness seems genuinely distraught in a way Jeff didn’t, she also had less knowledge of what would happen that night going in, and never had time alone in the Kitchen to communicate with Monoquin/Staff. Ultimately, Jeff is gonna be my guess for blackened.
Let’s see how wrong this all is, and how the blackened probably actually cut the rope without staff help at all, in the trial!
Part 6
“Aidan: It sucks. We all know that. But… the only option we have is to solve their murder. Then, we keep trying to get out of here. Mark: There’s only five of you left. And, after this Trial, there’ll only be four…”
I wonder why Mark is separating himself from the group here. They said “six of us” earlier, so… idk. Probably nothing.
“Jeff: Well, there’s an obvious place to start this time. Why the hell are two people dead? Mark: Probably because of the motive. It’d be hard to isolate Noah or Harper, so the killer decided it’d be better to just kill both. Davis: In that case, wouldn’t it make more sense to target one of the people who was by themself? That way, you wouldn’t have to kill both. Aidan: There aren’t that many suspects left. The killer probably wanted to keep people without built-in alibis, because they’re the best plausible alternate suspects.”
Yeah, yeah… I wonder if the motive was partly made to get a double murder going, it feels kinda like something that would’ve had to happen had everyone been cuffed together.
“Davis: We’ve been together since the motive, so I have no idea how one of us could be the killer without the other knowing. Mark: Technically… If one of you wanted the other to get away with it and you covered for the other... that’s how it could still be true. Vanessa: But, they wouldn’t do that, right? Like, that would mean they’d die. Mark: …Yeah. You’re right. That’s probably not the case. At this point, whoever’s killed probably wants to win. That would make the most sense, given that they killed two people.”
Hopefully we can in fact rule them out!
“Jeff: So, it’s not Davis or Aidan. The rest of us aren’t totally covered though, right? [Evidence Select]”
I accidentally saw that this was “Alibis”, but that’s kind of easy enough that I wanna say I’d have gotten it :p
“Ellis: I mean… Vanessa and I kinda are covered too, no? We were with Aidan and Davis in the Banquet Hall when Noah and Harper left, and we stayed there until all four of us discovered the bodies. I don’t know how any of us would have tied them to the chandelier, at the very least, while sitting there.”
I’m gonna be so fr chat, I think Jeff is the death I’m the most okay with. I like the guy and all, and I’ll be sad if he dies, but Mark, David, Aidan, and even Vanessa dying would all kill me dead. So, uh, you know. Just mentioning it now because I realized I should probably say it at some point lol.
“Mark: If you were all together for that time, then that’s good. It eliminates a lot of options. The killer seems like they were active within a short time frame, so I think the alibis hold up.”
I will say, it’s impressive how chill and helpful Jeff and Mark have been so far. This fangan in general has had people be pretty reasonable even when they’re getting accused, which is cool. I guess people freaking out over it would get kinda tiring after canon dangan and all the games the writers made before One Shot lol.
“Jeff: Though, for the time being, I assume you’ll all be most suspicious of me and Mark. Reasonable.”
Yeah, look. Perfectly chill about it.
[Nonstop Debate] Let’s run it!
So there’s a couple things we could look at here, like maybe using the Monoquin File Lie to question the idea they were strangled, but that kind of thing is probably getting ahead of myself a bit. I’m gonna go with:
“Mark: There are ways to get around Noah and Harper alerting bystanders. Mark: Incapacitation, for example.”
Shooting “incapacitation” with Customer Service Order List, to bring up the chloroform, even with my doubts about it actually being used.
[Answer: Customer Service Order List -> “Incapacitation”] Off to a good start!
“Aidan: That answers that, then. Davis: If they were knocked out, it would be a lot easier to hang them up.”
Not sure I love how quickly we’re accepting that answer.
“Ellis: It’s still kinda weird, though. Even if chloroform would let you dodge some of the problems with killing both of them at the same time, shouldn’t those same problems pop up when trying to drug them? Like, if you held a rag up to Noah’s mouth, wouldn’t Harper say something? Jeff: It’d be easier to cover both of their mouths with rags at the same time than it would be to keep a rope tight around their throats at the same time. I believe that someone could’ve done both at once, as long as they have two hands. More points against Davis and Aidan, I guess.”
Nice to see Ellis and I keep agreeing on things. I’m still not convinced, especially because it’s Jeff bringing up the counterargument, but I will accept the explanation if it turns out the chloroform was actually used. Even if we ignore the issue of the killer having to ask for it 48 hours before the party to make sure they could actually receive it.
“Aidan: Honestly, the bigger problem to me is how the killer tied them to the chandelier. Vanessa: Wouldn’t that be pretty easy, if Noah and Harper were both unconscious? Aidan: No, I mean… How did they manage to reach it? [Puzzling Pieces]”
I’ve been wondering that too! Let’s see how this goes… Oh god it’s a goddamn rope physics murder. Not again T_T
So… I’m not actually confident in this, but I’m gonna go with either “The killer raised the bodies with the chandelier”, or “The killer raised the chandelier with the bodies”. The idea is that the killer lowered the chandelier, attached the bodies, then raised the chandelier again before cutting the cord. Leaning on the first option for wording, but I also could be entirely wrong, there’s a good number of options here.
[Answer: The killer lowered the chandelier with the cord.] “Ellis: The killer probably lowered the chandelier using its cord before they tied Noah and Harper to it, right?”
Okay that’s… kind of the same thing I said, I think? I guess it makes more sense to focus on the actual lowering of the chandelier than the raising of the bodies lol. Anyways, I’m calling it close enough!
“Davis: If that’s the case, it seems like Noah and Harper were probably already dead by the time they were tied to the chandelier, right? Vanessa: Huh? Why? Davis: I know that they’d be knocked out and everything, but would you really want to leave Noah and Harper unguarded to go lower the chandelier, tie them to it, and leave them again to raise it up, all before they died? You’d have to wait for them to actually die before you cut the cord, too. If they woke up at any point before dying, you’d be screwed.”
Makes enough sense, yeah.
“Mark: If that’s the case, we can probably take a pretty reasonable guess about what the File’s lie is. The time is fairly shortly after Noah and Harper went into the Ballroom, which is in keeping with killing them before the hanging process, and the cause of death seems likely given the neck wounds. It should be the location, right?”
So they probably died in the Balcony/Hallway. You know, I hadn’t considered the possibility of someone going from outside into the Balcony, but that would explain a lot of things. Still doesn’t explain the rope cutter’s vanishing act after the chandelier fell, but y’know.
“Vanessa: Do the Files have to have the same lie? There are two of them, after all. [Evidence Select]”
I saw the answer was a Note, so I’m assuming Monoquin File Lie. The Handbook says each file contains a lie, but doesn’t say anything about the lie being the same in cases like this or anything. I assume it is, simply because both the murders seem to have been basically identical, but still.
[Answer: Monoquin File Lies] Yep.
“Mark: That’s… true. It’s definitely possible that the idea was to kill two people who are chained together in different ways, in order to make us assume they were killed in the same way. That’d be a reason to go to the trouble of hanging the bodies, too… Jeff: Does it actually matter, though? With them being handcuffed together, it’s hard to believe that they’d have different killers. The blackened doesn’t change if their murder methods are different from each other. Davis: Is it at all possible that one of Noah and Harper killed the other…? That would be the most likely way that the crimes could be different, in my opinion. But…”
We’re going insane. Like, don’t get me wrong, I definitely gave the idea of either Noah or Harper killing here a lot of thought, but it’s very hard to justify, so doing that only on a hunch that the lies in the files might be different is a little crazy.
[Lie Detector] Wow, early.
“The victim is Noah Walker/Harper Young” -> Noah’s Profile + Harper’s Profile
“He/Ve died of strangulation” -> State of the Bodies + Nooses
“in the Ballroom” -> Monoquin File Lies
“at approximately 8:20 PM.” -> Dinner Party + Body Discovery Announcement
[Answers: State of the Bodies + The Fifth Motive; Nooses + State of the Bodies; Monoquin File Lies; Alibis + Dinner Party] Eh, close enough. My reasoning on using the BDA and the party was to establish an upper bound of 8:30 (BDA) and a lower bound of 8:10 (party) for the murder, but the other thing works too.
“Vanessa: Does that really benefit the killer, though? It’s not like the murder happening in the Ballroom versus the Hallway actually matters much. Jeff: Does it have to? If the killer set up a crime that doesn’t point to them in any way, there’s not much need for the lie. ‘Sides, if you can tell who the killer is by solving the lie, it can be more of a liability than a help, right? Vanessa: Still, they could’ve lied about the time or something, right? Considering 4/6 of us have an alibi… Aidan: We all saw Noah and Harper. It’s not like it would’ve been productive to say, “hey, Noah and Harper were both dead before dinner!” We would’ve instantly known it was a lie, and then we’d just suspect the people without alibis even more than we already did. This way, there’s at least the possibility we overthink a simple truth.”
It’s cool that the MQ File lie isn’t a big deal in this one. It’s always been a pretty big point of contention for the other trials, which is perfectly fine, but the variety is appreciated.
“Davis: That all makes sense, but… why drop the chandelier at all? Why bother moving it? Why would the killer do any of that instead of just strangling them and leaving the area? The whole thing seems really risky. Mark: If it’s a risk the killer took, there must have been a plan behind it. The reasoning shouldn’t be too difficult to figure out… [Progressive Deduction]”
Are we positive? Because I got no clue. Let’s see if the Progressive Deduction helps here.
1- What odd behavior are we trying to justify from the killer? a) Dropping the chandelier b) Murder c) Not utilizing the MQ File’s lie d) Using strangling as the murder method
“Murder” lol. Yeah, going with a) here.
2- What happened when the chandelier broke? a) Noah and Harper died b) People gained alibis c) The killer fled the scene d) We rushed into the Ballroom
Like three of these things actually did happen. I’m gonna go with c) because it’s the most pressing issue in my mind, but I doubt cutting the rope had anything to do with the escape. Unless the killer was, like, hanging onto a rope on the Balcony attached to the cord of the chandelier, and got catapulted when the cord was cut. But that’s. Insane. So, not likely.
3- Why might the killer have dropped the chandelier? a) To confuse the murder method b) To distract everyone c) To draw people to trigger the BDA d) To kill Noah and Harper
Certainly not a) or d). My first instinct is distracting everyone so the killer can slip back in unnoticed from the Hallway, but that doesn’t make much sense. If the got in by the Balcony, they could’ve gotten out from the Balcony, which would have been safer as it doesn’t carry the risk of people seeing them walk out the Hallways. So I’m going to change my answer from 2- to d), “we rushed into the Ballroom”, and answer c) on 3-, trigger the BDA.” It makes sense; we know this cast has thought to use the BDA to clear people, so if, say, Ellis walked into the room, they could use the BDA to rule out either Mark or Jeff, the only people without alibis, which would immediately fuck the killer over. Makes sense.
[Answer: a - d - c] Hell yeah. Took a bit of backtracking, but we take those.
“Mark: There were four of you. No one got cleared of suspicion from the BDA. If you’d found the body on your own time, you might’ve intentionally used it to clear someone.”
See, Mark gets it. Good job Mark!
“Davis: …If the killer weren’t one of the two of you, there wouldn’t be a point to dropping the chandelier. It would be better to pretend to find the body on accident. Then, you could “try” to clear one of the two suspects, with you, the actual killer, being one of the three in the group. It’d make the suspicious person who saw the body look like the killer when the BDA didn’t trigger. Vanessa: That’s just more confirmation, then, isn’t it? That it has to be Mark or Jeff…”
Welp. It’s gonna be real hard to argue otherwise at this point.
[Third Party Analysis] Goddamn, this also feels super early for this. Usually this gets done right before the culprit starts to unravel, but this isn’t even Part 7. I’m loving the shakeups to the formula this chapter!
Distill!
Concession: Jeff: “Look, I know that you’re probably suspicious of me already because I’m the one who wants to leave this place the most.” Mark: “It makes sense that you would suspect me, considering I can’t tell you what I’ve been up to all day.”
Defense: Jeff: “There isn’t really any evidence that points towards me, though, right?” Mark: “I promise you, I’m not the one who killed Harper and Noah. I can’t fathom why I’d ever do that.” [It’s kinda sad Mark’s defense is basically “I have nothing to return to anyways” woop]
Attack: Jeff: “Meanwhile, Mark is… refusing to say anything about where they’ve been all day? That’s the worst excuse I’ve heard in one of these Trials.” [The next two lines could also work] Mark: “Jeff… at least he’s always been someone who’s been very motivated to leave this place.”
Proposal: Jeff: “Couldn’t they at least mention where they were at some point today? The only possibility I can think of is if they were planning for the murder all day.” Mark: “It’s possible that, after confirming that there’s only ever been one winner, he was finally inspired to act.”
Inquire! Jeff’s Account -> Jeff’s Defense. The idea is that Jeff knew more details about the event than the others, so there is at least some evidence pointing to them.
[Answer] So the Distill section is more or less the same. I sometimes use two sentences, which I know isn’t technically right, but it’s more so the context is clear for the post.
[Inquire! Mark’s Killing Game → Mark’s Defense] Oops. I don’t think my idea was terrible, but clearly it was wrong!
“Ellis: I… I know that it doesn’t sound that concrete, but I really do believe Mark when they say that they’d have no motive to kill anybody. You guys all saw that Mark won a prior killing game by being the last man standing, right? That means they got through an entire killing game without ever hurting anybody. That takes a lot of fortitude that wouldn’t snap now, of all times. There’s more to it than that, but… I’ll leave any further detail to Mark’s discretion.”
It’s… not the greatest argument ever, but I guess we ball.
“Mark: We can call it neutral, if it makes you all feel better moving forwards. Given that I’m innocent, there should be more ways to prove it if we keep thinking. Jeff: Or, alternately, there could be more things that point towards you. Davis: Either way, it seems like the best move is to keep talking about it from a point of neutrality, right? It could be either of them. Let’s think more while keeping that in mind. [Puzzling Pieces]”
Neutrality is cool. Also what is this Puzzling Pieces even about? Are we finally gonna talk about how the killer actually left the room after cutting the cord, or…?
Jesus christ this one’s making me write a damn bible. Maybe… “the murder method had no blood because Mark’s gloves would get stained”? Not saying Mark did it, as Jeff would’ve needed a bloodless method too so as to not get caught for this very reason, but I think it fits with what they’re all talking about.
[Answer: Got it right :)] Yay! I’m back, baby!
“Mark: I’m not wearing my gloves. I’m in my formal outfit, like all of you guys. See?”
I was wondering about that, but Jeff would’ve had no way of knowing that. Still, blood could have stained any clothing, so it’s kinda nothing.
“Jeff: Mark would’ve had a better opportunity to clean it up though, right? ‘Cause none of us knew where they went. Mark: Is that really true…? [Hangman’s Gambit]”
[Answer: Kitchen Sink] Listen, it’s very hard, especially on mobile, to click the Hangman’s link before seeing the answer. Still, I’m ass at this one, so I can confidently tell you my ass was not guessing “Kitchen Sink” ToT
“Ellis: Either of them would have committed this crime barehanded, but only one of them would have had a good opportunity to wash any blood off. Jeff had access to the kitchen sink, were his hands bloodstained. Aidan: That’s all good and whatever, but there wasn’t actually any blood. Is this productive?”
Aidan’s still so funny. Everyone else talking about blood that wasn’t there and he’s just questioning his sanity.
“Mark: The original point was that the murder method could’ve been bloodless because it would be harder for one of us to hide any incriminating blood. Given that, you could say the bloodless murder method is suspicious on my part, because Jeff would’ve been fully able to clean up any blood. Conversely, you could say that, had I been able to find a way to get rid of blood, it might’ve made more sense for me, because Jeff would be suspected above me if I managed to conceal it.”
So ultimately “less blood is easier to deal with”, as a general statement, ends up being the answer after all lol.
“Vanessa: What part of the murder method, though? We already figured it out. Ellis: Um… Aidan: …Whatever. Let’s just do this again. [Nonstop Debate]”
You know, we still haven’t talked about how the killer got in and out of the room. I feel like that’s something we gotta address at some point, yeah?
It seems like we’re kinda on track, but I’m struggling to see what I’m meant to be doing. Here, look:
“Aidan: The killer probably just started out in the Ballroom or the Balcony or something. Aidan: In that case, they’d just have to avoid causing suspicion until the body was actually discovered. Vanessa: But, is that actually easier for one or the other? Jeff: I mean, I was in the area, at least. Mark: I was, too…”
Like, obviously there’s a problem with what Aidan is saying, because Jeff went to the Kitchen at 8:10 (I’m assuming the cast have eyes and would’ve seen them going into the Ballroom if they had), and the only entrances to the Ballroom are the Banquet Hall and the Balcony. So, maybe I should shoot Map of Floor 4 + Jeff’s Account at either Aidan or Vanessa to say that Jeff couldn’t have been waiting in the Ballroom, or that it’d be easier for Mark to be there. But I could also grab “started out in the Ballroom” as a synthesizer bullet to shoot “easier for one”, with the idea that only Mark would have been able to start in the Ballroom as Jeff would’ve needed to start in the Kitchen. Or maybe shoot a combination of “I was in the area” as a synthesizer bullet plus Map of Floor 4 to “started out in the Ballroom.” And there’s even more ways to argue my point. Basically, I know what I want to say (“Mark could have been in the Ballroom all along, Jeff couldn’t go from the Kitchen to the Ballroom directly”), I just don’t know how the game would want me to argue it lol.
[Answer: Jeff’s Account → “easier for one”] Yeah, that’s a way to do it. I’m pretty sure it’s what I wanted to say.
“Ellis: Well… it would have been less suspicious for Jeff to be seen around the scene of the crime. Jeff was working for Monoquin during this event, so if Noah and Harper saw him in the Ballroom, they might’ve just thought Jeff was doing another one of his chores. If they’d seen Mark, they might’ve reacted more strongly and loudly, given how big of a deal Mark’s absence was.”
Never mind! That’s not the argument at all!
Am I just stupid? Did no one actually see Jeff go into the Kitchen? Are there doors that aren’t clearly seen on the map? Can we talk about the logistics of entry and exit of this goddamn room?
“Davis: At the same time, though, wouldn’t it be easier to get away with a crime if no one knows where you were? What if, at some point, one of us had gone into the Kitchen and Jeff was gone? That’d be really suspicious, too.”
We are actually going nowhere bro what is this.
Save me, [Puzzling Pieces], save me.
“Vanessa: Maybe, uh… something with the BDA…? Vanessa: ‘Cause, the killer would’ve had to join all of us without messing anything up eventually.”
Vanessa…? Holy shit she’s bringing up the points I wanna bring up! That’s kinda rare for her, but awesome! You go girl!
“Aidan: Given that they were probably in the Hallway by the chandelier cord at the time, it is true they would’ve had to sneak in without us realizing they were coming from the wrong direction. Aidan: It’d only take a second or two to get from the Hallway door to near the main door, though”
Really hoping the answer isn’t just “they’re all blind” though lol.
Maybe “it’s easier to join the group when arriving second”? So maybe the guy did just sneak back in. Well, it doesn’t rely on weird loopholes in the rules, so we take it.
[Answer: Got it right :)] I love Puzzling Pieces.
“Ellis: If you arrive second, you’d have more time to get there. Jeff: I guess, but there’s also the advantage of showing up first when everyone’s still looking at the bodies, right? No one would really be tracking where you came from in the first place.”
I kinda agree more with Jeff here, though. If we really assume no one was looking at the doors at first, Mark could have snuck in kinda easily. But after he arrived, Ellis at least was presumably at least facing the direction of the doors, given they rushed to hug him.
“Mark: Well, no. They’d have to have been in the Hallway. But, I don’t understand why they’d do that if they’d have to enter the Ballroom from the Hallway instead of the main door. [Hangman’s Gambit]”
Hangman’s is really hard without letters. It’s six then four, so it’s hard to talk about Balcony shenanigans… “secret door”? It feels silly, though.
[Answer: Secret Door] Never mind, apparently I’m a genius. I’m more impressed accirax guessed that with only Es, like surely you’d at least go for O as well right? xD
“Aidan: From the Hallway to the Kitchen, probably. Makes enough sense. If you want staff to be able to bring drinks or appetizers or whatever to the main Ballroom area, it’d be convenient to go straight from the Kitchen to the Ballroom. Jeff: The Fourth Floor is pretty symmetrical though, right? Seems just as likely to me that there could be a matching door in the Conference Room.”
Here I was, imagining some kind of Mission Impossible wall scaling from a window in the Kitchen/Conference Room, around the building and into the Balcony, and turns out there’s just a door there. Ngl, I’m a little sad now /lh xD
“Vanessa: So, since we can’t actually investigate the doors’ theoretical existence, it doesn’t tell us anything. I’m shocked, really… Ellis: Man, even when we’re straight up inventing evidence, it still isn’t a tiebreaker!”
And now I’ve run out of arguments too! How the fuck do you solve this one, anyways? Well, there’s still the timing of the order in the CSD, I guess. Jeff had more time to place it, as Mark was chained to Ellis up until this morning.
[Nonstop Debate] Let’s do it!
“Mark: Maybe the Order List could give us something to work with?”
Wow, speak of the devil xD
“Davis: That means that the killer probably planned out what they’d do ahead of time, right?”
Fifth Motive here, I guess? With the idea that Mark couldn’t have been sure he’d get the implements by the time the Banquet started? Though maybe we’re getting ahead of ourselves, and I should shoot Customer Service Desk at this one, to actually agree that the items must have been requested in advance.
[Answer: Jeff’s Account → “ahead of time”] Oh, yeah, that’s works too. Only Jeff could have known to ask for this stuff in advance.
“Aidan: Or, it makes me think that you were hiding it because you had something planned. Jeff: … Davis: Do you… have anything to say? Or any points to make? Jeff: Do you want me to? I guess I can try. Mark: …Go ahead? Jeff: Alright, sure, whatever. Let’s do this. [Freestyle Feud]”
Props to Jeff for the chillest Freestyle Feud entrance of all time lol. This is Part 6, right? So it’s still kinda early. What the hell could possibly happen from here? Anyways, rap time.
Jeff: There’s no actual evidence that points the crime to me.
You had the opportunity, the knowledge and the means.
Jeff: You’re only accusing me because you won’t believe it’s Mark.
I’ll believe it when you tell me when he could’ve come up with the plan.
Jeff: They were just as free as I was at the time of the crime.
Yet when the orders were placed, their hands must have been tied.
Jeff: Even if I was free of my handcuffs first, Mark could’ve done plenty of things you’d have missed.
Today, that’s the truth, but they weren’t always free; certainly not two full days before the dreaded double kill!
If I had to shoot a bullet, it’d be Fifth Motive + CSD Order List btw. To be fair to Jeff, I don’t know if he’d been able to know about all the details 48 hs before the kill, but he could have still been planning something along those lines, and ordered the stuff before figuring out all the details. Also, I’m not convinced it wasn’t Jeff themselves who asked Monoquin to hold a party, as technically that isn’t inherently helping with the murder.
[Answer] Hey, that’s the same argument I was going for! Cool.
“Jeff: I’m not going to be able to change your minds, right? It’s not like I’ve had any idea of how to prove anything for this whole Trial. All: … [Question Completion]”
I am still worried about the timing. This is still part 6, and we’re about to hit the point which would usually be intermission. What’s this Question Completion gonna give us?
“Why was the killer so obvious?” is gonna be my answer, and I’m a little worried about the implications. Does Jeff have a plan to get Monoquin to rule break somehow?
[Answer: Why was the killer so obvious?] Hm…
“Aidan: On that point, how would Jeff have even known that Harper and Noah were going to leave early? That seems a bit coincidental, right?”
Oh. I see where we’re angling actually.
Regulation #8: If two victims are killed by two different killers in the same Trial, only the killer whose victim’s body is discovered first is the blackened.
This regulation has been on the back of my mind since I checked the handbook for the murder theory. I didn’t think it would matter at the time, but I always knew it could cause issues. Both bodies were discovered at the same time, the BDA specifically mentioned two bodies. That means, if Noah killed Harper/Harper killed Noah, the blackened would be impossible to assign, thus breaking the killing game. Maybe the chloroform wasn’t used after all… maybe Noah and Harper were in on it.
“Davis: I’m saying that if Jeff were the killer, he should’ve done it… I don’t know, during the afternoon? Tomorrow? Some time when not literally everyone would be together. Vanessa: But… the murder did happen at the dinner party. What does that… mean? Jeff: Hell if I know. I only know my side of the story.”
Wait, does Jeff not even know the plan? Or do they know but don’t want to say until Monoquin declares a blackened? What in the V3 CH5? Also, the murder happened at the party to guarantee a double BDA, but I think it’s obvious I’d think that by now.
[Intermission] Ooh… this is gonna get good >:) Not that it wasn’t great already but still >:)
Part 7
[Nonstop Debate] Starting strong, let’s do it!
“Mark: There’s really no reason why that [Noah and Harper would kill each other], and I’m not sure how possible it would be anyways.”
So… I feel like I’m getting way ahead of myself here, but maybe shooting this with Kennedy’s Escape Theory? I’m hoping bringing up the possibility of ending the killing game with this murder in a general sense isn’t thinking too many arguments ahead lol.
[Answer: Mark’s Account → “get their handcuffs off”] Alright yeah I was getting way ahead of myself there. Apparently we’re just gonna say they could have picked the locks lol.
“Ellis: Well, it is possible to take handcuffs off. Mark was able to pick the lock on ours, and I was none the wiser until I woke up. Mark: That’s true, I guess, but how would you lock them again? If we’re saying the partner had no idea this ever happened, it’d have to be while they were asleep. It wouldn’t be convincing at all if your partner woke up and the handcuffs were open. Vanessa: You could probably get the staff to lock them again, right? Like, I’m sure if Jeff and I had agreed to it, Monoquin would’ve been happy to lock us back together again.”
Yeah we’re not even thinking about Harper and Noah doing it lol.
“Ellis: This killer would be taking a ton of chances on all fronts. But, don’t use that as an argument to say I did it!”
Pfft-
[Nonstop Debate] Alright, let’s go!
“Jeff: I’m just as confused as the rest of you are, if not more.”
Is… Jeff really not in on this plan? I- Well, I guess I could be entirely wrong on the plan is, but if I’m not, it just seems weird that the other two wouldn’t have talked to anyone else.
“Aidan: Unless you’ve got a way to get around one of them being complicit.”
Staff Members here with the same loophole as before? But I feel like that doesn’t make much sense. I really don’t know. Is it a synthesizer bullet?
[Answer: Mark’s Account + The Fifth Motive → “cover what they needed to”] What? I… don’t actually know what we’re arguing lol.
“Ellis: If we’re trying to leave Jeff out of things… Well, it’s still possible. Mark and Vanessa could have been working together. Vanessa, who was un-handcuffed, could have gone to the order list at any time. And then Mark, who didn’t attend the dinner party, could have done all of the stuff with the chandelier. Jeff: I guess that is possible. Vanessa: Okay, yeah, but, like… why? All: …”
Yeah, right? That one’s kinda fucking insane. Also how am I only now realizing how similar Vanessa’s speech patterns are to my typing style. Girlie is actually my spirit animal lol.
[Nonstop Debate] They were not kidding! The debate sure ain’t stopping! Not for more than a few paragraphs at a time, anyways.
“Davis: If Jeff is the only one who could’ve hung them, he must be the killer, right…?”
Holy orange! I think that’s the longest weak point I’ve ever seen, it’s the entire sentence! xD
I feel like I want to disagree, too. Like, my entire theory at the moment is that Jeff hung them without being the killer. Or, rather, without being the only killer. Maybe shoot that with Harper and Noah’s Profiles? Or take something like:
“Mark: Besides, the fact that we’re all contributing so much to figuring out what the trick is makes it seem unlikely that one of us is the killer.”
That, and shoot the weak point. I really don’t know. Man, I am… not doing well, huh?
[Answer: Monoquin File Lie → “If Jeff is the only one who could’ve hung them, he must be the killer”] I… what? Is it that the lie doesn’t help them? Idk.
“Ellis: That’s… not necessarily true. The person who hung the bodies doesn’t have to be the killer as long as hanging the bodies wasn’t the direct cause of death. I don’t know why somebody who wasn’t the killer would hang the bodies, but… we were just discussing the potential of an accomplice, right?”
Okay, yeah, I was on the right track. I don’t know how I was supposed to get MQ File Lies out of that though :v
“Vanessa: Um, question? If we’re saying that the hanging or strangling or whatever during the dinner party wasn’t the cause of death, then what was it? ‘Cause, it doesn’t really matter if it’s something else you’d have to be in the Ballroom for. But, if you’re saying you could kill them from the Banquet Hall, then… [Hangman’s Gambit]”
Eight and six… you know, “Antonia’s Poison” fits here lol. I don’t really know how you would kill someone from a different room, so… I guess? Sure, fuck it, let’s go for the repeat.
[Answer: Antonia’s Poison] It actually was a repeat lol. And I love that accirax didn’t hesitate much either xD Hey, at least I got something right!
“Ellis: …I’m going to fucking kill Antonia. I don’t care that she’s already dead.”
Ellis apparently can’t handle a narrative haunting bad bitch, who knew.
“If somebody forced Jeff to poison Noah and Harper’s food, would Jeff count as the killer, or that other person…? Mark: What would their leverage be? Jeff dies under this plan. I don’t understand what you’d threaten them with.”
We’re losing our minds, is what’s happening.
“Vanessa: If it’s not some sort of forcing thing, then how did anyone else poison Noah and Harper? Ellis was with Jeff in the Kitchen the whole time, and no one else made the food or poured the drinks or anything, right? Davis: That’s… not true. [Select the Person]”
So I accidentally saw that this is Davis, but I would not have remembered that lmao.
“Ellis: Davis… Davis, Jeff asked you to pour the drinks… Davis: … Aidan: …That doesn’t make any sense. [Nonstop Debate]”
Well, I guess Aidan’s coming to Davis’ defense! I wonder where the hell this is going.
“Aidan: Besides, it’s not like Davis would want to win this game. Why would he agree to it?”
I don’t like that he’s saying this like this. Like, obviously at this point, Davis wouldn’t have known about the plan.
“Aidan: We should’ve just voted for Jeff ages ago. They’re probably just acting weird in the hopes that we make evidence up out of nowhere. Aidan: Let’s just get this thing over with.”
Yeah, we’re… really desperate here lol.
Ugh… another one I’m stuck on. I don’t know if I’m just being silly today, or if the trial just got incredibly hard for this part. I feel like I want to shoot:
“Aidan: Neither of them would want Davis to win. It just doesn’t make sense.”
And argue that maybe Jeff wanted Davis to win even if Davis didn’t. I mean, I feel like that contradicts the FTEs, so I don’t think that’s it, but it kinda seems like the direction we’re going down. Maybe shoot that with Jeff’s Profile to make the point of who actually wanted it? Or grab:
“Mark: Call me naive, but Davis doesn’t seem like the type.”
It doesn’t even work, but idk. I’m just off my game rn.
[Answer: Davis’ Profile → “Neither of them would want Davis to win”] I… guess this was the right way to make the argument? lol.
“Ellis: I… could it have something to do with Davis’ talent…?”
Oh. I… didn’t consider that. I guess that’s a way to argue it.
“Davis: …What is it that you wanted? Before you met me. Jeff: … Davis: Answer me, Jeff. Jeff: …I wanted to care about someone else more than myself for once. Someone who deserves it.”
Ah, God fucking damn it.
“Mark: Wait, so… your talent makes people care about you and want things from you. But, it depends on the person. Jeff wanted to care about someone else more than himself, so… Davis: So Jeff cares about me more than himself.”
Fucks’ sake. Here I was, visualizing an epic martyr conundrum where Jeff valiantly fought against the killing game alongside the victims… and the situation’s worse than I ever could’ve imagined.
[Mixed Matches] …
Using the Order List -> D. Timing of use was meant to single out Jeff as the only possible culprit.
When the Order Happened -> C. Shortly after the VIP Files, likely relating to the true motive of the crime.
Riskiness of the Crime -> A. Actually low risk overall due to the visible culprit not being the blackened.
Obviousness of the Killer -> B. Meant to divert votes to Jeff, concealing Davis as the true culprit.
[Answer: D - C - A - B] Yay, I got it right! I’m in incredible emotional pain! :,D
“Aidan: There’s just… no way… [Closing Argument]”
I’m sorry Aidan… I feel really bad about this too ToT I’ve never been more devastated to read the words “Closing Argument” before. Venus you evil evil writer you >:( /lighthearted.
1- Fifth Motive. Everyone gets cuffed together. 2- VIP Files. The motive behind the murder. 3- Customer Service Order List. The orders are set up two days in advance. 4- Jeff’s Account. Jeff learns about the Dinner Party a day before it happens. 5- Dinner Party. It happens. Davis unknowingly pours poison to Harper and Noah. 6- Nooses. After Noah and Harper die, Jeff ties their necks to the nooses. 7- Cut Cord. The cord is cut. 8- Broken Chandelier. The chandelier breaks. 9- BDA. Everyone rushes in, BDA plays. 10- Monoquin Files 5.1 and 5.2. The files are handed out.
[Answer: Got it right] Well, hey! I may have done awful on the Nonstops, and I may never emotionally recover from what’s about to happen, but at least it’s the first time I ace a Closing Argument, I believe! Yay me :,)
“Ellis: The killer escaped the cuffs almost immediately, which made the motive less intimidating to them.”
It’s interesting that Ellis’ recounting labels Jeff as the killer, even though the argument is that Davis is the blackened. I guess he’s still as in shock as I am :,)
“Ellis: The poison must have been pretty diluted, as they made it through almost the entire extended dinner party alive. It was only when they walked into the Ballroom for a dance that it kicked in, incapacitating them.”
Actually, yeah, what was the plan if Noah and Harper dropped dead in front of the others? If they’d waited just a few more minutes before dipping, everyone would know they got poisoned, and it wouldn’t have been hard to point to Davis at that point. Everyone knew who poured those cups. Incredibly risky plan from Jeff, especially knowing how lethal this poison’s proved in the past. Pretty reckless, this Jeff guy.
“Davis: I’m sure. Am I the blackened, yes or no? Monoquin: …Yes, you are.”
God fucking damn it. And Jeff’s just going to walk after this? How the hell are we resolving that plotline in one chapter?
“Aidan: …Why would you do that?!”
Well, at least we’re getting an Aidan crashout! That’s always fun. I say, in great pain.
“Aidan: You realize what this means, right? You put him in danger. He’s going to die because of you! Jeff: Would you calm do–“
‘Would you calm down’ is crazy work, geez Jeff.
“Jeff: Do you want Davis to die? Aidan: Obviously not! Jeff: Davis, do you want to die? Davis: No…? Jeff: Well, I don’t want Davis to die, either. Hey, look at that! That’s half the votes. There’s no problem here.”
Yoo??!? That’s insane work actually. Manipulating the votes for the cast to lose plurality on the blackened is crazy. It’s not gonna work, obviously, but imagine having so much game that this is a genuine possibility being thrown around.
“Monoquin: It seems you’re rather at odds. Truly, this is a split down the middle. Vanessa: Oh, come on! Is now really the ti– Monoquin: Take your sides. I’ll prepare the Trial grounds. [Scrum Debate]”
We’re going to Scrum over this?!?! Not only that, but a Scrum after the Closing Argument?! We’re losing our minds. Actually insane ending here. I wonder what side Davis is gonna be on. I guess this wouldn’t be happening unless he ends up on the “don’t vote Davis” side, though.
…Sorry, is this Scrum Debate already solved? Like, there’s missing words on the right hand side, but I kinda thought there were supposed to be words missing on the left and nothing on the right. The right answers are highlighted and everything already. Uh… oopsie lol xD I guess something like this was bound to happen eventually :p
“Mark: …Davis. Winning… It’s not what you want. You don’t want to have to think about this for the rest of your life, thinking about all the people you lost, and about the people who cared about you who died to save you. It’s not worth it. I’m so sorry it’s come to this, but… please, trust me. Davis: …Okay.”
Man, this cannot be good for Davis’ trauma, huh? Really interesting, how Mark’s, Davis’ and Jeff’s situations all kinda play off of each other in terms of abandoning and being abandoned, huh? Crazy stuff. And good guy Davis asking to be voted for :,)
“Aidan: No, it’s not. None of this is okay! It’s… no. There’s no way. None of us should vote for Davis. Ellis: Aidan, you– Aidan: It doesn’t make any sense. Vanessa: Aidan, I know it sucks, but we really have to– Aidan: No, we don’t! Ugh, why won’t anyone… Monoquin! Monoquin: Yes, Mx. Ho? Aidan: Davis isn’t the blackened. He shouldn’t be.”
Aidan’s going through it, man. First person he ever gave a shit about, and only one aside Ellis. Come on, fight for your doomed yaoi! You can do it! I believe in you!
“Aidan: You’re wrong. Monoquin: …I’m wrong? Jeff: Uh, Monoquin already confirmed he’s the blackened… I’d be happy to hear he wasn’t at this point, but it seems a little late for that. Aidan: Jeff should be the real blackened. Or, if not that, it should be Noah and Harper. There’s no reason why it would be Davis. Vanessa: Noah and Harper…? Monoquin: …Would anyone care to explain? [Progressive Deduction]”
Wait hold on. He’s actually doing it. Why would there be a ProgDed after the Closing Argument if there wasn’t a last minute twist after the last minute twist?! Is he cooking?! Is the Ultimate Contrarian about to go against the doomed yaoi-ism of fangans?!?!
1- What did Davis do to kill Noah and Harper? a) He intended to poison Noah and Harper b) He poured poison into their glasses c) He poured poison into their mouths d) He requested Antonia’s poison
Obviously b).
2- What didn’t Davis do to kill Noah and Harper? a) He didn’t intend to poison Noah and Harper b) He didn’t pour the poison into their mouths c) He didn’t pour the poison into the pitcher d) All of the above
That’s d)…
3- Who should be the killer? a) Jeff, for pouring the poison into the pitcher b) Noah and Harper, for pouring the poison into their mouths c) Davis, for pouring the poison from the pitcher into Noah and Harper’s glasses d) Not C, I’ll tell you that much
Pfft- I have to go with d) just because of how iconic that is xD
[Answer: b - d - d] BDD sounds like it would be an acronym for something. Don’t know what, though. “Blackened Deference Discourse?” Sure. What the hell was I talking about? Oh yeah. We’re so incredibly back!!!
“Ellis: If Jeff had put a bear trap two feet from the Ballroom door, and then I accidentally scooted it one foot closer, and then Noah or Harper stepped on it, would I really be the one at fault? Davis didn’t even know that the hypothetical bear trap was there!”
Uh. Strange analogy, but I guess it works.
“Monoquin: …That… makes sense. Davis: …! Ellis: That also means… that Monoquin lied to us. Would that give us any kind of leg up in stopping the killing game?”
Shits getting spicy! Then again, there’s no explicit rule against Monoquin lying I don’t think, but still. Getting Davis off the chopping block is fantastic either way.
“Monoquin: I did not lie. At that time, Davis was the blackened. Changing the blackened is unprecedented and should not happen.”
Damn. I guess that’s also not against rules? I mean, it could be, depending on what lawyer you get, but y’know. Again, more important things happening.
“Monoquin: I suppose… I will make an offer. If all contestants unanimously agree, it will be so. Davis: And… what is that offer? Monoquin: I will switch the blackened from Mr. Love to Mx. Breeze. As such, you will be able to vote for Mx. Breeze and win the Trial, and he alone will be executed. This will only occur if everyone involved agrees. Is everyone in agreement?”
Wow, crazy development. Masterminding by the seat of our pants, we got no fucking idea what’s going on. And I kinda have to hope that Jeff’s infatuation with Davis makes this a little easier on the “unanimous” department.
“Jeff: If we’re at this point, then… yeah. That’s fine.”
Fuck it we ball!!!!
“Jeff: I am the blackened. Please confirm. Monoquin: Yes, Mx. Breeze, you are the blackened who the spotless must vote for should they wish to win the Trial.”
They’re calling Aidan the clutchest person alive. Actually insane gambit, fantastic play, zero notes.
“Monoquin: And, Mx. Breeze– if you manage to use your talents to escape your execution, I will execute Mr. Love in your place.”
Pfft- That’s funny. They’re the Ultimate Absentee, not Escape Artist. Still, really funny we have to clarify that xD
[Vote: Jeffery Breeze] Crazy. Holy shit we did it. Davis lives!!!
“Davis: …You knew. You knew about everything, and how I felt about it, and you still… Jeff: …Yeah. I guess I did. But, hey, it’s like you said, right? I’ve always been a selfish person. It’s always about what I want, not you. Even if it’s for your sake.”
Crazy stuff here too. Jeff is kind of a fascinating character, huh?
“Ellis: …You can care about more than one person at once, you know. Jeff: Can I? Have I? It’s not like I’ve ever been much of a caring person. Mark: You could’ve tried. You could’ve done something that didn’t kill two other innocent people along with you.”
Big truths here. A big theme around these parts seem to be about trying, and how not trying hard enough leads to shit like this. First Taylor not being genuine friends with everyone as their real selves, and now this. You could say… you only have “one shot”, so you gotta make the best of it? He he… I’m reaching really hard because I still don’t really know what the title is about xp
“Vanessa: When did you even start caring about Davis so much…? Weren’t you guys fighting with each other, like, two weeks ago…? Davis: …Things changed. We weren’t anymore. I guess… his feelings towards me shifted more than I thought they would. I probably should have guessed. Aidan: Don’t even try to blame yourself for this. This is all his fault. Jeff: Guilty as charged.”
Yikes. Davis and his talent, an eternal struggle. Also ha ha “guilty as charged”, ha ha, my brain is rotting .^.
“Jeff: What was the plan, Ellis? Did you have some special plan to get all of us out of here? If you do, I’d love to hear it. I hope you guys do manage it, even if I’m not here to see it. I just don’t believe it. Ellis: I… …I don’t have a plan. Ellis: Maybe Noah or Harper had a plan.”
Ooh, get their ass!
“Jeff: …Davis…? Davis: …I’m sorry.”
Oof. Just oof.
“Jeff: Go ahead. I’m not going to run this time.”
Why are you aura farming your plan failed spectacularly ToT
“When we arrive, there’s no bulletproof glass barrier, no podiums to input answers, and no elaborate platforms or mechanical devices. There are only five chairs surrounding a large square cavity.”
… Don’t love the complete lack of protection lol.
[Execution] Fuck this one’s brutal. Forcing the Ultimate Absentee to sit still of his own volition is horrid enough, and it’s extremely painful on top of that. Also:
“At one point, I have to duck away to ensure I don’t get a sandal to the face.”
Crazy how close they were to that!
“Aidan: …I should apologize. Davis: Apologize? For what…? Aidan: You can probably tell by now, right? You only started hanging around me in the first place ‘cause I was unaffected by your whole talent thing. And, here I am, considering putting everyone else’s lives on the line for you. You couldn’t trust me, either.”
Oof, rough. Still, nice to see that Aidan still manages a cool head at the end of the day.
“Davis: You don’t have to apologize, if you like me in that way. I like you too. Aidan: Oh. Aidan’s face is redder than Davis’. Aidan: Right…”
On the one hand, definitely not the time. On the other, holy shit we managed to Contrarian our way into having the most doomed relationship of all time actually survive to CH6. Insane work, damn.
“Vanessa: Uh… all’s well that… ends well…? Mark: I wouldn’t say it ended all that well, when you look at the numbers…”
These two are so funny there. What the fuck are you supposed to say after… all that?
“I arrive at the fourth floor. It’s just me.”
Damn. Poignant.
“We may have negotiated our way out of Davis’ death, but that only proved that the rules are flexible. That, therefore, makes trapping them in a game-ending error harder.”
Yeah… that’s kind of an issue :/
“I thought we might’ve just gotten closer, but… it didn’t matter. Not every friend you make is one for life. Sometimes, you send them to their death. It’s a two-way street.”
Well, 2 out of 3 maxed FTE-ers made it to CH6, I’d consider that a pretty good ratio!
“We have to find little victories somewhere. Otherwise, the bigger ones will be hung out to dry.”
Ellis’ monologue stop being peak challenge level impossible.
-
Hot damn what a trial! There were twists on twists on twists! Definitely a worthy climax for the regular trials, that’s for damn sure! I really loved both the plan and the way we reached the conclusions of Davis actually being the blackened. And of course, my heart was racing the entire time the cast was arguing with Monoquin about who the blackened should be. I wondered if maybe they’d try to argue a blackened was wrongly executed, but I don’t really think that’s viable. All the other ones were kinda cut and dry; only Taylor because of the poison, but the same reasoning which condemned Jeff would condemn Taylor, so. Anyways, it’s a very fun way to resolve the issue!
I’m very happy with this CH6 cast, too! Vanessa and Ellis are great spots of joy in contrast to the other, more serious people; Mark obviously has had a pretty massive arc, and now has a pretty huge unresolved plotline to go into in CH6 with the question of what the hell they were doing during the Dinner Party, and Aidan and Davis have gone through a lot of development on their own right. It’s always nice to have at least one pair survive, keeps ‘em guessing.
And speaking of guesses and survivors, Predictions Game! As a heads up, I will hold off on a full recount until the end of CH6, when I can safely read the special rules without getting spoiled. But, Jeff is easy to assign points to; let’s see what we got!
Earlier in the post, we established the standings after the victims were: me with 29 points, Jonas with 27, sleuth with 25, and accirax with 23. And it seems the rich get richer, because accirax absolutely nails the prediction! Zero points for her, and she’s running away with the lead!
On the other side, I’m the first to surpass thirty points, as I figured Jeff would be the CH3 killer. That’s two chapter points for me, putting me up to 31.
However, I’m not alone in the thirties, as Jonas’ prediction was slightly worse than mine. A survivor prediction nets Jonas one chapter points and two role points, putting them up to 30!
But it was sewersleuth who was hit the hardest, predicting Jeff as the CH1 killer. That’s four chapter points and two role points, and suddenly sleuth and I are tied with 31!
Overall, me and sleuth are tied for (fittingly considering sleuth’s old url) bronze, with 31 points each; Jonas is just ahead of us with 30; and accirax is absolutely running away with the competition at 23 points. Tune in next time for the thrilling conclusion to the Prediction Game!
For now, though, Bonus Scenes!!!
Bonus Scenes
Jeff & Mark
Cool duo, let’s see where this goes!
“Ugh. Stale air. Silence. Tension in your neck from a stressful situation. The dead time at the end of a Trial day is never fun, but for whatever reason, Taylor’s death seemed to get to people more than usual.”
Damn, directly after the Taylor trial? This is probably the earliest in a chapter a Bonus Scene has started! Actually, CH5 hadn’t started! lol.
“I’d love to shrug it off and say it’s not my problem, like I usually would. Unfortunately for me, somewhere along the way, I’ve started to care.”
Jeff… Aough.
“Everything feels sort of aimless in the sense that nothing has actually changed. We’re still in a killing game. We’re still all stuck here. I’m still stuck here. He’s stuck here, too.”
Wow. That early, huh? I guess it’d need to be pretty early for Jeff to actually go through with it.
“Mark: Just taking some notes on everything that happened. Jeff: Notes? Why? Mark: I don’t want to forget any of the details. Trials are more important than the usual happenings at the Resort, right? Even if I kind of doubt it would happen, were there to be information that could help end the killing game, it would’ve come up today.”
Smart guy Mark! And of course they have a thing to help their memory of things like this, it just makes sense!
“Mark: [About plans to end the killing game] …Nothing concrete. But, I’m going to keep trying, obviously. I need to get all of you out of this killing game. I’ll figure it out…”
‘Get you out of here?’ Mark, Mark listen to me. You gotta make it out too, yeah? Please.
“To be honest, I still can’t really get myself to care all that much about everyone here. Like, if I could choose between having just a few of us get out or letting all of us escape, I’d pick all of us, but I definitely don’t have the same drive as he does. Still, I want to see Davis get out of here. I want to get out of here. It’d be good to try to work with Mark, if he’s got a similar enough goal.”
Well, that’s one didn’t last long at all!
“Jeff: Wouldn’t it just be easier to outsmart them? Mark: What do you mean? Jeff: You don’t need some loophole if you can just trick the Resort into doing your bidding anyways. You just need to figure out where their weak point is.”
Interesting perspectives. Mark, who only has memories of killing games, tries to play within their rules and look for a contradiction in their rules to escape them. Jeff, who is much more used to doing things on their own terms, thinks outside the box and looks for ways to go right over the killing game rules. Fun contrast!
“Jeff: How much time do you spend thinking about this kind of stuff, anyways? Mark: I never stop.”
Yikes. Take a break, dude.
“Jeff: I’m sure I’ll come up with something, though. I’m resourceful like that. Mark looks at me with those sad eyes of his. I’m not really sure what’s running through their head. Do they want my help? Are they jealous of my confidence? Is it something else entirely? I lean back in the seat. Jeff: Things’ll work themselves out in the end. They always do. Mark: …If you say so.”
I wonder if that kind of “everything will work out for me in the end” mentality is reminding Mark of Ellis, or possibly even the Lucky Student in the fourth killing game.
Interesting scene, for sure! Cool to see the thought process that lead to Jeff being Like That in CH5, all the stuff he did to go against the mastermind and how he ended up doing the Davis plan anyways. Neat!
Davis & Vanessa
Cool pairing! I’m always down for more Vanessa, I miss her.
“Doing my best to set my nerves aside, I grab a plate and take a seat next to Vanessa. She’s shrunk in on herself a bit– it’s something she tends to do when she’s feeling down.”
Good on Davis to notice stuff like that! Guess it’s part of what makes him the Ultimate Bachelor.
“Vanessa: Just the usual. Killing game sucks. Motive tomorrow. Everything’s been happening, and I haven’t done, like, anything to try to actually stop it. I never do enough. I’m always just… following other people around.”
Yikes! Just, right out the gate with the trauma, huh? I mean, I’m down.
“Vanessa: Back home, I was always just following my sister around. I mean, I’d invite her to things and ask her to do stuff, but in the bigger picture, she’s always been the one running the show. Davis: And, in the killing game? Vanessa: It’s the same sort of thing. I-I mean, I ended up just going with whatever Kennedy said, back when he was trying to run things, and I still kind of just do whatever while other people handle all the heavy lifting. I want to help. But, I don’t really know how to.”
Yeah, makes sense. Poor Ness :(
“Vanessa: The answer is that I need to come up with something on my own. It’s not like I’m really that close to any of you, so… I should be able to do it on my own.”
Not… the healthiest mindset, let’s hope it doesn’t go too wrong.
“Vanessa: Do you think it’s bad that I always depend on other people? Instead of learning to do things for myself?”
I mean, you don’t need to know how to do everything, you can ask for help on stuff. Having your own skills is valuable too, but you’re an Ultimate, Vanessa, you got something going on.
“…It’s a complicated question. I don’t think it’s a moral failing or anything; some people prefer to be followers, and that’s good for society. Everyone can follow what makes them the most comfortable, and things fall into place. But in this killing game, when Vanessa is sharing with me that she wants to make progress in her outlook? I don’t want to tell her to settle and get complacent. I want to encourage her. But, I’m not sure how to encourage her without making her feel like she’s been doing something wrong the whole time.”
Yeah, it’s hard :/
“Davis: I’ve felt really out of control of my own life for a long time. I’ve already more or less said it publicly at this point, but… I’ve had a long string of failed romantic relationships that always fall apart a few months in. Sometimes, really terrible things happen to the people who I fall in love with. Vanessa: Right… My smile shakes. Davis: …If I know all of that, does that make it my fault when those things happen? Because I can’t stop myself from falling in love with them?”
Poor Davis has that Teruko Tawaki-coded guilt over his luck, it’s sad to see :( But yeah, at least he’s pretty good about staying open to new relationships! I know that’s hard for some people.
“Vanessa: …You’re always doing your best to try to lessen the harm, right? You’re always thinking about other people and how you affect them. She drums her fingers against the table. Vanessa: I mean, this is a bit of a guess, but… is that why you were able to save Aidan? Because you learned first aid in case something happened? Davis: …It… wasn’t actually one of those situations, but that is why I learned.”
Huh, interesting! I guess that explains some things.
“Vanessa: You can’t help the way you feel. But, you’re doing your best to take into account what the people around you want and how to keep them safe. She fiddles with her bow. Vanessa: As long as you’re only dating people who want to date you, especially if they know everything, I don’t think that’s your fault. I exhale. Davis: Thank you. But, isn’t it kind of similar? You’re worried you’re not doing enough to counteract forces out of your control. Sure, it’ll never hurt to take a few more precautions and learn a few more skills to try to oppose the things that are keeping you down. But, I wouldn’t fault you for not having figured that out yet. As long as it feels like we’ve been here, it’s only been a little less than a month.”
They’re both so nice :) Good on them for talking about the things that trouble them!
“Vanessa: But, you’re so good at taking into account how you’re affecting other people. My inaction… hasn’t it hurt people? Davis: Has it? Vanessa: By letting the killing game continue. Davis: None of us have managed to end it. It’s not just you. Vanessa: …I guess so. It’s just… hard not to feel like I’m the only one who isn’t helping…”
It’s… hard not to read this as unwilling mastermind talk, what with so few options left going into CH6. Like, the angle is there: Vanessa feels particularly guilty because, as the mastermind/traitor, she’s uniquely positioned to do something about the killing game, but can’t because she’s being forced to do mm/traitor duties in some way. I’ll choose to believe that’s not the case and Ness is just insecure, though, for my own peace of mind :v
Very nice Bonus Scene! These two had a surprisingly deep conversation for two characters who haven’t really interacted much from my recollection, that’s always lovely to see.
Noah & Harper
Remind me, is this the third Bonus Scene which features these two, specifically? I guess the readers love their chemistry that much, huh? (It’s me, I’m readers :> )
“If there’s anyone I’d want to spend my time with, it’s Harper.”
Tell me about it xD
“The information in the VIP Files definitely rattled me.”
So that’s when we are, cool!
“Harper: …I’ve spent my life trying to help people. People… need to be helped. There are many, many out there who, for whatever reason or circumstance, don’t have the ability to help themselves. Harper looks out the window at the Resort below. Harper: This is my first time being in a position where I… “need” help, rather than being the one who provides that help. There’s nothing I can do to ease the suffering of those in the killing game beyond offering my support. And I’m… not really sure how to feel about everything.”
Hmm… interesting dilemma! We’ve seen signs of Harper’s restlessness since, like, CH2 maybe? So this has been bubbling under the surface for a while now.
“Noah: I might be a little biased, but I think you’ve been doing a ton for everyone else in here. Things would be way worse without you. They always are.”
‘They always are’, huh? I guess Noah’s being a lot more open about his issues back at the frat now, which is nice.
“Harper: Everyone keeps telling me the staff is complicit. But, is it really their fault? How do we know they’re not here under threat of death as well? They could be executed if they disobey. Maybe they were forced into the position in the first place.”
This has always been a possibility, though I hadn’t given it much thought. With what we know about the Tragedy from canon (and what we saw in the Balcony), it’s entirely believable everyone in the staff is enthusiastic about the killing game. And even if they aren’t, it’s not something you start to consider until… well, until the latter chapters, I guess. You know they’re not going to do anything until at least the point where we’re going to go against the mms, so :p
“Harper: …What worth do I have to the helpless, without my parents’ patronage? Am I complicit, if I have no way to stop their tyranny…?”
Come on Harper. If you have no way of stopping them, obviously you aren’t complicit. Or are you also complicit in every bad thing someone does somewhere in the world at any moment, since you can’t stop them? Smh…
“Noah: You’re exceptional, yeah, but you’re not the only one. Like… I’m living off my dad’s money. It’s not exactly the same, but the idea is kind of there. Harper: What do you mean? Noah: My dad’s not rich-rich like your parents, but he’s well off. And, since he’s been a big donor at my college, I basically got in without having to try because I was a legacy.”
Nepo babies unite!!! *fire emoji* *fire emoji* *fite emoji* Kidding, obviously, but yeah that’s a fun parallel. A fun parallel with Mx. “Grandpa’s money” Ellis too, while we’re at it.
“Noah: I’ve kind of been, um, failing my classes on purpose? I was sort of trying to, uh… flunk out…? Because I figured that was the best way to try to get space from my dad without having to fend for myself…? But, it didn’t really work, because the university just won’t kick me out. Seems like they can’t upset my dad, either…”
My guy is actually trapped in university, it’d be funny if it wasn’t so sad. Education chases him.
“Harper: What are you planning to do, then? Noah: I don’t know. I hadn’t really figured it out. If I really got the courage to actually leave my dad behind, I don’t have the money or skills or drive to really go out there on my own. I can’t exactly make a career off being a frat boy. Harper: Well… if you ever need assistance, I’m here to help.”
Well, that’s even sadder, though at least Harper’s nice :) Not that it really matters, considering recent events, but still :,)
“Noah: Well, for one, we’re in a killing game, so everything else is kind of a lower priority. But, what I mean is… we’re both still kids, at the end of the day. We still hopefully have our whole lives ahead of us. And, more than that… I don’t think there’s anything to feel bad about for being a kid who’s still dependent on your parents, no matter who they are.”
‘We still hopefully have our whole lives ahead of us’ Yeah about that one. Anyways, it’s an interesting common theme around these characters that they’re still figuring out what the hell they want to do in the future, like Aidan and now Noah. Parallels and shit.
Very nice Bonus Scene! At least it’s a wonderful send off for these two,given their tragic end in the killing game. Fly high, Nepotism Duo!
… The duo name could use some workshopping xD
Aidan & Mark
The full FTE guys! Well, minus Jeff. Wonder what kinda stuff they’ll talk about!
“Mark’s temporary disappearance. Noah and Harper, hung from the fallen chandelier. Davis’ brush with death. Jeff, accepting his execution. Is the killing game really going to continue on like this forever?”
Wow, two Bonus Scenes taking place directly after a trial? We’re getting spicy today!
“Besides, I… think I trust the people left, more or less. I definitely trust Davis and Ellis. Whatever. I don’t like indecision. I walk over to the Desk.”
Aww, he trusts people :) Also 'I don’t like indecision’ is a very articulate way of saying ‘fuck it we ball’.
“Mark: Can’t sleep. Too much to do. Or, too much I could’ve done.”
Ouch. Hope he doesn’t feel too bad about not being able to save the last three deaths by being a little faster with whatever he’s got going on.
“Aidan: No. We’re talking now. You need to tell me what you were doing. Mark: I can’t tell you that.”
Mark is really adamant about this staying secret. I’m kinda excited to start reading CH6 to figure out what’s going on with them.
“Aidan: I’m not worried about that part. But even if you are trying to end the killing game, that’s not the only factor at play. Mark: Such as? Aidan: Ellis was really worried about you. All day.”
Wow, interesting angle from Aidan. I guess he cares enough about Ellis that he’d notice stuff like that.
“Aidan: When I stabbed myself back around the Third Trial, I was just doing whatever made sense to me on behalf of everyone else. But, I don’t think anyone else really wanted that. I was missing their opinion, that… they kinda wanted me to live. I fix them with a deadpan stare. Aidan: Other people’s opinions are important. It helps you realize what’s actually the best plan. That applies to you too.”
Character development!!! *fire emoji* *fire emoji* *fire emoji*
“Aidan: …Do you not trust me? Mark: …I do. But, at the same time, I can’t trust anyone. Not even Ellis.”
Damn. That’s… kinda crazy to hear.
“Mark: I trust Ellis emotionally. I know that he would never want to hurt me or anything. But, I don’t trust her decision making when it comes to ending the killing game. I can’t risk it. Not after last time…”
Damn, he really said ‘none of you fuckasses are qualified for this’. I’m really curious what exactly they’ve got going on that is so specific to them.
“Aidan: Well… don’t do anything stupid. Remember to think about what everyone else wants, even if you won’t listen to us. Mark: Right. Aidan: And… good luck. They nod. Mark: I’ll do my best.”
Ominous way to end the Bonus Scenes, I like it! This one wasn’t so big on the character aspect, but these two have definitely been explored enough by now, so it makes sense to talk more about the situation and highlight some of the development that they’ve already had. Fun stuff!
-
And that’s all! Geez, I wonder if this might be my longest post ever, just on how much stuff I quoted. That’s kind of impressive, considering. Still, it was a hell of a ride! Extremely interesting reveals on the killing game lore department, very engaging case, lots of twists and turns, just absolute peak! I can’t wait to get to CH6, I’m super intrigued at where the story is going. What is Mark cooking? {As of posting this, I’ve finished reading chapter 6. Expect that reaction post sometime this century, as I try to process all that lmao}.
Anyways, see you later, on the final reaction post to DROS! What a ride this has been!!!
Happy April Fool's Day from the cast of Danganronpa: One Shot!
...I think...?
DR: One Shot Character Playlist Explanations
Hello everyone! It’s Venus here with the answers to the DR:OS full character playlist! Basically, each One Shot character has both an English and Vocaloid song that I picked out for them that fits their backstory, story, personality and/or vibes. I sent them out into the world in a randomized order so that people could guess if they wanted to. And now, I will go through the answers and explanations for all the songs on why I chose them!
If you missed the other posts or are just running behind, you can definitely still take a swing at the playlist before reading the answers. But, if you’re ready to know, just look below the cut!
Please be advised that this post will contain extreme spoilers for all of One Shot. You’ll also want to expect content commonly seen in One Shot Trigger Warnings, such as death, murder and suicide, as well as betrayal, conservative values, alcoholism and other mental health struggles. With that being said, let’s begin the explanations!
Cass Torres —
“I Know” by Cut Capers / “ID Smile” by toa
Cass’ songs heavily relate to her true identity of being the Ultimate (Secret) Agent– someone who, even before the killing game, was investigating the Resort and trying to put a stop to its villainous activities.
As quick context for Cass, I’ll also reveal some backstory information that wasn’t contained within the free time document we recently posted.
Cass grew up loving detective and spy novels, and it became her dream to become someone who possessed a multitude of skills and put a dramatic stop to crime like her childhood fictional heroes. While a lot of the effects of this on their life were positive, leading to them studying and learning extra skills to further their pursuits, they also decided to take a step back from their family and friendships; after all, having loved ones they were attached to would give them an exploitable weakness. What began as a child playing pretend turned into a serious life decision before she knew it, and she always felt separated from her peers.
“I Know” focuses primarily on the investigations into the Resort. It opens with Cass finally being able to act on the skills they’ve been learning since childhood:
Time seems to be evolvin' here on out My dreary days have turned to playgrounds In oh so many ways
Investigating the Resort was Cass’ first real objective, and she was thrilled to finally be on the scene, acting as the person she always dreamed of being. Her talent fulfilled, she set to investigating, learning important truths about the Casino.
And I know, you know and he knows and she knows That it doesn't just fall in your plate and To get what you want, see it through it's your show Go against the grain don't emulate
Cass learns about the internal workings of the Casino– the way it’s structured, how the economy there works, how Antonia is at the center of everything. They try to put a stop to it, but are halted by being put into the killing game.
I could probably pick a few choice lyrics out from the rap, but for the most part, they’re nonsense when it comes to Cass. It’s hard to find songs for some of these people that are 100% accurate, so having the right gist is usually what I shoot for. Don’t worry though, plenty of the songs coming up later on this explanation will actually make sense the whole way through.
As for “ID Smile,” it focuses more on Cass’ vision of herself as an Agent first and a regular person second.
That’s right, as always This is an identity I’ll never yield
Their identity as an Agent characterizes everything they do, both in their past and in their present. Even in the killing game, they’ll risk their life to try to solve the mysteries around them, going against their own safety advice.
I can’t proceed, but even faced with this dead end, If I want to connect with you, then I can’t part with my secret
Cass knows the killing game isn’t an environment to trust others in, so even when surrounded by people of her age she’d love to get to know and make friends with, she can’t give up her identity so easily.
Obstructed by faint expectations, I plug my ears and make a vague face of feigned indifference
If we could've stayed connected, just like this… Would it have hurt, or would I have wanted to stay?
But no matter how much she wants to reach out to the others, she’ll stay within her role and solve the mysteries. It’s the life they chose for themself, and it’s the life they committed to. Still, they don’t know how things might have turned out if they had let others in and connected with them a bit more truthfully.
Robert Smith —
“Nothing to Say” by Dom Fera / “Infinitely Gray” by Surii
Honorable mention: Knock Knock (Vinyl Theatre)
Robert’s songs are, predictably, about how he experiences the killing game while just being a normal guy.
“Nothing to Say” takes a more lighthearted tone with it, explaining his mannerisms while contrasting their normalcy with his heightened stress under pressure.
I think I need to have a drink, I mean I had a pitch-black coffee full of dopamine I had a couple bad times but I think I'll be fine I'm always tracking what happens when I lose my mind
Robert tries to keep an upbeat demeanor within the killing game, mirroring the people around him who are much more talented and capable than he is. Still, internally, he’s always thinking about the ways he’s in danger and the ways he doesn’t measure up to the others.
And I watch a lotta clips full of good advice They're never for me but they sound real nice You gotta start spending what you wanna be paid And I guess that's just all to say
The others in the killing game (like Grace, for instance) tell him to try acting a certain way or try out certain advice, but whenever he tries them, he always feels like he’s just going through the motions.
If I had got what I'd been looking for You'd see me right now looking more and more And what I do got now got me on my way So I'll talk but I got nothin' to say
He tries his best, but doesn’t feel like he produces many results. In the investigations, Trials, and even daily life, he values everyone else’s contributions more highly than his own. Thus, while he’ll maintain pleasant conversation and do his best to pitch in, he feels as though his words contribute nothing– thus, he has nothing to say.
“Infinitely Gray” has a lot of the same types of points raised, but in a much angstier and more dramatic tone.
I don’t have the talent so I suppose I’ll just remain here crying all my life I was envious of the shade of blue in the scene before my eyes
Rainy Rainy I wished to be strong My voice scattered unfeelingly, playing a melody of loneliness All my fingers would convey was the colour of lifelessness “Won’t you recognise me?”
The lyrics spell it out very plainly: Robert feels he lacks the talent that those around him have, and he wishes he could match them and contribute.
On the path of retreat that’s closed off, Put aside that talent you were so envious of for a moment Just having done something is considered a win, yeah? This is no time to be holding your breath!
The song ends on a nicer note, saying that doing anything in the face of adversity is worthwhile. Robert embodied this by continuing moving forwards in the killing game; he did what he could for as long as he could.
Grace Thomas —
“Counter Clock” by JAWS / “Lower” by nulut
Grace’s songs tend to relate to Justin and their feelings of loss in regards to the Chapter 2 motive, leading into their decision to kill.
“Counter Clock” paints a picture of consideration followed by sudden, decisive action.
Words, I’m thinking all about these words Fantasizing how you say it in your words Get your head going and squeeze in some work
Grace takes in all of the information they’re presented at the beginning of the killing game and sets to work on escaping, seeing as they’d much rather return to their previous life.
Have you thought about removing these walls? Tick tock, tick tock goes the counter clock
The desire to leave is something Grace has throughout the story; even in the early stages, Grace considers attempting to escape by the killing game’s rules. Though they don’t act on the idea, the thought echoes in the back of their head– the ever-ticking clock that urges them to leave.
Boom, boom, there goes the boomerang Spin around in the air while your phone rang Is it tear I’m smelling Or is it the fеar that keeps dwelling Don’t let it tick, let it tick you off Thе boomerang will come around, and you are falling
Eventually, the killing game catches up to them, striking them in their weak spot: the person they love. Still, even as Justin dies, Grace knows that they need to be slower, methodical enough to win the Trial. They bide their time in irritation, waiting for an opportunity.
Impossible is never the case we are working on It’s the dreamer and reality face off So let it tick, let it tick you off Punch a hole in the wall, and you are out of here right Right now oh
Not too long after, Grace takes their shot, letting the ticking of the clock dictate their decision to get out sooner rather than later. Unfortunately for Grace, the Trial doesn’t end in the way they want it to.
“Lower” focuses more on the feelings of loss than Counter Clock does.
As the curtain’s raising up We’ll leave this quiet meeting place and bid farewell.
Lower is, in Grace’s terms, a song entirely about Justin. The killing game begins with their separation.
I can’t even bear to the accept the things I want to come to terms with I’m holding onto something that’s too much for me to handle. My hazy voice burns my parched throat to a crisp I didn’t know what I was supposed to say
Justin dies, and Grace is overwhelmed with grief. While they do their best, they can’t grapple with the feelings of loss within the killing game’s environment.
If we are to be separated, if we are to lose our way, I’ll make sure we’ll be connected this time, no matter how many times it takes
Crying with you, laughing with you, getting angry with you Singing with you, dancing with you, talking with you
What-ifs and memories cloud Grace’s ability to think, taking over their usually logical demeanor.
Whispering the same thing, always the same: “How much longer will this last?” So I may never forget the air you carved out I wonder how many times I’ll be made to remember it again
The grief is what made Grace kill. The inability to escape from Justin’s memory or to heal from the loss led to them killing Robert, then failing to escape themself.
Grace was always aware of time passing them by, and the confines of the killing game both kept them from their desires and forced them to idle in grief instead of moving forwards. These songs encapsulate those feelings which made them kill.
Vivi Mitchell —
“The Chattering Lack of Common Sense” by Ghost and Pals / “I Nandesu” by Rerulili
Honorable mention: Doctor = Funk Beat (nyanyanya)
Both of Vivi’s songs focus on her status of being different from her peers. While “The Chattering Lack of Common Sense” examines that sentiment in terms of her social connections, “I Nandesu” emphasizes her worldview through concrete beliefs and actions.
The Chattering Lack of Common Sense, when interpreted without any of Ghost’s own stories and symbolism, reads to me as a song about the contrast between the singers’ inherent strangeness and the opinions of society.
Basically, I bet you'll see At first I'm not quite what I seem Every day is just the same Picking names, repeating faces I could never understand How first impressions go unplanned
Vivi doesn’t enjoy the whims of “normal society”; she’d much rather be herself and interpret the world in the way that makes the most sense to her. As they meet the other students, they’re forced into the role of someone playing along with a social script.
Nonetheless, we're all the same There's many things from where we came Show a smile, we're rather bored Nothing lines up anymore
Still, Vivi has high hopes when meeting the other Ultimates. If everyone here is talented, everyone is different from the norm. Vivi was hoping that, amongst the talented, she’d find more people who understand her views, prioritizing results and helping others over consensus opinion of what’s okay.
"Just accept the things you know" Well, maybe so... Wait.
As things progress, though, they’re disappointed with how willing many of the other contestants are to just roll with the punches of the killing game. To boot, many of them don’t take her or her talents seriously.
I'm allowing change, so Take a good look This is me This is what I've come to be
While Vivi recognizes they’re different from others, they’re confident in their way being correct– they’re the one who helps others, who brings change into the world. Vivi has never been one to take others’ judgments of her as fact; she’ll have faith in her, even if no one else does.
I Nandesu shows off Vivi’s perspective throughout the killing game, as well as indicating her specific views and how they shape her experience.
All life is ridiculously pretty Not being able to be what we are It's an unprecedented battle in human history That’s what “I” am
Vivi believes in the value of all lives and in the value of all individuals. Still, she knows that, with the way the world is, lots of people aren’t able to show off exactly who they are comfortably. They want to fight against that notion, to be unapologetically themself– that’s the battle that they fight every day.
Joy, confusion and thirst You can't run away from the choices you've made Turn it around, make an epic recovery Come on, raise your voice in the night
At the same time, Vivi knows that irreversible things can happen if you’re not vigilant. Still, she believes in her abilities, and knows she can turn anything around if she puts her mind to it. Their determination is their greatest strength.
All life is ridiculously pretty Being upside down and godlike Height of hubris Well, it can’t be helped
While Vivi’s immense confidence can also be a weakness, it’s a decision she makes in the fight to be who she wants to be. If no one else will have faith in them, Vivi will have faith in themself. Even if the world wants her to be someone else, Vivi believes in her own talents and merit outside of it.
Kennedy Rey —
“Monster Town” by Go! Child / “Literary Nonsense” by Eve
Honorable mentions: Witch Hunt (Andrew Stein)
Kennedy is very assured in his thoughts, believing that the best way through a situation is to outthink the competition and embrace every possibility so as not to overlook the solution. Still, at the bottom of the madness is the underlying fear of what would happen any time she can’t figure out the answer.
“Monster Town” looks into Kennedy’s persona as someone who can defeat the extraordinary in contrast with their feelings of mortality.
I tear through this town! I swear that something is chasing me down Maybe a specter who can't make a sound Maybe a werewolf preparing to howl
Even as Kennedy enters the killing game, defiant and confident, he’s always aware of the dangers around him. He can more or less dissolve the threat in his mind by dispelling it with theories, but the potential truths of the situation never leave the back of his mind.
So farewell to a friend Hello to the end! I won't be a pretend Ghost hunter
As people begin dying within the killing game, Kennedy has to step up. She won’t be a pretend ghost hunter– she’ll be the singular force propelling them towards their successful ending. Kennedy resolves to find the mastermind and find a way out of the killing game.
The clock isn't set to last My time is fading fast I can't keep running into spirits of the past
Still, Kennedy’s paranoia and inability to get concrete answers out of the killing game is a time bomb, and it keeps ticking in the back of Kennedy’s head with every passing death.
One single sight! Was everything you would need to decide To make a villain of your own design And that's the last that I heard from my Frankenstein
Kennedy eventually snaps, becoming a killer in the face of Paris’ fake mystery motive. It’s a fast decision; they pivot from trying to solve mysteries to killing their closest friend (their “Frankenstein,” Vivi) overnight, but it’s the result of the paranoia that’s been brewing finally bubbling over.
I'm about to break out and leave this lodge So I can get myself out of a dodge
While Kennedy wants to solve the mysteries and know the answers to the killing game, much like in a haunted house, his priority has to be on escape, not understanding the supernatural. Kennedy giving up on the Resort’s mysteries is a sign of their resolve crumbling; for Kennedy to accept not knowing is to accept defeat.
“Literary Nonsense” better shows off the way in which Kennedy can get caught up in the fantasy of their theories, believing in them even when they contradict possibility.
Unable to become sentimental, become cowardly again Tenderly cradling a sharpened blade of words, laugh
The majority of this song “takes place” in Chapter 3, when Kennedy has the most social power. They utilize their theories in order to pin the blame on Aidan for being the mastermind– a move that both gives themself a particular avenue to focus on and shifts the group’s worries away from the unknown and onto a concrete target.
I’m sick of you and your contrariness
Guess who :)
We become idiots, dance in midair And forget about the present, rat-tat-tat (rat-tat-tat) Let’s dance ’til it’s light, let’s heat up the night So we can give tears the heave-ho and not sleep So that it doesn’t end up becoming a lie
Kennedy embraces her own “nonsense” as the truth to rid herself of worries about the present. Just like her childhood friend she forgot the fate of to protect herself from that truth, she pinpoints specific theories that give her control over the present. Then, he has to prove it thoroughly– if he can prove the acceptable theory as truth, then the truth of the world is the one he can handle.
“Since you and YOU are begging me like this You must each have your own thoughts They’re all wrong; there’s no right answer” I’ve been made a fool of, huh?
Kennedy feeds off the group, accepting their ideas into the group of possible truths, wanting their validation that the way she sees the world is correct. Over time in the killing game, though, Kennedy realizes that his truth and the real truth are concretely different, and that they lost their control over the situation.
I won’t be sentimental; I’m not afraid anymore With a sharpened blade of words, nothing is useless Before the spell is broken and we wither away Let’s be reborn
Kennedy takes action to escape while some of the others still believe in the beautiful lies they wanted to live in. It’s his only remaining course of action, so it’s what he must do.
Kennedy’s theories act as a lens into their psyche, allowing them to paint the world the way they want to see it. Still, they meet their end when encountering the ways in which the world won’t bend to their perception.
Paris Hall —
“In Love With a Camera” by The Struts / “Pheles” by Hachiya Nanashi
Honorable mention: Great Big Party (eyeamki)
Paris, outwardly characterized by her slay aura and girlboss energy, has two songs that closer outline her internal view of things.
“In Love With a Camera” is a fairly simple song about Paris’ relationship with social media and others. (I don’t really know who the guy singing would be in this situation; Paris is the “she” in the song.)
She don't need no one, she runs the world She got that lightning, come strike me, girl Call out to her, she don't hear a word (oh)
Paris loves to flaunt her status and show off, acting like her life is perfect. She’s effortlessly perfect, someone for her fans to admire and be envious of.
She love lookin' at herself And she don't need no one else Yeah, she's in love, she's in love with a camera
She doesn’t need support from anyone else; she doesn’t care about anyone else, as the Loved One’s Roulette described.
See how she plays up to the lens She pretends it's her only friend No, it don't tell her any lies Satisfies, but I can't catch her eye
However, the truth of the situation is that Paris really does want friends– she just can’t get herself to trust the people around her. Before Taylor, everyone was someone to stay ahead of. She had to ensure they didn’t reach her level. While it might have been lonely, she could fill that feeling with the adoration of her fans who would love her no matter what her life was really like.
“Pheles” shows off Paris’ more cutthroat side, reveling in her mastery of secrets and rumors in order to progress the killing game forwards.
We haven't been able to see the sunlight for a long while now In the underground, the downtown of the garbage dump As for discussion, let's talk loudly about it after the violence is over The iron scraps have gone rusty, there’s value in rumors
As the killing game is a tense situation, people are more likely to jump to conclusions and believe in the lies she spins. Paris recognizes the killing game as an environment where she holds a lot of power and sets to work.
(Also, as a side note, in a lot of songs, the idea of night is used to represent the killing game. It wasn’t really intentional, but in general, if any lines about nighttime show up, assume they’re talking about the killing game.)
Hide even your desires behind a mask Don’t you ever expose your real intentions
Paris plays her cards close to her chest. She doesn’t like giving out information about herself, nor does she tell others her strategy.
When you get fed up with even people's deaths, Just like a gum that's lost its flavor, You would spit out and throw them away, wouldn’t you?
Everyone is surprised at Paris’ apathy, but to her, it feels natural. The people around her don’t have much meaning to her, considering that, like most people she encounters, she doesn’t have much personal attachment to them, and they don’t have much personal attachment to her. It’s only Taylor that she actually begins to care about.
Because you laughed at me with that unappealing, twisted face of yours If I've balanced this body of mine on the scales, Then, well, I'll inherit that heart of yours
Even as Taylor mocks her, Paris can’t bring herself to hate them or disregard them like she does everyone else in her life. She’s caught between her usual demeanor and the fact that she actually cares about someone for the first time.
Let us cling and take hold of it Let’s steal away that extremely absurd future Even if I can't see the end of it, I don't mind.
By the end, Paris wants to win the killing game with Taylor or dismantle the whole thing. She wants to cling onto the affection she feels for them. Even without a plan to move forward, she’ll take a chance on the feeling.
Both songs tie into Paris’ desire for connection, although they reflect on her differently as a result of being before and during the killing game. Once she meets Taylor, she wants to try to be close to someone. Unfortunately for her, her bestie didn’t agree.
Taylor Long —
“Fake Ass Friends” by Set it Off / “Bitter Choco Decoration” by Syudou
Honorable mentions: Morph (Twenty One Pilots), Stupid Intruders (The Vincent Black Show), Drama Queen (Weathers), Paparazzi Murder Party (Vane Lily)
Taylor’s songs feature their resentment for their peers and people-pleasing persona that hides it.
“Fake Ass Friends” describes Taylor’s impressions very clearly.
You're turnin' into who you wanna be tonight You cherry-pick opinions you don't even like Chameleon, you're switchin' up to save your life
Taylor picks up phrases and mannerisms from others to turn into the ideal person of those around them. In Chapter 4 specifically, it’s with their life on the line, although their usual behavior still plays a heavy impact on how they feel their life runs.
You'd put a foot on my throat For a foot in the door, I found out That you'd kick me down to the rocks Just to climb to the top so now
This section specifically relates to Paris and how she’s willing to backstab and sacrifice anyone else in the killing game. Taylor, understanding it’s in Paris’ nature, assumes that the same outlook applies to them and their relationship.
Show them what they want Social camouflage Mirror everyone in sight Such a charming way to lie
Again, Taylor crafts a fake persona based on what the people around them want, specifically by mirroring others and doing impressions.
So here's a toast, to the greatest actor that I know Put on a show and never let the curtain close You sold your soul, to who you thought you needed most
While Taylor considers Paris to be an actor with her fake behavior, this line also applies to them well. They put on a masterful act to fool those around them, but “sell their soul”-- or rather, act outside of their nature– in order to gain the favor of those around them.
So good luck with your fake ass friends
Both Paris and Taylor end up dying as a result of Taylor’s resentment over Paris’ “fakeness” and Taylor’s genuine deceit.
Bitter Choco further represents Taylor keeping careful control over their persona.
I try not to hurt anyone, Not to pick on anyone, not to kill anyone On the other hand, I try not to let my hypocrisy be seen, Not to get on my high horse
I try not to forget to add in a few light-hearted jokes and a touch of lip service I try to smile and show off my charisma whenever I can
Despite Taylor having some harsh inclinations towards the people around them, they always make sure to put on a smile and tell a joke so that the others around them will be more comfortable.
Bitter Chocolate Decoration Eat it all without saying a thing
They endure everyone else despite not enjoying their company much, and they stomach their own false behavior as part of their nice persona.
I try not to pointlessly expose myself, Not to talk about myself, not to understand myself
Taylor’s charade becomes so ingrained in them, however, that they start to fail to recognize what exactly sets them apart from the way they behave. Who they really are and what they want to do is something they lose sight of.
A life sentence of group participation, Sucking up to others yet again, saying things like "Hey, your bangs look totally super fresh and awesome right now!" And so on, despite never meaning a word of it, Every morning, every night- I've reached my breaking point
Taylor grows tired of appealing to those around them. Their breaking point is the point at which they decide to kill Paris, to no longer suck up to her and take back their life as their own.
And thus concludes the tale of two ill-fated besties. If anyone’s curious, Buried Alive by Rory Webley and Cute Girlfriend by Syudou are two Paris/Taylor coded songs that I didn’t quite think made sense for either of them individually!
Noah Walker —
“Poison” by Jet Black Alley Cat / “Goodbye Heaven, Come Back to Hell” by John
Honorable mentions: Bored (Rasti), Brad Pitt (COIN), Forever Stuck in Our Youth (Set It Off)
Noah’s songs focus on his difficulty with accepting his own struggles and weakness.
“Poison” uses a casual tone and simple sentiments to build a pretty good image of what Noah’s thoughts look like.
And oh, good Lord Think I'm buried in too deep And all my luck Has been making faces at me
Noah has a pretty bad time in the killing game altogether, and it’s in no small part due to lack of luck. The Loved Ones Roulette and Cellar motive, notably, both hit him despite only hitting a minority of the cast.
Let's bounce all night We're turning off my memory Oh, this club is our house Will my momma ever forgive me?
While Noah struggles pretty much immediately in the killing game, he prefers not to think about his problems, instead keeping up a lighthearted party atmosphere. Still, his doubts linger in the back of his mind. Both in his backstory and in the killing game, he certainly has doubts about his mother’s opinion of him.
Man, I clearly lost my track And all day long I've been trying to straighten my act
The farther he gets into the killing game, though, the more he starts to realize the problems with his philosophy. He starts trying to straighten himself out and tackle the issues that have been brewing in his life for a long time.
And I guess the snake got free 'Cause we got the poison on our tongues
While the titular line of the song is, in context of the song, meant to be about alcohol in the context of alcoholism (which works for Noah), it can also be about literal poison! Get you a song lyric that can do both.
“Goodbye Heaven, Come Back to Hell” is a closer look at how Noah feels at the end of his story in Chapter 5.
I laughed, feeling on top of the world I guess I was pretty satisfied But before I knew it This city had changed so much
Noah initially keeps up the lighthearted vibe, but the seriousness of the killing game hits him near immediately.
Kick after kick, I’m still thrown back by the same wall Once more, I find myself in this pitiful state After drowning in your rotten dream-drunk haze If you’ve got some cheap petty payback in mind, then be my guest
The killing game continues to beat him down, and his normal state of being is challenged day after day. With every loss, he tries to smile through it to ignore his own weakness, but he can’t convince himself.
I’ll grow stronger through the tears I shed I want to protect even this clumsy, awkward weakness of mine
Throughout the story, when Noah struggles, he doesn’t want to accept that it reflects on him being flawed. But by the end of the story, though, he begins to accept his emotions, wanting to use them to grow and survive through the end of the killing game.
To the countless fools out there who shine so brilliantly I’ll sing this with love So that I too can belong In a future where that place shines so brightly
He wants to become someone who can confidently stand alongside the others and face the future without so much fear.
Both of these tell Noah’s story pretty accurately. His hope for the future, insistence on refusing any negative emotion, and eventual recognition of his struggles are what tie these songs together.
Harper Young —
“Pushing Daisies (Oh My My)” by Friday Pilots Club / “SToRY” by DECO*27 and Kemu
Harper’s songs tend to fixate on ver feelings of not being enough when trying to support others.
For you, I'd give the whole damn lot But tell me, what good is all I got?
Harper is used to helping others by giving to them, providing what they cannot provide for themselves. Within the killing game, Harper has lost access to ver most common solutions. In that situation, ve isn’t sure ve’s enough. Still, ve tries ver best to support others, making it ver sole goal.
Yeah, he was shakin' a bit I kinda think that I was makin' him sick
Although Harper tries to support many people over the story, ver main focus is on Noah, both out of affection and out of recognition of his need for support. Noah, though, trying to not acknowledge anything is wrong, pushes Harper away. Harper then worries that Noah’s struggles might be exacerbated by ver presence, or, at minimum, that ve isn’t enough to counteract his strife.
'Cause I'll follow 'til I'm pushin' daisies You're on my mind Oh my, my
Harper’s endless dedication could be considered following ‘til ve’s pushing daisies. This can also be read literally, given that Harper and Noah die as a pair. Either way, Harper remains unwavering in ver goal throughout the story.
Speaking of the story, “SToRY” conveys a feeling of mutual care, where the singer offers reassurance to another by admitting their own struggles. This fits Noah and Harper’s dynamic well, given both of their hesitance with acknowledging that they, too, need support.
You’re carrying so many burdens, encouraging us on with a smile, supporting us, But I’m the one who hasn’t been able to give anything back to you, and for that, I’m sorry.
Harper feels ve can’t give enough to reciprocate others’ friendship or kindness towards ver. Despite being a kind and giving person verself, ve sees others’ actions as more genuine and worthwhile than ver own.
If the sight of someone dazzling is too bright for the current you, Then it’s okay for you to look down and be dejected. By the way, is it okay for me to cry as well? It seems like you won’t be able to get all those pent-up emotions out by yourself.
By the end of the story, Harper understands that just by simply offering ver time and support, ve can give those around ver enough. Ve isn’t limited to material offerings from afar; ve can sit with them and wait out the negative emotions together.
Patches of motivation sewn on with needle and thread
There are things I want to give, things I want to deliver
I’ll keep going until you cheer up, and I’ll be saved by that too.
Aside from the overall message, there are small moments in the song that fit Harper well too. The quilt ve sewed as the emblem of ver determination to help, ver longing to give others happiness, and ver eventual happiness with what ve can offer in the form of friendship embody the songs’ lyrics.
Jeff Breeze —
“Addiction Governance” by Six Kid / “Beat Eater” by Police Piccadilly
Honorable mentions: Insurgents by the Poolside (Denny), Stuck in Love (William Beckett), Daft Pretty Boys (Bad Suns), run run (sockittome), Crashing Into You (Eggtan)
Jeff’s songs make frequent references to the way his story ended – compelled to action by someone else/an otherworldly force. However, they also more specifically show off Jeff’s initial detachment and contrast it with taking action.
“Addiction Governance” is typically a song that discusses the singer’s addiction, likely to gambling or a substance, but for Jeff, the lyrics are reinterpreted to be about the dangers of the killing game and the lures of Davis’ talent.
Thought I could roll the dice Thought I could pay the price Saying it won't take me
Jeff, at the beginning of the killing game, believes in his instincts and abilities to evade bad situations. They don’t expect the killing game to be the end of them; they’ll make it out smoothly.
I know I walked in sin Addiction governing I feel them breaking in Temptation always wins
The lines about addiction and not resisting temptation have to do with Jeff’s overall worldview and behavior. He does whatever he feels like and doesn’t often use restraint. Whatever they want, they’ll take.
Think you were here all along Cause that taste been a chase Even when nothing is wrong
However, what Jeff wants eventually gets tied up in Davis’ talents, causing him to prioritize Davis over everything else. The want that selfishly drives his behavior shifts from himself to Davis, changing the way he interacts with the killing game, even when everything is otherwise peaceful.
I hear you calling out my name Don't worry I've always been this way I thought I'd take back everything And say I was out But here you are now
The end of the chorus depicts the scene of the Fifth Trial– Davis is distressed at Jeff’s actions, but Jeff insists it isn’t Davis’ fault. They’ve always been motivated by whatever they want. While he initially thought he’d escape the game, detached from everyone else, he finally found something he can’t run away from.
“Beat Eater” begins with more of Jeff’s usual groove.
I just realised that I’m now rollin’ Don’t wanna stop, there’s no need
Jeff is cruising through life, and even if the killing game is keeping him in, it doesn’t pose any real threat to him.
I get it, just because I was fascinated I have no intention to fall into such a crude trap I’m scared that this mundanity won't stop And if you think it frustrates me too then you’re correct
“Beat Eater” depicts Jeff at the beginning-middle part of the killing game where he and Davis are on worse terms. While they’re still attracted to and fascinated by him, they’re more at a distance, hoping that everything will pass. The feelings of attachment are an inconvenience– he should just be allowed to do what he wants without consequence.
Tell me, tell me To what extent are you going to save me? Speed those echoing voices up
However, as time passes, he starts to fall for Davis more and more, viewing Davis as an opportunity to turn his selfishness around. Is it possible Davis is the one Jeff has been looking for, as someone who he could really, truly care about?
Where did this all begin? Furthermore, such a merciless power too A fulfilled ambition takes over my body
Davis’ power takes them over and causes them to act.
The light’s overlapping, I’ll get comfortable with the pain I don’t want you to disappear somewhere
Jeff’s central motivation for his murder plan is the fear that Davis will die or otherwise be stuck in the killing game forever. They only want the best for him, and if that means breaking him out of the killing game no matter what, that’s what they’ll do.
Darlin' darlin' It's a style that I toughly chew over I’ll raise the curtain as I please “What is going on?” you say? It’s nothing surprising I fix my appearance, make that my answer and begin to make an impact
As with Addiction Governance, Beat Eater shows off Jeff’s attitude towards the entire situation– it’s his decision to prioritize Davis over himself and the others.
Both songs focus on that central truth Jeff believes about themself: they will always selfishly choose whatever it is that they want, without regard to the others. In this case, it’s out of care for Davis, manifested in the Chapter 5 Trial.
Antonia Cisneros —
“Vegas Lights” by Panic! at the Disco / “Heaven Dope” by NILFRUITS
Honorable mentions: Queen of Spades (Darwin Deez), KING (Kanaria)
Antonia’s songs both go into more of what was going on in her head throughout the killing game(s), both on and off screen.
“Vegas Lights” is a song that makes sense on a surface level for a first killer, but a lot of the lyrics develop additional meaning when you know Antonia’s role as the mastermind.
Oh, if you only knew What we've been up to I guarantee you'd keep it secret
From the very beginning, Antonia possesses more secrets and authority than anyone else in the game. Her and Cass fighting is no surprise; it’s the mastermind and the target she most wanted to eliminate through the game’s violence.
So give it to me now We're lost in a dream now Do it (five, four, three, two) one more time
Antonia’s role is to keep the killing games going and maintain the attention of her audience. She enthralls everyone into experiencing the killing game as entertainment, over and over again.
In the Vegas lights Where villains spend the weekend, the deep end We're swimming with the sharks until we drown
Antonia is always putting herself into high-risk situations; even though she generally can handle herself, any killing game could result in disaster for her. Still, her profession of choice has always been high risk, and she prides herself on her ability to stand in the ring with the other VIPs and their influence.
And we're all not here for nothing And we're bored with looking good We gotta be starting something Would you change it if you could?
However, Vanessa starts to falter, and asks Antonia to consider stopping the killing games. After the Sixth Killing Game concludes, Ellis questions her in the same way. What is she accomplishing by letting this continue? Doesn’t she want to stop it? It’s these questions that prompt Antonia to finally act.
The Vegas lights The lies and affectations, sensation We're winning 'til the curtain's coming down
Antonia can use her knowledge of how to work the crowd, the ins and outs of the killing game rules, the laws of the society she helps run, to get the ending she wants. With the other survivors, she puts a definitive end to the killing game; she’ll be on the winning side no matter what.
“Heaven Dope” gives more insight into how Antonia views the Resort and the people inside it.
There are no saints here, Only those who hold the power of life and death And patrons who hard-sell paintings of the "good guys" for cheap.
The Resort’s stronghold is a very money-oriented society. The killing games are at the center of it all, giving a focus to the shady dealings and exploitation that run rampant.
Did you think that after you struggled and went down, you'd finally get rewarded? Even such shallow and miserable souls, "all of them are welcome here".
Antonia views the cutthroat society as one that rewards victors and punishes losers; those who have lost will only continue to lose further. She has a position of stability for herself and Vanessa, and she’ll hold onto it.
While prevention is better than cure, even prevention could contain poison. It's the end of the other world! Just stay here forever.
Within the killing game, Antonia takes on the role of the first killer, encouraging others to follow suit to get the game going in a dramatic fashion. She punches through the group’s attempts at preventing any death from occurring, leaving them without other methods for escape in the Resort.
This life is peerless, it's all or nothing. This contest is do-or-die, don't depend on someone else for everything. It's about time you realized that No matter where you go, there's no peace.
The killing games progress, but Antonia’s resolve doesn’t waver. Life will always be a series of challenges, but she’s resourceful. She can overcome them and build her own sense of peace amidst the chaos.
Oh, how delightful and thrilling it must be. Then isn't that enough already? What more do you want?
Despite how perfectly she pleases the VIPs and the crowds, though, they always want more– something new, innovative, unexpected. Her resentment for them creeps, but she keeps it in check. That is, she tries her best to.
You don't need anything. [They complain, but do nothing.] Forget about the next life. [They can't even come up with an alternative.] Play your heart out as an innocent child. [To erase the abominable being from their sight,]
Antonia does everything for the VIPs, but they all only want more, only keep indulging in their vices. They critique and control her, yet they depend on her to keep everything running.
I'll protect everything that you are, [Even though they are sinners, they cry into their pillows when others speak ill of them.] When you turn to worthless, silent ashes. [From the safe zone, they say, "life is precious and ultimate".]
Heaven Dope ends when Antonia is still assisting the VIPs fully. Still, her resentment towards them lingers, there to be ignited when Vanessa calls her to action.
Vanessa Bravo —
“No Hands” by Attica Riots / “Luka Luka Night Fever” by Samfree
Honorable mention: QUEEN (Kanaria)
Vanessa’s songs centralize around the feeling of playing along with what’s going on around her, but eventually breaking free of that interpretation, mirroring her experiences with the killing games.
In “No Hands,” the song begins at the onset of that feeling:
When this first started, I couldn't get enough I fell in love with living just a little too much But nothing lasts forever, you've heard it all before The brutal winds of change are knocking at your door
While Vanessa initially enjoyed being an announcer for the killing games, once put into the killing game herself, she realized that her worldview as it existed couldn’t possibly hold up– the brutal winds of change, as it were, forced her to reconcile with the despair caused by the killing game.
No hands! I just keep riding around again to these broken-hearted beats, man
The chorus echoes Vanessa’s feelings of helplessness throughout the killing game; despite the fact that she realizes she doesn’t support it anymore fairly quickly, all she can do is follow along with everyone else’s struggles, hands off the wheel. In the same way the other contestants don’t know how to stop the killing game as participants, she doesn’t know how to impact it from the position of only being a helper.
The clocks are ticking, they talk behind your back They echo every second that you've wasted in the past But nothing lasts forever, you've heard it all before It's time to face your demons, they're knocking at your door
As her time in the killing game passes, though, she starts to feel the hands-off approach wearing on her, reminding her of all the killing games she didn’t even think to oppose. By the end of the story, she faces her demons, asking Antonia to help end the killing games for good.
In “Luka Luka Night Fever,” Vanessa moreso starts off before the Sixth Killing Game, back when she was hosting the other five.
Words flow from right to left You stare at the screen looking bored I'll always come to meet you across the dimensional wall So get your heart ready
Vanessa gets a lot of joy out of announcing because it allows her to connect with the audience and share the fun times with everyone. She’s the face of the killing games to the audience, and she’ll meet them on their screens to connect with them.
I understand you better than anyone So leave everything to me Don't be scared, let's dance together
Antonia comes to Vanessa with the VIPs’ idea to have Vanessa compete in the killing game. Although Antonia is hesitant, Vanessa encourages her; she’ll be there with Antonia to help, and they’ll be fine together! Because of her naivety, she assumes everything will go fine once the game begins.
Luka Luka Night Fever Keep time with the popping rhythm Forget everything that's bad
Vanessa willingly submits to the killing game, choosing purposeful ignorance to move along with its wishes. The crowds and excitement from the “night fever” compel her to keep moving forward.
My overflowing feelings are for you While it lasts, etch this time in your heart When the morning sun rises, it's goodbye Even looking at me with lonely eyes like that won't work
As the song progresses, Vanessa becomes more attached to the other contestants of the killing game. Still, she feels powerless to stop it.
I understand you better than anyone So reveal yourself completely Let's find together the reason we were born
By the end of the song, she commits to convincing Antonia to put an end to the killing games, appealing to their connection.
Both songs focus on Vanessa’s shift from spectator and commentator to active participant. They echo her involvement in the greater plot, as well as her feelings of helplessness shifting into the will to fight alongside the others to end the killing games.
Mark Miranda —
“Veils” by Moonfall / “Melty Land Nightmare” by Harumaki Gohan
Honorable mentions: Smoke Damage (Hi I’m Case), Red Windows (nostraightanswer), Cutlery (Yuukisan), Shoujo Rei (Mikito P)
Mark’s songs both start after the events of the Fourth Killing Game, which they previously won.
Burning up, overexposure You're pulling me close before it’s over Already drowning in deep thought When all the bridges collapsed between us
Mark’s friend, the previous Ultimate Lucky Student, sacrificed herself to let Mark win the Fourth Killing Game. Mark mourns the closeness they had, but as he’s left alone afterwards, his mental state becomes fuzzy once again.
Hiding in your perfect picture The loving go broke, thе mad get richer All you can do is be sorry For living insidе this allegory
Living within the Resort’s society was extremely difficult for Mark to stomach. After suffering so much at the hands of their captors, they had to play nice with them and watch as the killing games continued.
I don't want to think about it I know we've been left behind by your absent mind And we're crawling in line And we're crawling to find a dead end
Though Mark struggled when thinking about the previous killing game, the inaction was about as bad. Mark searched for a way forward, no matter how detrimental.
I keep falling into the night To look at what goes on out of our sight Lift the veils that cover our eyes Forget about death to fight for your life
Mark dives headfirst back into the killing game, looking for answers or a way to stop it all. Mark forgets both the death in their past and the fear of death in the future to fight for the lives of all future killing game contestants.
(Also, Genius lyrics has the line listed as “forget about death and fight for your life,” but I cannot hear it that way as opposed to “to” so I changed it.)
Burning up, overexposure You're pulling me close before it's over
But, the end of the killing game starts the same way as the previous one ended– Mark sacrificing themself for Ellis and the others.
“Melty Land” roughly begins at the time Mark “wakes up” when the BDA for Cass’ body plays.
One, two, three and up, one, two, three It’s about time you got up I’ll know if it’s your astonished face It’s the one you always make after all
Mark repeats the same experience they’ve done before: hearing the Body Discovery Announcement, investigating the crime scene, solving the Trial. Once they’re back up and in the rhythm, they set to work on ending the killing game.
One you can’t help but doubt, This inviolable starry night My fantasies from long ago Are the present you’s daydream
It’s in Mark’s nature to doubt the killing game and try to break it apart. Acting on their past desires they forgot, they work tirelessly to find the solution.
Today makes the 5000th time with you You saw a nightmare again, didn’t you
Over the killing game, Mark’s past trauma resurfaces, and they slowly regain their memories of the previous killing game. Each additional memory he recalls increases the pressure on him; he has to find a way for things to end differently this time.
One you can’t help but doubt, An extraordinary dinner time Don’t ever forget me for the rest of your life, okay?
The Chapter 5 feast takes place while Mark films their goodbye video to Ellis. Instead of things going as planned, though, the sound of the crashing chandelier alerts Mark to another round of heartbreak.
Even if time comes to a halt, it’ll just be a one-sided selfishness The 6AM alarm bell will be our time over
Mark sets out the next morning with sacrifice on the brain, saying goodbye to Ellis in person before enacting his plan.
I loved you but you’ll wake up Turn into zero, turn into zero I loved you but you’ll forget about me Turn into zero, turn into zero, turn into zero…
And, uh… as mentioned in the original character creation and death order document, Mark was originally going to die in Chapter 6 before I realized that sucked. So, the song kind of ends on the POV of Mark losing consciousness in the Grotto, just as Veils ended on Mark’s decision to sacrifice themself. But that didn’t happen! We are staying in the good timeline!
Davis Love —
“Valentine” by COIN / “HIBANA” by DECO*27
Honorable mentions: Cruel Power (The Happy Fits), No More Love Songs (Ottawa), Golden (Elysewood), Don’t Know How (Ricky Montgomery)
Davis’ songs, fittingly, are romance songs with an edge of doubt or tension contained inside of them.
“Valentine” paints a picture of someone who’s used to heartbreak and struggling to reopen themself to that world.
So you really wanna break my heart Keep me burning on the back light I saw you running around, that's fine But it's never that simple
Davis is used to preparing himself for heartbreak. Even seemingly simple situations can become reasons to worry, given his talent.
Believe me when I say I've tried You ever love something so much it hurts? You ever love something so much it hurts?
Davis repeatedly falls in love with others only for them to suffer tragic fates or leave him. He’s grown so fed up of trying that it’s difficult for him to open himself up to others.
Excuse me when your tattoo's fading away But you still wanna take your time You kidding me? you can't flip on a switch all at once
Second guessing all for nothing (yeah)
Eventually, though, Davis finds someone– Aidan– who doesn’t disappear, even as time passes and things change. His second guessing becomes irrelevant; Aidan proves Davis can trust him to stay.
“HIBANA” is a bit more assertive, drawing boundaries on love and on wanting someone who knows what they’re about.
Knock knock, a gentle knock, Embark on my heart’s recapture match. Delusions alone flash before my eyes, Pulse accelerating, just where could an answer be . . .
Despite Davis’ aversion to romance, he can’t help but get drawn back in by his strong emotions. When he first meets Aidan, he’s aware that he’s taken by him. The border between lovesick nerves and intense anxiety is hard to distinguish for Davis.
I don’t want to harbor a love that will never end – Come on, properly fill me more with anxiety. I’d like you to act your part at peekaboo – Come on, answer to {what I ask} more properly!
Davis still doesn’t want to take another chance on finding a love that has no expiration date, but still, as his relationship with Aidan progresses, he can’t help but feel some hope along the nerves. He’s contradicting himself; he wants Aidan to care more, to take things seriously, but also to leave the situation before it becomes irreversible for the both of them.
Aa, I don't like this. “There’s no way that’s true!” Aa, I don't like this. “You’ll understand, won’t you?” Shoot up that head -- just shoot it up!
The quoted lyrics in this part best fit the Chapter 5 Trial, with the first line being from Aidan and the second being from Jeff. Davis is uneasy the whole way through, and sees the inevitable loss finally knocking on his door.
It’s “incomplete”, I’ll say it time and time again. Amidst a love that missed hitting “NO”.
However, despite his expectations of his romances ending in tragedies, the verdict changes. Aidan turns the tides, and they both survive another day. Their love fails to fail; the expected ending never comes to fruition.
Davis’ songs reflect on his expectations and the way in which they’re dismantled in the story, allowing him to live freely and with love.
Aidan Ho —
“ANTI HERO” by SEKAI NO OWARI / “Gehenna” by Wotaku
Honorable mentions: Bored (sockittome), Traffic Jam (NILFRUITS)
Aidan’s songs both give insight into his very particular worldview. “ANTI HERO” focuses on his dislike of conformity and obedience.
You know I don’t give a damn about what's "right" Or pleasing everyone around me Cause I know this world that brought us life Wasn't made to keep everyone happy
Aidan determines what he does and what he believes for himself, no matter what anyone around him has said. The society he grew up in wasn’t for him, and he couldn’t find any joy in it. If there’s no happiness there, why should anyone follow along with its arbitrary rules?
You see I'm tired of trying to justify Every decision that I make If it's to save the people that I stand by You better believe what I say
Despite his aloof attitude, Aidan does want to help the others in the killing game to escape and resume their lives. He’s willing to make hard or controversial decisions to “ensure” the best outcomes, but he doesn’t like justifying it. He acts on their behalf without asking for approval.
Righteousness is a thing that I hate 'Cause it doesn’t do any good for anyone And everyone thinks everything is OK If they just obey
Aidan dislikes anyone who acts as an ultimate authority on anything (such as, say, Kennedy). He wants discussion to stay open and for people to be able to draw their own conclusions. Other people are content to just follow the leader, but the truth (in his mind) is that everyone needs to make each decision for themself.
"Stay in the lines, don't make a scene" Heroes try to tell us what’s right But when push comes to shove You'll know what I mean I’m ready to start a fight
This part best fits Aidan’s confrontations with Kennedy, although Aidan is definitely willing to fight for what he believes in in any circumstance (such as to Ellis in his fifth free time, or for Davis in the Chapter 5 Trial). He’ll always speak up for what he believes in, consequences be damned.
“Gehenna” focuses more on Aidan’s apathy and depression, as well as his arc to learn to care about his own life.
Hey, how are you? How's it going? Yeah, well, I've quit doing that kind of thing already Yeah, well, it seems like there's no prospect of recovery anymore Don't ask me anything
Aidan has more or less given up on trying to be a functional member of society, instead retreating into himself, believing there’s no path for him to be happy.
I wanted to realize the plain and simple And kill the ideal of what things are supposed to be
Aidan wants to believe that anything can be anything; assumptions and standards are just created to box people in. He tries to live with this core philosophy, though his results often aren’t what he wants.
Irrationality and loneliness, you don't have to hate them They all mean nothing We have to live
Aidan views life as something required of him. He learns to weather his negative feelings, though they never go away; they only make him feel emptier.
Happiness, the universe, you don't have to be skeptical about any of them They don't change We don't have to know
Over the story, though, Aidan begins to find things that do, in some way, make him feel and bring him joy. He isn’t sure what to do with those emotions; being apathetic is what comes naturally to him. Still, he does his best to examine the feelings as they come.
"I want to stay alive" I don't know why, but "I want to stay alive" It's this Bible called DNA You don't have to hate on your instinct and fears Nothing will ever change, anyway
Aidan, despite his confusion, learns that he does, in fact, want to live. He wants a chance to explore all the new experiences he didn’t believe he’d have. And, somewhere within him, there’s a base desire not to die. The killing game may be threatening, but he gains that resolve.
And that’s it for what I have to say about the One Shot cast’s songs! For the end of the playlist, I’ll pass Ellis’ section off to Accirax.
Ellis Ortiz —
“Breakout Star” by Shiabun / “Lone Sheep” by Peg
Honorable mentions: Chopsticks and Champagne (First in Flight), Rich Life (Eric Nally)
What’s up, everyone? It’s the Accirax coming atcha to write up the musical section of our beloved protagonist, Ellis. This is mostly because I’m the one who wrote Ellis and ultimately chose her songs, but also, just to help take a bit of the work off of Venus’ plate…
So, “Breakout Star” and “Lone Sheep.” Both of them contrast the glory of fame and success (exemplified by a swinging rhythm) with the panic and guilt that comes from accomplishing a monkey’s paw dream-come-true.
What is this I don't know what I've landed in Suddenly you care, she cares I care? Yesterday I was not a thing
Starting with “Breakout Star,” the lyrics are quite literal. Ellis doesn’t truly understand the danger of the killing game at the beginning, not realizing what he’s landed in. As the plot progresses, Ellis recognizes all of the hopes and fears their competitors in the killing game are experiencing, and, surprisingly, finds themself sharing in those feelings.
Ellis’ self esteem prior to the killing game was strikingly low, to the extent that he saw himself as more of a force of nature or loose collection of stereotypes than a real person. It’s only through learning how much they care about their friends in the killing game, as well as past and future victims of it, that they can really feel themself becoming “a thing.”
Ooo the lights are getting brighter There's too few DILFs here for my liking Keep losing track of time, all-nighter I think my tie is getting tighter right now
Some of “Breakout Star”’s lyrics fit Ellis comedically well, both in the sense that it’s comedic how well they fit, and that the ways in which they fit are comedic in nature. “There’s too few DILFs here for my liking” harkens back to when Ellis immediately thinks “DILF???” after learning of Jeff’s potential parenting, and “I think my tie is getting tighter” perfectly calls to mind Ellis’ pre-Trial portrait.
Am I turning into someone I'm proud of Far from the ground I'm losing touch Am I happy or just feeling I should be Time's passing through me, while I'm stuck
The sadder, slower breakdown near the end of the song is also very Ellis. Having a random drop in energy in which the singer communicates with the listener in complete honesty threw me back to Ellis’ more genuine monologues and conversations in Chapters 4 and 5.
Furthermore, the actual content of this section also fits Ellis: it wonders about her future and the kind of person she should be, as well as where her true emotions lie. Ellis expresses to Mark his feelings of being “stuck” in the Chapter 4 Grotto conversation. It’s more so the killing game that they feel is passing through them more than time itself, but given that the killing game is a chronological event (and even had the Ultimate Clockmaker as a killer), it works well enough.
Quit the dreaming, honey We just got the one life Live it with me Feel that kick We're alive
This refrain plays out three times throughout the song, and I find it an excellent encapsulation of Ellis’ growth. At the beginning of the game, the lyrics would read more like this: “quit wasting your time worrying, ‘cause you only live once! And I don’t know about you, but I’m kickin’ it, living my life well~” Living life is about feeling those kicks, and “we just got the one life” is nothing more than an excuse.
But, by the end, Ellis has their priorities straighter, and is dedicated to ending the killing game. The lyrics transform: “quit wasting your time getting lost in a fantasy, because we have to protect our valuable lives. You feel that kick, telling you to persevere? We’re alive, and we have to keep it that way, together.”
As for Ellis’ vocaloid song, well, if you’re at all confused about what it means in the context of Project Sekai, you can read the explanation I laid out here in this reblog. Was it too obvious that I had a perfect defense locked and ready to go? :P Well, Venus was actually the one who originally scoped this song out for Ellis, but I’ve definitely adopted it since then.
To paraphrase my reblog, “Lone Sheep” tells the story of a character whose exceptional skill sets her apart from the rest of her peers, but the miserable loneliness she feels after reaching such an accomplishment have her regretting her position.
I want to pretend to be a desperado “You think you could do that?” my self-hatred creeps Such a roar, so to speak, is a scapegoat It’s as if a curse has clung to me
In Ellis’ case, this success (or curse, as this lyric block puts it) is being the Ultimate Lucky Student. Although we learn by the end of the story that Ultimate Lucky Students are by no means guaranteed to survive a killing game, Ellis spends most of the game under the impression (or self-induced delusion) that they are. This immediate dismissal of her mortality is what allows her to spend much of the beginning of the game not fully acknowledging herself as a person or coming to grips with the killing game’s stakes. In turn, his talent is what later fuels his self-hatred with regards to callously letting his castmates die.
I think that the “scapegoat” mentioned throughout the song would be Ellis’ talent as well, if not the entire veneer of “the Ellis Ortiz.” “Being Ellis” is what Ellis uses as an excuse at the beginning of the game, when things are going well– “these people are crying or whatever, but not me, because I’m the Ellis Ortiz”– and what they cite as their greatest failure later on– “I’ll never be able to reach anyone, or end this killing game, because all I am is a fabulous, useless husk.”
What do you want to do after you end up all by yourself? This version of myself is a lonely one, so can you just let me be for now? You’re a solitary one– Right now, go far beyond them.
“What do you want to do after you end up [winning the killing game]?” is a big thematic question raised by One Shot, immediately implied by Ellis’ plan to win and brought to the forefront by Mark in Chapter 4. Ultimately, Ellis realizes that the fate of a solo winner is a lonely one that they want to avoid at all costs, but they fear that their fate in that regard is already sealed as the Lucky Student. Ellis doesn’t want to “go far beyond” Mark, Aidan, or any of his other friends; just like in the original tone of the song, surpassing the others is framed as a bad thing.
What do you want to do after you end up all by yourself? You’re still one of them, are you tryin’ to get cursed for the rest of your life? You’re a solitary one– Right now, go far beyond them.
I’m also happy to note that this block of lyrics changes right at the end of a song that reflects Ellis’ story excellently. Instead of being a lonely one, Ellis has cemented her place as “one of them,” no matter what curses she may face because of it. Literally, said curse is the threat of the survivors being forced into another killing game by the VIPs if Ellis’ gamble failed. But, because Ellis is a solitary one– the only one with the luck required to pull such a gamble off*– he’s able to go far beyond the VIPs to end the killing games for real.
(*I know that the story makes it pretty clear that Antonia is helping Ellis to make the card pull less of a “gamble” and more of a sure thing, such that luck isn’t actually required. However, Ellis is still the only one who has the reputation for having good enough luck that the VIPs would buy that the survivors might try the ploy without Antonia/until it was too late.)
Okay, that’s probably enough rambling from me. I hope these choices made sense now that I explained them. And I also hope that you’ve enjoyed listening to both of these songs. They are bangers.
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Thank you for reading! This ended up being pretty long, but hopefully it was an enjoyable kind of long. The One Shot content is going to be drawing to a close soon, but I'm hoping this was a fun way to reflect on all the characters :)






