#herecomethosetearsagain

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Theo Van Den Boogaard's tribute to Hergé on the occasion of his death, 1983.

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Dylan Horrocks, Alan Moore, Steve Grove and Dan Clowes: imagining comics that don't exist.

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Antoni Calonge's second "Paso de Peatones" ('Pedestrian Crossing') story, from the 45th issue of El Víbora, 1983.

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Edmond Baudoin, sequence from his 1990 Futuropolis published graphic novel Baudoin. Later reissued by L'Association as Le Portrait in 1997.

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Jacques Tardi's cover for the 1993 one-shot Super Héros 1983-1993

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Maurice Tillieux, 1960

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Daniel Torres, various panels from his comic Opium, serialised throughout 1982 in Cairo magazine.

You might not have recognised that this was Torres―handily the most well-known member of the Valencian school of comics that found it's home in the magazine Cairo in the '80s―at first glance, for he was still aping Miguel Calatayud and had yet to properly assimilate the E.P. Jacobs and Milton Caniff influences into his drawing. The Torres of Rocco Vargas and the rest of his later oeuvre feel increasingly sterile to me. After the first few Vargas albums the influence of Calatayud becomes increasingly fainter in favour of classical, starchier influences. It's similar to the career trajectory of one Ted Benoit, who's work's quality similarly deteriorated (to my eyes) when E.P. Jacobs seemingly became the influence rather than just one piece of the puzzle. I'm of the opinion that E.P. Jacobs (like Caniff in Anglophone comics) has had a largely deleterious effect on the development and maturation of European comics ― but that's a screed for another day.

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Max (AKA Francesc Capdevila), opening page to his story "En el Jardín" ('In the Garden') from El Víbora no. 67, 1985.