#holymoney

[divine0rdainment]

Adam showing Angel Dust a PowerPoint presentation.

Adam: Ok, let's try this again.

Angel: Ok...

Adam: This! *Shows Eve* Is my Wife

Angel:...ok?

Adam: This! *Shows Lucifer* is the love of my life!

Angel: Wait, that's not the same thing as the first one?

Adam: No, but I wish it was.

Adam: THIS is the home wrecker. *Shows Lute*

Angel: Why would you WANT that?!

Adam: Why not? I'd risk it all for her.

Angel: Ok? And then why is he here? *Points at a sticky note of Mammon's name*

Adam: Oh him? Ehh, he just kinda lives rent free.

Angel: Why?

Adam: I don't know, but I'm not really mad about it.

Angel: Okay.. and what about that last one?

Adam: *Looks at picture of Michael* Oh him? Uhhhh, you know how some people have that pact of if they live to a specific age and aren't married, they deside to marry each other?

Angel: Yeah?

Adam: That's him.

[holymoneyfiendclub]

WE'RE ALIVE. First gig in over a year. First MALIGNANT ALTAR gig.

[holymoneyfiendclub]

Vinal Edge gig, 9/30/17, thanks @imbalancearts

[speculumfight]

Swans - Holy Money LP I've been listening to the Swans for a while now but every time I press play I find a deeper understanding, fuller meaning and new appreciation. #Swans #HolyMoney #MichaelGira #Jarboe #Vinyl (at South of Heaven) https://www.instagram.com/p/BxfzaGvpmOH-oFaziWHUzKbayZpt7rbQ7riH140/?igshid=1i5jbsuludw7z

[holymoneyfiendclub]

MUTANTFREAKTUNEAGEPOD

Alex Hughes (Holy Money, Hatred Surge, Iron Age) and Matt Needles (Chest Pain) talk extreme tunes

New podcast featuring Alex Hughes of Holy Money and Matt Needles of Chest Pain. Follow on twitter and instagram @mutantfreakpod

[lepoissonreckons]

Holy Money, Swans (1986)

Holy Money is yet another perfect exercise in the industrial from Swans. A twin album with Greed, both ‘Money is Flesh’ and ‘Fool’ were previously released, but both are tweaked and sound different in the context of the album. Holy Money is less intense than Greed, the opening two tracks being much slower and not so harsh and brittle, ‘You Need Me’ serving as an eerie, melancholic outro. ‘Fool’ is therefore more impactful – the slower first two tracks really serving to expand on the introduction of the track itself. Harder, louder and relentless, and largely due to a change in how it is introduced, it is one of the best tracks on the album. From that point, the track list doesn’t barrage its way through like Greed. ‘A Screw’ pounds the ears, gloriously testing the willpower of the listener, but ‘Another You’ is slower, throbbing and screeching until it culminates in a druid-like moan of noise. It is one of the most obvious links between the first phase of Swans and their most recent third incarnation. The obviously stunning ‘Money Is Flesh’ then marches once more in all its vile, momentous glory. ‘A Coward’ is a slower, nastier end to the album – thunderous but minimalist distorted guitar strokes slow the pace of the album and close it out well. Although Holy Money and Greed were produced in the same sessions with very similar musical approaches, they are distinct. The former is more paced, with just as many slower moments – even if they don’t relent the tension and incredible atmosphere generated by Gira and co. This makes both of them even more suited as a pair of tremendous industrial albums – both contrasting and different but ultimately similar in their quality and style.

9.0/10

[krissirk900]

When that #HolyMoney shirt is on point! #halloween. I look like I’m a member of some crazy punk band! 😂😂💀💀 (at Terry Hershey Park)

[krissirk900]

Wake up... and blast some #HolyMoney!! #vinyl #recordcollection #houstonmusicscene #nowspinning (at Terry Hershey Park)