“Memorial” by HYPERSTASIS feels like remembering something you never lived, but still felt. The kind of sound that stays with you long after the last note fades.
seen from China
seen from France
seen from China

seen from Malaysia

seen from United States
seen from South Korea

seen from Australia

seen from United States
seen from United Kingdom

seen from United States
seen from China
seen from Japan
seen from France
seen from China
seen from China
seen from Kazakhstan
seen from China
seen from China

seen from Singapore

seen from New Zealand
“Memorial” by HYPERSTASIS feels like remembering something you never lived, but still felt. The kind of sound that stays with you long after the last note fades.
GIG REVIEW: Ripcord with Support from Volcano X, Dinosaur Death Pose and Hyperstasis
GIG REVIEW: Ripcord with Support from Volcano X, Dinosaur Death Pose and Hyperstasis
https://www.facebook.com/events/1144228343114204 Bands: Ripcord, Volcano X, Dinosaur Death Pose, Hyperstasis, Burn To Ash Providing host to the year’s wettest gig was a venue I have missed dearly this year. Having neglected the mighty Hordes fest this year due to scheduling conflicts, the good ol’ Beat Generator had sadly not had much footfall from me in the second half of this year. However on…
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GIG REVIEW: HYPERSTASIS + Breeding Indium and Around 7 (Live @ Beat Generator, Dundee)
GIG REVIEW: HYPERSTASIS + Breeding Indium and Around 7 (Live @ Beat Generator, Dundee)
https://www.facebook.com/events/807437427083080 Band: Hyperstasis, Breeding Indium, Around 7 Sadly I did not secure my ticket to Bloodstock this year, which is disappointing. While a lot of my friends, metal brothers in arms, and even a few local acts made their way to the UK metal mecca, my own funds and fortunes did not quite stretch enough to cover. However, I was more than content with…
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(via https://soundcloud.com/hyperstasis/belfry-ambience?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)
(via https://soundcloud.com/hyperstasis/belfry-ambience?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)
While conducting research on cracked media, I came across a website that had been hacked by Islamic State. The page espoused some kind of violent jihad rhetoric and was accompanied by a nasheed (a cappella music that often references Islamic history and beliefs). The contradictions inherent within the song's sonic eloquence and its application as a propaganda tool struck me as particularly interesting. The idea behind the piece is to try and subvert the IS message by burying it behind randomised radio static and collected field recording, while at the same time throwing light on a musical tradition that stretches back centuries. Performed live at New River Studios as part of Sonica Found Music's Open Jack event series.
The above is a sketch for bespoke catwalk music. The track was composed for Alexander Augustus Byun's final collection (BA Hons Womens Wear, Central Saint Martins), which was partly inspired by Sergei Rachmaninoff's Piano Concerto III. Samples of the concerto appear throughout the composition. The track title is taken from a late-60s Argentinian conceptual artwork.
MD: In the ‘80s and ‘90s, we fantasized about postmodernism. Now we actually have to live with it.
SR: One of the critics I quoted in the book said that it’s not even a theory – it’s just nature now. You don’t even think of it as postmodernism; it’s just how we live today.
MD: The thing is, we are actually living in “the future” now, and it’s much more banal than expected.
SR: That’s the exactly the thing the bothers me, really. I’m not a Luddite at all – I’ve adopted a lot of digital-culture stuff; if I feel critical of it, I just think it makes things that already existed easier to do, and perhaps makes them not as good – like a blog is a fanzine, basically. It’s like GPS replacing the road map. It’s not you couldn’t get to places before; it’s just easier now – but maybe not as good. I suppose there’s a cognitive center of the brain that uses mapping that attenuates and shrivels if you just use GPS all the time.