#iampresentareyou

[wanderingtsinay]

Dominus vobiscum. May His Eternal Light and True Christian Faith remain in your spirit. Shalom. 🙏❤️‍🔥✝️

bit.ly/TheHourOfGreatMercy

#TGIF #ThankGodItsFriday #prayerispowerful

[wanderingtsinay]

I will be uploading my espiritwal na enerhiya (multi-stream version) of The Hour of Mercy prayer o Oras ng Paghingi ng Kapatawaran at Awa sa may gawa sa atin... at exactly 3:00PM today. Bilang aking tribute sa walang humpay na gabay ng Banal na Espiritu Santo (Holy Spirit) sa aking mga espiritwal na gawa at pakikipag ugnayan sa Diyos Amang makapangyarihan na may gawa ng langit, lupa, at buong kalawakan.

You may access it on my page,

fb.com/WanderingTsinay

Dominus vobiscum. ✝️

God Bless Us All. ✝️

Shalom. ✝️

[wanderingtsinay]

Meeting Kidlat Tahimik at The Metropolitan Theater

A photo can look like a simple moment, but sometimes it carries a longer story.. of films that challenged colonial thinking, and a life dedicated to telling stories in our own voice. Meeting Kidlat Tahimik here, inside a theater first opened in 1931 and now restored, felt like standing between memory and becoming.

It made me reflect on how storytelling is not just art.. it’s responsibility, shaped by how we see ourselves as Filipinos.

𝘐𝘯 𝘵𝘩𝘦 𝘴𝘵𝘰𝘳𝘪𝘦𝘴 𝘸𝘦 𝘤𝘩𝘰𝘰𝘴𝘦 𝘵𝘰 𝘵𝘦𝘭𝘭 𝘢𝘯𝘥 𝘴𝘩𝘢𝘳𝘦, 𝘩𝘰𝘸 𝘥𝘰 𝘸𝘦 𝘩𝘰𝘯𝘰𝘳 𝘸𝘩𝘦𝘳𝘦 𝘸𝘦 𝘤𝘰𝘮𝘦 𝘧𝘳𝘰𝘮 𝘸𝘩𝘪𝘭𝘦 𝘴𝘩𝘢𝘱𝘪𝘯𝘨 𝘸𝘩𝘦𝘳𝘦 𝘸𝘦’𝘳𝘦 𝘨𝘰𝘪𝘯𝘨?

[wanderingtsinay]

Perfumed Nightmare by Kidlat Tahimik is not easy to categorize

Perfumed Nightmare by Kidlat Tahimik is not easy to categorize.

It moves between reality and imagination. Between personal memory and cultural reflection.

Released in 1977, it emerged during a time when many nations, including the Philippines, were navigating identity in the shadow of Western influence.

And in its quiet, almost unpolished way, it asks something important.

𝘞𝘩𝘢𝘵 𝘥𝘰𝘦𝘴 𝘱𝘳𝘰𝘨𝘳𝘦𝘴𝘴 𝘳𝘦𝘢𝘭𝘭𝘺 𝘮𝘦𝘢𝘯?

𝘐𝘴 𝘪𝘵 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘸𝘦 𝘣𝘶𝘪𝘭𝘥 𝘧𝘰𝘳 𝘰𝘶𝘳𝘴𝘦𝘭𝘷𝘦𝘴 𝘰𝘳 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘸𝘦 𝘪𝘯𝘩𝘦𝘳𝘪𝘵 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯𝘪𝘯𝘨?

Watching it feels less like being told a story and more like being invited to think

to notice

to unlearn

𝘐𝘯 𝘵𝘩𝘦 𝘥𝘳𝘦𝘢𝘮𝘴 𝘸𝘦 𝘱𝘶𝘳𝘴𝘶𝘦, 𝘸𝘩𝘪𝘤𝘩 𝘰𝘯𝘦𝘴 𝘢𝘳𝘦 𝘵𝘳𝘶𝘭𝘺 𝘰𝘶𝘳 𝘰𝘸𝘯?

💬 Join our 𝘒𝘢𝘴𝘢𝘮𝘢 community: https://facebook.com/groups/kasamajourneys https://www.facebook.com/kasamajourneysph https://www.instagram.com/kasamajourneys

📥 Connect or Whatsapp [phone]. 👣 Walk with us, whenever you are ready.

[wanderingtsinay]

Wandering Tsinay presents...

'Huni ng Lakbay'

by Kasama Journeys.

Not every journey needs to be loud.

Some begin with a sound you almost miss..

a step you didn't rush

a place you chose to feel, not just see

Huni ng Lakbay is not about ticking destinations

but listening closely

To stories held by the land

To rhythms of everyday life

To the parts of yourself that surface when you finally slow down

Here, you don't have to perform your travel

You just have to arrive

📍Arroceros Forest Park, Manila

What if travel was not about going far, but listening closer?

[wanderingtsinay]

Often called the "last lung of Manila City"

Arroceros Forest Park stands quietly beside the Pasig River.

Once, this area was lined with rice warehouses during the Spanish period.. part of the city’s trading life, constantly moving, constantly exchanging.

Now, it holds something else.

A fountain where water softens the space. A meditation area where people sit without needing to explain why. A koi pond where movement is slow, almost unnoticeable.

And maybe that’s what makes it feel different.

Because in a city built on movement, this place allows you to stay

📍Arroceros Forest Park, Antonio J. Villegas St, Ermita, Manila

𝘐𝘯 𝘵𝘩𝘦 𝘳𝘢𝘳𝘦 𝘱𝘭𝘢𝘤𝘦𝘴 𝘵𝘩𝘢𝘵 𝘢𝘭𝘭𝘰𝘸 𝘶𝘴 𝘵𝘰 𝘱𝘢𝘶𝘴𝘦, 𝘸𝘩𝘢𝘵 𝘥𝘰 𝘸𝘦 𝘴𝘵𝘢𝘳𝘵 𝘵𝘰 𝘩𝘦𝘢𝘳 𝘸𝘪𝘵𝘩𝘪𝘯 𝘰𝘶𝘳𝘴𝘦𝘭𝘷𝘦𝘴?

💬 Join our 𝘒𝘢𝘴𝘢𝘮𝘢 community: https://facebook.com/groups/kasamajourneys https://www.facebook.com/kasamajourneysph https://www.instagram.com/kasamajourneys

📥 Connect or Whatsapp [phone]. 👣 Walk with us, whenever you are ready.

[wanderingtsinay]

Supporting Independent Filipino Films, Arts and Crafts.. Watched SISA with an evolved perspective.

𝐄𝐯𝐨𝐥𝐯𝐞𝐝 𝐩𝐞𝐫𝐬𝐩𝐞𝐜𝐭𝐢𝐯𝐞

Standing in front of the mirror after watching The Sisa Movie, I realized that art often reflects more than itself.. it holds up a quiet lens to our own stories, struggles, and resilience.

Watching SISA here brings back a name that many already know.. Sisa from Noli Me Tangere.

A mother. A loss. A story often reduced to madness, but rooted in something deeper.

And sitting there, you begin to feel how these stories are not just from the past.

They continue to echo.

In different forms. In different lives. In different ways of remembering.

Maybe that’s why spaces like this matter.

Because they allow us to sit with stories that ask us to feel, not just watch

Cinema '76 Film Society and Cafe is a space where Filipino stories are allowed to exist without needing to compete.

📍 Cinema '76, 76 Tomas Morato, Quezon City

𝘐𝘯 𝘵𝘩𝘦 𝘴𝘵𝘰𝘳𝘪𝘦𝘴 𝘸𝘦 𝘤𝘩𝘰𝘰𝘴𝘦 𝘵𝘰 𝘴𝘶𝘱𝘱𝘰𝘳𝘵, 𝘸𝘩𝘢𝘵 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘮𝘦𝘮𝘰𝘳𝘺 𝘢𝘳𝘦 𝘸𝘦 𝘬𝘦𝘦𝘱𝘪𝘯𝘨 𝘢𝘭𝘪𝘷𝘦?

💬 Join our 𝘒𝘢𝘴𝘢𝘮𝘢 community: https://facebook.com/groups/kasamajourneys https://www.facebook.com/kasamajourneysph https://www.instagram.com/kasamajourneys

📥 Connect or Whatsapp [phone]. 👣 Walk with us, whenever you are ready.

[wanderingtsinay]

Forest Bathing at La Mesa Ecopark

La Mesa Ecopark exists quietly within the La Mesa Watershed.

For many, it is a place to walk, to rest, to spend time outdoors.

But beneath that, it holds something more.

It protects one of Metro Manila’s main water sources. It filters air. It keeps a part of the city alive in a way that isn’t always visible.

And maybe that’s why it feels different.

Because not all important things ask to be seen.

Some simply continue doing what they were meant to do.

Sustaining.

📍 La Mesa Ecopark, Quezon City

𝘐𝘯 𝘵𝘩𝘦 𝘱𝘭𝘢𝘤𝘦𝘴 𝘸𝘦 𝘤𝘢𝘯 𝘣𝘳𝘦𝘢𝘵𝘩𝘦 𝘢 𝘭𝘪𝘵𝘵𝘭𝘦 𝘦𝘢𝘴𝘪𝘦𝘳, 𝘸𝘩𝘢𝘵 𝘢𝘳𝘦 𝘸𝘦 𝘣𝘦𝘪𝘯𝘨 𝘢𝘴𝘬𝘦𝘥 𝘵𝘰 𝘱𝘳𝘰𝘵𝘦𝘤𝘵?

💬 Join our 𝘒𝘢𝘴𝘢𝘮𝘢 community: https://facebook.com/groups/kasamajourneys https://www.facebook.com/kasamajourneysph https://www.instagram.com/kasamajourneys

📥 Connect or Whatsapp [phone]. 👣 Walk with us, whenever you are ready.