#iconicfilms

[mamapriest]

Marilyn Monroe photographed during the production of Let's Make Love, 1960

🖤🖤🖤

[itslosersclub]

 [1/?] iconic films »  As You Are. (2016)

[mamapriest]

THE LOVELY LESLIE CARON ❤

Leslie Claire Margaret Caron was born in the suburbs of Paris, France, in Boulogne-Billancourt, Seine, now Hauts-de-Seine, France. Her father, Claude, was a French chemist, pharmacist, perfumer, and boutique owner, while her American-born mother, Margaret Petit, was a ballet dancer. Though her older brother became a chemist, Caron was encouraged by her mother to pursue a career in performance. As a result, Caron began taking dance lessons at age 11. Her family soon relocated to Paris, where Caron attended the Convent of the Assumption and started her ballet training.

Young Leslie on a bike ❤

By age 16, she was hired by Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.

While performing for the Ballet des Champs-Elysees, she was seen by then-married Hollywood couple, Gene Kelly and Betsy Blair. Caron did not meet the couple at the end of the show that night and dutifully went home. Later, when it came time for Kelly to recast the lead female role in An American in Paris (1951) due to initial co-star Cyd Charisse’s pregnancy, Kelly remembered Caron’s performance when he returned to Paris to search for a partner. Caron secured the role, making her film debut alongside Kelly.

Kelly and Caron in An American in Paris (1951) ❤

Both Kelly and Caron offered elegant and enthusiastic performances, which captivated audiences. The film won six Academy Awards, including Best Picture. The film was only the second color film to win Best Picture at the Oscars, 12 years after the first—Gone With the Wind (1939).

Caron signed a seven-year contract with MGM.

Leslie in the 1950s ❤

During her time with MGM, her skills would be displayed in both musical and non-musical roles. Caron appeared in the drama The Man with a Cloak (1951) and the musical The Glass Slipper (1955). She worked with Fred Astaire in Daddy Long Legs (1955), becoming one of the six actresses who danced with both Astaire and Kelly at some point in their careers. Caron also starred in Lili (1953) with Mel Ferrer and Gigi (1958) with Louis Jourdan and Maurice Chevalier.

Gigi (1958) ❤

In the 1960s and thereafter, Caron worked in European films, as well. Her film assignments during this period included Father Goose (1964) with Cary Grant and Valentino (1977), in which she appeared in the role of silent screen star, Alla Nazimova. She was nominated for an Academy Award for Best Actress for her starring role in Lili. Caron won the BAFTA Award for Best British Actress and an Oscar nomination for her performance in the British drama, The L-Shaped Room (1962). Caron was also one of the many lead actresses under consideration for Bedknobs and Broomsticks (1971) but lost the role to Angela Lansbury.

Caron in L-Shaped Room (1962) ❤

Caron has continued to act long after her time at MGM and continues to appear in films and television shows. She also attends film festivals and retrospective concerts regularly. She currently alternates her residences among Paris, London, and New York City.

Leslie with her Star on Hollywood’s Walk of Fame, 2009

In Hollywood, Caron was inducted to the Hollywood Walk of Fame in December 2009 with a motion pictures star. Her star is located at 6153 Hollywood Boulevard.

*courtesy of classicmoviehub.com

❤❤❤

[mamapriest]

REMEMBER WHEN BETTE DAVIS WAS REJECTED FROM ACTING SCHOOL?

CR (crfashionbook.com)

REMEMBERS THIS IRONIC MOMENT IN HISTORY

By Laura Studarus

April 5th, 2019

Bette Davis in 1952.

The elite club of Oscar nominees is flush with failure. Just look at Rosamund Pike, Daniel Craig, Carey Mulligan, and Hugh Jackman—all who were turned away from acting schools. But the original flunkie was Bette Davis, who despite graduating from prestigious New England college prep school Cushing Academy, failed to be accepted to Eva Le Gallienne's prestigious Manhattan Civic Repertory in 1928. Le Gallienne’s theater company was the forerunner to off-Broadway, and by the time Davis applied several of the era’s notable actors hard already tread its boards.

A young Bette Davis.

The now-defunct institute never issued an explanation for missing this diamond in the rough. The James Spada written biography, Bette Davis: More Than a Woman, implies that attitude and lack of control was an issue, noting that LeGallienne called Davis both “insincere” and “frivolous.” But even when she was Ruth Elizabeth, Davis, who would have celebrated her 110th birthday today (2019), she was as resilient as the characters she’d go to play on screen. Eventually the budding actress would go on to attend the John Murray Anderson/Robert Milton School of Theatre and Dance, where Lucille Ball was a classmate.

Bette Davis, Dark Victory movie poster, 1939.

It wasn’t the first or last time Davis would be cast as a real life “difficult woman.” Her refusal to suffer fools cut her yearlong stint as the first female president of the Academy of Motion Picture Arts and Sciences short by eight months. (Doing away with dinner and dancing at the Oscars was, understandably, not a popular proposal.) Likewise, she was released from her contract at Universal (and considered leaving Hollywood for Broadway) after six films failed to hit.

Bette Davis and Jezebel director, William Wyler, share lunch at the Warner Bros. commissary, 1937.

But when Davis signed a seven-year contract with Warner Bros in 1932, she finally began her string of iconic roles, including 1951’s All About Eve and 1963’s What Ever Happened to Baby Jane.

Bette Davis in "All About Eve", 1951.

Bette Davis in "What Ever Happened to Baby Jane", 1963.

Eventually she would on to be nominated for a staggering eleven Oscars, winning Best Actress in 1936 for her role in Dangerous and then again in 1939 for Jezebel.

Bette Davis wins an Oscar for Best Actress in "Dangerous", 1936.

Bette Davis wins an Oscar for Best Actress in "Jezebel", 1939.

It’s like that old saying is always reminding us: If at first you don’t succeed, try and try again. Of course, it also doesn’t hurt if you’ve also got Bette Davis Eyes.

*Courtesy of crfashionbook.com

[mamapriest]

The most iconic white dresses in cinema PART 2

VOGUE 2020

Claire Danes in Romeo + Juliet (1996)

The film: This reinterpretation of Baz Luhrmann's 1996 Shakespearean tragedy anchors the action in contemporary American suburbs, in the face-off between two rival mafia families.

The dress: Romeo (Leonardo DiCaprio) meets Juliet (Claire Danes) at the costume ball organized by the Capulets. Dressed in a white pleated dress accessorized with a pair of wings, the angel Juliet, attracted by a certain knight in armour, plays an innocent chase with him, ending with a now-iconic kissing scene in a swimming pool. 

Scarlett Johansson in Match Point (2005)

The film : Chris Wilton (Jonathan Rhys-Meyer), an ambitious tennis teacher, falls under the spell of Nola (Scarlett Johansson), an American actress who has come to try her luck in England. Both already engaged, the two lovers embark on an affair that is as passionate as it is destructive.

The dress: The ping pong scene sums up the sexual tension that emanates from Woody Allen's film. In his friend's English cottage, Chris meets Nola, the friend's fiancée. He teaches her some ping pong rules, while playing a dangerous game of seduction. Scarlett Johansson, dressed in a white dress, is irresistible.

Sarah Jessica Parker in Sex and the City: The Movie (2008)

The film: Four years after the end of the cult series, Sarah Jessica Parker, Kim Cattrall, Kristin Davis and Cynthia Nixon find themselves on the big screen, still as delirious as ever. Now a bride-to-be, a mother and a housewife, each heroine tries to combine her personal and professional life while enjoying the pleasures of New York. 

The dress: Carrie Bradshaw's style, skilfully crafted by stylist Patricia Field, is one of the most daring in the last 20 years, not to mention one of the most inspiring. So, when the first film of the cult saga came out in 2008, the looks of our darling New Yorker were eagerly awaited. And we weren't disappointed. Between measured bling and twisted trends, the Carrie Bradshaw 2.0 inspired a whole new generation of girls, with a wardrobe mixing designer pieces and revisited vintage. A highlight was an ultra-sexy pleated white dress, adorned with an oversized gold-stitched flower, which appears at the beginning of the film.

Jennifer Lawrence in American Hustle (2013)

The film: In a retro style by David O. Russell (Three Kings, The Fighter, Silver Linings Playbook), American Hustle plunges us into the New Jersey of the late 1970s. An FBI agent (Bradley Cooper), recruits a local fraudster (Christian Bale) and his wife (Amy Adams) in order to catch a crooked politician (Jeremy Renner). The beginning of a clever film carried by a strong cast (Robert De Niro and Louis CK make appearances) and an astoundingly convincing story.

The dress: Between glitter dresses and vinyl leather, the 1970s wardrobe hand-sewn by costume designer Michael Wilkinson is truly inspiring. A prime example is the ultra-sexy metallic white dress worn by Jennifer Lawrence, who embodies the whimsical Rosalyn Rosenfeld.

[thefilmculture]

Movies that defined generations. Scenes that defined moments. USA films stay iconic forever 🎬✨

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[mrmagazines]

5 Best Movie Franchises of All Time [Updated 2025]

Discover why these are the 5 best movie franchises. See analysis based on 2025 data, impact, & success metrics. Read the full article here!

The 5 Best Movie Franchises of All Time — Why We Keep Returning to These Worlds

Fandom thrives on stories that move us, inspire us, and stay with us long after the credits roll. That’s why discussing the 5 Best Movie Franchises of All Time means exploring universes that shaped childhoods, sparked creativity, and built communities across the world.

Marvel Cinematic Universe became a massive cultural moment by connecting heroes and storylines into an ever-expanding universe. Fans follow not just the characters but the emotional journeys, friendships, and battles that unite the franchise. Its mix of humor, action, and heart keeps audiences invested.

James Bond gives us elegance, style, and adventure. Each era of Bond feels different, yet the core remains: high-stakes missions, global intrigue, and iconic gadgets. Its ability to reinvent while staying familiar makes it a permanent part of cinema history.

Star Wars feels like stepping into another galaxy—full of legends, rebellion, hope, and unforgettable characters. Its lightsabers, epic battles, and emotional family dynamics make it endlessly rewatchable. Few franchises create such devoted fan communities.

The Wizarding World wraps audiences in magic, mystery, and themes of courage and friendship. Its iconic settings and imaginative creatures make it a universe fans love to revisit. The sense of wonder that it delivers is a major reason it remains a beloved franchise worldwide.

Fast and Furious delivers adrenaline, action, and family bonds. Over time, it transformed into a global adventure series where loyalty and teamwork matter as much as the action scenes. Its evolution keeps fans excited for every new release.

These franchises endure because they offer worlds we want to escape into. They inspire creativity, spark emotion, and bring fans together. The 5 Best Movie Franchises of All Time continue to influence pop culture because they offer stories that feel timeless.

[beyondthepunchlines]

Prasad Restores Iconic Vidhu Vinod Chopra Classic; 1942: A Love Story Premieres at IFFI 2025

Prasad, a global leader in film preservation, restoration, and post-production, is proud to announce the successful restoration of 1942: A Love Story, now screening at the International Film Festival of India (IFFI) 2025. The beloved classic has been meticulously digitised and restored in high-quality 8K, bringing it renewed life across generations. Built on decades of innovation and a legacy that spans generations, Prasad’s restoration pipeline blends advanced engineering with artistic sensitivity. Key capabilities include: - High-resolution digitisation - Expert video and audio restoration - Colour grading that honours the original creative vision - Mastering for theatrical and digital formats Kavita Prasad, Managing Director, Prasad, said: “ It has been an absolute pleasure collaborating with Vidhu Vinod Chopra and his team once again. Our relationship with his banner is very special—Parineeta, produced by Vidhu Vinod Chopra, was actually the first Indian film to be restored in 8K for a theatrical re-release, marking a significant milestone for us. Restoring 1942: A Love Story has been equally meaningful. It is a timeless classic, and bringing it back in 8K allows a whole new generation to experience its emotional depth and visual beauty the way it deserves. We are currently working on more films with Vidhuji, and we look forward to preserving many more cinematic gems in the months ahead.” As 1942: A Love Story returns to the spotlight at IFFI 2025, Prasad reaffirms its role as India’s trusted custodian of cinematic heritage. About Prasad: Prasad is a global leader in film preservation, restoration, and post-production with over six decades of expertise. Founded in 1956 by legendary filmmaker Shri L. V. Prasad, the company has worked on 30,000+ films and is the trusted partner for Hollywood studios, OTT platforms, broadcasters, and national archives worldwide. With a team of 1,100+ professionals across India, USA, UK, Germany, Japan, and Saudi Arabia, Prasad offers end-to-end digital solutions including 8K film restoration, DI, HDR grading, Dolby Atmos mixing, film and tape digitisation, audio restoration, data migration, media vault management, VFX, and colourisation. Recognised with 20+ National Awards, Prasad continues to safeguard cinematic heritage and transform legacy content into valuable digital assets for the future. Learn more at: www.prasadfilmlabs.com  | www.prasadcorp.com FOR MORE BLOGS - beyondthepunchlines.com Read the full article