#ill peach

[zitacuaro]

Unaware of precarious signs

You ignore them every time

You’d walk right off a cliff

Without knowing

[colorisbyshe]

[goslinggf]

[mooneyedandglowing]

ill peach - COMATOSE (OFFICIAL MUSIC VIDEO)

[konvoluted]

I’m a million miles away…

[yellowsnow77]

Ill peach - THIS IS NOT AN EXIT

Casi todos los artículos que he leído sobre ill peach coinciden en los mismo: no hay nada que suene igual que ellos. Y es que, con tan solo unos singles, este dúo de Los Ángeles ha logrado dar con un sonido propio. Un reto que a muchos grupos ha llevado varios años y discos. De hecho, la gran mayoría no lo consiguen. Pero lo más difícil es que, ese sonido propio, funcione. Algo que también…

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[longlistshort]

ill peach- COMATOSE

This single by ill peach was released in February of 2022.

Here’s what they had to say about the song (from their Bandcamp page)-

”COMATOSE imitates the sound inside of our head. Like a Being John Malkovich moment. It’s the beautiful chaos that was living inside of our mind during 2020. It’s colorful and frantic but emotional and personal. We tried to capture that feeling you get when you’re dropping on the craziest rollercoaster at Six Flags. It’s aggressive and out of your control but so real and amazing and completely exotic. Wanting to feel good. Feel your best. That’s the mission.”

They are playing tomorrow 7/11/23 at The Bellwether in Los Angeles with Phantogram.

[abductionradiation]

Los Angeles, CA -- This week, ill peach shared their new single "HEAD FULL OF HOLES," an epic track spanning just under 3.5 minutes long. The gradual instrumental build on the track adds to the catalytic nature of the track. "HEAD FULL OF HOLES" blends elements of electronic pop with alternative pop into a track that seamlessly coalesces both genres together. Jess Corazza's vocals have a wispiness to them that captures the wistfulness that often comes with thinking about the past.

On the track, ill peach shares “HEAD FULL OF HOLES is about our obsession with nostalgia. This urge to have a tight grip on certain memories.  Sometimes the beautiful and the painful ones get distorted because we want to remember them a certain way.  We both had experiences like that in therapy this past year.  It’s part of the healing journey to decipher between how much of the past is real and how much of it is how we embellished it in our minds.  We started writing HFOF when we took our first trip to London.  We were listening to a lot of Coldplay, My bloody Valentine and Radiohead there.  Naturally. And we heard Radiohead talk about the infinite climax in a song so this is us trying that out.”

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