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‧₊˚✧[Impossiblearchitecgender]✧˚₊‧
Impossiblearchitecgender - a gender connected to impossible architecture and the feeling of being lost in said architecture
- Anyone can use
I strongly believe xenogenders are for everyone even a cishet neurotypical white man with a white picket fence and three kids
3am spaces
Strange architecture and liminal spaces have begun to invade my dreams... This isn't indicative of something sinister though, surely
Over the River and Through the Woods
A special AI generated Thanksgiving home
Are you a grandma looking for the perfect house for the whole family? Give them a Thanksgiving over the river and through the woods, in this charming new-build from a bygone era! Enjoy acres of woodland property with picturesque wildlife, including pumpkins and wild hand-turkeys. 9 bed, 6 bath, original linoleum flooring.
Quaint veranda foyer with attic.
Front Hall
Cozy den with microwave-TV (left), and meat & eggs parlor (right)
Fully enclosed sunroom
Formal sitting-kitchen
Intimate dining room with meat and whipped cream light fixtures.
Auxiliary dining room
Back side hall Bedrooms for all the grandkids! 🤩
Sumptuous bedrooms for all the grown-up relatives!
This room has a Thanksgiving hadrosaur, and a mistletoe fixture 😘
...Even a room for your least favorite in-laws!
And now 🥁 the rooms where all Thanksgivings finish: 🚽The Bathrooms!🛁
Old people know exactly what that bathroom fixture with the red trim on the right is! 😎 …Amiright, old people? 🤔
Who remembers these bathing fixures, from back in the day? ✨Very unique and timeless finds for any collector!✨
Charming powder-mud-room
Updated master bath, with nesting swags for wild backyard birds!
🥚 🎄Call now to book your tour today!!! 🦃🥚 ☎️ ☎️ ☎️
Behind the Scenes:
"The prince returned through the wilderness to the gates of the Dreaming City..."
Maurits C. Escher (Dutch, 1898 - 1972):
Relativity, lithograph, 1953, 276 × 292 mm; 11 × 11 ½ inches, full margins. Signed and numbered "No. 2/20" in pencil, lower left.
Convex and Concave, lithograph, 1955, 280 × 330 mm; 11 × 13 ¼ inches, full margins. Signed and numbered "No. 17/56 IV" in pencil, lower left.
Belvedere, lithograph, 1958, 460 × 295 mm; 18 × 11 ¾ inches, full margins. Signed and numbered "No. 75/107 IV" in pencil, lower left.
Waterfall, lithograph, 1961, 380 × 300 mm; 15 × 11 ¾ inches, full margins. Signed and numbered "No. 97/103 III" in pencil, lower left.
Pollic Tower is one of the fanciest hotels around; it goes up so high that they have to bolt some of their windows shut.