IMS 2014: Spain-The Underground Movement
WHO: Juan Arnau Lasierra (Enter Group / Monegros) Juan Arnau Duran (Enter Group / Monegros) Enric Palau (Sonar) Paco Osuna (Artist) Uner (Artist). Hosted by Grego O'Halloran (Ibiza Spotlight)

seen from United States
seen from China
seen from Germany
seen from China
seen from United States

seen from United States
seen from T1

seen from Canada

seen from Canada

seen from Canada

seen from Canada
seen from United States
seen from United States
seen from Germany

seen from Australia
seen from United States
seen from China
seen from India
seen from China
seen from Germany
IMS 2014: Spain-The Underground Movement
WHO: Juan Arnau Lasierra (Enter Group / Monegros) Juan Arnau Duran (Enter Group / Monegros) Enric Palau (Sonar) Paco Osuna (Artist) Uner (Artist). Hosted by Grego O'Halloran (Ibiza Spotlight)
Native Instruments Founders – IMS 2014 – Keynote Interview
WHO: Founders of Native Instruments - Daniel Haver And Mate Gallic. Interviewed by Heiko Hoffmann (Groove Magazine, Editor-in-Chief)
"Pretty Lights (Live) - Live At IMS 2014, Dalt Vila (Ibiza) - 22-May-2014" by Tomorrowland 2014 Live
IMS IBIZA 2014: Miles Leonard (Parlophone / Warner Bros)
WHAT: Leonard has shown huge versatility across all genres and has signed or played a key role in the careers of artists such as Coldplay, Lily Allen, Gorillaz, Kylie Minogue, Swedish House Mafia, Chemical Brothers, Tinie Tempah, Emeli Sande, David Guetta, Eric Prydz and Deadmau5. He is UK major label executive of the highest level. And an Ibiza regular and lover.
HIGHLIGHTS: Leonard explained his route into the industry as an A&R scout and how the business models of major labels had to diversify after the fall in digital sales. This Keynote includes his take on the power of radio stations, and his judgement on the great streaming debate.
CHOICE QUOTES:
On aspiring A&R men: “Some artists can bomb but you can’t give up.”
“There is always that moment - where the commercial aspect has to crash and it drives people back underground to become more innovative and creative to go and make new music.”
IMS IBIZA 2014: George Clinton (Funkadelic / The Parliaments)
Check out our interview here: http://tmblr.co/ZIt1Ew1HmXkE2
IMS IBIZA 2014: Paul McGuiness (Principal Management / Manager U2)
WHAT: Why was U2’s manager speaking at an electronic music summit? A simple answer. IMS is designed to house inspiring speakers to inspire delegates to think differently and learn from leading lights such as Paul McGuinness. Thanks to Richie Hawtin for the introduction and connection.
HIGHLIGHTS: How Paul became U2's manager when the band were aged 17; the ins and outs of their various record deals over the years to re-acquiring publishing rights. The pro's and con's of the streaming business and what Paul's take is on the online digital world after being one of the first bands to do a deal with i-tunes. The inclusion of Paul Oakenfold for U2 stadium tours and being the first band to have a support DJ, dealing with promoters, ticket prices and the production elements of the stadium tours.
CHOICE QUOTE:
“People have to get paid. It can’t be an amateur sport. There are a lot of vested interests (Google) who could do a lot more. They are the biggest theft enabler. YouTube is different - it’s the future. But Google give you multiple opportunities to steal. We don’t take their promises to take things down seriously. It’s not”
IMS IBIZA 2014: Blaise Bellville (Boiler Room)
WHAT: A tell all interview about the phenomenal success of Boiler Room TV and its important role within the electronic music genre today.
HIGHLIGHTS: Blaise explained how it all started and where the concept was conceived. The thought process behind the music and how Boiler Room serves as platform for a world of music that wouldn’t normally get the exposure. Explanation about the artists they work with and the ethos behind why these artists get to perform on Boiler Room.
CHOICE QUOTES:
“We started to see ourselves as a keyhole into a remote music scene, allowing people from around the world to experience the music.”
“Our thing is actually serving a really under served market.”