Intergalactic Mixtape is out and this week: a ton of The Murderbot Diaries headcanons I love from users right here on tumblr dot com (y'all are so creative and wonderful), SFF reviews, the normal grab bag of SFF happenings, and a call for folks to share their favorite SFF read in September.
Issue 63 of Intergalactic Mixtape is out, featuring:
Cassandra Khaw reading guide: choose your level of cannibalism
huge list of organized labor in science fiction
a video about the difference between fanfic and tribute anthologies; upon thinking about it there’s three anthologies I want some publisher to greenlight immediately
From May - December I shared approximately 750 media reviews via Intergalactic Mixtape, which means I probably read over 1500 reviews this year. I don't link to every review I read because that would get out of hand (I actually had to limit reviews in each issue because I saw how easy it would be for me to obsess and then burn out). Fan/hobbyist review culture is very much alive and kicking outside the bookish social sites (which have their own culture).
Once I knew how many reviews I linked to, I wanted to know which books had the most reviews. Which books were catching my eye over and over via their reviews from among the people I follow? Luckily, I track everything (like a nerd) and I have these numbers.
Four Reviews
Eat the Ones You Love by Sarah Maria Griffin
Hemlock & Silver by T. Kingfisher
The Isle in the Silver Sea by Tasha Suri
The Nameless Land by Kate Elliott
The Potency of Ungovernable Impulses by Malka Older
Project Hanuman by Stewart Hotston
Psychopomp & Circumstance by Eden Royce
Red City by Marie Lu
Slow Gods by Claire North
Someone You Can Build A Nest In by John Wiswell
Spread Me by Sarah Gailey
The Summer War by Naomi Novik
The Two Lies of Faven Sythe by Megan E. O'Keefe
These Memories Do Not Belong to Us by Yiming Ma
Uncertain Sons and Other Stories by Thomas Ha
The Works of Vermin by Hiron Ennes
Five Reviews
Blood of the Old Kings by Sung-il Kim, translated by Anton Hur
The Knight and the Moth by Rachel Gillig
The Library at Hellebore by Cassandra Khaw
What Stalks the Deep by T. Kingfisher
Six Reviews
A Drop of Corruption by Robert Jackson Bennett
The Memory Hunters by Mia Tsai
A Song of Legends Lost by M. H. Ayinde
When There Are Wolves Again by E. J. Swift
A Witch’s Guide to Magical Innkeeping by Sangu Mandanna
Seven Reviews
All That We See or Seem by Ken Liu
Audition for the Fox by Martin Cahill
The Witch Roads by Kate Elliott
Eight Reviews
The Bewitching by Silvia Moreno-Garcia
Bury Our Bones in the Midnight Soil by V. E. Schwab
Cinder House by Freya Marske
The River Has Roots by Amal El-Mohtar
Nine + Reviews
Automatic Noodle by Annalee Newitz (9)
The Everlasting by Alix E Harrow (14)
The Incandescent by Emily Tesh (13)
Katabasis by R.F Kuang (16)
The Raven Scholar by Antonia Hodgson (11)
There's not much to learn from this data, because the way I collected it was so hapzard. No controls! No rules just vibes! My main takeaway is that I'm not as interested in books by white men, and therefore, don't read many reviews about their work unless they're nominated for an SFF award that I follow (Wiswell and Bennett were both nominated for the Hugo Award). Martin Cahill is the outlier here because his novella was covered by several reviewers I follow closely.
Another thing is that people who write about their reading can shift the tide of a book: I watched The Everlasting go from a late release title at the end of October with a few people excited to a book I see people hand reccing in comment threads all over, cross platforms. That's still fall book season, but it's easier to get lost closer to the end of the year because of all the holidays, end of school obligations, and family time. But it didn't! Because people discovered it and then yapped about/wrote a review/pitched an essay/recced it to a pal.
My recs from this list: The Witch Roads and The Raven Scholar, because those are the two that I've read, even though I own a ton of these. :P
Anyway, 2026 will be fun because I'll have a whole year of data, instead of just data from May - December. Maybe next year I can track how often a book is mentioned in reviews I share over time.