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Interstellar (2014)
Interstellar (2014)
I instantly fell in love with Interstellar. This is an ambitious movie that will make you think, seeks to explore emotions as well as the vast unknown, and puts the “science” back in “science fiction”.
In the future, humanity is in trouble. Food sources are running out and it’s only a matter of time before Earth’s changing ecosystem can no longer support us. Former NASA pilot Joseph Cooper (Matthew McConaughey) is enlisted in a desperate, secret mission to find a new home for humankind. A wormhole placed near Saturn by unknown beings appears to be the key to salvation. Cooper has no choice; to save his children, he has to leave them behind and travel through the great unknown.
This is not the kind of story you can casually watch. It’s not so complex you can’t follow it, but there’s a lot of material to digest. We’re talking about theories involving gravity as a force that can travel through time, different types of black holes, wormholes, space anomalies, temporal distortions and more. The scientists take the time to clarify all you need to know so you can sit back in awe. After they leave our universe, Interstellar takes us to these amazing sights, each more dazzling than the last. Remember how movies used to be about seeing wild locations and catching glimpses of other cultures across the globe? That feeling; that rush, is back. It’s like the most beautiful Hubble telescope photos you’ve ever seen, set to a brilliant score by Hans Zimmer, packed with strong performances and what feels like boundless imagination.
There’s also plenty going on emotionally in this search for a new home. Joseph is leaving Earth and his children behind for a mission that will take who knows how long. Not only will his family not know where he is; Joseph won't even know they're growing up. To conserve resources the astronauts have to go into a state of hibernation state. If it weren’t enough to literally sleep through years’ worth of human history, communication between Earth and the mission will be limited and the gravity beyond the wormhole will further distort time. It's enough to drive enough the most rational mind nuts. These astronauts are alone and burdened with the fate of the world on their shoulders but the world they know will be gone by the time their mission is over.
Every detail feels carefully selected. Every choice was scrutinized and questioned, tweaked until it complemented everything else in the film. Even now, I find myself going back and examining the characters, their reactions to the events, the technology, the situation they were all in and wondering what I would do in their place. There are some dramatic moments that don't quite gel the way they were intended to and the running time is excessive but the experience is so grandiose, so bold and inspired it all swept me off my feet.
The Best way to see Interstellar is on the biggest screen you can find, with the loudest sound system... and the subtitles turned on. There are times where the score takes over and drowns the dialogue. To ensure you don't miss anything, give yourself the option to read what they're saying too. However you experience it, Interstellar is not a journey you can easily forget. (Theatrical version in IMAX, December 16, 2014)
To those who have not heard Hans Zimmer’s work, I’ve provided a link to have a quick listen. This piece is my personal favourite from the albumn.
The harmony between the soundtrack, acting and directing in Christopeher Nolan’s film Interstllar are all what make this piece truly special.
I always love a film that pushes the boundaries of realism. When you listen to a number of soundtracks you can notice which ones were used to aid a scene (to not stand out) and which soundtracks were made to create big moments and story. Interstellar uses bold music to get some beautiful moments with the actors. It’s like the music takes control of the moment and when done correctly, it’s beautiful. In this piece you can hear when the music takes ‘control’ of the moment, and from then on I’m being taken to a place that is far more exciting than a realism scene.
So what do I mean by taking control.
When an actor’s movement and/or voice matches the intensity of the soundtrack.
An example of these connections are in the moments leading to when Dr. Brand (Anne Hathway) realises that the ‘mountain’ is in fact an enormous wave. When the team first land on Miller’s planet, you can hear the tick of the beginning soundtrack as Cooper tells the team to, “hurry up.” The soundtrack evokes more pressure from the acting and the plot. With each realisation Dr Brand has, her facial expression become more tensed and worried. Again, the soundtrack enhances this feeling by building up- you’ll see with each new realisation there is a new bar of music. This harmony comes from the perfect rhythm between all aspects of the scene.
In summary, I love the harmony in this scene and its soundtrack. Here’s a link to see what I’m talking about:
https://www.youtube.com/watch?v=v7OVqXm7_Pk&t=150s
Tip: If acting in film ustilise the use of sound and make sure that both your movement and the music are building up to the same thing. It will make the plot more coherent and exciting at the same time.
El Planeta Miller Interstellar+Solarballs
Comme d’habitude avec Christopher Nolan,INTERSTELLAR (2014) a plutôt séduit la presse spécialisée mais a divisé le grand public. Pour un budget très confortable de 165 millions de dollars, le film en a rapporté quasiment 7 00 M à travers le monde. Un beau score pour une œuvre de science-fiction qui vise avant tout le public adulte. En effet le cinéaste tente ici de rendre hommage à des œuvres esthètes comme 2 001 et SOLARIS.. inspiré des travaux du physicien Kip Thorne, l’intrigue tourne autour d’un Équipage d’un vaisseau spatial qui tente de traverser un trou noir pour découvrir des planètes qui seraient susceptibles d’être habitables par l’homme qui est en voie d’ extinction sur sa Terre. Une intrigue qui essaye de respecter les théories scientifiques sur les trous noirs et des multiples dimensions temporelles (Le temps est la thématique phare du cinéma de Christopher Nolan) qui seraient différentes suivant la densité des planètes. Malgré une certaine austérité propre au réalisateur d’INCEPTION, INTERSTELLAR est un vrai grand spectacle truffé de suspense, d’émotions intimes , de morceaux de bravoures et d’un casting (Anne Hathaway, Jessica Chastain,Matthew McConaughey, Michael Caine…) quatre-étoiles absolument parfait. Le compositeur Hans Zimmer collabore pour la cinquième fois avec le cinéaste et propose une bande originale envoûtante qui accompagne avec une magnifique alchimie les séquences de ce long-métrage.INTERSTELLAR est incontestablement une œuvre importante ! #interstellar #interstellarmovie #christophernolan #matthewmcconaughey #annehathaway #jessicachastain #michaelcaine #sciencefiction #filmculte #filmcritique #movie #geek #geekinworld #cinema #grandfilm #classique (à Paris, France) https://www.instagram.com/p/CcVqDYELSfp/?igshid=NGJjMDIxMWI=
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