A dragon needs the clouds and the wind in order to fly. What happens when we too relinquish individualistic reasoning?
seen from China
seen from China
seen from Canada
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seen from France
seen from Malaysia
seen from United States
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seen from Malaysia

seen from United Kingdom

seen from Russia

seen from Maldives
seen from China
seen from Singapore
seen from United States
seen from China
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A dragon needs the clouds and the wind in order to fly. What happens when we too relinquish individualistic reasoning?
40 Years On, Why We Don’t Know Much About Lyme Disease
As you may or may not know, Erwin Schrödinger examined not-knowing and truthfulness in what is commonly referred to as the “cat paradox experiment” (Barad, 2007, p. 275; Lindley, 2007, p. xi; Schrödinger, 1980/1983, p. 152). In this famous thought experiment, Schrödinger created the problem of a cat in a box with a radioactive source and a Geiger counter. In the course of 60 minutes, one radioactive atom may or may not be released. At the one-hour mark, the observer may actually witness a cat jump out of the box and appear to be alive and well. But is it? Direct observation does not and cannot tell the whole story.
Reactivating: Mentorship and the Archive
Text by Micaela Kwiatkowski
Household, a play by Jaime Sunwoo and Austin Jung
—AGS
CFP: Antennae journal, issue: Multispecies Intra-actions United Kingdom Deadline: Feb 1, 2014 Call for Papers MULTISPECIES INTRA-ACTIONS Quantum theories of new (feminist) materialism and multispecies worlding in contemporary art. A clock adjusted to fungal time and soap made from human and equid milk: these artworks play at the edge of possibility, sedimentations of worlds becoming. 19 artists recently responded to physicist and philosopher of science Karen Barad's notion of 'intra-action,' investigating the generative possibilities of species encounters. “Intra-action: Multispecies becomings in the Anthropocene” coincided with the 2013 Australian Animal Studies Group conference “Life in the Anthropocene” and installations exposed curious workings of refreshed conceptions about agency, justice and 'life' itself. Barad draws her core insights from her empirical research as a quantum physicist and extends theory through shared observations with biologists, ecologists, and world politics. Like Barad, “Intra-action” demonstrated the will to move beyond 'anthropocentric' and 'humanist' modes of artistic practice and aesthetics. In this issue of Antennae, several of these philosopher-artists write about the 'multispecies worlding' underpinning their practices. We invite other thinkers and artists working from these perspectives to contribute papers, interviews, and/or fictional works accompanied by high quality images from their own practices. Contributions from the related fields of 'new materialism,' 'new feminist materialism,' multispecies ethnography,' 'posthumanism,' and 'object oriented ontology' are also welcomed.
Intra-action and relational nature
I recently started to read more on feminist theory, and became particularly interested in Karen Barad's work. Her language is helping me to redefine some terms that started to give me "itchiness".
Interaction is one of these terms. I started to question whether most of interactive art is actually reactive. How many times have we entered a gallery and, by randomly walking in the space, activated some sort of digital visual effect? How many times has our touch become a synthetic sound? How many times have we frantically waived at a screen, with gestures that are not natural in any sort of human enocunter?
These experiences are, to me, artificially created by transforming the input coming from one or more senses (visual, auditory, kinaesthetic) in a synthetic output stimulating other senses.
In my opinion this approach is incoherent, because it creates a chain of reactions between different sensory experiences rather than a truly continuous feedback.
This is due, in my opinion, to our largely predominating visual culture.
'All that once was directly lived has become mere representation'
-- Guy Debord, The Society of Spectacle
We are highly disembodied and our interactions reflect this imbalance, privileging spectacular visual effects rather than more intimate engagement.
Barad's intra-actions seem to embrace what -in my opinion- has been lacking in most of new media and visual artworks.Intra-actions account for the tangible sensorial relationship between bodies (human and non human),the reaffirming of the bodily against the representational.
'What is important of intra-actions is that marks are left on the body'
-- Karen Barad (2003)
Adopting Lygia Clark's definition of her own sculptural work, artworks/objects/bodies hold a 'relational'nature, as their tangible nature draws us to them, to experience rather than to look at*.
*Borja-Villel, M. et ali (1998) Lygia Clark