Jaena Kwon (South Korean,b.1986)
Tropical Dream, 2020
Oil paint on canvas

seen from Malaysia
seen from China
seen from Iraq
seen from United States
seen from Maldives
seen from United Kingdom
seen from United States
seen from Yemen

seen from Denmark
seen from T1

seen from United States
seen from United States
seen from China
seen from South Korea
seen from United States

seen from Canada
seen from China
seen from Yemen
seen from United States
seen from Mexico
Jaena Kwon (South Korean,b.1986)
Tropical Dream, 2020
Oil paint on canvas
Jaena Kwon (South Korean,b.1986)
Summer Breeze, 2020
Oil paint on canvas
Jaena Kwon (South Korean,b.1986)
Pinkroom, 2020
Oil paint on canvas
Jaena Kwon (South Korean,b.1986)
Blueroom, 2020
Oil paint on canvas
Artist Profile: Jaena Kwon, Korea/USA| Sculpture & Painting
Facts:
Brooklyn-based artist Jaena Kwon (b. 1986) was born in South Korea and currently lives and works in New York.
She received an MFA in Painting and Printmaking at Yale University School of Art, CT and her BFA at Seoul National University, South Korea.
Her works have been shown at The Painting Center, NY; Amy Simon Fine Art, CT; SongEun Art Space, Seoul; and ING Art Project; Seoul.
Artist's studio is based in the industrial part of Sunset Park neighborhood in Brooklyn, NY.
She has received awards including 2014 Boston Young Contemporaries RGH Prize, the 2014 Carol Schlosberg Memorial Prize, and the 2008 Hwajeon Paint Award.
She has recently participated in The Studios in Mass MoCA program.
"My practice is concerned with the components of painting, the construction of the painting space, and the expansion of painting through incorporating environmental conditions. I intend to create viable painting moments as a spatial experience, heightened by the bodily movement, tactile emotion, and the viewer’s subjective involvement. I experimented with formal elements such as the surface, support, color, light, texture, and how this vocabulary composes a space. Such analytical approach investigates how paintings can implicate space beyond its surface through illusory, psychological, or emotional means. In between tangible matter and intangible effect, the intention is to weave those concepts together.
Jaena's pieces carry anywhere between 12 to 20 layers of spray paint in order to achieve a matte, velour-like texture of the objects.
Based on my background in making paper engineered models for pop-up books, my work expands on the idea of the folded paper as a medium that possesses dimensional flexibility. Layers of paper, a series of two-dimensional surfaces, can be folded and popped up into a three-dimensional form and collapsed back to its flat state.
The paper’s malleability through folding and unfolding connects to the idea of the painting’s pictorial space, a perceived dimension expanding from a two-dimensional surface of a painting. To adapt this condition without relying on the rectangular canvas, paint patches and paint layers are re-elaborated into wooden shapes. By assigning each paint layer a shape and a support backing of medium density fiberboard, the space between the paint layers become visible and the structure simultaneously exposes the layers and the process of painting."
Artist is speaking about her process in her studio in Brooklyn
For Tactile Space, her digital solo exhibition with SPOTTEART, Jaena Kwon is showcasing 20 wall pieces, ranging in size from A4 format to colossal, floor-to-ceiling shields with unique textures and creases.
JAENA KWON "Bluepoint" 2015 83" x 66" (211 cm x 167.6 cm) Acrylic on Medium Density Fiberboard
JAENA KWON "Crane" 2017 45.5" x 41" (115.5 cm x 104 cm) Acrylic on Medium Density Fiberboard
JAENA KWON "Dimple" 2017 23" x 25" (58.4 cm x 63.5 cm) Acrylic on Medium Density Fiberboard
JAENA KWON "Ribbon" 2015 95" x 96" (241 cm x 243.85 cm) Acrylic on Medium Density Fiberboard