Devotions (1983) // dir. James Broughton, Joel Singer
seen from Poland
seen from United States
seen from United States
seen from United States
seen from Malaysia
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seen from Malaysia
seen from France
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
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seen from United States
seen from United States
seen from Canada
seen from Canada

seen from United States
Devotions (1983) // dir. James Broughton, Joel Singer
The Pleasure Garden, 1953, James Broughton
The Potted Psalm (1946)
Practically speaking cinema is: putting images together in various musical measures. Editing is the music of cinema, as music is the architecture of time. Editing gives film its form, notation, counterpoint, development, pace, syncopation and style. Such an alchemy should be spared the censorious term of Editing. The art is that of Composing. To edit film is to compose eye music. When you edit do you know what key you are in, what your signature is, what your measures are?
James Broughton, Seeing the Light
Four in the Afternoon (James Broughton, 1951).
James Broughton, November 10, 1913 – May 17, 1999.
With Joel Singer. Photo by Robert Giard.
JAMES BROUGHTON "Afternoons in Ceylon I"
Luncheon had made us hungry for one another After the curry and fried bananas we added our own heat to the hot afternoon simmering in sweat and coconut oil as our two humidities rose high higher Bang! outside the window Bang!Bang! and the houseboy’s laughing shout
He had been tossing firecrackers at the roof to dislodge itinerant pigeons But at his feet had fallen a passing oriole shocked into gape beak ajar Hurrying from the bedroom half-saronged we saw him kneel to the yellow bird fondle cajole kiss it offer it back to the day Still it sat rigid in his hand
Chuckling then you said Is this a golden trophy of our shooting match? At which the oriole blinked stretched and puffed spurted into the air vanished beyond the pawpaw tree
Testament di James Broughton