DAVID LYNCH
I always say, the film is the thing. The film is the thing. It’s the film, the language of cinema. You work so hard and the second it’s finished, people want you to change it back into words.
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DAVID LYNCH
I always say, the film is the thing. The film is the thing. It’s the film, the language of cinema. You work so hard and the second it’s finished, people want you to change it back into words.
ISAAC ASIMOV
When stupidity is considered patriotism, it is unsafe to be intelligent.
That thing when you win the internet for the whole year and it's only the end of June.
CHARLES BUKOWSKI Every man is afraid of being queer. I get a little tired of it. Maybe we should all become queers and relax.
Playing
Grupo Cinco Siclos SONES DE SEFARAD
CARSON MCCULLERS The Heart is a Lonely Hunter The people dreamed and fought and slept as much as ever. And by habit they shortened their thoughts so that they would not wander out into the darkness beyond tomorrow.
Daily Painting
Palmer Hayden THE JANITOR WHO PAINTS (1937)
Playing
Thibaut Garcia ARANJUEZ Ben Glassberg Orchestre National du Capitole de Toulouse
ALBERT CAMUS
Accepting the absurdity of everything around us is one step, a necessary experience: it should not become a dead end. It arouses a revolt that can become fruitful.
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Paul Klee GAY REPAST/COLORFUL MEAL (1928)
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Dominic Fike SUNBURN
DAVID LYNCH
I hate slick and pretty things. I prefer mistakes and accidents. Which is why I like things like cuts and bruises - they’re like little flowers. I’ve always said that if you have a name for something, like cut or bruise, people will automatically be disturbed by it. But when you see the same thing in nature, and you don’t know what it is, it can be very beautiful.
Daily Painting
Vanessa Stockard SATAN TAKING A BREAK FROM HATE CRIMES (2022)
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BULBBUL Anvita Dutt India, 2020
When Milli Vanilli minus either Milli or Vanilli pull out and a child rapist is all you have left.
Creator unknown to me.
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Tom Waits BAD AS ME
ALBERT CAMUS "The Artist and His Time"
One word more. This undertaking, I know, cannot be accomplished without dangers and bitterness. We must accept the dangers: the era of chairbound artists is over. But we must reject the bitterness. One of the temptations of the artist is to believe himself solitary, and in truth he hears this shouted at him with a certain base delight. But this is not true. He stands in the midst of all, in the same rank, neither higher nor lower, with all those who are working and struggling. His very vocation, in the face of oppression, is to open the prisons and to give a voice to the sorrows and joys of all.
This is where art, against its enemies, justifies itself by proving precisely that it is no one's enemy. By itself art could probably not produce the renaissance which implies justice and liberty. But without it, that renaissance would be without forms and, consequently, would be nothing. Without culture, and the relative freedom it implies, soci-ety, even when perfect, is but a jungle. This is why any authentic creation is a gift to the future.