The surprise minor success of Dead Winter Dead was enough to convince Jon Oliva and Paul O’Neill that Savatage had finally found its niche as an overblown and near-symphonic conceptual outfit given to occasional metallic flourishes. As a result, The Wake of Magellan doubled down on the idea by packing in two distinct narrative threads over bombastic rock and even more bombastic vocals. However, as tracks like “Morning Sun” illustrated, there was a little more crunch and bite this time around, since Chris Caffery and Al Pitrelli’s guitars were both more chugging and higher up in the mix than Oliva’s keyboards, while Zachary Stevens bellowed O’Neill’s melodramatic lyrics with metallic conviction. There was still the froofy intro with borderline Opera Man whispering, but things kicked into gear once the guitars and Jeff Plate’s drums got to work. “Morning Sun” was pretty much as heavy as Savatage was going to get at this point, and while it was a far cry from The Dungeons are Calling or even Edge of Thorns, it at least showed that the band could play good metal when so inclined.