#jelson

[simulationcowboy]

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[secondindustrialrevolution-blog]

Maria Fumaça na Estação de Paranaguá.

[secondindustrialrevolution-blog]

Avanços Tecnológicos

A Segunda Revolução Industrial é marcada pelas evoluções tecnológicas. Tendo sua maior sustentação no contexto de energia as máquinas movidas a carvão. Muitas destas eram gerenciadas pelos donos dos meios e capitais. A maioria das grandes evoluções épicas derivou de experimentos científicos.

O período marco da Segunda Revolução Industrial e destes avanços foi o século ΧΧ. Foi impulsionada pela descoberta de combustão de carvão e rodas d’água para gerar energia capaz de mover um trem.

Principais Avanços da Época: Os setores que mais cresceram foi o de transportes marinhos e terrestres.

·         O Barco a Vapor: Tinha como principal fonte de energia o carvão.

·         Maquina de Tecer: Seu objetivo era, assim como as maquinas de costuras já existentes na época, fazer roupas para operários.

·         As Polias: Serviam para fazer moinhos e rodas d’água (inovando nas áreas de mecânica, transportes e outras áreas.).

·         Moinhos e Rodas d’água: Tinham como objetivo de gerar energia renovável.

·         Maria Fumaça: Com o mecanismo mais avançado da época, seu intuito era transportar cargas e pessoas. Era movida a carvão.

[thesinglesjukebox]

JELSON - KISS YOU [5.75] A kizomba artist wanders into a sea of comparisons...

Jonathan Bogart: Kizomba is an Afro-Portuguese dance music, defined largely by stuttering rhythm triplets, like a ballad form of reggaetón but more closely related to the Franco-Afro-Caribbean zouk. This is the song that made kizomba click for me, but it's not a great kizomba song. Jelson is too thin-voiced and breathless, too Drakelike, to really carry the lush romanticism of the music, and his Portuguese and English accents are both pretty bad. But there's some gorgeous production, and the video is very shiny and pretty. [7]

Thomas Inskeep: To my Yankee ears, kizomba is kind of Angolan salsa: very slow-hip-grindingly-sensual. "Kiss You," sung in both English and Portuguese, essentially comes off as the b-list boy-band version of kizomba; your mileage may vary. [4]

Katherine St Asaph: Moombahton Savage Garden in an underwater level. Which is a: [6]

Anthony Easton: Giorgio Moroder production meets contemporary R&B. It becomes less interesting as the work speeds up, crowding out the minimal production of the earlier, more glacial synths. Minus a point or two for how off-beat the vocals are, and how flat they seem. [4]

Ramzi Awn: Properly muddled R&B is hardly a bad look, and Jelson commits to "Kiss You" deftly. The fact that it sounds like it was recorded in a submarine doesn't hurt, either. [6]

Brad Shoup: It's a wonder he can kiss anybody, let alone find them. The half-speed synths emit a fog; the percussion limps across the floor. Jelson sings as if in a dream: airily, oblivious to the closing synth riff that could buttress a whole other song. [7]

Maxwell Cavaseno: Has the summer sheen and slink of "Ramping Shop" at times, with the intro out of the sort of wistful eurotrance that Araabmuzik used to mine and Mustard's occasionally dabbling in. Jelson's vocal is soft and cozy, but also lacks a willingness to really break through the texture of the record. Baby C, however, could have a future in crafting the sounds of yearning. [6]

Patrick St. Michel: A really nice bit of woozy seduction that never really gets to the good part. [6]

[Read, comment and vote on The Singles Jukebox ]

[jonathanbogart]

Jelson, “Kiss You” (2015)

My last world-traveling pop-music video for the day is from someone whose nationality I don’t know, because his social-media profile is that new, but it’s mostly in French. This song, though, is in Portuguese and English, a canny move toward the global kizomba market, with production that sounds like it’s heard an M83 song or two. I really like it.