“Since marrying into the royal family, Jane Seymour had always been magnificently dressed. Even the dolls which Queen Jane liked to collect were expensively clothed, one in ‘gown of white doth of silver and a kirtle of green velvet ... [and] two little [doll] Babies, one in crimson satin and one in white velvet’, although when Katharine and Anne Bassett curtseyed before her in September 1537, the Queen had made a concession to her comfort and her health, with her stomacher unlaced as she entered the final month of pregnancy. On the subject of clothes, at the sisters first audience with her, Queen Jane made clear her disapproval at the Gallic cut of French-educated Anne's gown. The remark was subsequently exaggerated into a claim that, as queen, Jane Seymour waged a sartorial campaign against the French fashions favoured by her predecessor who, like Anne Bassett, had been educated in France. Specifically, Jane allegedly banned the French hood - a round headdress that curved around the back of the head with a veil flowing down behind it - which an unverifiable tradition holds was popularised in England by Anne Boleyn. According to the traditional story, Jane pettily insisted that the ladies of the court favour the more conservative English gable hood, the style of headdress worn by Queen Jane in all her known portraits. Henry VIlI's surviving inventories, however, list French hoods owned by Queen Jane, including one decorated with emeralds. It therefore seems unlikely that Oueen Jane ever banned the French hood at court, but some other unspecified element of Anne Bassett's outfit seemed inappropriate to the Queen. On such a detail, Katharine Bassett might have emerged as the Queen's new maid of honour, but it was not to be; once again, Anne proved the favourite. Jane wanted the younger Bassett to serve her. Katharine would have to be found a place elsewhere or go home. Conscious of how expensive new clothes were, the Queen said that Anne could wear out her current dresses - only afterwards should her mother commission clothes for her in the English style.”
— Gareth Russell, The Palace












