유르겐 슈탁, 침식 - DMZ, 모래에 프린트 (46×66cm), 베이스 스피커, 사운드-루프, 55×50×70cm, 2019/2024.
Juergen Staack, EROSION – DMZ, print on sand (46×66cm), bass speaker, sound-loop, 55×50×70cm, 2019/2024.
seen from United Kingdom

seen from Canada

seen from Japan

seen from Japan

seen from United Kingdom

seen from China

seen from Japan

seen from Japan

seen from Sweden

seen from Chile

seen from Bangladesh

seen from Japan
seen from China

seen from United Kingdom
seen from United Kingdom
seen from United States
seen from United Kingdom
seen from United States
seen from United Kingdom

seen from Singapore
유르겐 슈탁, 침식 - DMZ, 모래에 프린트 (46×66cm), 베이스 스피커, 사운드-루프, 55×50×70cm, 2019/2024.
Juergen Staack, EROSION – DMZ, print on sand (46×66cm), bass speaker, sound-loop, 55×50×70cm, 2019/2024.
유르겐 슈탁 JUERGEN STAACK
기시 - 이십연간 Déjà-vu – 20 Years (2015–2035)
초대장, 아연큐브 330×300×350㎝, 나무화판 244×244㎝, 분홍공장에 설치됨
invitation card, zinc cube 330×300×350㎝, wooden board 244×244㎝, installation at Pink Factory
분홍공장 가는 길목에 설치된 거대한 카메라 옵스큐라에는 외부 풍경이 그 큐브 전방 중앙의 미세한 구멍으로부터 안에 있는 나무 벽에 거꾸로 도치되어 영사된다. 초대장은 2035년까지 20년간 흐르는 ‘보이지 않는’ 이 풍경 이미지에 대한 상연을 기입하고 있으며, 또한 20년이라는 예술의 시간을 관람객의 삶의 시간으로 도입하고자 한다는 점에서 과감하다.
The artist erected a huge camera obscura on the way leading to Pink Factory. Through a microscopic hole, the exterior landscape is projected upside down on a wooden wall inside the cube. The invitation for the opening in 2035 promises not only a visual record of the changing scenery around the camera over twenty years, evoking an “invisible landscape” in time, but also relates twenty years of the spectators’ personal lifetimes to the art work.
360° view at the exhibition in Konrad Fischer Galerie
pink factory artists on show
Juergen Staack 유르겐 슈탁
in the 3-person show Thomas Ruff, Hans-Peter Feldmann, Juergen Staack @ Konrad Fischer Gallery, Düsseldorf (until May 15, 2015)