Uuuuuuuuu the TWEWY AU in my head remains peak. You all need to play TWEWY so you intimately understand what I mean when I say Kanade as the Composer of Shibuya, and Rui as the Conductor. Arbiters of life and death, a purgatory to weigh the souls of the deceased, offering a second chance at life or residence in undeath for those who can seize it. A fundamentally benevolent yet nonetheless cruel death game. I wish I could beam into your mind how perfect the role of Composer is for Kanade as it exists in my mind. Like even just how most of the cosmology of TWEWY is music-based, the role being called Composer, a sort of angel-like existence at the throne of the underground, straddling life and death, isolated and bearing the burden of responsibility for the feelings of a whole ward, inseparable from the ward itself, a mirror reflecting itself, her desire to save herself by saving others creating a populace that can only think of being saved by someone else, recursive despair.