Volume 22 Extras
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Volume 22 Extras
Volume 21 Extra Page and Back Cover
Seaweed crab/Japanese mitten crab. I don't really see the resemblance.
(So Messar's line about being seaweed doesn't make much sense, but in Japanese the crab's name is literally "seaweed scraps" or "seaweed scum." Kani is saying that he looks like scraps ie. an unwanted toy after his seams get ripped apart. Messar responds to that by saying that they're able to protect what's important to them because they're both scraps/scummy/expendable/however you want to put it. It's a callback to the debate about who should go to rescue Tonari and Bon, which was basically an argument about who was the most disposable.)
Chapter 171.2 Rough Summary
As a reminder, I won't be translating the chapter this week. But since the official release won't come out until Wednesday, I thought I would do this for anyone who can't wait.
Chapter 166.2
The doll is laying back in a chair like the nameless boy during its first appearance.
The person with the blindfold also first appears in a chair. The all-white lighting of this scene and the way they struggle forward are also reminiscent of when Fushi first used the nameless boy's body and struggled to move in it.
And then the poses in these panels also mirror each other. Just a guess, but this person is probably the reason the doll is so determined to become human, just like the nameless boy was for Fushi.
Chapter 170.4
My favorite thing is when I say something and am proven dead wrong a week later. I know there's an easy solution to this and it's to stop trying to predict immediate plot points, but I can't help it. It's my forbidden fruit.
OK, like.... to be fair to myself it's still possible that she was still drugged because I can't think of any reason why she would have had to fake that. As a distraction so they could escape, maybe?? But she seemed a bit annoyed that everyone left. The more interesting thing is how she was able to escape so casually. No one was worried about her at all, they knew she would have no trouble getting out... But I could be embarrassingly wrong again, the details will be ironed out eventually.
The name "Anton" really doesn't fit him... it'll take a while to get used to. Going forward, I'm curious to know if Kaibara will let him become an employee despite the fact that Tonari's now gone or if they'll make him redeem himself first.
Side note: I love that Ooima insists on continuity for the stupidest things. The bird microphone was just a joke so that Bon could act like a celebrity being swarmed by journalists in a time period where microphones weren't invented yet and it's still here....
FnAe is a Very Serious Drama.
#169 "Human Choice (1)"
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Read To Your Eternity Ch. 169.1 "Human Choice (1)" on MangaDex!
Chapter 167.2
I completely forgot about this until just now. Literally less than an hour before posting it. I've just been so distracted by this week's anime episode (so fucking good), but we're good now. It's fine, everything's fine.
Kaibara Cybernetics has the same symbol as the Defense Corps., who took it from the Bennett/Zumla/Monjo church trifecta. I hope we'll get to see how the company originated during the five hundred year time skip. It's almost certainly connected to the Defense Corps. in some way, but how? The name Kaibara is also completely new. Mizuha moved their operations overseas, but Kaibara is a Japanese name (the real world equivalent of Yanome).
The triangle has always symbolized a united faith in god. For Kaibara to em-blaze a giant version of their symbol in onto the sky, it's like they're saying that the god everyone has faith in is them. Once again struggling to not make any comments about capitalism.
The doll holds onto Kanitarou's insinuations, even thought they put their argument aside after Kanitarou gets stuck under the train. It's hard to tell if the doll's insecurities about being worthless even as a toy, and Kanitarou looking down on it are going to be fleshed out later or are only for comedic purposes.
Building off of that, even though Kanitarou takes a "caretaker" position with the doll like he's supposed to with children, and has access to more information than she does, the doll has more emotional intelligence that he does. Which isn't saying a lot, since Kanitarou refuses to even recognize that he has emotions, but it's still gonna be fun to explore.
Like in this scene, the doll expresses compassion for Kanitarou, and on the very next page he snaps out of it. Even if his program is causing him to be this melodramatic, he was still stuck indefinitely, and told the doll to leave him there. And the doll recognizes that that must be painful to reckon with when Kanitarou himself doesn't.
It's a bit sad that the doll expects its life to flash before its eyes while it's dying, another stereotypical "human" experience, but all it sees is the ramen it ate in Chapter 166.1. Because that's the only meaningful memory it has.