#kate waters

[huariqueje]

 Twill   -   Kate Waters, 2015.

Canadian, b.1964  -

Ink on paper mounted on Dibond, 55 x 75 cm.

[noattu]

Siempre que ha querido algo, lo ha tomado sin que le importaran las consecuencias, sólo porque creía merecerlo.

Emma, "La madre" de Fiona Barton.

[shakespearenews]

Fight director Kate Waters: ‘Gratuitous violence doesn’t interest me’

Kate Waters – or Kombat Kate – is one of the most respected fight directors in UK theatre. She explains how to make stage violence look real, and why the industry needs to open up to more talent

Waters herself had to learn on the job. Her first professional production as a fight director, outside of drama school, was Coriolanus at Bristol’s Tobacco Factory in 2001. It was then that she worked out an approach that has served her well ever since.

“I remember the fight between Coriolanus and Aufidius,” she says. “I remember it being quite exciting. I remember the relationship I had with those actors and how special that felt, and how much they loved doing the fight. I discovered that what I was good at was guiding actors to the end result.”

[huariqueje]

Leicester Square  -   Kate Waters, 2011.

Canadian, b.1964  -

Ink on paper, 117 x 98 cm

[huariqueje]

It was never mentioned   -   Kate Waters, 2015.

Canadian, b.1964  -

Oil on canvas,60 x 60 cm.

[huariqueje]

The Last of its kind   -   Kate Waters, 2018.

Canadian, b.1964  -

Oil on canvas, 130 x 180 cm.

[huariqueje]

Ink 4   -   Kate Waters, 2006.

Canadian, b.1964  -

Ink on paper,75 x 106 cm.

[shakespearenews]

1.6K views · 33 reactions | How do you make an entire audience wince in perfect unison? Kate Waters (Fight Director) has the secret. Spoile

How do you make an entire audience wince in perfect unison? Kate Waters (Fight Director) has the secret. Spoiler Alert: It starts with a he