seen from Australia
seen from Vietnam
seen from Netherlands
seen from Italy
seen from Belgium
seen from Russia
seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from Germany
seen from Norway
seen from United Kingdom
seen from Russia
seen from Philippines
seen from Russia
seen from Dominican Republic
seen from United States
Public Service Announcement: No matter how well-intended or how much writers assert they know how a character ticks, when the character is played by a person of color, they are usually the experts about the subtleties and nuances of the character and not the writer.
Sandra Oh proves this to be so. When the writers room includes no people of color, this becomes a near-certainty.
Cute killer looking cute even when not killing.
Sometimes color is overrated.
We’re going to Alaska! (illustration by whaletang @ Instagram)
Then...
...and now.
Legendary villaneve scene with alternative continuation (illustration by prianikn_ke)
When you know you’re the hottest thing on two legs in the whole damn room.
The smooth slope of the nose. The chilly inhumane blankness of the look. The ivory chiseled cheekbones. The swept-back dirty blonde hair. The utterly unapproachable distance of Villanelle the Perfect Killing Machine. Yet there are slight imperfections such as the three small moles clustered around her left eye which serve as a reminder there are flaws in the flawlessness that is Villanelle.
The sort of flaw that an Asian woman with amazing hair broke through the facade and saw something more than an amazing assassin.
Saw someone deserving of being trusted. Saw someone to love.
Which makes Villanelle human. Which makes her want. Which makes her want Eve.
