#killing machines

[spoofsyappercentral]

KILLING MACHINE/LIVING WEAPON TURNED PARENT!!! KILLING MACHINE WITH ESTABLISHED PURPOSE HAS ADOPTION OF ANOTHER LIFE FALL INTO THEIR LAP!!! THEY CARE NOT AT FIRST, BUT ONCE THE THING GETS IN DANGER THEY FEEL THE NEED TO PROTECT AND HELP IT. THROUGH THE THING THEY BREAK FREE OF THEIR ESTABLISHED PURPOSE AND FIND HUMANITY WITHINNTHEMSELBESS!!! KILLING MACHINE TURNED PARENT KILLING MACHINE TURNED PARENT KILLING MACHINENTURNED PARENNT!!!!

DESPITE THEIR WEAPONRY AND DANGEROUS CHASSIE/EXTERIOR THEY ARE SOMEHOW SOFT AND GENTLE TO THEIR ADOPTED CHILD. THEY TRY THEIR BEST TO CARE FOR IT, AND IN TURN USE THEIR WEAPONS TO KEEP THEM SAFE.

[monidrawsstuff]

Just try to implicate espio in anything when he's got a giant crocodile ready to jump at his defense.

[evilhorse]

Good mothers don’t program their children to become killing machines.

[saltchurch]

watching The End again and going insane LOVE how one of the first establishing scenes transcends expectations by first leaning into them. like YES, someone will come save you in the knick of time and LOOK they're dressed in military camouflage and how the average american viewer (especially in 2009, especially their target audience) is going to trust and take that as a sign of salvation but then IMMEDIATELY they rescind that offer and you're wondering, with those bullets spraying everywhere and with all the carelessness and flamboyancy of Do You Love Me? (do you love me?): Are they going to kill dean? They are! they don't care, they don't care and its hopeless! and thats what it's all about. because in the end, it's all about the bitter and faithless truths of American Hero

[armandyke]

thinkin about.. these undead bois

[redleafhaiku]

The killing machines 

are at it again, doing 

their killing, killing. 

🍁 Red Leaf Haiku by © John Clark Helzer

[drawnsnake]

Face her army of killing machines

[the-geeky-truth]

Friendly reminder that – in the novel – when Thresh defeats Clove, Cato actually answers to her screaming for him. That he arrives at the clearing. That he finds her there, on the ground, dying. That he begs her to stay with him.

That. He. Begs.

Cato, the most intimidating, dangerous, brutal career tribute of the 74th Hunger Games, who is unlikely to ever even ask anyone for anything, begs Clove to stay.

And it’s no use. She won’t stay. She’s already leaving. She won’t come home with him. He’s too late. He can’t save her.

After all, he’s never been a saviour.