Prog-Doom Trio APE VERMIN Blast New EP, 'Arctic Noise’
~Doomed & Stoned Debuts~
By Billy Goate
Album Art by Steven Yoyada
One of the most impressive release years on record was 2018, when all the big dogs of doom dropped new albums. It was a tough year for a fledgling band to make its big splash, but somehow APE VERMIN made us all turn around and take notice, birthing a massive full-length debut 'Sonic Monolith' (2018) -- still a favorite among doomers. Now, we herald the return of the North Carolina heavyweights with an extended play record, 'Arctic Noise' (2021).
Having already crossed the 2-3 year threshold that seems to either make or break many a promising band, Ape Vermin seem here to stay as they near a half-decade together. Originating in 2017, Brett Lee (guitar, vox), William Deal (bass), and Charlie Burleson (drums) dub their style progressive doom. Through firmly grounded to the storied tradition of deep, reverberating doom, these guys are explorers who like ancient man simply are searching for new horizons.
“Our records are stepping stones for us,” frontman Brett Lee states. “We put our heart and soul into them and where Sonic Monolith had a very drone-type feel with an avalanche of groove, this new EP is a little more over the edge, and more melodic at times. We wanted this EP to represent the celebration of echo, death, and rebirth.”
Based in the small town of Valdese with barely 5,000 souls to speak of and nestled near the Catawba River 'neath the looming mountains, Ape Vermin have developed a club weilding style that's also surprisingly spiritual. Their bio depicts their artful style as comp[ose of "juddering riffs, thundering drums and otherworldly concepts that underpin the sheer mania of their music, along with hypnotic riffs and nimble fretwork" which gives"genuine virtuosity to the sonic vistas they create." That, my beloved Doomers & Stoners, I can firmly endorse.
And now to the record before us. We first encounter on Arctic Noise a song called "Megaliths Of Echo." Warping pedal effects and feedback are interrupted by a declamatory guitar lead accented by bass and drums, establishing our main theme. If you listen carefully, a story is being told in the music alone. Chugging riffage erupts with a stampede of rhythm bringing us caveman-like grunting, "Arctic Drone! Asteroid Explode! Shadow! Behold! Echo! Unfold! Astral Fate, Colossus Awake!"
Something momentus has happened, and suddenly the mood shifts down to a Cathedralesque riff that reminds me of that chilling moment on "Tower of Silence" when Lee Dorian announced, "The circle of time has stopped...sun no longer shines." And we're but five minutes into this gigantic near 17 minute slab of ice core.
Fire in the arctic! To celebrate this guilt. We've been surrounded, By the ice! We've killed the martyr, to set free this realm. We've been surrounded, By the ice!
Fire in the arctic! We've been surrounded! We've killed the martyr! The stone has fallen!
It's clear that someone's doom has come. For a moment, you can see it in your mind's eye, perhaps a churning in the gut, as the Neanderthal DNA still abiding inside has a sudden flashback to this momentous day in prehistory. What is happening? No one knows. Confusion abounds. All one can do is stand, watch in awe, and contemplate their fate.
We fade in the end, You've been holding the earth, We've been mining the sun, You will fade in the end.
I talked last night to frontman Brett Lee, who shared: "These songs were written during an intense emotional period." You can see the lyrics both describing some long ago fantastic calamity and also doubling as a metaphor for the bewilderment that comes with change and uncertainty, which all of us know far too well in recent days due to pandemic pandemonium.
Open the door, To find reason to kill, Locked up inside, For 10,000 years.
Something is encased in ice, and thawing. An ancient spirit lies within with the raw instinct for survival. It grabs us in our weakest moments and shouts, "Live, god damn, you, live!" The emotion laden writhing of the axeman seems to stir up such sentiment as I listen. Then a reminder of my own mortality.
We fade in the end, We echo.
We have such a short time to live. Our time is now. Let's attack it with the same uncouth gusto of our forebears, who struggled to survive in the ice and snow. The words of Led Zeppelin's "Immigrant Song" comes to mind in these closing minutes:
We come from the land of the ice and snow From the midnight sun where the hot springs flow The hammer of the gods Will drive our ships to new lands To fight the horde, sing and cry Valhalla, I am coming
Ancient Ruin takes the stage next, with a Near Eastern sounding motif with an attractive hook accompanied by tribal beat and voices singing in Forming The Void like harmony, "Orion." Following this is a vicious drum dominant slog and once again, we hear from our gruff caveman, who exclaims:
Fading out, Cosmic temple Riding out of this hell fear thy brother, meet thy maker Feel the darkness in my soul.
It's clear a religious ritual of some sort is underway, perhaps in response to the inexplicable disaster of the opening number.
We finish our adventure with the namesake track, Arctic Noise, which could very well serve as a Part B to the previous song. The riffage here seems more curious and wandering. A tale is told 'round a cave sheltered camp fire as cold, vicious winds blow about.
Arctic samurai, Astral vision May the arc of life BURN! Ancient avalanche echo All hail noise
I am the wretch I am the fiend Out of the void and in the machine I am the failure I am the one Out of the rapture and into the sun.
A searing solo breaks through that reminded me of one we'd hear on the first High on Fire record, only it begins feeling kind of wobbly and wounded, as if in pain. It quickly becomes seized by adrenaline and expresses itself in a confident, warm-blooded tone. I haven't said enough good things about the drumming so far, but it really shines in the second half of this song, and of course William Deal's basswork is as hearty as ever. The song ends on a cliffhanger, as if to say: "To be continued."
"I leave a lot of imagination in the lyrics," Brett told me, but dispels any notion that this is thematically linked to their debut LP, 'Sonic Monolith' (2021). He ended our conversation with an intriguing footnote: "Although deep in the lyrics in the debut album and also this E.P may you unlock what is to come next!"
Next did you say? That's something to look forward to, for damn sure! What better time than now to become a fan of Ape Vermin and revel in their dirty, gritty doom and fuzz-loaded stoner vibe!
I would be remiss were I to compliment the extraordinary album art by Steven Yoyada (who also penned the remarkable cover for our recent Doomed & Stoned in Denver compilation). Gaze upon this moment frozen in fantasy and you'll discover that it, too, has captured something of the record's soul.
Arctic Noise by Ape Vermin will be officially see the light of day on May 7th via Koloss Records (pre-order here). Fans of Conan, High on Fire, and Mastodon are you listening? Good, because Doomed & Stoned is rocking this mother in its entirety today.
Give ear...
Arctic Noise by APE VERMIN
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