I load my throat
with gunpowder & mother strikes me like a match.
— K-Ming Chang, from "Postcolonial," published in Kweli
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I load my throat
with gunpowder & mother strikes me like a match.
— K-Ming Chang, from "Postcolonial," published in Kweli
Talib Kweli's Harassment & Protecting Black Women Online
In late July, rapper Talib Kweli posted a lengthy message to his Instagram account, announcing that after 11 years, he was finally leaving T
On July 23, Kweli was suspended for “repeated violations of Twitter rules,” according to a spokesperson for the app, after he spent over two weeks in the mentions of black women who characterized his behavior as harassment. His primary target: A 24-year-old student and activist named Maya Moody, who became Kweli’s obsession after a discussion about colorism in hip-hop went left.
The suspension came nearly two weeks after Kweli began incessantly tweeting at Moody, sometimes for more than 12 hours straight in a single day. During that time, several Black women participated in a campaign to report Kweli for targeted harassment and get him suspended, to no avail.
I pray my dead speak to me // and my dead stay silent I pray my dead speak to me // and my dead say “no” I pray my dead speak to me // and my dead say ________ which I don’t hear // in a foreign language which is to say // my own
Emmanuel Oppong-Yeboah, “kra-din,” published in Kweli
I inherited hunger, popped jaw, all teeth, & father taught me how to feast.
Kemi Alabi, from “No More White Girls, or What I Learned from Father,” published in KWELI
Talib Kweli - All of Us feat. Yummy Bingham & Jay Electronica
@talibkweli @jayelectronica
DeShuna Spencer admits the idea of an online library of black indie films started from ambitions she’d admit to being “a little self-serving.”
Reflection Eternal feat. Kool G Rap - Ghetto Afterlife (Train Of Thought, 2000)