#kyozan

[fujiwara57]

Les plus belles œuvres des artisans japonais.

Assiette Kyō-Satsuma 京薩摩  signé Kyozan, potier du 19ème siècle -

période  Meiji jidai 明治時代 (1868-1912).

[fujiwara57]

Les plus belles œuvres des artisans japonais.

Vase Kyō-Satsuma 京薩摩  signé Kyozan, potier du 19ème siècle -

période  Meiji jidai 明治時代 (1868-1912).

[fujiwara57]

Les plus belles œuvres des artisans japonais.

Bol Kyō-Satsuma 京薩摩  signé Kyozan, potier du 19ème siècle -

période  Meiji jidai 明治時代 (1868-1912).

[fujiwara57]

Les plus belles œuvres des artisans japonais.

Vase Kyō-Satsuma 京薩摩  signé Kyozan, potier du 19ème siècle -

période  Meiji jidai 明治時代 (1868-1912).

[fujiwara57]

Les plus belles œuvres des artisans japonais.

Vase gourde Kyō-Satsuma 京薩摩  signé Kyozan, potier du 19ème siècle - Dimensions : 10 cm de hauteur sur 6 cm de diamètre

période  Meiji jidai 明治時代 (1868-1912).

[pgoodnight]

On Hearing This, Kyozan was Enlightened - Osho

On Hearing This, Kyozan was Enlightened – Osho

Once when he was still with his Master, Kyozan said to Isan, “Where does the real  Buddha dwell?” Isan replied, “By means of the subtlety of thoughtless thought, contemplate the boundless spiritual brightness. Contemplate it until returning to the ground of being, the always abiding nature, and its form of the undichotomous principle. This is the real Buddha.” On hearing this, Kyozan was…

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[pgoodnight]

There is no Final Destination - Osho

There is no Final Destination – Osho

Ikkyu wrote: Myself of long ago, In nature Non-existent: No final destination, Nothing of any value. He is giving you the very manifesto of Zen. Myself of long ago, in nature . . . I have disappeared in nature, I don’t know when, I have not kept a diary and I don’t remember that I was anything else at any time. Myself of long ago, in nature non-existent: I don’t find myself, I find only nature.…

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