at this point, he doesn't know what else to do. rufus has broken down to a strange level of instinct; he just keeps bringing jesse things that he feels like might help. tea. pillows. blankets. slippers. a heating pad. his very own favorite stuffed animal. one of his shirts. pajama pants. he's pacing, trying not to be too big of a bother --- but he's also worried. "you're going to get sick if you keep this up. maybe you should see a doctor? i know how you feel about pills and stuff, but..."
jesse hasn’t slept in days. // selectively accepting.
THERE ARE PARTS OF HIMSELF THAT he still doesn’t know about. Parts that hide deep within him, waiting in the confines of his tortured soul to burst through and torment him for days at a time.
Jesse doesn’t know why he gets the way that he does. He doesn’t quite know what triggers this episodes of horrible, rampant insomnia – and he doesn’t know how to stop them. No amount of companionship, no amount of soft, comfortable fabric, no amount of warmth, seems to be able to lull him into the confines of sleep. He wants to drift off, to allow himself to fall into the warm calmness of sleep and stay there forever if he can.
But every time he closes his eyes, he sees Gale – he sees that terrified man, begging for his life. He sees his head snap back against the force of the bullet, blood splattering over the potted succulents and stacks of books and papers and vinyl records that were scattered about his apartment. He hears that body fall to the ground, lifeless. He sees the blood pooling beneath Gale’s lifeless body. He can remember every fucking detail – every speck of blood on every speck of book. He remembers a shard of Gale’s skull resting peacefully against a hardback copy of Don Quixote.
When he closes his eyes he sees Jane laying beside him, vacant eyes staring up at the yellowed ceiling of his old duplex, as if she were begging a cruel and apathetic God to save her in her last moments of life. He can see her pallid face, the absolute emptiness behind her eyes. He can remember scrambling on top of her, desperate to breathe life back into her, tears falling upon her lifeless face as he begged her, begged anyone, to bring her back to him,
Come on, baby. Come on. God! Please! Come on!
No one had answered him. He lost his faith that day.
Jesse closes his eyes and he sees Drew Sharp, an 8-year-old, shot to death for being in the wrong place at the wrong time. He sees Todd, sneering down at him with bloodied knuckles, the lit cigarette between his lips bouncing as he spoke horrible, manipulative things; y’know, Jesse, this’d go a whole lot smoother if you’d cooperate. She died ‘cause you didn’t behave. You know that, right? You killed her.
He can remember the way it felt to have those cigarettes put out on his body, to writhe in pain and cry out, only to be silenced with a reminder that although Andrea was dead, her son, her 6-year-old son, was still out there. And there hadn’t been a doubt in Jesse’s mind that they’d murder him, too.
The second anyone caught wind of what had happened to him, he’d be thrown in prison instantly. There’s a rage that bubbles inside him for a reason he can’t really place at the notion that he’s sick. That he needs fixing, somehow. That it’s ever going to be possible to heal from what has happened to him.
“I’m fine,” he hisses. “It happens sometimes. I’m fine.”
The deep, purple circles surrounding his eyes say differently. He looks 20 years older. His eyelids droop and he can barely stand up straight when he needs to. His paintings are near incoherent – and they’re angry. Christ, are they angry.
“Just let me – just let me do this. I can’t see a doctor, alright? I… can’t tell you why.”