Cybertronian body language for personal my personal continuity Transformers lore.
Re-made a old cybertronian lore post.

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Cybertronian body language for personal my personal continuity Transformers lore.
Re-made a old cybertronian lore post.
New tf projects (Off Track)
Im not dead, Synergized is still in semi permanent hiatus due to various issues with the project. I have started a new transfomers project, this time animated, I won't give a release date yet but hopefully i get first episode done This winter.
It dose NOT take place or share a universe with synergized, but some common themes, and ideas did carry over to the new project, but it takes place in it own continuity and has lot different lore, characters interpretation, and designs, along with having a slightly more comedic tone.
Im intending to stay pretty tight lipped on this project, but if you would like to see more the project i post a little about it on @wireweaver under #OffTrack and #Laniakea continuity
Messy wip of the, First 3 minutes of a larger animated project i'm working, all voices dones by me, still no sound affects or music,
Cybertronian language lore
Made for my own projects and aus but free for anyone to use
In the Cybertronian language, instead of having combinations of sounds to create meaning, every sound has a distinct meaning, with even the slightest change in pitch altering the word. It's a language humans could never understand because it requires hearing sounds and slight differences in sound that human ears can't recognize. That's why cybertronian names are usually words or combinations of words, because sound-based names, with no set meaning, would not work in their language. Cybertronian Language is significantly faster and more efficient than any human language and is slightly less prone to Miscommunication. But to a human, the Cybertronian language sounds like a nonsensical mix of random noises, chirps, beeps, and clicks — a strange alien bird's song, often sung at pitches painful to human ears.
The cybertronian language functions with several different types of tones, Mainly context tones and concept tones. Concept tones express, well, concepts and ideas, the closest thing the Cybertronian language has to words. Context tones give concept tones their context, including tense, referring to self or others, age, length, the number of something. It's a tone played on top of the concept tones. For example, a context tone would be used to distinguish Ratchet the cybertronian from a ratchet the object. Several context tones are usually layered on top of every concept tone, giving them a clearer meaning. The Cybertronian language is monotone so the ways tones are sung will not change based on emotion, its always a consistent pitch and sound.
Instead of using emotions in voice to indicate how the other speaker is feeling, it is done through reading each other em fields. all emotional context coming from body language and energy signals. But this also causes problems for long-distance communication most dedicated communication devices have field transmitters to mimic the other parties' field pulses. While things like coms, and non-cybertronian based communication methods often don't have this, so many bots on earth have started switching to human languages and human tonal emotional indication over coms when they need to convey a strong emotion without em fields.
Cybertronian vocalizers are highly adaptable, made to produce a wide variety of sounds, allowing them to speak human languages without requiring any form of modification. Thought that's also why cybertronians always have that metallic tinge to their voice. Though their vocalizers can speak human languages without much effort, they were not designed for it similar to a parrot being able to say human words
Although it is impossible for humans to learn Cybertronian spoken language, it is possible for someone to learn to read the Cybertronian written language. The cybertronain langue is a logographic written on a stave similar to music notes. The primary concept glyph at the bottom or left side, if read horizontally with context tone placed on layers of relevance, the most relevant context tone is written closer to the concept tones. But if two tones are of equal importance, then usually the more novel tone goes closer to the concept tone and will be lower/farther left on the stave, while more common ones are usually higher/farther to the right through the order of the context tones can be written out of order and still understood this is considered improper.