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This research project explores the experience of listening as it relates to the practice of field recording. It develops an emergent theoretical framework, called ‘the listener’s listening’ - an approach to listening rooted in affect that reflects the agentive and creative capacities of the listener. A subsequent listening condition is examined which explores the relationship between the listener and the recording technologies on which they rely to capture a field recording. The ‘listener’s listening’ proposes that any listening undertaken during the completion of field recording must be engaged and conscious. It also proposes this listening to be agentive, in that it is temporal and rooted in the artist’s creative engagements in place and time. This necessitates a participatory approach to the experience of audition that engages the artist’s social and cultural milieu. The project uses this theoretical lens to ask the key question: what experiential elements are involved in conducting and completing a field recording?
🎶 Weeklistening ______ ( I'm honestly don't have a time for the all new releases) _____ 🌒 #Aidanbaker #Youareallatonce #thebit @aidanbakermusic ➡️ I definitely like all the author's albums. "The bit" is very cinematic, I put it on repeat - very soft and at the same time diverse canvases. "You are all at once" is an atmospheric release, light and quite simple. All the works of the author r sincere, and pleasantly dissolve in our everyday life. ______ 🌓 #LawrenceEnglish #observationofbreath @room40shoots ➡️ Title matches content. The best drone release of the last year, as I said. It combines everything in the best traditions of the genre: canvases woven from different frequencies, from the lowest to the highest, r harmoniously intertwined like waves. Waves that a huge organism generates with its breath. ______ 🌔 #williambasinski #lamentations @musex1 ➡️ For the last year I've been diving deeper and deeper into drone/ambient aesthetics. This author is one of the examples when you, as a listener, want to get lost in reality and lose all thoughts, leaving only sensations. ______ 🌕 #danielmenche #vestige @danielmenche ➡️ Pretty formed anxiety. Compared to earlier works such as "Cave Canum" or "Sleeper" which carry the natural flow of things and look like a stratum of matter, then the latest work is a staged performance. The performance gradually takes you into its lingering narrative, where everyone will find something of their own in their feelings. I found there the play of light and shadows, the interweaving of good and evil, and the trace (vestige) of human thought left on matter. ______ #weeklistening #musicofaweek #music #musicreviews #reviews #playlist #playlistening #meditate (at Life) https://www.instagram.com/p/CbmmCb_rwjU/?utm_medium=tumblr
Machinedrum, Cold Cave, Lawrence English And Many More Honor Genesis P-Orridge
https://music.mxdwn.com/2020/03/16/news/machinedrum-cold-cave-lawrence-english-and-many-more-honor-genesis-p-orridge/
#lawrenceEnglish #robot08
GROUPER + LAWRENCE ENGLISH -- 'Wake'
Cracked Actor continue to blur the lines between experimental pop, ropey indie rock and smudged electronics on their daydreamy debut album Iconoclast.
The Canberra quartet was founded by singer/guitarist Sebastian Field, whose own tastes encompass both Flying Lotus-style inclinations as well as more traditional guitar-based songwriting – so it comes as no surprise that
Hitting the halfway point of 2014, a dozen of our writers have chimed in with their top three Australian music things – whether gigs, songs, albums, videos or whatever – so far this year. (Although Max cheated.) Teeth & Tongue and Dave Graney photos by