Lee Lozano untitled, 1961

seen from United States
seen from Netherlands

seen from United States
seen from Germany
seen from United States
seen from United States

seen from Kyrgyzstan

seen from United States
seen from Israel
seen from Brazil
seen from Canada
seen from South Africa

seen from Russia

seen from United Kingdom

seen from United Kingdom
seen from United Kingdom

seen from United Kingdom
seen from China

seen from United Kingdom
seen from Kosovo
Lee Lozano untitled, 1961
No title, Lee Lozano, 1963, MoMA: Drawings and Prints
The Judith Rothschild Foundation Contemporary Drawings Collection Gift Size: 17 1/2 x 11 3/4" (44.5 x 29.8 cm) Medium: Pencil and crayon on paper
http://www.moma.org/collection/works/96563
Untitled, Lee Lozano, c. 1962, Harvard Art Museums: Drawings
Harvard Art Museums/Fogg Museum, Margaret Fisher Fund © Estate of Lee Lozano / Hauser & Wirth Size: 22.1 x 28.5 cm (8 11/16 x 11 1/4 in.) Medium: Crayon and graphite on beige wove paper
https://www.harvardartmuseums.org/collections/object/5367
Lee Lozano: Slip Slide Splice Available at www.draw-down.com This book accompanies an exhibition of work by American artist #LeeLozano at the Fruitmarket Gallery in Edinburgh. A major figure in the New York art scene of the 1960s and early ’70s, Lozano took a radical approach to art and life. Her systematic refusal to engage with the institutions and support structures of the #art world led to her work being neglected and gradually less well known, but recently this has begun to change. By bringing together paintings, drawings, language pieces, and notes on making paintings that have only just come to light, the book furthers the reassessment of her oeuvre. Included is a new essay (“Lee Lozano's Erotics of Information”) on Lozano’s work by curator and contemporary art critic Helena Vilalta. (at Edinburgh, United Kingdom) https://www.instagram.com/p/ByofaLjHfU_/?igshid=1uttjg7hfyutb
NEW IN THE BOOKSHOP: TEXTE ZUR KUNST ISSUE No. 108 / DECEMBER 2017 "IDIOM - LANGUAGES OF ART" (2017) - "In art historical and art critical texts, the concept of “idiom” – an expression or mode of speaking that cannot be translated – is frequently used, even if it is rarely spoken of as such. TZK issue 108 explores how the idea of “idiom” might allow us to coherently engage with art's disparate materialist and iconographic connections at a time when the vitality of historical Western-centric cannons are fading (see: Documenta 14) and the traditional relations within and among artistic systems are ever less self-evident. The "Idiom" issue of TZK asks: What languages does art speak?" - Available via our website and in the bookshop. - #worldfoodbooks #textezurkunst #leelozano (at WORLD FOOD BOOKS)
lee lozano
Lee Lozano
Untitled (Tool), Lee Lozano, c. 1963, MoMA: Drawings and Prints
The Judith Rothschild Foundation Contemporary Drawings Collection Gift Size: 23 x 29" (58.4 x 73.7 cm) Medium: Pencil and crayon on paper
http://www.moma.org/collection/works/96565