Leonardo Drew, "Number 79X," 2025,
Wood, plaster and paint on paper, in artist's frame,
19 ¹/₄ x 23 ³/₈ x 3 ¹/₂in. (48.8 x 59.4 x 8.8cm.),
Courtesy: Christie's
seen from T1
seen from Germany
seen from United States
seen from Russia
seen from Belgium
seen from Singapore
seen from T1
seen from China
seen from United States
seen from Singapore
seen from Singapore
seen from China
seen from T1
seen from United States
seen from Malaysia
seen from China
seen from Malaysia
seen from United States
seen from Malaysia
seen from T1
Leonardo Drew, "Number 79X," 2025,
Wood, plaster and paint on paper, in artist's frame,
19 ¹/₄ x 23 ³/₈ x 3 ¹/₂in. (48.8 x 59.4 x 8.8cm.),
Courtesy: Christie's
Leonardo Drew (American, b. 1961)
Number 276 - 2020
more on abstrakshun
10.15.24 Impressive monumental show by Leonardo Drew at Galerie Lelong & co in Chelsea
Leonardo Drew, Ubiquity II, Explosive sculpture
Number 215B Leonardo Drew (American, born 1961) Wood, paint, sand, 2020
Shards of wood splinter across the walls, jutting out with ragged edges as if frozen, mid-explosion, recalling the wreckage wrought by the "natural" disasters prevalent in our changing climate.
Number 235, 2019, by Leonardo Drew (North Carolina Museum of Art, Raleigh: Gift of Pat and Tom Gipson, 2021.1)
Leonardo Drew grew up in Bridgeport, Connecticut, in a home adjacent to a massive landfill. For Drew the dump symbolized the cyclical process of birth, life, death, and regeneration. This narrative of decay and transformation is powerfully conveyed in this monumental, treelike form. Its presence evokes the aftermath of both natural and human-made disasters, the debris and disruption left behind by human impact on the landscape or by flood, forest fire, or tornado.
Blackened Plywood Shards Rupture Inside Yorkshire Sculpture Park’s Chapel in a Leonardo Drew’s New Installation In the cavernous 18th-century chapel at Yorkshire Sculpture Park, a new installation by artist Leonardo Drew (previously) explodes toward the ceiling in a massive plume, scatting shards, dust, and tiny fragments of material around the space. Titled “Number 360,” the work is comprised of blackened and painted plywood that brings chaos and destruction to the otherwise stark, quiet sanctuary. The central surge of the installation reaches five meters tall to fill the entirety of the chapel’s nave, while small paths are left clear to move through the immersive rupture. More Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Blackened Plywood Shards Rupture Inside Yorkshire Sculpture Park’s Chapel in a Leonardo Drew’s New Installation appeared first on Colossal. https://www.thisiscolossal.com/2023/03/leonardo-drew-number-360/
Leonardo Drew