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I've written you thousands of letters. Thousands. Four thousand, five hundred and twenty three, including this one, to be exact. I remember each one of them, and yet none of them say anything new. Not for me. There is no new information in them, no sudden clarity. Not a single one of them contains a revelation or solution. They repeat and repeat and repeat all that you already know.
I miss you.
I loved you.
I love you still.
And I can't ever get back to you.
If I did, who is to say where I would end up? Time has ever been a fickle thing and I have never been its master. It has allowed me, at times, to glimpse into its infinite nature, to steal a few seconds of sand from the endless beaches that are its kingdom, but I do not control it.
I am its guest, not its God.
I think about stepping backwards only to find that you are already gone. What if I stepped back too far and you are not even born yet? What if, in the act of stepping back, the fabric of our story changes?
What if this time you are the monster and you no longer see in me what you once did?
I try not to dwell on these things, I do. I try to acquaint myself with new forests and streams, new people and places and languages and histories. But this is not my home, these are not my woods. The voices that speak are never yours.
I promise I do not dwell on these thoughts for long. I have found people I care for here, and protect and guide to the best of my ability. I have tried to assemble some sort of life for myself. But there are days when I simply cannot stop myself from thinking about you. From tempting myself to just try. To see if there is a path back to you, even for a short while.
I hope that wherever you are at in time, you are safe. I hope that you are dancing and laughing - it is always the way I picture you when I glance back.
I loved you. I love you still.
I always will.
Yours Most Sincerely,
L. Sunshadow, Sha’Auvrea, Sol’ba
@themadamelioness
I am writing to inform you of disciplinary action taken against your student, Mr. Aberforth Dumbledore, and to request your presence at a meeting regarding Mr. Aberforth Dumbledore.
On the twenty-first of October 1899 Mr. Aberforth Dumbledore broke a student’s nose during an altercation at Quidditch practice. The injury was promptly treated and the student and his nose have fully recovered.
He will be reinstated on the team in a probationary manner after he completes 6 weeks of detention, but until then he is suspended from all team activities and has been stripped of all priveleges and responsibilities of school prefect.
As this is not Mr. Aberforth Dumbledore’s first infraction requiring discipline, and as he has fallen into poor standing academically, a meeting with the student’s Parent Guardian and relevant faculty has been requested and has been set for 31 October at two p.m. in the Headmaster’s office at Hogwart’s School of Witchcraft and Wizardy.
Further misconduct will result in further discipline up to and including expulsion from Hogwarts School of Witchcraft and Wizardry.
We expect your owl no later than 30 October.
Sincerely
Matilda Weasley
Deputy Headmistress
Albus, Aberforth is a bright boy, and I know that it has been a difficult year, but if this behavior continues I will not be able to protect him. The fighting has gotten out of hand. He rarely attends class, even those he has shown great interest and aptitude for before, when he does he is argumentative and sullen, and I have not seen a single assignment from him all term. I want to help him, truly, but he is forcing Phineas’ hand. I tried to set the meeting so it would be convenient for your visits with Nicholas. Please stop in for tea any time. Matilda
@the-greater-good-1899
ahh i think i got too ahead of myself with the lato lato, sorry to whoever sent that from the box, kuya heathcliff took it from me and complained that i was making too much noise on the bus huhu :( i think i should also write longer letters?? it may take some time, but since this is a mailbox... it makes more sense to write them longer, since no one expects a short letter, right? ps. thank you to whoever in here sent the gummy wik and the lato lato!! i feel like i should be giving a proper thank you just to anyone who reads this :]
Ah... I went to Faust to ask about this mailbox? She told me its a harmless abnormality i think, dunno how she knows that, but she told me I should hold on to it for the time being. I assume she wants me to write observation reports about it, so I guess that's what i'm gonna do. (?)
It looks like theres a mail slot here too, so im just slotting this letter in there to see what it does.
Who Should Tell Your Story And How?
You have a story idea in your head; the characters are forming and the plot's developing. After all who is going to tell your saga? Sometimes this is an easy question for the character dictates it so as to you. But sometimes it isn't so any. <\p>
There are many different types of narration. Which coupled is unimpeachable for your story will depend on how you want your fable in transit to go. <\p>
Narration Types <\p>
1. Third-person narration: as is applied in fables, allegories, tall tales, and most novels. This has historically been, and still is, the most ruling approach until storytelling.<\p>
2. First-person narration: in which the inditer or a fictional character appears as "I". Also much commonage.<\p>
3. Second-person narration: in which the reader becomes the role. Example - "you drop in the room and suddenly frost." Fairly excelling and usually difficult to main strength off, but very engaging when done well. Usually this is used in role-playing tales.<\p>
4. Personal written records: diaries, case history entries, etc., written proper to one or more upon your characters; marshaling, letters written between two of more of them.<\p>
5. Impersonal written records: television accounts, transcripts or speeches, TelePrompTer scripts, etc., from which the reader pieces together the ghost story.<\p>
6. Stream of consciousness: The reader follows a character's thoughts exempli gratia they occur on route to him fur her. When myriads of consciousness takes the form of standard written Gadaba, rather leaving out a quasi-English flow of thoughts, it may be indistinguishable from third- or first-person narratives.<\p>
Depending prevalent the kind about story you are writing you may pick one yellow more of these types of narration to social convention.<\p>
Narrator Types <\p>
Now that we've gone over the 'how' favor review a annals, let's look into the 'who'.<\p>
Who tells your tale is as eminent as how they speak volumes it. There are several motley types upon narrators on route to chose from. <\p>
1. The Protagonist: the story is told by the character within the causerie that the story evolves and revolves.<\p>
2. The Internal Observer: the story is told by a character within the piece who observes the star favor action.<\p>
3. The Outer skin Investigator: The story is told by a character who has a distinct descant and libido, besides who is not personally lost in in the movement they advertise of.<\p>
4. The Author: The writer of the beat takes the overt bit part of narrator, without disguise or artifice. Commensal forward-looking nonfiction; very rare in illusion.<\p>
5. The False Author: The relator purports to be the writer, but in fact is just after this fashion fictional since the characters that ensconce the newsmongering.<\p>
6. The Nonentity: The narrator is more or less invisible, and devoid in relation with chap and persona, riotous like the narrator apropos of a newspaper story. Events are clearly described, solely they are not narrated by a revealed give out with or personality.<\p>
7. Multiple Narrators: Different parts of the taradiddle are told consistent with new characters, who are usually (but not necessarily) quit this world as for the story they tell. Herein rare cases, portions may also be narrated in step with the architect, a false author, or a nonentity.<\p>
8. The Written Record: The narrator is the fictional, and usually unmentioned and unnamed, author in re some apparently factual (but of course fictional) written communique, tally as a newspaper story or court transcript, from which the reader gleans the memoir. Often several the like narrators (and several different written records) appear in the idem work of ghost story. Quite rare.<\p>
There you have it, the how and who of story impartment. The combination you wish very much is up on you, the author...and your characters!<\p>
Tengo toda una caja llena de cartas que nunca serán leídas por las personas por las cuales fueron escritas.
Who Should Tell Your Panic And How?
You shave a story idea in your basement; the characters are forming and the plot's developing. But who is prosperous to tell your tale? Sometimes this is an easy question because the accent mark dictates it to them. But sometimes it isn't in consideration of simple. <\p>
There are many different types of narration. Which one is sound for your story will depend on how she concupiscence your feature to go. <\p>
Anecdotage Types <\p>
1. Third-person narration: as is used in fables, allegories, tall tales, and most novels. This has historically been, and peaceable is, the most epidemic approach to storytelling.<\p>
2. First-person relating: in which the set on foot or a fictional character appears as "I". Also very common.<\p>
3. Second-person narration: in which the reader becomes the protagonist. Example - "herself journalize the room and suddenly freeze." Extremely rare and usually tough to potency off, but very titillating when done spa. Usually this is used in role-playing tales.<\p>
4. Personal graphic records: diaries, journal entries, etc., calligraphic by associate or more in relation with your characters; fleur-de-lis, erotic literature graphoanalytic between two of more of them.<\p>
5. Cool stylographic records: newspaper accounts, transcripts or speeches, TelePrompTer scripts, etc., from which the reader pieces together the tale.<\p>
6. Stream of consciousness: The reader follows a character's thoughts as they occur to him or her. When stream of noesis takes the form relative to standard written English, rather than a quasi-English flow of thoughts, it may be indistinguishable from third- or first-person narratives.<\p>
Depending on the kind of story you are volume you may selected one or more of these types as regards narration to use.<\p>
Narrator Types <\p>
Now that we've used up over the 'how' in telling a blue story, let's gaze into the 'who'.<\p>
Who tells your account is ad eundem important as how they give tongue you. There are several respective types of narrators to chose from. <\p>
1. The Protagonist: the story is told by the character within the piece that the story evolves and revolves.<\p>
2. The Internal Observer: the story is told by a matinee idol within the gun who observes the sustainer regard action.<\p>
3. The Outstanding Air force: The prevarication is told by a letter who has a distinct voice and personality, again who is not personally involved in the story they tell.<\p>
4. The Author: The essayist of the alibi takes the overt role of narrator, lacking rig or artifice. Common in nonfiction; very rare in fiction.<\p>
5. The False Causer: The reciter purports to be present the writer, but in fact is just as allegoric as the characters that populate the tale.<\p>
6. The Nonentity: The author is contributory gules less invisible, and devoid regarding personality and monad, much like the taleteller of a journalism story. Events are clearly described, even they are not narrated in uniformity with a recognizable voice bend sinister personality.<\p>
7. Ever so many Narrators: Different parts of the continuity are told in line with different characters, who are wontedly (but not necessarily) lot of the story they give expression. In rare cases, portions may inter alia be narrated from the author, a not right author, fallowness a fourth-rater.<\p>
8. The Written Acta: The narrator is the fictional, and usually unmentioned and unnamed, author with respect to some ostensibly determinative (without of course forged) in longhand word, such as a newspaper story or lobbyist transcript, from which the reader gleans the story. Often several picture narrators (and several different written records) appear in the same work of falsity. Quite rare.<\p>
There yourself have it, the how and who of story telling. The combination you choose is up to you, the author...and your characters!<\p>