mosaic based on libyan weaving patterns. made with marker & pen. inspired by the purse my aunties sent me when i was young. by jamie riley.
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mosaic based on libyan weaving patterns. made with marker & pen. inspired by the purse my aunties sent me when i was young. by jamie riley.
Noohl'o le's Chuue'hi kee menechok (2019) by Saif Azzuz
maghreb culture series depicting one of my favorite traditions: tea ceremony!! inspiration was taken from pictures on pinterest of libyan tea ceremonies and amazigh libyan architecture/interiors. done by me, riley asteroid
Abdelgader Badr
The work of the Libyan artist, Ali Omar Ermes, Letter Kaf: The Power of Expression, represents a dramatic departure in its scale, treatment and intent. Measuring 130.6cm x 94.9cm, the painting is dominated by the form of a single letter of the Arabic alphabet, the letter ‘kaf’ or ‘k’, created with one continuous brush stroke.
The composition, which reads more as an undulating abstraction than an actual letter, is notable for its boldness and spontaneity.
While evoking the fluidity of Chinese and Japanese calligraphy, the single letter, monumentalised and stripped to its most essential form, also echoes the expressiveness of the ‘New Style’ script discussed earlier.
Perhaps to accentuate the creative tension between the present and the past, Ermes has also included a poem from the 10th century Kitab al-Aghani (Book of Songs) by Abu’l Faraj al-Isfahani. Written in the traditional maghribi style, associated with North Africa and Islamic Spain, the script shares the rhythm and energy of the large ‘kaf’.
I’m Sorry, I Forgive You | Sorry Mama (2012)
Arwa Abouon
He is the most collected Muslim contemporary artist worldwide, bursting with colors, Arabic calligraphy, abstract poetry & spirituality. Galleries exhibiting his work can be located in London, Dubai, Oxford, WashinGton, Los Angeles, Saudi Arabia, Abu Dhabi, Amman, Kuala LumPur and more...
http://www.aliomarermes.co.uk/