August Brömse (1873–1925), Life Escaping, 1902
from ‘Death and the Maiden’ series
seen from United States
seen from China

seen from United States
seen from United States
seen from Brazil
seen from Netherlands

seen from United Kingdom
seen from China

seen from Australia

seen from Malaysia

seen from United States
seen from United States

seen from South Africa

seen from Malaysia
seen from Netherlands
seen from Malaysia

seen from South Africa
seen from United States
seen from United States

seen from Malaysia
August Brömse (1873–1925), Life Escaping, 1902
from ‘Death and the Maiden’ series
August Brömse - Life Escaping. From the series 'The Girl and Death', 1902.
Life Escaping, from the series “The Girl and Death” (1902) by August Brömse
August Brömse,
Life Escaping, 1902
Life Escaping
from the series "The Girl and Death" (1902)
by August Brömse
Aquatint, 18 x 25.6 cm. National Gallery Prague. According to Otto M. Urban,
"The Girl and Death" is a modern variant of the Dance of Death. Death (a skeleton) plays a fantastic song on the violin; the girl listens in fascination and dances a wild dance — death accompanies her life's pilgrimage. Life becomes endless suffering for the girl, cursed by the deity; her love is fatefully led from the start by tragic steps. As a symbol of the first fruits of sin the girl, in some sort of hypnotic trance, flies through space on a great snake which — in some prints of the series — holds an apple in its mouth. The concept of the landscape evokes a sense of unreality and timelessness. One of the last prints brings the whole story up to date. The girl lies prostrate on a window-sill; the anonymous roof tops of the modern city appear in the background. [197]
References
Urban, Otto M. In Morbid Colors: Art and the Idea of Decadence in the Bphemian Lands, 1880-1914. Prague: Municipal House and Arbor Vitae Press, 2006. Plate 258.