Finders Keepers (1983)
AnasAbdin

@theartofmadeline

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Aqua Utopia|海の底で記憶を紡ぐ
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★

titsay

Love Begins
almost home
TVSTRANGERTHINGS
$LAYYYTER

Product Placement

blake kathryn

oozey mess
🪼

pixel skylines
Three Goblin Art
tumblr dot com
Misplaced Lens Cap
ojovivo
seen from Türkiye

seen from Malaysia
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seen from Austria
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seen from United States

seen from Malaysia

seen from Finland
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@niewiedersehen
Finders Keepers (1983)
Paul Wunderlich À trois, 1970
Shampoo packaging design by Ralph Grigg for Texas Pharmacal Co. From “The Design of Advertising”, 1973.
Exercise studio. Paris. 1939.
Lucifer Rising (Kenneth Anger, 1972)
each hour a pearl, each pearl a prayer to still a heart in absence wrung: i tell each bead unto the end, and there a cross is hung.
(the rosary, 1913)
The bride of Christ under Anti-Christ, represented by Mandragora.
Christ is seen decapitating the Mandragora (that has a woman body) and replacing his head with one that looks like himself.
Honorius Augustodunensis - Opera exegetica (c. 1150).
Robert Coutras
also, deeply glad to see tumblr is still the most vintage-obsessed network. i’m definitely back;
Mellotron ad - 1973.
this is it, eternal love
haven’t been posting for centuries. was imprisoned for what I haven’t done for 6 months. now finally at home, still arrested
life
is
weird
Source details and larger version.
Archival advertisements reveal the trends of their time: here’s my collection of vintage ads.
Lucas Cranach the Elder - Pyramus and Thisbe. Detail. 1515 - 1520
Marcel Lefrancq - Objectivité scientifique, 1948
Kurukulla; Central Tibet; 18th century; Ground mineral pigment, fine gold line, red ground on cotton; Rubin Museum of Art; F1996.7.2 (HAR 422)
“The Tibetan goddess Kurukulla, also known as Red Tara, is renowned for her powers of enchantment. She may be called upon to bewitch or subdue humans and demons alike. She typically holds a bow and arrow, similar to Cupid or Eros in Western mythology. If her mantra is repeated ten thousand times, it is said to bring about all of one’s desires.
Kurukulla is shown here in an eighteenth-century painting and is depicted in her signature red, the symbolic color of power and seduction.” (Rubin Museum of Art)