Matteo di Giovanni, Annunciation with Saints John the Baptist and Bernardine of Siena (Pala di San Pietro a Ovile), 1455. Simone Martini and Lippo Memmi, Annunciation with Saint Ansanus and Saint Maxima, 1333.
seen from Brazil

seen from Romania

seen from Germany

seen from Brazil
seen from Hong Kong SAR China

seen from Brazil
seen from United States

seen from United States
seen from United States
seen from China

seen from Nigeria

seen from Brazil
seen from China
seen from China

seen from Brazil

seen from Türkiye

seen from Brazil

seen from Brazil
seen from China

seen from Australia
Matteo di Giovanni, Annunciation with Saints John the Baptist and Bernardine of Siena (Pala di San Pietro a Ovile), 1455. Simone Martini and Lippo Memmi, Annunciation with Saint Ansanus and Saint Maxima, 1333.
Title: Christ's Entry into Jerusalem Artist: Lippo Memmi (Italian [Sienese], ca. 1291-1356) Date: 14th century (Trecento) Genre: religious art (Roman Catholic Christianity) Style: International Gothic Medium: fresco Location: Collegiata di Santa Maria Assunta, San Gimignano, Italy
Lippo Memmi was a follower of the Gothic style of his brother-in-law Simone Martini. His work is conservative and hews closely to the Byzantine tradition that was passing out of fashion by his day. This fresco comes from a cycle of New Testament scenes in the Collegiate Church of San Gimignano.
Lippo Memmi and Francesco Traini - Triumph of Saint Thomas Aquinas. 1363
Simone Martini and Lippo Memmi, Annunciation (1333; tempera and gold on panel, 184 x 210 cm; Florence, Uffizi)
Lippo Memmi, Bon Dimanche des Rameaux, 1338-1340
Lippo Memmi, Crucifixion, ca. 1335
Lippo Memmi (1291 - 1356)