@truckslover Here is the request, dear.
I’m sorry for the delay, but I hope you like it! ❤️🌸
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🥀♤ LOCKE / 18 - JEALOUSY
♤ Before an established relationship, Locke carries his own jealousy with irony toward you:
- Oh, dear. Are you already replacing me with another?
- We are not together, Locke.
- Are you really going to keep up that charm?, how cute.
Or then:
- ... You like THAT type of guy? At this rate I won’t even need to try very hard.
And even:
- It’s dangerous to walk around alone, you know?
- But I was with...
- Yeah, yeah. I know. The same as being alone, dear.
♤ After you are in a relationship, jealousy and protection mix a little.
And, without even realizing it himself, a spark of insecurity also adds itself to the jealousy if you happen to show some correspondence to that other guy beyond innocent casualness.
Since childhood, Locke got used to being perceived by the others around him more as a weapon than as a person.
I mean, you really do see the man in him and not only the lethal weapon specialized in killing demons, right?
.
.
.
Right?!
♤ Even after you are together, Locke still does not let the jealousy weigh on you.
♤ He does feel jealousy, yes, and to his own displeasure, Locke feels it more than he would like or imagined he would feel.
Even so, he mostly keeps it safe, away from the sunlight, hidden behind relaxed and easygoing ironies.
♤ A deeper degree in the seriousness of this jealousy is when Locke starts speaking lower and closer to you after the usual irony.
Something like:
- I almost thought you had forgotten that you came out with me.
And after getting closer to caress your cheek — disguising that, this way, he was “cleaning” the spot on your skin where the other guy had greeted you with a kiss — Locke lowers his voice, tilting his head and staring at you with one eyebrow raised above his glasses:
- Better establish some boundaries with that guy, don’t you think? I wanted to do that myself, but you are much kinder than I am with these things.
♤ The deepest step of jealousy is when Locke simply says nothing. No irony. No joke. No warning at all.
He simply stands there, serious, staring at you and staring at the other guy; even with his gaze hidden by the lenses of his glasses, it is possible to be certain of the displeasure Locke is feeling in that moment.
This is the worst one because he closes himself off. It is the last stage after all the provocations and ironies. It is the most delicate point to make him turn back, because if it reached that point, it means that at some moment you had to voluntarily cross some boundary; you were the one who deliberately fed some less innocent interaction; you were the one who sought something you should not have been seeking there.
♤ Now, if the one who crossed the boundary was the other guy, well, what can be done?, just breathe in relief when Locke appears speaking casually with you, louder than necessary, passing an arm around your shoulder or waist and placing his own body as a barrier between the two of you; meanwhile he pushes the other guy back, with much more force than necessary; Locke meets his gaze only once, the glasses resting low on his nose, the coldness of his blue irises sending a shiver down the other’s spine.
Locke, now, is not joking.
But you do not need to be scared; after the situation is resolved, Locke is over you much more explicitly worried than usual, wanting to check if you are okay, if the guy really did nothing against you — physically or morally.
Locke will insist and prolong this subject until he is convinced that you were not hurt in absolutely anything.
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