The Like's Lost Record - a masterpost
PART FIVE: Live shows, setlists, and audio (cont.)
I guess it's only fitting that tumblr made me create a new post for the most exciting / recent development in this story!
For many years, the content of the previous parts is all we had from the lost record... UNTIL May of this year when After the Show sent me some live audio she had saved!!! She is clearly the real MVP behind this entire masterpost with the 2018 interview, real time archival materials, and finally getting me off my ass to make this.
I still can't believe we have these now, and can listen to them. Unfathomable to me only a few months ago.
One show I did not mention in the last part was at 6th St. Warehouse May 30, 2008, between the Club 86 show and the Nylon/Myspace show. I have a more comprehensive post on this show in particular, but I'll include this picture of the setlist below:
Just imagining this era's version of Don't Make a Sound... are you kidding me?!?
Message board users Oddjobber and Normal Person comment that the setlist is "a carbon copy of Wednesday's show" (at Club 86) except with one extra song, "Jules."
As you may have noticed, there are some differences between the song titles the Like used during the recording sessions/Charlotte's blog posts, on the demo CD, and while playing live.
It seems that the band was calling many of these songs by the names of the people they were about as working titles, ("Valentine," "Caleb," maybe "Vera," etc.) which is genuinely hilarious.
This theory is corroborated by a comment on the He's Not a Boy studio video saying "I believe its called 'Johnny', I'm not entirely sure" - and Dan Cairns' 2010 interview where he writes that "Razorlight's Johnny Borrell ... is shredded on the recent single He's Not a Boy." (Not sure where he got that info from, but Z likes the article and didn't correct it, so there's that.)
This would make the setlist:
Don't Make a Sound, I Can See It in Your Eyes, In the End, Hazy Shade of Hate, "Caleb"/Murder of Crow, "Jules," Release Me, Cross My Heart (title mentioned in the blog posts), He's Not a Boy, and Alone at Last, if I'm reading correctly.
It's so fascinating to see titles we know and love along with ones that remain unknown/unfamiliar! Looking at the Like's released material, the jump from Are You Thinking What I'm Thinking? to Release Me feels like two completely separate worlds. But, all this in-between material makes it clear that there was a murky middle that bridged the two together. The 60s influence may seem like it was out of nowhere without context, but even in 2007 Tennessee's father was taking pride in the band playing "proper beat music."
I hope that, if nothing else, this masterpost provides a clearer look at how the Like's sound evolved. And of course, if this introduced you to any new information or songs you might not have heard, that's cool too 😉❤️
Thank you so much for reading if you got this far, and I hope this was of some interest to you :) Feel free to chat with me anytime, ask questions, or make suggestions, as I'm sure I'll be editing this in the future. Big love from me to you!!
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