"Negative Spaces is one of the catchiest, most consistent records of 2024." Poppy has gone and made a full-on arena metal album, and it absolutely bangs | Louder
Teaming up with Bring Me The Horizon's Jordan Fish, Poppy has crafted an anthem-stacked, arena-ready metal record
"All had this feeling that it was something really momentous": Bruce Dickinson looks back on his solo albums and forward to Iron Maiden's big year | Louder
Bruce Dickinson reveals the solo album that should've been better and the song Iron Maiden play while he enjoys a cup of tea
We’re remixing my whole solo catalogue. I’ve done seven solo albums, half as many as I’ve done with Maiden, which seems kind of bonkers, really. With all the new technology, you can beef things up, and Balls To Picasso is the one we’ve done the most with. We’ve added more guitars, more keyboards, orchestration.
And the horn section on Shoot All The Clowns – wow! We found these guys, they’re Berklee music professors who happen to be trumpet and trombone maestros and also happen to be fans. With Shoot All The Clowns they said: “Can we just go to town and do the full Aerosmith on this horn section?” I went: “Good idea, boys!”
And oh my god, it rocks! All of this stuff brings out the colours of the songs so much more. So we’re going to retitle it More Balls To Picasso, just to differentiate it. That’ll be the first one to come out, next August. After that it will be Skunkworks and Tattooed Millionaire, then Accident Of Birth, and also Chemical Wedding which will have a few tracks that didn’t end up on the original record.
"Remember when you safety-pinned the tablecloth to my pants?"
Former Van Halen frontman David Lee Roth has released a new single, and it's an affectionate look back at his time with the band.
Called Nothing Could Have Stopped Us Back Then Anyway, the single's YouTube thumbnail is a picture of the original Van Halen line-up, while the song itself – a wistful affair with a touch of Crosby, Stills & Nash about it – features lyrics that relate to Roth's time with the band.
Highlights include, "We laughed, we cried, we threw the television off that balcony. That memory means so much to me", "Remember when you safety pinned the tablecloth to my pants" and "Kicked out the restaurant to make the night complete, six pack and a happy meal on a park bench down the street."
The song comes from acoustic sessions Roth recorded with guitarist John 5 in 2007, alongside Skyscraper-era Roth band drummer Gregg Bissonette and keyboardist Brett Tuggle. Later, John told Guitar World that the sessions had resulted in an album's worth of material.
"Dave and I have about 12 or 13 songs in the can for a future record," John 5 said. "And it’s all acoustic. But not strummy, campfire stuff – I’m talking lots of cool, crazy jazz chords, and 50 or 60 overdubbed guitar tracks, with all this harmonising and other weird stuff going on. Dave’s vocals are incredible. He sings his ass off."
Other songs to have emerged from the sessions include Somewhere Over The Rainbow Bar and Grill, which Roth released in 2020, and Giddy-Up, which came out in May last year, but it's Nothing Could Have Stopped Us Back Then Anyway that excites John 5.
"It’s unbelievable," he told al.com last year. "Being a Van Halen fan and a Dave Lee Roth fan, it’s unbelievable because it’s about Dave singing about Van Halen and what it was like. Really something special, so I really hope that comes out."
As Babymetal continue their US tour, footage from their show in Washington on Sunday evening emerges online
Just like the Sun and the Moon changes the appearance of this world with its daylight and moonlight, with evermore new type of various sounds, their music paints the Metal Galaxy in different colours.
In 2011, Metal Hammer boarded Ed Force One to join Iron Maiden in South America for scenes of madness, mayhem and pisco sour
“I’ve grown up with it for 30 years. It’s always been there,” he says, growing emphatic. “I don’t remember not being in Iron Maiden. People go, ‘What a bizarre life you must lead’, but I put it all in a balloon. At the end of the tour it goes pop and I leave it all behind…”
You’re saying you aren’t the man you are onstage.
“No,” he says, the warmth leaving his visage, his stare suggesting the weight and pain of experience. “You can’t do that. You lose the plot. There were times earlier on when you’re sort of fantasising about ‘Wouldn’t it be great to be a rock star?’ You’re 16, you read about guys in magazines, but it’s a complete loss of all sense of reality that goes on. ‘Here’s the keys to the Ferrari, an unlimited supply of drink and shitloads of women.’ From a distance it looks like everybody’s dream, but as much as you believe all these people are consenting adults sleeping and drinking with you because you’re such a great guy, it’s difficult to find anybody that actually thinks about you as an individual. Suddenly you go from being the life and the soul of the party to being the loneliest guy in the most amazing orgy in the world. It’s like, where the fuck do I belong? Believe it or not I saw Barry Manilow being interviewed and he was talking about his asshole years, and I went ‘I’ve been there!’ I knew exactly what he was talking about.”