My contribution for the Spectral Sounds exhibition:
The soundpiece “The Recording with the Sound of its own Recording” makes the recording of a recording process audible. The title refers to Robert Morris’ piece “The Box with the Sound of its own Making” from 1961 and also makes the production process of an art piece audible. In the case of “The Recording with the Sound of its own Recording” the only material used is the ambient sound of a recording studio which shapes the final result of the piece. The processoriented structure makes multiple spaces audible: a sound studio, the recording of a sound studio, the recording of the recording of a sound studio (in a control room), and finally the propagation of these sounds in the space of the listener.