#luckypdf

[johnhill]

Comercialisation and Self-institutionalisation (2014), Withe de With, Rotterdam

Part of Slash: Hybrid Ecologies & Audiences Today, this talk looked at LuckyPDF’s network model of art practice in relation to other commercial and non-commercial models that exist online.

www.wdw.nl

[johnhill]

How to Leave London (2014)

An online video series interviewing artists across Europe about the way they live, work and connect. How to Leave London looks at the continued importance of location to making art in a hyper-connected world.

howtoleave.luckypdf.com

Commissioned by Hayward Gallery, London, as part of the exhibition MIRROR CITY.

[johnhill]

School of Global Art (2012)

A semi-fictional online artschool, with both online resources and offline events and live contributions from Tehran, Los Angeles, Berlin, Shanghai, Melbourne, Manchester, London and Paris.

www.schoolofglobalart.org | www.dismagazine.com

Commissioned by Fierce Festival, Birmingham, ICA, London and Next Wave Festival, Melbourne.  

[johnhill]

Live From Frieze: LuckyPDF TV (2011)

Four days of live online broadcasts from Frieze Art Fair, London. Episode 1 features contributions by Paul Pieroni, Hannah Perry, Dan Szor (with Rael Stone), Cory Arcangel, Jimmy Merris (with Boyle and Shaw), Paul Simon Richards, Martin Kohout, Petra Cortright, Bo Ningen and Daniel Swan.

Full credits and more episodes of LuckyPDF TV can be found at luckypdf.com/tv

Commissioned by Frieze Foundation for Frieze Projects 2011. Images: production still (photo: Linda Nylind); Frieze 2011 Fuck It, Callum Hill (photo: Tom Saunderson)

[johnhill]

The Conservatory (2011)

Shot on a single day in front of a live, public audience The Conservatory connects the work of eight artist — Natalie Dray, Ed Fornieles, Callum Hill, Philip Li, Eddie Peake, Dominik Salter-Dvorak, Daniel Swan and Amalia Ulman — invited by LuckyPDF to develop new work for the context of single channel video, performative film making and the Barbican Centre’s modernist conservatory.

Commissioned by Barbican Art Gallery, London as part of Laurie Anderson, Trisha Brown, Gordon Matta-Clark: Pioneers of the Downtown Scene, New York 1970s. Images: production still, Philip Li (photo: Yuri Pattison); production still, Callum Hill (photo: Bradley Zero)

[joshua-crowe]

Cory Arcangel interviewed by LuckyPDF

[juhavantzelfde]

To us, art is only interesting when viewed as a social phenomenon. That requires a polyphony of voices, and a movement of thought. We take our inspiration from other industries that recognize the benefits of working in a group. This is only made possible because of a shared belief that collaboration will create the best product. We value the effectiveness of this process more highly than the pursuit of fame or our individual egos, because we believe that it’s the best structure for creating great things. It’s important to think about how power is exercised and how it’s visible in contemporary society. Power lies in being able to organize systems.

GarageMag.com - GARAGE Talk: Lucky PDF

[come-together-book]

LuckyPDF, School of Global Art, 2012