#madeinla2018

[clockshopla]

Beatriz Cortez’s new sculpture, Tzolk’in is now on view at both the Bowtie Project, and the Hammer Museum. 

To learn more about the Bowtie, visit Clockshop.org.

[martinet]

Evening of fun with @oclafboom to see @saintmotel and others at #madeinla2018 (at Golden Road Brewing) https://www.instagram.com/p/BnPtM0ThWGt/?utm_source=ig_tumblr_share&igshid=1w9nzr5rl0nnx

[godobe]

Some of my favorite pieces at the @hammer_museum’s #MadeinLA2018 biennial by #lindastark, @roshayag, and @naotakahiro. 🎨 #art #losangeles #westwood (at Hammer Museum)

[ospix]

At the @hammer_museum’s #MadeinLA2018 #biennial. Amongst my favorites were @jagangormarsh #awesomeballs!, @charleslongstudio, @deedsweaves, @lengua, and @johnhouck. Also superfun to bump into curatorial associate #MacKenzieStevems leading a tour of the show. Thru Sept 2. . #ospix #artexhibit #artexhibition #contemporaryart #contemporarypainting #contemporarysculpture #losangelesart #losangelesartist #museumexhibit #visualart (at Hammer Museum)

[mokumoku-family]

"Made in LA 2018" show at the Hammer Museum. It was our first time to be able to look at some art for a couple of hours and actually enjoy it together without baby/kids crying chaos...So happy about this!! #hammermuseum #madeinla2018 #art #museumwithkids #finally #artviewing #happykids #happyparent #mokumokufamily (at Hammer Museum)

[luvina]

#MadeinLA2018 #hammermuseum #lumyereffects (at Hammer Museum)

[killjoypdx]

#Repost @hammer_museum ・・・ Candice Lin’s installation for #MadeinLA2018 calls attention to the suppression of a historically significant event in which over 200,000 Chinese people were forcibly brought to the Caribbean from 1847 to 1874. “La China Charada” explores how this forgotten history might be understood amidst current discussions about the migration crisis and ongoing concerns over human trafficking and labor conditions. • The installation is composed of an earthen floor mixed with red clay, cement, seeds, and guano. This earth surrounds a raised platform containing a human silhouette, which has been embedded with the seeds of opium poppy, sugarcane, and poisonous plants from the Caribbean. Grow lights and a rudimentary irrigation system are intended to cultivate growth. These plants connect the history of the Opium Wars in the nineteenth century (which resulted in drug addiction, unfair trade practices, and political unrest in China) with the use of poisonous plants in slave and worker uprisings. The materials reference histories of imported Chinese laborers, including coolie laborers who worked alongside African slaves on sugar plantations in the Caribbean and in Louisiana; cement production in Cuba and California; and guano harvesting in Peru. (at Hammer Museum)

[edgarfabianfrias]

So blessed to have traveled so cosmically on the rainbow serpent with @saewwwon of @_sun_song_ at the @hammer_museum . It is such a gift to witness your friend step so powerfully and gracefully into their Goddess-Gifted role(s)! 😭✨🙏🏾👏🏾🌈💓💓Many thanks to the curators, organizers, and to the artists @jagangormarsh! . . . . . . #hammermuseum #losangeles #saewonoh #edgarfabianfrias #ceremony #plantbased #plants #plantmedicine #madeinla2018 #yesgoddess #contemporaryart #praxis #tbt #sunsong #visions (at Hammer Museum)